Here are 100 books that Ainu fans have personally recommended if you like
Ainu.
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I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
This is an impressive collection of first-person accounts of experiences in Japan by various Europeans including Jesuit missionaries, adventurers, and others. Each account is short, and all are organized by themes. Here we learn of audiences with Nobunaga, Hideyoshi, and Ieyasu, along with reports of some of their atrocities. Other entries pertain to the daily life of Japanese people and still others describe great temples and shrines that are still there today. The immediacy of these commentaries sends me back in time to this pivotal epoch in Japanese history when civil wars were ending and two centuries of closure were about to begin. This is ecstasy for the Walter Mitty in me.
The Japan accidentally discovered by the Europeans in 1543 was a country torn by internecene wars waged by independent barons who recognised no effective central government and were free to appropriate as many neighbouring fiefs as force of arms and treachery would permit. The Japan which deported the Europeans a century later was a stable, highly centralised bureaucracy under the firm control of a usurping family which was to continue to rule the country until well into the Victorian age. Europeans living in Japan at the time have not only recorded the events of this fascinating period but also provided…
I grew up on the West Coast of the US and became fascinated with Japanese culture after I enrolled in a Japanese language course in college. I changed my major from geology to Asian Studies and went on to get a doctorate in Japanese history from Stanford. The first place I lived in Japan was on the western island of Kyushu, historically Japan’s front door to the outside world. This experience led to a lifelong interest in early Japanese foreign relations. Fun fact: despite being from the US I have now lived most of my life in Japan teaching history at a Japanese university.
What could be cooler than underwater archaeology? This book tells the incredible story of how Mongol emperor Kublai Khan attempted to conquer Japan, not once, but twice in the late twelfth century. Both invasions were unsuccessful, and Kublai’s second fleet was sunk by a “divine wind” or kamikaze in the waters off Kyushu island in western Japan—only to be rediscovered in modern times by underwater archaeologists.
In 1279, near what is now Hong Kong, Mongol ruler Khubilai Khan fulfilled the dream of his grandfather, Genghis Khan, by conquering China. The Grand Khan now ruled the largest empire the world has ever seen - one that stretched from the China Sea to the plains of Hungary. He also inherited the world's largest navy - more than seven hundred ships. Yet within fifteen years, Khubilai Khan's massive fleet was gone. What actually happened to the Mongol navy, considered for seven centuries to be little more than legend, has finally been revealed. Renowned archaeologist and historian James P. Delgado…
I grew up on the West Coast of the US and became fascinated with Japanese culture after I enrolled in a Japanese language course in college. I changed my major from geology to Asian Studies and went on to get a doctorate in Japanese history from Stanford. The first place I lived in Japan was on the western island of Kyushu, historically Japan’s front door to the outside world. This experience led to a lifelong interest in early Japanese foreign relations. Fun fact: despite being from the US I have now lived most of my life in Japan teaching history at a Japanese university.
This book is also old but I have always loved it. It’s the best thing ever written by Edwin Reischauer, the pioneer historian of Japan and also US Ambassador to that country during the Kennedy administration. It follows Ennin, a ninth-century Japanese Buddhist monk, on his visit to the glorious and cosmopolitan Tang empire in China together with a group of Japanese diplomats. Travel then was very different from travel now; to go by ship across the East China Sea was to take your very life into your hands. What an adventure!
This book, a reconstruction of daily life and ways of thought in China during the ninth century, is based on an extensive travel diary of that time. The diarist Ennin was a Japanese Buddhist monk who went to China in AD 838 in search of new Buddhist texts and further enlightenment in his faith. While journeying through North China, and living in Ch’ang-an, he recorded in detail what he saw and experienced.
Edwin O. Reischauer presents—often in Ennin’s own words—a series of vignettes of various aspects of life in the Far East in medieval times: embassies and the conduct of…
I grew up on the West Coast of the US and became fascinated with Japanese culture after I enrolled in a Japanese language course in college. I changed my major from geology to Asian Studies and went on to get a doctorate in Japanese history from Stanford. The first place I lived in Japan was on the western island of Kyushu, historically Japan’s front door to the outside world. This experience led to a lifelong interest in early Japanese foreign relations. Fun fact: despite being from the US I have now lived most of my life in Japan teaching history at a Japanese university.
OK, I had to sneak in at least one academic book; I’m a professor, after all. This book might be a little drier than some of the others, but it’s also the most up-to-date and comprehensive account of premodern Japanese international relations available in English. Most Japanese historians only publish in Japanese, so this book provides a unique window into the results of their studies for those who don’t read that language. It’s a treasure trove of information about diplomacy, war, piracy, trade, and cultural exchanges between 1250 and 1800. Who could ask for more?
This book takes the reader on a fascinating journey through the history of a region from the perspective of the interactions that occurred on and were facilitated by the sea. It is divided into three parts that each focus on a different hundred-year period between 1250 and 1800. The chapters in each part examine the people, goods, and information that flowed across the seas of the East Asian maritime world, facilitating cultural exchange and hybridity.
The intricate and often fraught relations between China, Japan, and Korea feature throughout, as well as those between these polities and the waves of outsiders…
I’m a Tokyo-based writer who first came to Japan during university to live with a host family and study the language. After a stint in Shanghai, Japan brought me back in 2012 and I’ve lived here ever since. I’ve cycled across remote Okinawan islands, wandered Kyoto’s cobblestone lanes, and trekked to mountaintop temples in heavy snow. But some of my best memories have happened over homemade plum wine at a friend’s dinner table. I’ve written two books published by Moon Travel Guides and countless articles on Asia, with some being chosen for “best of” lists by The Washington Post, The Atlantic, Foreign Policy, andReal Clear World.
This travelogue brilliantly narrates Alan Booth’s southward trek across Japan, end to end, from Cape Soya in Hokkaido to Cape Sata in Kyushu. The book’s subtitle, A 2,000 Mile Walk Through Japan, speaks volumes. The journey, which some would call masochistic, is practically measured in blisters. We see Booth, fluent in Japanese, trudge through rain and shine along backcountry roads, from greasy spoons to lonesome karaoke bars, collapsing into countless futons along the way. His journey comes to life with colorful characters, boozy local festivals, and pithy realizations about his adopted homeland, at turns entertaining, illuminating, and hilarious. For me, this book captures the joy of discovering the salty, unexpected side of Japan. It also cements Booth’s status as one of the (unsung) travel writing greats.
'A memorable, oddly beautiful book' Wall Street Journal
'A marvellous glimpse of the Japan that rarely peeks through the country's public image' Washington Post
One sunny spring morning in the 1970s, an unlikely Englishman set out on a pilgrimage that would take him across the entire length of Japan. Travelling only along small back roads, Alan Booth travelled on foot from Soya, the country's northernmost tip, to Sata in the extreme south, traversing three islands and some 2,000 miles of rural Japan. His mission: 'to come to grips with the business of living here,' after having spent most of his…
Sam Baldwin spent two years living in Ono, Fukui, a rural area of Japan. For Fukui's Sake is a true account of his adventures. He has written about travel for The Guardian, The Times and The Independent and has contributed to numerous magazines and guidebooks. After returning to his native UK, he relocated to Slovenia where he writes about the adventures of restoring a 300-year-old mountain cabin.
This anthology contains a collection of 18 different accounts by non-Japanese authors who have all spent extended time living in rural Japan. Arranged geographically, from Okinawa to Hokkaido, the book offers a diverse view of pastoral Japan, allowing readers to get insight into some of the less commonly known aspects of the country.
The topics covered range from Buddhist pilgrimages, to pottery; abandoned Shinto shrines to record snowfalls; romance to ryokan. This is a great book for anyone who’s interested in learning about life outside of Japan’s megacities. Most of the authors included have written other works, so it’s a great taster to sample some different flavours of storytelling, to see which pique your interest for more.
Inaka: Portraits of Life in Rural Japan is an affectionate but unsentimental immersion into the Japanese countryside ("inaka"). In eighteen chapters we undertake an epic journey the length of Japan, from subtropical Okinawa, through the Japanese heartland, all the way to the wilds of Hokkaido. We visit gorgeous islands, walk an ancient Buddhist pilgrimage route, share a snow-lover's delight in the depths of record snowfall, solve the mystery of an abandoned Shinto shrine, and travel in the footsteps of a seventeenth-century haiku master. But above everything, Inaka answers the question of what it's like to be a foreigner living in…
When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
This haunting collection of short stories left a faint chill in my bones for weeks—very aptly, given its name. None of the seven tales are conclusive, or wrapped up neatly. It feels as if there is always a kernel inside each one that remains tucked out of sight, no matter how many outer layers are peeled off—or in the case of one of the stories, no matter how much hide is flayed away.
Visual and performance artist, and winner of the inaugural Kill Your Darlings Manuscript Award, SJ Norman turns their hand to fiction with spectacular results. Permafrost explores the shifting spaces of desire, loss and longing. Inverting and queering the gothic and romantic traditions, each story represents a different take on the concept of a haunting or the haunted. Though it ranges across themes and locations – from small-town Australia to Hokkaido to rural England – this collection is united by the power of the narratorial voice, with its auto-fictional resonances, dark wit and swagger. Whether recounting the confusion of a child…
I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
The best way to start one’s reading about Japanese history is to pick a short overview written by an expert who writes well. This decades-old book is a splendid example of that and still the best in my opinion. Hall was an American who grew up in prewar
Japan and spent his later years as a distinguished scholar of premodern Japanese history at Yale University. The book is a joy to read and identifies the main historic events from prehistoric time up through the American occupation that ended in 1952.
Japan: From Prehistory to Modern Times has a heavy emphasis upon the premodern period of Japanese history. No attempt has been made to provide the usual kind of textbook completeness. Hall’s fascination with Japanese history lies within the manner in which Japan’s political and social institutions have changed and diversified over time and how this fundamentally “Eastern” culture gave rise to a modern world power. Japan is today a modern nation in the full sense of the term. Yet its history is less familiar to us than the histories of those Western powers that it has now outstripped, or of…
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
His storytelling and artwork combined create books which even the strongest stomached would find uncomfortable. And yet, we are drawn to them, unable to look away. And he understands that the most terrifying thing is not an invasion by something outside of our world but the realisation that the everyday world around us might turn against us.
Uzumaki is a story about incomprehensible obsession and how it can take over a society to the point of destruction. One by one, the people of a small Japanese town become obsessed with spirals. Not a monster or a ghost, but a shape, until the power behind it destroys everything.
Kurozu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but by a pattern: uzumaki, the spiral, the hypnotic secret shape of the world. It manifests itself in everything from seashells and whirlpools in water to the spiral marks on people's bodies, the insane obsessions of Shuichi's father and the voice from the cochlea in our inner ear. As the madness spreads, the inhabitants of Kurozu-cho are pulled ever deeper into a whirlpool from which there is…
Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
This is an excellent “life in art,” or a series of chapters on the major works in a biographical context.
Napier discusses such questions as: his feelings about the fact that his family profited from the war, making fan belts for fighter planes; his feelings about his father compared to his mother; the relation of the works to his professional life—the studio, his collaborators, his periodic burn-out and work ethic.
The story of filmmaker Hayao Miyazaki's life and work, including his significant impact on Japan and the world-"an essential work in anime scholarship." (Angelica Frey, Hyperallergic)
A thirtieth-century toxic jungle, a bathhouse for tired gods, a red-haired fish girl, and a furry woodland spirit-what do these have in common? They all spring from the mind of Hayao Miyazaki, one of the greatest living animators, known worldwide for films such as My Neighbor Totoro, Princess Mononoke, Spirited Away, Howl's Moving Castle, and The Wind Rises.
Japanese culture and animation scholar Susan Napier explores the life and art of this extraordinary Japanese…
