100 books like A Year at the Chateau

Let me tell you a little about myself. I was born in Dublin, and being the daughter of a diplomat afforded me to experience different cultures. Since childhood my fascination with the unknown caused me to gravitate towards stories related to hauntings. I shared this interest with my maternal grandparents, who contributed to my education by telling me ghost stories (some true whilst others are fictional). Tales of haunted castles were my favorite, which is reflected in my book. In later life, my own experiences with the paranormal cemented the notion of the unexplained and the thin veil between us and those departed.

I love writing books that feature buildings and construction as a backdrop to life. I’ve worked as an interior designer for over 30 years, and now I teach design at a university in Sydney. Our homes offer so much more than four walls and a roof. They provide us with comfort and shelter. They offer security and stability. They help us stay sane and grounded in a sometimes confusing and turbulent world. I don’t think the importance of our homes can be underestimated.

I have been to Europe a handful of times, exploring Paris, Italy, Malta, Spain, Prague, Vienna, Budapest, and Amsterdam. Europe lends itself perfectly to be immortalised in literature. The continent is steeped in thousands of years of charming history, oozing out of the cobblestoned streets and painted in layers on the buildings. Scratch the surface and a new, richer layer comes to the fore, exciting and amazing anew. Europe inevitably turns into one of the important characters in any book set there and many a writer have managed to capture its essence in their work. Alongside Peter Sarstedt, Europe inspired my work, taking the reader along on a wondrous journey.

I have been to Europe a handful of times, exploring Paris, Italy, Malta, Spain, Prague, Vienna, Budapest, and Amsterdam. Europe lends itself perfectly to be immortalised in literature. The continent is steeped in thousands of years of charming history, oozing out of the cobblestoned streets and painted in layers on the buildings. Scratch the surface and a new, richer layer comes to the fore, exciting and amazing anew. Europe inevitably turns into one of the important characters in any book set there and many a writer have managed to capture its essence in their work. Alongside Peter Sarstedt, Europe inspired my work, taking the reader along on a wondrous journey.

I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.

When I headed the Executive Education Center at the University of Michigan I had the opportunity to meet with many great leaders and observe them in action. I also enjoy interacting with faculty colleagues who conduct state-of-the-art research on leadership. Because of this experience, I believe that leaders are made, not born, and that reading biographies, psychological studies, philosophical commentary, histories, and fiction like the books on my list is one of the best ways to gain insight into what you need to become a great leader. 

I'm a former television news producer who worked for Barbara Walters and Peter Jennings at ABC News, and at Dateline NBC and CBS’s 60 Minutes. I was always a journalist, but mid-career, I switched lanes from TV to writing. Since then, I've contributed essays and stories to many publications, among them Vogue, Travel & Leisure, The New York Times, BBC Travel, and others. I mostly write about travel, but also cover beauty, wellness, international development, and health. I'm the recipient of five Lowell Thomas Awards for excellence in travel journalism, including one for Travel Journalist of the Year. My book of essays, A Hard Place to Leave: Stories From a Restless Life comes out in May 2022.

Before I could start writing Into the Lion’s Mouth, I spent a lot of time researching the medieval and renaissance Venice. I was astounded to see how relevant that history is to today. Not only are there many parallels that can be drawn between the past and today there is so much to learn about the consistency of human nature. I find myself currently gravitating towards books that mix history and fiction and these are some of my favorites.

I worked for ten years as a guard at the Metropolitan Museum of Art, as narrated in my memoir, All the Beauty in the World. I’ve found that readers are fascinated by the art in the Met but also by the “living museum,” which includes five hundred security guards keeping watch over millions of visitors each year. I’ve read a variety of workplace memoirs to study how authors depict the rhythms of work and the feel of particular workplaces. I’m especially passionate when there are larger themes at play and thus clear reasons why we should care.

I have spent much of my adult life studying the French Revolution with students who, like me, are engrossed by the drama, successes and tragedies of the Revolution, and the scale of the attempts to arrest or reverse it. Why and how did an apparently stable regime collapse in 1789? Why did it prove to be so difficult to stabilize a new order? How could claims to “liberty” and “equality” be balanced? And why was there a period of “terror” in 1793-94? When the Revolution was finally over, how had France and other parts of the world been changed? The answers to those questions remain open and continue to fascinate.