91 books like Globes

The prose of this classic novel can be a little sticky to our 21st-century sensibilities, but in all other ways, Scott is a modern writer, addressing the issues of anti-Semitism and the corruption of the Church at a time when those things weren’t cool. Plus, we have another awesome warrior-hero in Sir Wilfred of Ivanhoe and jousting to boot. Who doesn’t love a good tourney? My daughter and I hit the Renaissance Faires every year just to see men pretend to stab each other from horseback with long sticks. The plotting of this book is simply perfection—they just don’t write them like this anymore. It’s a hero’s tale with a big dollop of romance—my favorite.

Do we need architects for our homes? Well, it seems that in the past they often failed to be there. Bernard Rudovsky, who was himself an architect, featured in 1964 an exhibition dedicated to the topic at the New York MoMA. The related catalogue, Architecture Without Architects, has since then turned into an iconic book. A beautiful set of black and white pictures that describes a primitive state of the art in which skilled but anonymous builders applied throughout the planet the laws of nature giving birth to what is presently labeled as vernacular styles. No names survived despite the talents, in this collection featuring the first steps of architecture, but rationality and functionality are already there, long before Modernism would make them its core principles. It was a pleasant surprise to discover in this book some kind of credit to my belief that medieval castles may have inspired… show more.

“When K looked at the castle he sometimes thought he saw someone sitting quietly there, looking into space, (…) as if he were alone and no one was observing him…” 

It seems that castles are watching us, with some kind of emotional detachment. This impression is described in this famous Kafka novel featuring a traveler stranded in a remote Mitteleuropa village who despite his tenacity fails to reach the castle that overlooks the place. Apart from the usual kafkaesque absurdity, this unfinished novel brings to mind the feeling of oddness that someone often goes through when approaching a castle, facing its uncanny presence. Even more, it conveys the strange fact that the path that leads to them, probably because of their unusual scale, seems always endless.

I had already included some Spanish castles in my project when I heard about the Reinhard Wolf book and discovered his unsettling pictures. This German artist had photographed the same castles half a century before me, using the same analogic films and the same traditional view cameras, composing frames that I had reproduced without knowing his work. It seems that buildings, like human beings, have a good profile which a photographer cannot miss. The other surprise came from the unexpected feeling that my photographs had been shot prior to Reinhart Wolf’s. Because the castles had meantime been restored, their walls being refreshed, the course of time seemed reversed: they appeared in an earlier condition through my camera than photographed 50 years before, when partly ruined. Having in mind that photography is much about time and traces, the discovery was puzzling. By chance the scope of my personal project was not… show more.

Gregory Bateson, an intellectual maverick, had an evolutionary rule named after him when he was a teenager, (his father was a famed geneticist), was the formulator, along with Jurgen Ruesch, of the double-bind hypothesis of schizophrenia, and was a pioneer in the field of mammalian communication. Given its wide range of address to issues within evolutionary biology, psychiatry, anthropology, systems theory, cybernetics, and communication theory, this is a classic “must read” collection of short essays. Bateson’s unrelentingly original and provocative analyses provoke thought and defy any easy categorization. At the very least, he shows how mammalian play, as multileveled interaction, paves the way for the evolution of human language, and also, how human interaction, with its multiple logical types and different kinds of learning, occurs at various levels of abstraction.

I love this unique book. Written by a philosopher who was equally an anthropologist, it presents a bird’s eye view of the structure of human history. This is not a subject most scholars have the knowledge or the courage to tackle!

Gellner has both. He paints a picture of the three eras of human history that is hard to deny, in the process analyzing the core logic of each era for the people who lived in it. This sets the stage for understanding what a new kind of world we live in today. Gellner also had a wicked sense of humor. The book opens students’ eyes – I taught it as often as I could.

I’m biased here, because I translated this book from Portuguese, but it’s a slender little thing with a huge personality.

Ailton Krenak is an indigenous leader from Brazil, and this essay is his attempt to show where human civilization has gone wrong and what we might do to save it.

In a mix of sigh, outburst, yawn, and eulogy, Krenak suggests some simple paradigm shifts that could make all the difference, but the basic idea is clear: there’s no point in trying to change what we do without first changing how we see—and that’s maybe a stretch too far for us. 

This is the book for readers who wish to sample Berlin’s kaleidoscopic, multidisciplinary work in a single volume across its whole range. It includes his most celebrated essays in philosophy, political theory, the history of ideas, and twentieth-century portraiture. His two most famous pieces, The Hedgehog and the Fox (on Tolstoy’s view of history) and Two Concepts of Liberty (on ‘negative’ and ‘positive’ political freedom), are here, as are his accounts of his formative meetings with the great Russian poets Anna Akhmatova and Boris Pasternak, his impressions of Churchill and Roosevelt, and his pellucid accounts of romanticism and nationalism. The essays are linked by his ruling preoccupation with understanding human nature in all its irreducibly various guises: what he called, following Kant, ‘the crooked timber of humanity’.

Since the recent passing of Peter Berger, Christian Smith is arguably the most well-known and influential sociologist working in the field of religion. 

In this book, Smith lays the groundwork for his vision of what it means to be a person, something so often overlooked in the social sciences. Smith claims that humans have a particular set of capacities and proclivities that distinguish them from animals. Despite the vast differences in humanity across cultures and historical eras, Smith offers the possibility that human beings have a universal human personhood. Humans, who, though part of the animal kingdom, are spiritual beings that have a moral and spiritual dimension.

This is something that I have been struggling with for years, and Smith simplified it.

We appreciate this book because it helped us to introduce the concept of a ‘hierarchical category,’ which is necessary to describe our MES. We accomplished this by translating Koestler's concept of a "hierarchy of holons," where a holon embodies a 'hybrid nature' akin to a two-faced Janus.

Technically, a hierarchical category organizes objects into numbered levels (0 to m). An object at level n is dual-faced: 'simple' compared to levels above n, but 'complex' compared to levels < n, this object being the "colimit" (or combination) of linked objects < n. Within a hierarchical category, we compute the 'complexity order' for each object. The category aligns with pure reductionism if it lacks objects with a complexity order greater than 1.