Here are 96 books that Betrayal of the Gods fans have personally recommended if you like
Betrayal of the Gods.
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I am a Yorkshire writer with a passion for historical fiction. My love of history came as a surprise to me in my late teens, as I had originally thought history was not my thing. However, I soon discovered the incredible stories throughout history, and how many authors carve fictional stories around these time periods or historical events. I love researching for my own historical writing, whether it be to find out what kind of jobs people did, or what they ate for breakfast. I love reading and writing historical fiction in multiple eras, such as WW2, Victorian times, and further back to the Romans and ancient Egyptians.
Martin Ferguson has quickly become one of my favourite authors, thanks to his Relic Hunters series. What I love about these books is that they are split between two stories, the modern-day story based on the Relic Hunters who work at the British Museum, and the secondary story set in the past relating to the relic they are hunting in the modern chapters. In some ways I would say the historical chapters are my favourite, and the author clearly does a lot of research for these books. These books make me eager to go away and read the rest of the history surrounding the relic, history, and myths. I am always recommending these books to friends.
RELIC HUNTERS: EAGLE OF THE EMPIREWhen his brother mysteriously disappears, sixteen-year-old Adam Hunter discovers that the myths and legends he was told as a boy have more truth to them than he ever thought possible.To free his brother, Adam must uncover the truth about the lost Roman Ninth Legion and find its fabled Eagle Standard, an artefact of mysterious mythical power. Adam calls on the help of the British Museum, a team of quirky Relic Hunters, skilled in recovering and protecting relics around the world. However, they need to act fast for they are not the only ones searching for…
I’ve loved the Regency era since first reading Jane Austen’s novels, but in writing my series of 19th-century adventure fantasies, I discovered there was so much more to the period than I’d ever dreamed. Though their culture and traditions aren’t like ours, I’m fascinated by how much about the lives of those men and women is familiar—the same desires, the same dreams for the future. I hope the books on this list inspire in you the same excitement they did in me!
After getting a general idea of what Regency England was like, I recommend this slim little book produced in connection with the British Museum. It’s mostly reproductions of famous pictures and drawings, but for me it made the streets of London come alive. It’s great to read about the famous theaters at Covent Garden and Drury Lane, but so much better to see what they looked like at the height of their fame. And it saves you the cost of a trip to the British Museum!
I am a professor of International Studies and a former museum curator. This combination provides me with a unique perspective not only on the inner workings of the art world, but the way that those practices map on to broader social, political, and economic transformations that occur as a result of globalization. This leads me, for example, to an assessment of how free-trade zones affect the art market. In past research, I have focused on colonialism and French art in the nineteenth century, so I am attuned to power imbalances between the center and the periphery and I am fascinated to see how these are shifting in the present.
This book was the first to bring together a group of international artists, curators, and scholars to discuss and engage the changing nature of the art world, as a result of globalization.
The project was launched at the Center for Media and Art (ZKM) in Karlsrühe, Germany in 2006 with a series of conferences that turned into a series of books over time and an exhibition in 2013.
No other book considers so many new manifestations of the museum in the twenty-first century, illuminating new opportunities for the reader to explore distant lands vicariously and also to discover how many different ways institutions are being developed in cities around the world.
This is the second publication from the ongoing research series, Global Art and the Museum (GAM), which was initiated in 2001 by German art historian Hans Belting and artist, writer and curator Peter Weibel at the ZKM Center for Art and Media in Karlsruhe, Germany. The last 20 years have seen a rapid globalization of the art world, resulting in geographic decentralization and a shift away from a primarily Western perspective. GAM's aim is to analyze the effect of these changes on the art market, museums and art criticism. This volume comprises a collection of essays by experts--such as Claude…
I’m an Emeritus Fellow of Clare College, Cambridge, and I’ve written several popular books as well as featuring in TV/radio programmes such as In Our Time and Start the Week (BBC). I love the challenge of explaining to general audiences why the history of science is such an exciting and important subject – far more difficult than writing an academic paper. I believe that studying the past is crucial for understanding how we’ve reached the present – and the whole point of doing that is to improve the future. My underlying preoccupations involve exploring how and why western science has developed over the last few centuries to become the dominant (and male-dominated) culture throughout the world.
James Delbourgo’s book shows that history matters. As the founder of London’s British Museum, Sir Hans Sloane has always played an important part in displaying our national heritage, and Delbourgo’s book explores the wondrousness of the artifacts he amassed from all over the world. But it also reveals how his wealth, fame, and success depended on the international trade in enslaved peoples during the eighteenth century. Sloane’s statue has not been destroyed, but it no longer stands prominently in the Museum’s entrance hall. Like Delbourgo, I believe we need to examine and confront the deeds of previous generations, and his book appeared while I was grappling with similar dilemmas about Sloane’s predecessor as President of the Royal Society, Sir Isaac Newton.
Winner of the Leo Gershoy Award Winner of the Louis Gottschalk Prize A Times Book of the Week A Guardian Book of the Week
"A wonderfully intelligent book." -Linda Colley
"A superb biography-humane, judicious and as passionately curious as Sloane himself." -Times Literary Supplement
When the British Museum opened its doors in 1759, it was the first free national public museum in the world. Collecting the World tells the story of the eccentric collector whose thirst for universal knowledge brought it into being.
A man of insatiable curiosity and wide-ranging interests, Hans Sloane assembled a collection of antiquities, oddities, and…
I studied the ancient world in college, but Egypt really got my attention when I covered the CT scanning of King Tutankhamun in the Valley of the Kings on January 5, 2005, for National Geographic magazine, where I was a staff writer for many years. Ancient Egypt has become one of my great passions, especially the royal successions of the 18th dynasty and the saga of King Tut. I’m currently president of the Washington, D.C., chapter of the American Research Center in Egypt, and I host a lecture about ancient Egypt every month for that group. I’m also studying hieroglyphs—and appreciating how the landscape comes alive now that I can read the signs.
The
mother of all coffee-table books. Fabulous photos by Araldo de Luca, who’s
famous for shooting Tut’s personal effects in ways that show them at their
stunning best. And text written by T.G.H. James, long-time keeper of the
department of ancient Egypt at the British Museum and one of the great
authorities on the teenage king and his era. If I’m stuck on a gnarly detail
about some of King Tut’s stuff, I turn here. I get information that I can
trust, and images that allow me to see the tiniest of evocative details.
The purpose of this book is to describe by text and illustration the extraordinary tomb of this seemingly unimportant king of the late Eighteenth Dynasty, with its exceptional contents. An introductory chapter sets the historical scene for the reign of Tutankhamun, placing it in the context of the anciently reviled period of heresy associated with King Akhenaten, and its disintegration after his death. Tutankhamun ruled on the point of the change back to a traditional Egyptian regime, with the rehabilitation of the old gods, a change, which was consolidated after his death by his general Horemheb. A second chapter discusses…
I’m a serial adventurer and entrepreneur who loves to read, teach, and encounter our world in as many different ways as I can. I am an innately curious programmer and a goal-oriented completionist at heart. I’ve cruised around America’s Great Loop, run a marathon, written more than fifteen books, and been involved with many small businesses. I also love to work with new programming languages. I was around for the early days of the Java, Ruby, and Elixir programming languages. I built teams to build products using each one of them. My passion is to help programmers break through their blockers with fresh insights.
I love adoption, but sometimes I don’t have the energy to read a whole treatise on the subject.
This book is about 100 historical objects, from the Rosetta Stone that helped linguists unlock Egyptian scripts to a throne built out of weapons arising in Mozambique from an African civil war. They span millions of years and six continents, and each object has its own significance.
I love this book because it felt like 100 smaller adoption and conflict stories wrapped into one small package, and I could read one at a time. One of my fondest memories of my daughter was reading her paper copy as we flew from one continent to another.
In 2010, the BBC and the British Museum embarked on an ambitious project: to tell the story of two million years of human history using one hundred objects selected from the Museum's vast and renowned collection. Presented by the British Museum's Director Neil MacGregor, each episode focuses on a single object - from a Stone Age tool to a solar-powered lamp - and explains its significance in human history. Music, interviews with specialists and quotations from written texts enrich the listener's experience. On each CD, objects from a similar period of history are grouped together to explore a common theme…
Dr. Simon Elliott is an award-winning and best-selling historian, archaeologist, author, broadcaster, Honorary Research Fellow at the University of Kent, Trustee of the Council for British Archaeology, Ambassador for Museum of London Archaeology, Guide Lecturer for Andante Travels, and President of the Society of Ancients. He frequently appears on broadcast and social media as a presenter and expert regarding the ancient world, and currently has 12 books on sale on similar themes, with three more due later this year. He is also a PR Week award-winning, highly experienced communications practitioner who has advised a wide variety of clients at a senior level on their interaction with the world of the media and politics.
Numismatics has a huge role to play in helping tell the story of Roman Britain, not only from a chronological perspective, but also because the types and quality of the coinage tells us much about the nature of the province and empire in a given period. Here the British Museum’s Sam Moorhead has written a masterful account of this key aspect of the archaeology of Roman Britain.
If you have a Roman coin that you want to identify look no further. If you want to delve deeper into the coin, emperor, or particular period the book is an excellent starting point for further and deeper research. With over 1600 colour photographs this is the only book on Roman Coins you will ever need! Written by Sam Moorhead of the British Museum, this book provides a chronological overview of Roman coinage from the Republican period (300BC) to the early 5th century, with an emphasis on Roman coinage used in Britain. The text provides an introduction to the history…
I’m fascinated by the Victorians – and I’ve spent most of my career trying to understand them – because they’re so like us and so unlike us in many ways. They’re familiar and unfamiliar at the same time. I’m a historian of science, and I’m passionate about trying to understand why we think about the world – and about science – the way we do. I think it started with the Victorians, so understanding them really matters and getting it right rather than repeating the same old stories. I hope these books will help you put the Victorians in their place the way they helped me.
I think this is just such a fantastic book. It blows away the whole idea that the Victorians were prudes, embarrassed about anything to do with sex. If you really don’t want to know what your great great grandparents got up to in the bedroom, then stay away from this book.
I really like the way Fern Riddell tells her story, too. Each chapter has a different fictional character to take you though the story. I think its really original – and you’ll never think about the Victorians the same way again.
An exciting factual romp through sexual desire, practises and deviance in the Victorian era. The Victorian Guide to Sex will reveal advice and ideas on sexuality from the Victorian period. Drawing on both satirical and real life events from the period, it explores every facet of sexuality that the Victorians encountered. Reproducing original advertisements and letters, with extracts taken from memoirs, legal cases, newspaper advice columns, and collections held in the Museum of London and the British Museum, this book lifts the veil from historical sexual attitudes.
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
Want to know about magic bricks? You can look them up in this book, along with a lot of other intriguing things.
Sure, you can find descriptions online. But there’s a lot of misinformation out there in the e-sphere. It’s much better to rely on something published by the august British Museum, which has been showcasing artifacts from the ancient world since 1753. I always do.
This successful and highly-esteemed British Museum reference work is now republished in a new pocket-sized edition. This authoritative illustrated dictionary provides clear explanations and descriptions of the important ideas, events and personalities throughout four thousand years of Egyptian civilization. More than 600 extensively cross-referenced and comprehensively-indexed A-Z entries provide detailed information on all aspects of ancient Egypt and Nubia during the pharaonic and Graeco-Roman periods. Each entry is followed by a bibliography. The dictionary is lavishly illustrated throughout with photographs, line drawings, site plans and maps.
Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
Much of Classical Greece remains intangible, but some of its artworks have survived (albeit often in fragments) allowing us to gaze upon what ancient Greeks once saw. Among the greatest sculptures are those which adorned the Parthenon, created in Athens’ heyday under Pericles. Few knew more about them than the late and much-missed Ian Jenkins, whose sumptuously illustrated book not only discusses the artworks but reproduces many in such glorious detail that you feel you could almost touch them. You can certainly appreciate their energy. And in the end, for me, it’s this energy – preserved through time in art or literature – that makes the study of Classical Greece so exciting. As Sparta was for Athens, so Classical Greece can be for us a mirror in which to reevaluate ourselves.
The Parthenon sculptures in the British Museum are unrivalled examples of classical Greek art that have inspired sculptors, artists, poets and writers since their creation in the fifth century BC. This book serves as a superb visual introduction to these magnificent sculptures. The book showcases a series of specially taken photographs of the different sculptural elements: the pediments, metopes and Ionic frieze. It captures the vitality of the sculptures in a group, an individual sculpture or an exquisite eye-catching detail, such as the mane of a horse, a human foot, the swish of drapery or a youthful head bowed in…
