Here are 100 books that Dying for an iPhone fans have personally recommended if you like
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I’m a professor of Chinese studies, and I’m especially interested in what the close study of culture can reveal about aspects of contemporary Chinese life that are usually dominated by the perspectives of historians, sociologists, anthropologists, and political scientists. I’m fascinated not so much by how cultural practices reflect social change but by how they sometimes make it happen, particularly in societies where overt political action is blocked. As my book picks show, I’m intrigued by the inventiveness and drive of people who create culture, often new forms of culture, under conditions of oppression, exploitation, and duress.
I really enjoyed this bracing and saucy novel as a cheery counterpoint to the many much bleaker artistic works about migrant life. It charts the life and times of the young women who journeyed to the economic heartlands of South China in search of work during the 1990s and early 2000s.
The protagonist is Xiaohong, a young woman so mesmerizingly voluptuous that everyone in the novel, from its narrator down to the most incidental character, is hopelessly distracted by her bosom. At times, I did find this metaphor for personal capital in a precarious era a bit overblown.
But as Xiaohong moves from job to job – hair salon, toy factory, hotel, hospital – I realized that the fixation with her body is a way of marking both her vulnerability and her resilience as a woman on the move, if not necessarily on the up, in a society that has…
Qian Xiaohong is born in a sleepy Hunan village, where the new China rush toward development is a distant rumor. A buxom, naïve 16-year-old, she joins the mass migration to the boomtown of Shenzhen where she navigates dangerous encounters with ruthless bosses, jealous wives, sympathetic hookers and corrupt policemen. Moving through a grinding succession of dead end jobs, Xiaohong finds solace in her close ties with her fellow "northern girls," who quickly learn to rely on each other for humor and the enjoyment of life's simple pleasures. This coming-of-age novel explores the inner lives of a generation of young, rural…
I’m a professor of Chinese studies, and I’m especially interested in what the close study of culture can reveal about aspects of contemporary Chinese life that are usually dominated by the perspectives of historians, sociologists, anthropologists, and political scientists. I’m fascinated not so much by how cultural practices reflect social change but by how they sometimes make it happen, particularly in societies where overt political action is blocked. As my book picks show, I’m intrigued by the inventiveness and drive of people who create culture, often new forms of culture, under conditions of oppression, exploitation, and duress.
This anthology contains many of the poems that first made me realise that grim working conditions among China’s underclass were producing an extraordinary cultural response.
The writers of these poems are people who’ve left their rural homes behind to seek a living in the nation’s big cities, places that need their labor but grant them only a chilly welcome. Their poetry, superbly translated here, is about the factory floor, the assembly line, the roar of machines: it’s about amputated fingers, fluorescent lights, ID cards, and tower cranes.
It’s also about homesickness, love affairs, lost hopes, and camaraderie. For me, the book’s most powerful poem is its last, written by Xu Lizhi, who worked in a Foxconn factory making parts for Apple, shortly before he committed suicide in 2014:
I swallowed an iron moon
they called it a screw
I swallowed industrial wastewater and unemployment forms
"Iron Moon is a monumental achievement. It redraws the boundaries of working-class poetry for the new millennium by incorporating at its center issues like migration, globalization, and rank-and-file resistance. We hear in these poems what Zheng Xiaoqiong calls "a language of callouses." This isn't a book about the lost industrial past; it's a fervent testimony to the horrific, hidden histories of the 21st century's working-class and a clarion call for a more cooperative and humane future."-Mark Nowak, author of Coal Mountain Elementary
Eleanor Goodman is a writer and translator. Her translation of work by Wang Xiaoni, Something Crosses My Mind,…
I’m a professor of Chinese studies, and I’m especially interested in what the close study of culture can reveal about aspects of contemporary Chinese life that are usually dominated by the perspectives of historians, sociologists, anthropologists, and political scientists. I’m fascinated not so much by how cultural practices reflect social change but by how they sometimes make it happen, particularly in societies where overt political action is blocked. As my book picks show, I’m intrigued by the inventiveness and drive of people who create culture, often new forms of culture, under conditions of oppression, exploitation, and duress.
This path-breaking book was a huge inspiration to me as I began to dig deeper into the relationship between culture and labor in contemporary China.
By the time Sun’s book came out in 2014, anthropologists, sociologists, and political scientists inside and outside China had already carried out extensive studies of the largest migration in human history and the scorching inequalities that mass movement of people has generated. But Sun shows in compelling detail that this exodus from the Chinese countryside is a deeply cultural movement, too.
Blending ethnography with probing and compassionate analysis of poetry, videos, photography, and activist protest, Sun argues that culture can be the crucible of political consciousness for working people trapped in the grinder of underclass life. I’ve returned to this book again and again.
Behind China's growing economic and political power is a vast underworld of marginalized social groups. In this powerful and timely book, Wanning Sun focuses on the country's hundreds of millions of rural migrant workers, who embody China's most intractable problems of inequality. Drawing on rich and extensive fieldwork, the author argues that despite the critical role their labor has played in enabling and sustaining the country's remarkable economic growth, workers and peasants have become the nation's "subalterns."
Sun focuses especially on the role of media and culture in negotiating the unequal relationships that exist between various social groups. She shows…
I’m a professor of Chinese studies, and I’m especially interested in what the close study of culture can reveal about aspects of contemporary Chinese life that are usually dominated by the perspectives of historians, sociologists, anthropologists, and political scientists. I’m fascinated not so much by how cultural practices reflect social change but by how they sometimes make it happen, particularly in societies where overt political action is blocked. As my book picks show, I’m intrigued by the inventiveness and drive of people who create culture, often new forms of culture, under conditions of oppression, exploitation, and duress.
This book made a big impact on me because it shifts the study of culture in working-class China from familiar genres such as poetry to the vast domain of the digital.
Qiu argues that a working-class network society has taken firm shape in 21st-century China, made up of migrants, laid-off workers, retired people, young people, and small-scale entrepreneurs. In one sense, these people are the “information have-less” because they belong to the social classes typically on the wrong side of the digital divide.
But Qiu’s book shows that cheap internet access and extensive cell phone penetration in China have enabled the “have-less” to create class identity through their use of information technology. From community-building to memory-making, the book really nuanced my understanding of digital networks as a transformatively cultural force.
An examination of how the availability of low-end information and communication technology has provided a basis for the emergence of a working-class network society in China.
The idea of the “digital divide,” the great social division between information haves and have-nots, has dominated policy debates and scholarly analysis since the 1990s. In Working-Class Network Society, Jack Linchuan Qiu describes a more complex social and technological reality in a newly mobile, urbanizing China. Qiu argues that as inexpensive Internet and mobile phone services become available and are closely integrated with the everyday work and life of low-income communities, they provide a…
I traveled to Xinjiang Uyghur Autonomous Region in the summer of 2019, where I saw for myself many of the tools of surveillance and control that the Chinese Communist Party has used to turn the region into an open-air prison. Since returning to the United States, I have tried to draw attention to the Uyghur genocide through my published articles and through my book, Middle Country, where I tell the story of the Uyghur genocide by weaving facts, history, and analysis into a narrative account of the week I spent in Xinjiang. I hope that my book can make this profoundly complex and multifaceted issue more accessible to the average person.
In this book, Amelia Pang examines all aspects of China’s system of forced labor, which she explains has recently been deployed as a tool in the Uyghur genocide but has existed long before the genocide began. Importantly, she explains how Western consumers are complicit in Chinese forced labor through their choices to purchase the cheap goods that this system produces.
A Most-Anticipated Book of the Year: Newsweek * Refinery29 "Timely and urgent . . . Pang is a dogged investigator." --The New York Times
"Moving and powerful." --Chris Hedges, Pulitzer Prize-winning journalist and author
Discover the truth behind the discounts.
In 2012, an Oregon mother named Julie Keith opened up a package of Halloween decorations. The cheap foam headstones had been five dollars at Kmart, too good a deal to pass up. But when she opened the box, something shocking fell out: an SOS letter, handwritten in broken English. "Sir: If you occassionally buy this product, please kindly resend this…
I’ve spent all of my adult life writing about American foreign policy, especially Chinese-American relations. My America’s Response to China, the standard text on the subject, has gone through 6 editions. I served as a line officer in the Pacific Fleet, lived in Taipei and Beijing. I also served as chairman of the State Department Advisory Committee on Historical Diplomatic Documentation and have been a consultant on Chinese affairs to various government organizations. And I cook the best mapo toufu outside of Sichuan. (where I negotiated the Michigan-Sichuan sister-state relationship in 1982). It was probably my love of Chinese food that accounts for most of the above.
I’ve known Liz since she was a graduate student and have been delighted to see her rise to become one of the leading authorities on the inside workings of the Chinese state.
After years as the Council on Foreign Relations’ China expert, she left for the Hoover Institute for a quieter atmosphere for her research and writing, but she was drafted to serve as China adviser to Gina Raimondo, Biden’s secretary of commerce. There’s no better book on Xi’s China today.
In The Third Revolution, eminent China scholar Elizabeth C. Economy provides an incisive look at the transformative changes underway in China today. Chinese leader Xi Jinping has unleashed a powerful set of political and economic reforms: the centralization of power under Xi, himself, the expansion of the Communist Party's role in Chinese political, social, and economic life, and the construction of a virtual wall of regulations to control more closely the exchange of ideas and capital between China and the outside world. Beyond its borders, Beijing has recast itself as a great power, seeking to reclaim its past glory and…
I have been addicted to Asia ever since serving in Tokyo for three marvelous years as The Economist’s correspondent in 1983-86 and since watching the rise of China, India, and South-East Asia from my privileged perch as editor-in-chief of The Economist in 1993-2006. For much of those years I have been writing about politics and economics rather than war and peace, but two key events recently convinced me to study something new. These were Russia’s invasion of Ukraine in February 2022 and then my beloved Japan’s decision to shake off its post-war shackles and build up its own defense forces in order to help prevent something like that from happening in Asia, too.
The chaos of the Trump foreign policy in 2016-20 always brings a mix of horror and entertainment, but Josh Rogin’s book also gave me an especially revealing quotation from Trump; when in 2019, he said to an unnamed senator, “Taiwan is like two feet from China. We are eight thousand miles away. If they invade there isn’t a fucking thing we can do about it”. That statement is certainly wrong, but it illustrates perfectly that the key dangers arise from political will and political inconsistency.
The explosive, behind-the-scenes story of Donald Trump's high-stakes confrontation with Beijing, from an award-winning Washington Post columnist and peerless observer of the U.S.-China relationship
There was no calm before the storm. Donald Trump's surprise electoral victory shattered the fragile understanding between Washington and Beijing, putting the most important relationship of the twenty-first century in the hands of a novice who had bitterly attacked China from the campaign trail. Almost as soon as he entered office, Trump brought to a boil the long-simmering rivalry between the two countries, while also striking up a "friendship" with Chinese president Xi Jinping - whose…
My desire for food-related studies originates from my personal experience of starvation. Born in 1957 in rural China, I soon stepped into China’s Great Famine (1958-1962). During this famine, over 30 million people died of hunger, mostly peasants, including my grandpa (my mother’s father). As a growing child, I was hungry and today I still remember how my family struggled to feed us. After becoming a student at an agricultural university, I had the opportunity to think and started to ponder over food-related issues. After graduation, I became an academic and have since focused my energy on studies concerning food, chiefly, China’s food supply and food security.
Few Western intellectuals are aware of the scale of the atrocities during China’s Great Famine. If they had been and had written more on the famine, there could have been a greater impact on popular consciousness.
Yet, Dikötter cared to painstakingly search through local archives, and with his fine book, depicted the well-hidden human miseries to a much broader global audience. This is another book by a person who is foreign to China that greatly inspired me to look into improving China’s food security.
In this prize-winning book, Dikötter confirms that the famine was the worst man-made human catastrophe, not a natural calamity. Book prize judges regarded it as stunningly original and hugely important.
A groundbreaking history of China's Great Famine: winner of the BBC Samuel Johnson Prize 2011
'A gripping and masterful portrait of the brutal court of Mao, based on new research but also written with great narrative verve' Simon Sebag Montefiore
'Harrowing and brilliant' Ben Macintyre
'A critical contribution to Chinese history' Wall Street Journal
Between 1958 and 1962, 45 million Chinese people were worked, starved or beaten to death.
Mao Zedong threw his country into a frenzy with the Great Leap Forward, an attempt to catch up with and overtake the West in less than fifteen years. It led to…
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
Van Gulik is a giant in the field of historical mysteries, having penned the better part of 20 novels about his favorite protagonist “Judge Dee.” Set in ancient China, the stories typically involve political intrigue, moral quandaries, and settings so evocative it is easy to just close your eyes and see yourself in a pavilion overlooking a swan-filled lake or in a lady’s bed-chamber, a scholar’s library, or an artist’s studio. These novels are mood pieces as well as whodunnits, and the immersive experiences the author offers lead me to recommend not only this title but any and all in the series. Heaven for someone like me who loves what China used to be.
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.
I used to be Chief Economist at the UK bank SG Warburg and then at UBS, starting out in 1987 and finally cutting the cord in 2016 as Senior Economic Advisor. I visited China twice or three times a year from about 1994 and then the pandemic intervened. After the financial crisis, I decided that China would be the world’s next big thing. So I've spent a lot of time trying to figure out what’s going on there and for the last few years, I've been an associate at the China Centre at Oxford University and SOAS in London. Red Flags was a book I simply had to write. Maybe there’ll be another. We shall see.
While it’s important to get a grip on what’s going on inside China, it\s also essential to appreciate how China presents itself and tries to influence the world and a second but rather different book that does this is this one. But instead of looking at China from an international relations point of view, these authors look at how the Communist Party uses agencies and institutions to not only influence politicians, think tanks, universities, and businesses in other countries - which is by no means unique - but also to interfere, which is more exceptional.
This book makes a number of claims, and while some may be more soundly based than others, readers should look at the themes in the round and will learn a lot of what they might not have suspected r read about before.
'Heavily sourced, crisply written and deeply alarming.' The Times
'This is a remarkable book with a chilling message.' Guardian
The Chinese Communist Party is determined to reshape the world in its image.
Its decades-long infiltration of the West threatens democracy, human rights, privacy, security and free speech. Throughout North America and Europe, political and business elites, Wall Street, Hollywood, think tanks, universities and the Chinese diaspora are being manipulated with money, pressure and privilege. Hidden Hand reveals the myriad ways the CCP is fulfilling its dream of undermining liberal values and controlling the world.
