100 books like Fun, Taste, & Games

Sheff's 1994 story is still the most incisive narrative history of Nintendo. It's full of all the ups and downs you expect in a process-oriented tome. But it also has soul, delivered by the wonder-filled mind of Shigeru Miyamoto, the creator of the Mario and the Legend Of Zelda series. Today, no journalist could ever get inside Nintendo, which is as closed off to its inner workings as Apple is. But Sheff got inside, way inside, and every reader is the better for it.

Steve's sprawlingly wonderful book is not only an essential (and the first) oral history of video games' early years. The author takes you inside the minds of the (mainly) white men who pioneered a form of entertainment media that's now bigger than all forms of popular art combined. Just as it makes you think of the brilliance of these slick hucksters and brainy engineers who created a new form of culture, it makes you think that games would have benefitted greatly from more diversity back then - and now.

Of the small subgenre books that deal with the way games aid education, Toppo's shows how games can make a difference in the way students learn by looking at first at a Washington, D.C. school's success with improving math scores through game playing. From there, he visits professors and visionaries, all of whom have helped kids learn through games. One thing becomes clear: if there were a games class in every school, especially in underserved communities, student grades would go up.

No one's written the perfect history of the PlayStation. But this illustration-rife, Kickstarted book for fans details the secrets of Sony's history with consoles, including rare photos of collectibles and decent interviews of 26 of the key developers, like PaRappa The Rapper co-creator Rodney Alan Greenblatt and Crash Bandicoot co-creator Jason Rubin. Yes, they could have included interviews with key U.S execs like Andrew House and Mark Cerny. Still, it works. Dimension-wise, the book's not large enough to be a coffee table book. But that's what it feels like, and an indispensable one at that.

This delightful book erases the stiff, sepia portraits of a bygone age, painting the Victorian world in living color. It shreds the era’s image as fun-challenged. The Victorians knew how to have a rollicking good time, inventing popular entertainment on a commercial scale.

In two generations, theatrical performances, professional sporting events, and seaside holidays were accessible to the masses. Jackson traces the social and economic transformations that made it possible.

This book explores McLuhan’s relationship with avant-garde art. While McLuhan’s engagement with artistic endeavours, has received some attention, Kitnick examines in detail not only how McLuhan’s work on art developed over an extended period, but how his views on artistic practice came to inform the work of others. He builds on McLuhan’s contention that art was not primarily a means of self-expression, but rather the basis for cultural exploration and environmental change. Drawing inspiration from figures such as James Joyce, T.S. Eliot, and Wyndham Lewis. McLuhan, according to Kitnick, saw members of the avant-garde as artists who work within conventional structures in order to disrupt them, thereby throwing them into relief. 

Mircea Eliade is one of the foremost historians of religion, The Sacred and the Profane is probably his most readable book. It clearly describes what traditional (oral) religions are like and how they differ from global (book) religions. Traditional religions provide critical background for understanding some contemporary ritual practices, but most importantly for me, traditional religions provide a context for understanding the emergence of secret societies. This will be a good read for anyone interested in traditional religions, whether native American, Australian, African, or pre-Christian Europe. I highly recommend it.

This book reports on a research project, this time undertaken by Christopher Alexander and his students.  It is one of a number of books that attempts to ask deep questions about how places grow, and in particular about how they can grow positively in a manner that we instinctively feel to be ‘good.' Like Cullen’s book, this deeply influenced my own studies, this time of planning, when I remember conducting an experiment focused on piecemeal growth with a fellow student. The project emulated Alexander’s method and taught me a key lesson that has informed my own work ever since, namely that urban design is primarily a process. Get the process right and you are much more likely to get the outcomes you desire.

Magee’s splendid introductory book is my go-to recommendation for those who wish to enter the world of philosophical ideas. Yes, it’s old-school in the sense that it can be annoyingly androcentric and Eurocentric. A supplement like Rebecca Buxton and Lisa Whiting’s remarkable Philosopher Queens or Julian Baggini’s volume below should be read in tandem. Having said that, however, no one else pulls together the history of western philosophy with terse, informative, and fascinating accounts of important figures and schools as well as Magee. Plus, Magee’s text luxuriates amidst the lush, generous, and illuminating visuals that make Dorling Kindersley volumes so voluptuous. 

This book was instrumental in introducing the English-speaking world to Modern Art. As criticism, it taught readers how to appreciate Neo-Impressionism. But it was also a seminal contribution to Anglo-American philosophy. By demanding an answer to the question “What is Art?” Bell set the agenda for subsequent philosophers who sought to develop a definition of art in response. Bell’s own answer is that something is art if and only if it possesses significant form which itself is the cause of aesthetic emotions. Bell’s emphasis on significant form earned him a reputation as one of the foremost Philosophical Formalists.