100 books like Feel Like Going Home

This masterful work helped me put context around music and musicians I already loved by fusing scholarly study and excellent biographical portraits of blues musicians, enlivened by vivid writing and a deep empathy for his subject matter. This is my own goal in everything I write, and this book has remained a touchstone throughout my career.

I went out of my way to hire Bob Palmer when I was Guitar World's managing editor, and getting to work with him remains a career highlight. I am not alone in my ardor for this book; it’s no coincidence that it appears on virtually every list created about blues or roots music on this site.

This originally came out in 1973 as Chicago Breakdown, and has probably never been out of print. Rowe is an English blues historian and record collector, and his obsessive fascination with the musicians, labels, and clubs that created the blues in Chicago’s golden years drips off every page, from Lester Melrose’s Bluebird label through to the Chess Records giants – Muddy Waters, Little Walter, Howlin Wolf and “the last of the great blues poets”, Sonny Boy Williamson.  Much of Rowe’s work has no doubt been superseded by the veritable industry of blues research that has sprung up in the years since publication, but Chicago Blues was a major milestone, and remains the indispensable key to an understanding of the city’s music scene.

It began as a master’s thesis in the early Sixties, when the blues was still (just) alive and evolving, and still celebrated by its traditional black audiences. By the time the book was published in 1966, however, white fans had ‘discovered’ the music, and everything was changing. Pounding, repetitive tunes of the kind written by Willie Dixon at Chess and popularised by English R&B bands, became the canon. The blues, with a new rock audience unaware of its rich variety and deep hinterland, was reduced to a single rather tedious idea. It didn’t have to be like this. It’s not the fault of those white R&B bands, but if they had been less fixated on Chicago and opened themselves up to influences from Detroit, say, and Memphis, we might now be living in a different musical world. Keil provides a glimpse of it.

Chicago is where I grew up watching the fascinating interplay between the so-called forces of law and order battle the criminal element. It wasn’t much of a battle unless the law-and-order guys and the crooks found themselves reaching for the same loot. Mike Royko’s book describes very well the interplay. On a personal note, I once worked for one of the Illinois governors who ran as a reform candidate. He ended up going to jail on a fraud scheme.

Chuck Berry: The Autobiography is a primary clue to the Inner Chuck, if not the Facts of Chuck, an indisputable masterpiece, witty, elegant, and revealing, and (or perhaps but) ultimately elusive. Unlike so many music (and other) autobiographies, every word of this one was written by its author in a web of elegant, intricate connections that are both coded and transparent. Very much like the songs.

The loss of a sibling(s) changes us and rocks our world. I read Susan’s book and heard words of love, hope, and resilienciency, a message I needed to hear and wanted to emulate. The parallel themes to my life and the stories shared by other siblings, Susan weaves in amongst the heartfelt love of Rocky warmed my heart. To quote Susan, “Where there is joy, there is grief. One is more predominant than the other at any given time, depending on which one we shine our light on.” I felt this at the birth of my grandson. On the one hand, a hole in my heart missing my beloved sisters, and looking at this beautiful new life, a new beginning.

This book tells readers all kinds of things rocks can be using rhyme and whimsy. For example: “A rock can be a … tall mountain. Park fountain.” “Hopscotch marker. Fire sparker.” This book will spark imagination and conversation about all the other things rocks could be. There’s scientific rock information in the back, along with a glossary and recommended rock books.

A precise, thoughtful, and unromantic blues scholar, Barry Lee Pearson was also a friend of, and occasional booking agent for, DC-area acoustic blues legends like John Jackson and Cephas & Wiggins.

Jook Right On, which I was delighted to blurb and use in my own teaching, offers a series of compact autobiographical testimonies—“blues stories”—on a wide range of topics from a wide range of blues people. 

“Wordsmiths by trade,” Pearson writes in his brilliantly incisive introduction, “these storytellers bring to their tales qualities also found in blues musical performance and philosophical perspectives characteristic of the blues tradition such as improvisation, ironic humor, ambivalence, and a life-affirming sense of hope in the face of adversity.”

Constitutionally immune to cliches, Pearson brings you closer to the blues musician’s perspective than any writer I know.  

I grew up with the Beatles. I went from 8 to 16 in the time it took the band to go from Love Me Do to Let It Be. I measure my own growth from infancy to adolescence during their lifespan.

The Beatles were more than a band to anyone of my age. They were a planet we all lived on. There have been hundreds of books about them, but few are more insightful than this one by their suave and urbane press officer.

Derek started off his career as a hard-bitten newspaper hack of the old school. Working with the Beatles changed his life. I can relate to that. The Fab Four changed all our lives. 

No BTS book listicle is complete without this bible of a biography. I loved it for the unexpected stories that broke and expanded my vision of the boys.

My favorite example: Suga revealing that he used to blend chicken breasts in a blender. I never knew meal prep could be this revelatory but it makes me appreciate this book and the blood, sweat, tears, and pulverized dinners that went into the making of the band all the more.