Here are 100 books that How to Solve a Murder fans have personally recommended if you like
How to Solve a Murder.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I bought this book when I was doing some research for a project, expecting it to be very dry but was happily surprised at the humor and style of her writing. She is extremely knowledgeable about her field and has helped solve hundreds of cases, but you won’t hear any humble bragging. She is all about the teamwork that goes into solving criminal cases, which makes me respect her even more.
I learned so much more about anthropology from this book than I did working at my job, and in a thoroughly entertaining way. This is easily a book I can read more than once.
Book of the Year, Saltire Literary Awards A CrimeReads Best True Crime Book of the Month
For fans of Caitlin Doughty, Mary Roach, Kathy Reichs, and CSI shows, a renowned forensic scientist on death and mortality.
Dame Sue Black is an internationally renowned forensic anthropologist and human anatomist. She has lived her life eye to eye with the Grim Reaper, and she writes vividly about it in this book, which is part primer on the basics of identifying human remains, part frank memoir of a woman whose first paying job as a schoolgirl was to apprentice in a butcher shop,…
I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.
Forensic pathologist Dr. Richard Shepherd has performed over 23,000 autopsies over his career. This has given him a unique perspective on life and death.
His description of his arrival at one of the first crime scenes he’d attended The Hungerford Massacre is worth the price of this book alone. It reads a like a haunting, eerie screenplay. Driving through a normal, ordinary suburban housing estate, coming across body after body. Haunting and respectful.
Shepherd also deals with the difficulty of not taking his work home with him after examining the results of the horrors people can inflict upon one another.
I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.
What is compelling about this book is that the author has worked on some of the most famous cases in the UK. Some like Stephen Lawrence, Rachel Nickell, and Damilola Taylor are still very much in the public consciousness.
She details the difficulties in the case and how she worked methodically on them. The Guardian said, "Her ability to reconstruct violent events in her mind and to see how forensic science can be used to reveal a suspect would leave even Sherlock Holmes in awe."
'Fascinating. A book that will be essential reading for every aspiring crime writer' Guardian
'Offers a chilling glimpse into her life's work. Fascinating stuff.' Sunday Times
'Compelling' Daily Mirrror
__________
By the time I arrived at the wood yard in Huddersfield on a bitterly cold night in February 1978, the body of the 18-year-old victim had already been taken to the mortuary. __________
Never before has criminal justice rested so heavily on scientific evidence. With ever-more sophisticated and powerful techniques at their disposal, forensic scientists have an unprecedented ability to help solve even…
I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.
On a slightly lighter note, although still involved in the solving of murder, this book is written by a forensic botanist.
It’s about how dirt, seeds, and grasses can be utilised in solving crime. An unusual and unique career and all the more fascinating because of it. He talks about his frustration with dealing with some police officers who don’t appreciate how important this science can be.
It’s a brilliant demonstration of how simple, old botanical observations are still relevant and can be crucial in solving a murder in an age of DNA and digital analysis. All of this explained in language that we can all understand.
Dr Mark Spencer is a forensic botanist - in other words, he helps police with cases where plants can unlock clues to solve crimes, from murder and rape to arson and burglary.
Murder Most Florid is an enthralling, first-person account that follows Mark's unconventional and unique career, one that takes him to woodlands, wasteland and roadsides, as well as police labs, to examine the botanical evidence of serious crimes. From unearthing a decomposing victim from brambles to dissecting the vegetation of a shallow grave, Mark's botanical knowledge can be crucial to securing a conviction.
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
Anyone who has been involved in the investigation of crime will tell you that establishing the time of the offence is vital. It’s always been surprisingly hard in the case of murder. This well-written book takes the reader through the advances and pitfalls in estimating the time of death accurately. It’s a superb work, full of scientific detail, and fascinating details which make this book a must for every crime writer.
When detectives come upon a murder victim, there's one thing they want to know above all else: When did the victim die? The answer can narrow a group of suspects, make or break an alibi, even assign a name to an unidentified body. But outside the fictional world of murder mysteries, time-of-death determinations have remained infamously elusive, bedeviling criminal investigators throughout history. Armed with an array of high-tech devices and tests, the world's best forensic pathologists are doing their best to shift the balance, but as Jessica Snyder Sachs demonstrates so eloquently in Corpse, this is a case in which…
I work on topics where medicine, crime, and the law intersect, aided by an undergraduate degree in chemistry and stimulated by my fascination with how criminal justice systems work. I have published on the history of poisoning, vitriol attacks, assault, child murder, and the role of scientific expertise in criminal investigations and trials, focusing on Britain since the seventeenth century. I’ve contributed to many TV documentaries over the years, and enjoy the opportunity to explain just why the history of crime is about so much more than individual criminals: it shows us how people in the past lived their lives and helps explain how we got where we are today.
This is an important resource for anyone interested in the history of twentieth-century forensic practice, because it explains the rise of forensic science as a discipline separate from forensic medicine. Forensic scientists, based in laboratories, analyse trace evidence found at crime scenes, while forensic pathologists focus on the dead body in the mortuary. An analysis of the 1953 serial murders committed by John Christie at his infamous London address, 10 Rillington Place, shows how murder investigations had by then become team efforts centred on the crime scene itself.
Crime scene investigation-or CSI-has captured the modern imagination. On television screens and in newspapers, we follow the exploits of forensic officers wearing protective suits and working behind police tape to identify and secure physical evidence for laboratory analysis. But where did this ensemble of investigative specialists and scientific techniques come from? In Murder and the Making of English CSI, Ian Burney and Neil Pemberton tell the engrossing history of how, in the first half of the twentieth century, novel routines, regulations, and techniques-from chain-of-custody procedures to the analysis of hair, blood, and fiber-fundamentally transformed the processing of murder scenes. Focusing…
I’d always known about the Lady of the Dunes. I’d read about how she was found in the dunes of Provincetown, Massachusetts, on July 26, 1974. I didn’t know about the tens of thousands of other unidentified victims like her, stowed around the US in the back rooms of morgues and unmarked graves. As a journalist who has always given a voice to those who struggle to be heard, I feel compelled to research and write about these Jane and John Does and the people who work to keep their cases in the public eye. I share a unique bond with writers who do the same.
I was lucky enough to meet and interview pioneering chief medical examiner Dr. Marcella Fierro—the real-life inspiration for Kay Scarpetta, one of the most well-known characters in crime fiction. Fierro, through Cornwell, laid the foundation for every book, movie, and TV series featuring forensics. In this book, Scarpetta is back in Virginia, where she investigates the remains of a woman whose body was found dumped near railroad tracks, her throat cut and hands amputated. A penny found flattened on the rail could be a clue to the Jane Doe’s identity.
The legendary Patricia Cornwell is back with her No.1 bestselling, groundbreaking series following Kay Scarpetta
Kay Scarpetta is back, and this time she's right in the path of danger...
World-renowned forensic pathologist Kay Scarpetta and her husband Benton, a psychologist with the US Secret Service, have returned to Virginia. They are headquartered five miles from the Pentagon in a post-pandemic world that's been torn by civil and political unrest.
Just weeks into the job, Scarpetta is called to a railway track where a woman's body has been shockingly displayed, her throat cut down to the spine. But the trail of…
As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I felt an affinity with Dr. Melinek partly because we both started our careers right before or right after 9/11 when we were both “learning the ropes” in our respective fields. In Dr. Melinek’s case, she had been working as an ME in New York City for two months before the 9/11 terrorist attacks; I started as a graphic artist at the FBI just two months after, in November 2001.
I loved this book because it gives the real day-to-day experiences of a woman working in what could be a depressing, ghastly environment. However, the author keeps her sense of humor throughout while showing the utmost compassion for victims. I found myself nodding my head in agreement at some of the cases she worked on, especially the one with an unidentified victim.
Just two months before the September 11 terrorist attacks, Dr. Judy Melinek began her training as a New York City forensic pathologist. While her husband and their toddler held down the home front, Judy threw herself into the fascinating world of death investigation-performing autopsies, investigating death scenes, counseling grieving relatives. Working Stiff chronicles Judy's two years of training, taking readers behind the police tape of some of the most harrowing deaths in the Big Apple, including a firsthand account of the events of September 11, the subsequent anthrax bio-terrorism attack, and the disastrous crash of American Airlines Flight 587.
As an Infectious Diseases specialist and epidemiologist, I became aware of the clandestine bio-weapons program in Russia when exposed—after the fall of the Soviet Union. I began to look at data and lecture on the potential problem before 9/11. I familiarized myself with the biology behind likely successful pathogens, including antibiotic resistance, inability to make a vaccine, and enhanced virulence designs. I also have a passion for Greek mythology that I wanted to stitch into a publication. This is the background for my book.
A best-selling crime writer, Cornwell outlines the fascinating story of a forensic pathologist about to uncover the strange story of an injured man in a hospital’s psychiatric ward. What Cornwell does as well or better than most authors is explain the excellent and latest technological testing to clarify events and identify the cause of the mystery.
From America's #1 bestselling crime writers comes an extraordinary #1 New York Times bestselling Kay Scarpetta novel.
Leaving behind her private forensic pathology practice in Charleston, South Carolina, Kay Scarpetta accepts an assignment in New York City, where the NYPD has asked her to examine an injured man on Bellevue Hospital's psychiatric prison ward. The handcuffed and chained patient, Oscar Bane, has specifically asked for her, and when she literally has her gloved hands on him, he begins to talk-and the story he has to tell turns out to be one of the most bizarre she has ever heard.
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
This is exactly the kind of book I find fascinating, with real-life historical mysteries being explored and researched using cutting-edge scientific methodologies. It covers so many aspects of forensics, from facial reconstruction to DNA. If you are the kind of person who loves seeing famous people from history analysed for poisons, seeing mummies facing the same medical problems as we do, and wonder if a skull found in an attic belongs to a king, then this is the book for you.
Did Richard the Lionheart really die from just a crossbow wound, or was there foul play? Who are the two infant children buried in Tutankhamen's tomb? Could a skull found in a tax collector's attic be the long-lost head of Henri IV? In When Science Sheds Light on History, Philippe Charlier, the "Indiana Jones of the graveyards," travels the globe with his forensics team to unravel these and other historic mysteries. To get answers, Charlier looks for clues in medical records, death masks, fingerprints, and bloodstains. He even enlists the help of perfume experts to smell and identify embalming materials.…
