Here are 100 books that Mud Creek Medicine fans have personally recommended if you like
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I was born and raised in the suburbs of eastern Pennsylvania, not far from the Appalachian Mountains, but a world away from the place the rest of the country calls “Appalachia.” Researching All This Marvelous Potential, my book about Robert Kennedy’s 1968 tour of eastern Kentucky, was a revelation. Appalachia is rich in Black history, and queer history, and labor history, and a national leader in education. I am a journalist and author. All This Marvelous Potential is my sixth book.
Few books have changed the course of history like Harry Caudill’s Night Comes to the Cumberlands. Exposing political corruption, environmental destruction, and endemic poverty in Appalachia, Night Comes put poverty squarely on the national agenda and inspired LBJ’s War on Poverty. Although not rigorously factual — Caudill never let the facts get in the way of a good story — Night Comes is a priceless document of its time and place, and required reading for anyone who wants to understand Appalachian culture and history in the middle of the 20th century.
At the start of the 1960s the USA was unquestionably the wealthiest and most powerful nation in the world.
Yet despite its prosperity and influence there were areas of the country which seemed to have been forgotten.
In 1962 Harry Caudill, a lawyer and legislator, decided to shine a light upon the appalling conditions which he witnessed in Eastern Kentucky.
His introduction lays out the issues which he saw before him: A million Americans in the Southern Appalachians live in conditions of squalor, ignorance and ill health which could scarcely be equaled in Europe or Japan or, perhaps, in parts…
I was born and raised in the suburbs of eastern Pennsylvania, not far from the Appalachian Mountains, but a world away from the place the rest of the country calls “Appalachia.” Researching All This Marvelous Potential, my book about Robert Kennedy’s 1968 tour of eastern Kentucky, was a revelation. Appalachia is rich in Black history, and queer history, and labor history, and a national leader in education. I am a journalist and author. All This Marvelous Potential is my sixth book.
A welcome and necessary antidote to J.D. Vance’s drivel, Elizabeth Catte shatters stereotypes about Appalachia with a sledgehammer then crushes the pieces to dust under her feet. Contrary to much of what you hear and read about the place, Catte’s Appalachia is diverse, creative, entrepreneurial, energetic, and smart. The problem isn’t in Appalachia. The problem is outside it.
In 2016, headlines declared Appalachia ground zero for America's "forgotten tribe" of white working class voters. Journalists flocked to the region to extract sympathetic profiles of families devastated by poverty, abandoned by establishment politics, and eager to consume cheap campaign promises. What You Are Getting Wrong About Appalachia is a frank assessment of America's recent fascination with the people and problems of the region. The book analyzes trends in contemporary writing on Appalachia, presents a brief history of Appalachia with an eye toward unpacking Appalachian stereotypes, and provides examples of writing, art, and policy created by Appalachians as opposed to…
I'm a speculative fiction writer who often works within the genre of "climate fiction." I grew up in southern Appalachia; my hometown is a lovely place, surrounded by the beauty and wildness of the Smoky Mountains. It also happens to be centered around a chemical company where a large portion of the town works, including my father and, for a brief time, myself. I've been fascinated with the dichotomy of nature and industry for a long time, and have spent years exploring these themes in my own work.
I grew up in southern Appalachia. Every time I fly home to visit my family, I see the scars of mountaintop removal coal mining as the plane begins to descend over the Blue Ridge Mountains. Lost Mountainchronicles the far-reaching effects of this devastating and unethical practice. I truly believe it ought to be required reading for anyone living in America today.
A new form of strip mining has caused a state of emergency for the Appalachian wilderness and the communities that depend on it-a crisis compounded by issues of government neglect, corporate hubris, and class conflict. In this powerful call to arms, Erik Reece chronicles the year he spent witnessing the systematic decimation of a single mountain and offers a landmark defense of a national treasure threatened with extinction.
I was born and raised in the suburbs of eastern Pennsylvania, not far from the Appalachian Mountains, but a world away from the place the rest of the country calls “Appalachia.” Researching All This Marvelous Potential, my book about Robert Kennedy’s 1968 tour of eastern Kentucky, was a revelation. Appalachia is rich in Black history, and queer history, and labor history, and a national leader in education. I am a journalist and author. All This Marvelous Potential is my sixth book.
The Appalachian Volunteers began in the early ’60s as a ragtag group of college kids who spent their summers fixing up one-room schoolhouses in rural Kentucky. With funding from government anti-poverty programs, it grew into a formidable organization dedicated to fighting strip mining and economic injustice. Then it was killed, like so many good things, by the Nixon administration. This superb history of the AVs is really a history of Appalachia—and America—in the 1960s.
The Appalachian Volunteers formed in the early 1960s, determined to eliminate poverty through education and vocational training and improve schools and homes in the mountainous regions of the southeastern United States. In Reformers to Radicals: The Appalachian Volunteers and the War on Poverty, Thomas Kiffmeyer illustrates how the activists ultimately failed, mainly because they were indecisive about the fundamental nature of their mission. The AVs, many of them college students, were also distracted by causes not directly connected with the war on poverty, such as civil rights and opposition to the Vietnam War. Despite some progress, the organization finally lost…
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Uneven Ground is a book about Appalachia, but it is also a story of American economic development and a cautionary tale about the failures of capitalism. Eastern Kentucky lies in the heart of central Appalachia, an area rich in resources but home to some of the nation’s poorest people. Eller knows more about the region’s challenges than anyone and he provides a compelling indictment of development narratives that emphasize industrialization and false promises of “progress.” His book offers hope that out-of-the-box thinking and a new definition of “the good life” can lead to healthy and more equitable communities in the mountains.
Appalachia has played a complex and often contradictory role in the unfolding of American history. Created by urban journalists in the years following the Civil War, the idea of Appalachia provided a counterpoint to emerging definitions of progress. Early-twentieth-century critics of modernity saw the region as a remnant of frontier life, a reflection of simpler times that should be preserved and protected. However, supporters of development and of the growth of material production, consumption, and technology decried what they perceived as the isolation and backwardness of the place and sought to "uplift" the mountain people through education and industrialization. Ronald…
I’ve always loved reading memoirs, especially about a hero’s journey—whether it’s a teacher figuring out a tough group of students or a kid figuring out how to change the story they’ve been written into. I love nothing more than the triumphant ending that makes me cheer and cry happy tears. As an English teacher and debut author of my own memoir, I’ve found that honest storytelling opens a door for others to walk through and tell their own stories. I love seeing my students connect with stories like theirs because it shows them they’re not alone in their struggles and that living happily ever after is possible.
Bobi Conn’s story of growing up in poverty was too familiar: the cheap food, a car they push to start, a motel they move into when her father hits her mother, and the frustration of watching our mothers go back because they don’t have the courage to stay gone. Bobi also found refuge at school, which I related to because this was where life was predictable—and we were fed.
The author’s voice is powerful and honest as she shares her trauma, humiliation, and loss. Bobi Conn comes from the holler, deep in Appalachia, and her story is a beautiful testament to the resilience and bravery children are forced to have—and the childhood too many lose along the way.
A clear-eyed and compassionate memoir of the Appalachian experience by a woman who embraced its astonishing beauty, narrowly escaped its violence, and struggles to call it home.
Bobi Conn was raised in a remote Kentucky holler in 1980s Appalachia. She remembers her tin-roofed house tucked away in a vast forest paradise; the sparkling creeks, with their frogs and crawdads; the sweet blackberries growing along the road to her granny's; and her abusive father, an underemployed alcoholic whose untethered rage and violence against Bobi and her mother were frighteningly typical of a community marginalized, desperate, and ignored. Bobi's rule of survival:…
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
Kentuckian Harriet Arnow married the child of Jewish immigrants and lived much of her life in Michigan.
Her great American novel, Hunter’s Horn, however, is set back in Kentucky. Rich in local color, the novel’s main storyline centers on the hunt for the great fox known as King Devil.
The men’s challenge of catching the fox, though, is just the warp thread for a tapestry of conflict and interplay among industrialization, old folkways, popular culture, and the aspiration to join the larger culture. The novel, which also proves to be strongly feminist, ends with the resounding close of a trap, which is a warning to all of us.
In Hunter's Horn, Arnow has written the quintessential account of Kentucky hill people - the quintessential novel of Southern Appalachian farmers, foxhunters, foxhounds, women, and children. New York Times reviewer Hirschel Brickell declared that Arnow "writes...as effortlessly as a bird sings, and the warmth, beauty, the sadness and the ache of life itself are not even once absent from her pages".
Arnow writes about Kentucky in the way that William Faulkner writes about Mississippi, that Flannery O'Connor writes about Georgia, or that Willa Cather writes about Nebraska - with studied realism, with landscapes and characters that take on mythic proportions,…
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
Kentucky writer Robert Gipe’s graphic novel is about a teen-age girl growing up in Appalachia.
Dawn tells the story of her drug-dealing junk-food-scarfing Kentucky family and their dilemmas. Like Maynard’s characters, Gipe’s border stereotypes, or would, if Gipe didn’t know and respect his people so well. These are the descendants of the hunters of Hunter’s Horn and the battling miners of Storming Heaven.
There is also a strong political thread about Dawn's grandmother who is an organizer against mountaintop removal. The novel has the bonus of Gipe’s wry little black and white illustrations.
Dawn Jewell is fifteen. She is restless, curious, and wry. She listens to Black Flag, speaks her mind, and joins her grandmother's fight against mountaintop removal mining almost in spite of herself. "I write by ear," says Robert Gipe, and Dawn's voice is the essence of his debut novel, Trampoline. She lives in eastern Kentucky with her addict mother and her Mamaw, whose stance against the coal companies has earned her the community's ire. Jagged and honest, Trampoline is a powerful portrait of a place struggling with the economic and social forces that threaten and define it. Inspired by oral…
I was born and raised in the south. I come from a large, talkative family. All my life, I listened to my family talk. Hearing them was more fun than television. I grew up with country music playing constantly in the background. It was on the radio when I woke up and still playing when I went to bed. My parents read to me, made up bedtime stories, and let me tell them my made-up stories. Let me follow them around with my childish tales, encouraging me. Being an author has always been my number one dream.
I was drawn to Bertie from the start. Her struggles to understand herself and why things happened as they did resonated with me in a very personal way.
I read this recently on Kindle and couldn’t wait to read more each time I had to put it down to do some mundane tasks in life, such as eating, taking my granddaughter to therapy, and stuff like that. Bertie stayed in my mind, calling me to finish her story.
Even now that I’ve finished, she still whispers in my mind, making me want to read the book all over again.
Set in Appalachia and the Midwest at the turn of the twentieth century, this exquisite debut novel paints an intimate portrait of one resilient farm family’s challenges and hard-won triumphs—helmed by an unforgettable heroine.
Growing up on their hardscrabble farm in rural Kentucky, fifteen-year-old Albertina “Bertie” Winslow has learned a lot from her mama, Polly. She knows how to lance a boil, make a pie crust, butcher a pig, and tend to every chore that needs doing. What she doesn’t know, but is forced to reckon with all too soon, is how to look after children as a mother should…
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
Remembering its excellent character portrayals, I re-read this book when I began writing my own novel about an interracial friendship. Set in Kentucky, Stranger Here Below depicts the friendship that develops when outgoing Maze (short for Amazing Grace) and staid Mary Elizabeth room together at Berea College in the 1960s. Mary Elizabeth, who’s quiet and musically talented, is the daughter of a black preacher, while Maze is a chatty Appalachian girl. Although the friendship is interrupted when Mary Elizabeth abruptly leaves school, the two women try, years later, to revive it.
In 1961, when Amazing Grace Jansen, a firecracker from Appalachia, meets Mary Elizabeth Cox, the daughter of a Black southern preacher, at Kentucky's Berea College, they already carry the scars and traces of their mothers' troubles. Poor and single, Maze's mother has had to raise her daughter alone and fight to keep a roof over their heads. Mary Elizabeth's mother has carried a shattering grief throughout her life, a loss so great that it has disabled her and isolated her stern husband and her brilliant, talented daughter. The caution this has scored into Mary Elizabeth has made her defensive and…
