Here are 100 books that Black Lamb and Grey Falcon fans have personally recommended if you like
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I have been studying Japanese since 2008, studied in the country twice, and then finally made my home here in 2011. Over the years, I have been to 43 of Japan’s 47 prefectures, writing articles about my experiences and constantly searching for new, hidden places where I could still find a touch of the Japan of yore. With so many people visiting the country, I want to do my part to give folks options that are off the beaten path and away from the crowds.
While, of course, as a fiction book, it gets a bit fantastical at times, this book captures the true oddity and tension of the end of Japan’s sakoku era, when the country was cut off from the world, except for a few highly controlled ports like Dejima in Nagasaki.
I loved how well the author expressed the feeling of time and place and laughed at how some things still haven’t changed.
The Sunday Times Number One Bestseller, from the author of CLOUD ATLAS and THE BONE CLOCKS.
Longlisted for the Man Booker Prize 2010
'Brilliant' - The Times 'A masterpiece' - Scotsman
Be transported to a place like no other: a tiny, man-made island in the bay of Nagasaki, for two hundred years the sole gateway between Japan and the West. Here, in the dying days of the 18th-century, a young Dutch clerk arrives to make his fortune. Instead he loses his heart.
Step onto the streets of Dejima and mingle with scheming traders, spies, interpreters, servants and concubines as two…
Poems irritated me as a child. They seemed parodies of counting, chants of rhythm, and repetition. I included them in my moratorium against reading fiction. On the other hand, I respected the alphabet, a kind of poem of pure form. It was orderly for no good reason and didn't mean anything. So I concluded that poems were meaningless forms that had their uses, but were not serious. I changed my mind, but it took a while—studying math and science, theology, and then philosophy and literature. I'm now a professor who studies and teaches modern literature and philosophy. I got my Ph.D. from Harvard, became a professor at Stanford, and teach at the University of Dallas.
A photograph gives me the form of the bird, but it remains up to me to see the bird as a bird. And that can be difficult. What do we see when we see a bird?
The Peregrine, J. A. Baker’s masterpiece of descriptive prose, provides an answer, an answer that is as much about how we see as it is about what we see when we see birds. Sometimes we pull ourselves into the sight of others and the world emerges as more than its light. We see by being seen.
Baker achieves this kind of seeing both in his efforts to see a pair of peregrines and in his description of this achievement.
David Attenborough reads J. A. Baker's extraordinary classic of British nature writing.
The nation's greatest voice, David Attenborough, reads J. A. Baker's extraordinary classic of British nature writing, The Peregrine.
J. A. Baker's classic of British nature writing was first published in 1967. Greeted with acclaim, it went on to win the Duff Cooper Prize, the pre-eminent literary prize of the time. Luminaries such as Ted Hughes, Barry Lopez and Andrew Motion have cited it as one of the most important books in twentieth-century nature writing.
Despite the association of peregrines with the wild, outer reaches of the British Isles,…
I am a British novelist and biographer who lived on and off in Latin America from the 1960s to the late 1980s. I was a boy in Brazil during the Death Squads; an adolescent in Argentina during the Dirty War; and a young journalist in Peru during the Shining Path insurgency, publishing a reportage for Granta on my search for Abimael Guzman. I gave the 2010 Borges Lecture and have written two novels set in Peru, the second of which, The Dancer Upstairs, was chosen as the best novel of 1995 by the American Libraries Association and turned into a film by John Malkovich.
Neither novel nor travel book, this classic journey defies category.
Purportedly a quest for a scrap of giant slothskin, which the author finds in a cave in southern Chile, it zig-zags through time and space, alighting on travellers from Magellan to Butch Cassidy, while trampling down conventional boundaries.
“Everyone says: ‘Are you writing a novel?’ No, I’m writing a story and I do rather insist that things must be called stories. That seems to me to be what they are. I don’t quite know the meaning of the word novel.”
Bruce Chatwin sets off on a journey through South America in this wistful classic travel book
With its unique, roving structure and beautiful descriptions, In Patagonia offers an original take on the age-old adventure tale. Bruce Chatwin's journey to a remote country in search of a strange beast brings along with it a cast of fascinating characters. Their stories delay him on the road, but will have you tearing through to the book's end.
'It is hard to pin down what makes In Patagonia so unique, but, in the end, it is Chatwin's…
I always wanted to be a writer but never thought I’d become a travel writer. And like many British teenagers, I also had a passion for the USA – its movies, its music, its writers – but never imagined I would end up living in Arizona. I’ve now traveled in the US widely and understand why its landscapes, its people, and its culture have produced so much good travel writing. It’s a country that’s inspiring and surprising in equal measure, ever-changing, vast, and even though I didn’t grow up there it certainly made me who I am.
Before I went to Alaska for the first time, I did some background reading and thankfully discovered this book and the writing of John McPhee. He and Alaska were made for each other. He’s the kind of writer who is interested in everything, and everyone, and conveys his curiosity and his discoveries with enthusiasm. Alaska is unique, as is McPhee’s style of writing, jumping from topic to topic as the mood – and his journey – takes him, and hauling the reader along with him. He’s the kind of traveling companion who’s forever saying: let’s see what’s down there, I wonder how that works, let’s go talk to that guy.
Coming into the Country is an unforgettable account of Alaska and Alaskans. It is a rich tapestry of vivid characters, observed landscapes, and descriptive narrative, in three principal segments that deal, respectively, with a total wilderness, with urban Alaska, and with life in the remoteness of the bush.
Readers of McPhee's earlier books will not be unprepared for his surprising shifts of scene and ordering of events, brilliantly combined into an organic whole. In the course of this volume we are made acquainted with the lore and techniques of placer mining, the habits and legends of the barren-ground grizzly, the…
I’ve traveled the world as a correspondent for the New York Times and the Washington Post but I didn’t understand the importance of travel writing until I spent five years researching the global travel industry. I read countless travel guides and travel books to understand how they shape the way we see the world. That is when I understood that the critical importance of writers who rose above the fray and captured a country, its people, culture, and landscape in travelogues. Those books are transformative, giving depth and insights while popular guides do little more than provide lists of what to do, where to go, and how to follow the crowd. If you truly believe travel gives your life new meaning, then go with these classics.
Unfamiliar Fishes, is one of my favorite contemporary examples of travel writing because it is funny. Vowell turns her travelogue about Hawaii into a full history told with a quirky sense of humor. Nothing escapes her wit – from the greed of the early Americans who took over the island to the tourists like her trying to discover it under the layers of manufactured culture. She ends up loving the place, of course, like all the best travel writers.
From the author of Lafayette in the Somewhat United States comes an examination of Hawaii, the place where Manifest Destiny got a sunburn.
Of all the countries the United States invaded or colonized in 1898, Sarah Vowell considers the story of the Americanization of Hawaii to be the most intriguing. From the arrival of the New England missionaries in 1820, who came to Christianize the local heathens, to the coup d'état led by the missionaries' sons in 1893, overthrowing the Hawaiian queen, the events leading up to American annexation feature a cast of beguiling, if often appalling or tragic, characters.…
As an independent traveller, and throughout a career supporting international nature conservation, I’ve been fortunate to see many far-flung places of the world. Over the years, technology (eg. smartphones, internet, social media) has radically changed the way we travel, and indeed our expectations. Nowadays we want instant access, instant answers, instant results; we hate waiting for anything. However, long-haul travel still demands us to wait... in airport lounges, at train stations, bus stops, and onboard our transport while we endure long hours before reaching our destination. While some aspects have changed, patience, humour, and a good book still remain the best companions for any long journey.
Bryson’s various travelogues give you such colourful views of the places he visits and, if you’re journeying to Australia, Down Underis a must-read. Expertly combining sharp observations, unusual factual snippets, and incisive wit, the pictures he paints will inspire you to travel and see it for yourself... or alternatively, persuade you to avoid it at all cost. Whichever the result, you will be amply entertained.
Every time Bill Bryson walks out the door memorable travel literature threatens to break out. His previous excursion up, down, and over the Appalachian Trail (well, most of it) resulted in the sublime national bestseller A Walk in the Woods. Now he has traveled across the world and all the way Down Under to Australia, a shockingly under-discovered country with the friendliest inhabitants, the hottest, driest weather, and the most peculiar and lethal wildlife to be found on the planet. In a Sunburned Country is his report on what he found there--a deliciously funny, fact-filled, and adventurous performance by a…
If you’re curious about the world, you can find secret doors that open onto sudden vistas. For me, exploring the lives and origins of the caracaras unveiled an astonishing story about life on Earth—and though the books in my list are mostly nonfiction, they all explore real worlds as absorbing as any fantasy.
Matthiessen is best known for The Snow Leopard, but I think this book, written fifteen years earlier, exceeds it. As part of an anthropological expedition to the highlands of New Guinea, he was among the first westerners to describe the lives of the indigenous Papuan farmers who lived there—and he dares to imagine them from the inside, with his trademark understated lyricism. It's an extraordinary book, full of beauty and drama, and though it isn’t a journey to the distant past, it often feels like it: this was a place where neighboring villages fought ritualized wars against one another every week or so. The last line alone is worth the price of admission.
A remarkable firsthand view of a lost culture in all its simplicity and violence by renowned writer Peter Matthiessen (1927 to 2014), author of the National Book Award–winning The Snow Leopard and the novel In Paradise.
In the Baliem Valley in central New Guinea live the Kurelu, a Stone Age tribe that survived into the twentieth century. Peter Matthiessen visited the Kurelu with the Harvard-Peabody Expedition in 1961 and wrote Under the Mountain Wall as an account not of the expedition, but of the great warrior Weaklekek, the swineherd Tukum, U-mue and his family, and the boy Weake, killed in…
If you’re curious about the world, you can find secret doors that open onto sudden vistas. For me, exploring the lives and origins of the caracaras unveiled an astonishing story about life on Earth—and though the books in my list are mostly nonfiction, they all explore real worlds as absorbing as any fantasy.
This book is the second in a trilogy about a long journey Fermor made—mostly on foot—from Holland to Istanbul in 1934, when he was nineteen years old. Fermor wrote the books from memory many years afterward, so their veracity is open to question, but his imagination and skill aren't: he might resent the comparison, but his books gave me the same thrills as an adult that I remember from my parents reading The Lord of the Rings to me as a child. Though all three are astounding, Between the Woods and the Water is my favorite— it begins as he crosses the Danube into Hungary from the west, follows him across Romania, and ends up in the Balkans, a region that would soon be transformed (and, in part, erased) by World War II. Fermor knows that too, but he doesn't mention it: he lets the places he walks through and…
The acclaimed travel writer's youthful journey - as an 18-year-old - across 1930s Europe by foot began in A Time of Gifts, which covered the author's exacting journey from the Lowlands as far as Hungary.
Picking up from the very spot on a bridge across the Danube where his readers last saw him, we travel on with him across the great Hungarian Plain on horseback, and over the Romanian border to Transylvania.
The trip was an exploration of a continent which was already showing signs of the holocaust which was to come. Although frequently praised for his lyrical writing, Fermor's…
I moved to Britain from Belgrade, then the capital of Yugoslavia, in 1986. Still in my early twenties, I was a published poet in Serbian, but I didn’t dream I would eventually become a novelist in English. I devoured any English book that dealt with East-West encounters. I must have read several hundred as I researched my first book, Inventing Ruritania, a cultural study of the “Wild East”. I returned to them when I wrote Iron Curtain, a novel about a “Red Princess” from an unnamed East European country who marries an impecunious English poet. I sometimes thought of it as Ruritania writes back.
Rates of Exchange depicts a hapless British academic, Angus Petworth, on his first journey behind Iron Curtain and into the imaginary land of Slaka, a country that combines elements of a number of East European communist states but is perhaps most like a combination of Romania and Bulgaria, with a touch of former Yugoslavia.
The riotous Cold War comedy begins as Petworth boards the flight (“Welcome here please on Comflug 155, destiny Slaka”) and it continues to the last line, as Petworth is feted, followed, seduced, and left thoroughly confused.
It is as funny about the British as it is about the East Europeans, and his language games are infectious. I end up speaking “Slakan” English every time I reread the novel.
Slaka! Land of lake and forest, of beetroot and tractor. Slaka! Land whose borders are sometimes here, often further north, and sometimes not at all!
Dr Petworth is on a cultural exchange to the small (and fictional) Eastern European country of Slaka. Pallid and middle-aged, Dr Petworth might appear stuffy, but during his short stay he manages to embroil himself in the thorny thickets of sexual intrigue and love, while still finding time to see the major sites.
Shortlisted for the Booker Prize in 1983, Rates of Exchange took Bradbury's satirical gifts to a new level.
I moved to Britain from Belgrade, then the capital of Yugoslavia, in 1986. Still in my early twenties, I was a published poet in Serbian, but I didn’t dream I would eventually become a novelist in English. I devoured any English book that dealt with East-West encounters. I must have read several hundred as I researched my first book, Inventing Ruritania, a cultural study of the “Wild East”. I returned to them when I wrote Iron Curtain, a novel about a “Red Princess” from an unnamed East European country who marries an impecunious English poet. I sometimes thought of it as Ruritania writes back.
This is another story of a hapless, now unnamed, English academic in Eastern Europe, yet McGuinness’s Romanian novel couldn’t be more different from Bradbury’s Rates of Exchange, and not only for being tied to a very specific moment and place: Bucharest in the final months of 1989.
It captures the darkness and the deprivations of Ceaușescu’s regime just before its fall. It is a Cold War novel written by a poet and this shows in the richness of its melancholy and sinister atmosphere.
Once the gleaming "Paris of the East," Bucharest in 1989 is a world of corruption and paranoia, in thrall to the repressive regime of Nicolae Ceausescu. Old landmarks are falling to demolition crews, grocery shelves are empty, and informants are everywhere. Into this state of crisis, a young British man arrives to take a university post he never interviewed for. He is taken under the wing of Leo O'Heix, a colleague and master of the black market, and falls for the sleek Celia, daughter of a party apparatchik. Yet he soon learns that in this society, friendships are compromised, and…
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