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Words for War.
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My first foreign language was French, so beautiful, but when I began studying Slavic languages I was drawn deeply into their rich vocabulary and marvelous word formation, which makes it possible to do all sorts of things with poetry. (Not to mention the richness of Estonian, which I have so far studied only a little bit.) I write and translate poetry myself, and I hugely admire the translators who bring poems into muscular or enchanting versions in English, whose prosody and word order are so very different. Eastern European poetry has had booms in the Anglophone world (Vasko Popa’s crow!), but it’s never too soon to mention some new wonderful examples in translation.
Jerzy Ficowski (1924-2006) is a poet who has been less well known in the United States, even though Poland had one of the greatest poetic traditions of the 20th century.
He resisted both Nazi oppression and communist censorship, celebrated Roma culture, and often wrote of the Jewish victims of the Holocaust. His own poetry is full of striking and unexpected images and characters, and this collaborative translation by two talented poets brings his voice right into the room. I especially love his ode to the stove burner: who would have thought?
"These surprising, clear, and appealing poems are to be enjoyed again and again, marking Ficowski as a poet readers won't want to miss."--Publishers Weekly (starred review)
"What good luck to finally have in English the writings of the brilliant Jerzy Ficowski, the poet who lived at least seventeen lives, fighting in the Warsaw Uprising, and later traveling for years with the Roma people through the roads of Poland, opposing his government, and watching the authorities ban his poems, a poet who translated from Spanish and Romanian and Yiddish and Roma, but most of all from the tongue of silence ……
My first foreign language was French, so beautiful, but when I began studying Slavic languages I was drawn deeply into their rich vocabulary and marvelous word formation, which makes it possible to do all sorts of things with poetry. (Not to mention the richness of Estonian, which I have so far studied only a little bit.) I write and translate poetry myself, and I hugely admire the translators who bring poems into muscular or enchanting versions in English, whose prosody and word order are so very different. Eastern European poetry has had booms in the Anglophone world (Vasko Popa’s crow!), but it’s never too soon to mention some new wonderful examples in translation.
Doris Kareva (born 1958) is an outstanding poet from the small but powerful Estonian literary community.
Like any outstanding poet, she often does things that work in the original language, but these translations by Irish poet Miriam McIlfatrick-Ksenofontov really capture the music, the beats of short lines that accumulate into vivid and rhythmic pictures.
(Plus, how cool is it to have a translator named Ksenofontov? I envy both author and translator, and it turns out that Kareva also translates her translator’s poetry into Estonian.)
Doris Kareva is one of Estonia's leading poets, admired especially for poems that balance precision and control with passion and bravado. Her achievement, according to Estonian Literature, is in writing poems which are both `plentiful and fragile like a crystal...balancing on the line between the human soul and the universe, between sound and silence'. Days of Grace spans over forty years of her poetic output, showing how the sustained depth and clarity of her poetry lies in her ability to create ambiguity and suggest harmony at the same time, with a multiplicity of meanings generating the opposite of clarity: a…
My first foreign language was French, so beautiful, but when I began studying Slavic languages I was drawn deeply into their rich vocabulary and marvelous word formation, which makes it possible to do all sorts of things with poetry. (Not to mention the richness of Estonian, which I have so far studied only a little bit.) I write and translate poetry myself, and I hugely admire the translators who bring poems into muscular or enchanting versions in English, whose prosody and word order are so very different. Eastern European poetry has had booms in the Anglophone world (Vasko Popa’s crow!), but it’s never too soon to mention some new wonderful examples in translation.
Halyna Kruk (born in 1974) has a few poems in the volume Words for War; this is the first book of her work in English, and it has already won a prize for Best Book in poetry translation.
Kruk’s poetry feels very contemporary in style, nicely rendered by her translators, who leapt into action when the war began and immediately reached for Kruk’s work. As the title tells you, it addresses this difficult and tragic moment, but it also reaches beyond the moment to address universal human questions in genuine poetry, not ever mere reportage.
My first foreign language was French, so beautiful, but when I began studying Slavic languages I was drawn deeply into their rich vocabulary and marvelous word formation, which makes it possible to do all sorts of things with poetry. (Not to mention the richness of Estonian, which I have so far studied only a little bit.) I write and translate poetry myself, and I hugely admire the translators who bring poems into muscular or enchanting versions in English, whose prosody and word order are so very different. Eastern European poetry has had booms in the Anglophone world (Vasko Popa’s crow!), but it’s never too soon to mention some new wonderful examples in translation.
Aco Šopov (1923-1982) is one of the fundamental poets of Macedonia, and indeed the first poet ever to have a whole book of his verse published in Macedonian, a language that had been suppressed for generations.
This book will appear in fall of 2023, but I have already seen some of the translations by Rawley Grau and Christina Kramer online—and they’re dynamite, full of hard-won versions of the thoughtful, deep-dwelling originals. Šopov is not the only brilliant poet of his generation, but he alone can prove that a small nation can produce big poets.
And how are we to know, unless we read them in translation?
A collection celebrating the Centennial of seminal modernist Macedonian poet Aco sopov. This substantive collection represents Sopov's creative career, starting with his first book of poetry in 1944, when he was fighting in the Yugoslav resistance to the German occupation. In the early 1950s, he published two collections that signaled a new direction for Macedonian poetry as a whole, announcing the arrival of new form "intimate lyricism". Over the next 25 years, Sopov's work deepened further, acquiring a philosophical cosmic dimension and at times venturing into surrealism. The Long Coming of the Fire shares the work of a consummate craftsman…
I became enthusiastic about the history of the Baltics when my dissertation advisor persuaded me to use my language training in German and Russian to test the American Frontier Theory in the Baltic region. None of the various theories were applicable, but I earned a Ph.D. anyway. Later I taught in Italy, Yugoslavia, Estonia, and the Czech Republic. I've written a number of books and won a Fulbright Hays grant, the Dr. Arthur Puksow Foundation prize, the Vitols Prize, and others. I retired in 2017 after fifty-one years of university and college teaching, but I would still be teaching if my hearing had not deteriorated to the point that I could not make out what shy students were saying.
The history of the Baltic Crusade cannot be understood in isolation from the Polish kingdom. This is the era when Poland recovers from the disasters begun by the Mongol invasions of the 1240s and begins its own eastward expansion.
As the title indicates, this is really the story of Casimir III, whose father arranged a Lithuanian marriage that brought peace on the eastern frontiers and later allowed him to expand toward Rus’ (especially Ukraine) when the minor states there collapsed. Casimir succeeded in everything except siring a legitimate male heir, even though that was the one task expected of every monarch in this era. He did leave behind a flourishing state, a powerful church, and a national goal of driving back those Germans (especially the Teutonic Knights) who had made great inroads into areas claimed as the national patrimony.
I’ve been fascinated by Central and Eastern Europe all of my adult life. Many cruises along the Danube and around the Baltic Sea have allowed me to see the stunning best of the region. Since the early 1990s, I’ve taught the history of the Polish-Lithuanian Commonwealth, the Habsburg Monarchy, and the Russian Empire to a generation of students. Professor of Polish-Lithuanian History at University College London since 2013, my next challenge is to promote the history of Poland to allcomers via the Polish History Museum in Warsaw, the wonderful city which is my home.
This modern classic is still a must-read for my students nearly twenty years after its first publication. Nothing else comes close to its sweep over time and space as it explains how the legacies of the Polish-Lithuanian Commonwealth continue to shape the relations between its successor nations and their founding narratives. The Russian invasion of Ukraine and the protests in Belarus have made this well-written book even more essential to understanding the region.
From the bestselling author of On Tyranny comes a revealing history of the four modern national ideas that arose from the Polish-Lithuanian Commonwealth
"[A] fresh and stimulating look at the path to nationhood."-Robert Legvold, Foreign Affairs
"Erudite and engrossing."-Charles King, Times Literary Supplement
Modern nationalism in northeastern Europe has often led to violence and then reconciliation between nations with bloody pasts. In this fascinating book, Timothy Snyder traces the emergence of Polish, Ukrainian, Lithuanian, and Belarusian nationhood over four centuries, discusses various atrocities (including the first account of the massive Ukrainian-Polish ethnic cleansings of the 1940s), and examines Poland's recent…
My father survived the Holocaust in Budapest and my mother’s immediate family fled Poland just before she was born, leaving behind a large extended family. I grew up witnessing the trauma of suffering and loss. As a professional historian, I had already written several books on Russian-Jewish history, mostly on culture and theater, when I joined a group that was interviewing Yiddish-speaking Holocaust survivors in Ukraine. Since 2014, I have been teaching courses on the Holocaust at the University of Michigan and soon after became involved with the United States Holocaust Memorial Museum, where I serve on the Academic Committee.
In deeply personal terms, Father Desbois describes how his curiosity about his grandfather’s incarceration in Ukraine led him to study the atrocities committed there against the Jews. The book is written in an almost conversational style, creating a sense of intimacy between Father Desbois and the reader. Desbois is able to persuade those who witnessed atrocities to open up and confess what they have seen and what they remember. Together with a team of ballistic experts, interpreters, historians, and archaeologists, he identified numerous sites of mass graves. Desbois, who popularized the term “The Holocaust by Bullets,” has been instrumental in expanding our understanding of the Holocaust beyond the death camps and the ghettos to the more intimate killings that took place in Ukraine and elsewhere in the Soviet Union.
In this heart-wrenching book, Father Patrick Desbois documents the daunting task of identifying and examining all the sites where Jews were exterminated by Nazi mobile units in the Ukraine in WWII. Using innovative methodology, interviews, and ballistic evidence, he has determined the location of many mass gravesites with the goal of providing proper burials for the victims of the forgotten Ukrainian Holocaust. Compiling new archival material and many eye-witness accounts, Desbois has put together the first definitive account of one of history's bloodiest chapters.Published with the support of the United States Holocaust Memorial Museum.
I’m the author of multiple middle grade and YA historical novels, including Torch, which won the 2023 Los Angeles Times Book Prize for Young Adult Literature. Torch takes place in the aftermath of the Soviet invasion of Czechoslovakia in 1968, and it is especially timely in the face of the recent Russian invasion of Ukraine. The Bear (a popular symbol of the Russian Empire) has mauled many of its neighbors in the past century, not only Czechoslovakia and Ukraine but also the Baltic countries that, like Ukraine, were incorporated into the Soviet Union and the other Eastern European countries that were part of the Soviet bloc until the fall of Communism in 1989.
Dual timeline narratives connect young people’s lives today with those of family members in the past.
This one contrasts the fear and isolation Matthew feels during the 2020 Covid lockdown with the terror experienced by his great grandmother living in Kiev (now Kyiv, Ukraine) during the Holodomor. The futile efforts of a relative who escaped to alert Americans to Soviet oppression and Ukrainians’ starvation raises important questions for budding journalists who seek to tell the truth in the face of pressure and propaganda.
Thirteen-year-old Matthew is miserable. His journalist dad is stuck overseas, and his mum has moved his great-grandmother in with them to ride out the pandemic, adding to his stress and isolation.
But when Matthew finds a photo in his great-grandmother's belongings, he discovers a clue to a hidden chapter of her past, one that will reveal a life-shattering family secret. Set in alternating timelines that connect the present day to the 1930s and the US to the USSR, Katherine Marsh's latest novel sheds light on the Holodomor - the horrific famine that killed millions of Ukrainians.
I have a little secret. I was late to the romance table. Though I grew up with a romance reading mother, my initial interests lay in the fantastical worlds of Paulo Coelho, Anne Rice, and David Gemmel. Romance seemed forbidden, and I didn’t touch the genre until my late twenties, when a nasty breakup sent my disillusioned heart looking for more. And what a revelation! Romance taught me to expect more from myself and my relationships. At the close of one creative career, it lit an unstoppable passion to become a contemporary romance author. And here I am, a decade on, writing romance and sharing my book recommendations with you!
Caveat, I’ve studied Soviet history and my husband is Ukrainian, so when I saw Kissing Tolstoy was heavily drenched in Eastern European commentary—the hero being a Russian Literature Professor—I worried the author would miss a lot of the nuance. But she didn’t!
Now, you don’t need my background to like this book, but I did laugh out loud at some of the aptly put cultural quirks. Kissing Tolstoy is a wonderful mix of inner-city edge, meets intellectual romance.
A real treat if you’re looking for something fun and with depth!
Proceeds for the month of November go to hurricane relief efforts!What do you do when you discover that your super-hot blind date from months ago is now your super-hot Russian Lit professor?You overthink everything and pray for a swift end to your misery, of course!'Kissing Tolstoy' is the first book in the Dear Professor series, is 46k words, and can be read as a standalone. A shorter version of this story (28k words) was entitled 'Nobody Looks Good in Leather Pants' and was available via Penny Reid's newsletter for free over the course of 2017.
I was born into a family with an Eastern European heritage, and lived and studied in the region for some years – including during the period of the collapse of the communist regimes. I am comfortable in Polish and Hungarian, and more vaguely functional in Russian and German – with Bulgarian a distant last. My undergraduate degree in history included an Eastern European specialization (including a paper co-administered between American and Hungarian institutions), and my graduate degree in economics included a focus on emerging economies. In my “day job” as a business analyst, I deal frequently with the business landscape in the region. I am married to a Pole, and have family in Poland.
Look, Eastern European history is messy and complicated, and involves an almost non-stop parade of border changes.
Countries emerge and even dominate, only to disappear two centuries later. (Ever hear of the Avar Khanate, or medieval Halych?)
British historian Eric Hobsbawm noted once how a person born in 1900 in what is today Mukachevo, Ukraine who lived to be 91 years old would have collected over their lifetime the passports of 5 different countries – without ever moving from the house they were born in.
The Magocsi atlas is a wonderful and well-organized introduction to Eastern Europe’s political, ethnic, economic, and etc. borders, laid out in colorful maps that are easily understood. This is a must-have for anyone delving into the region.
For the first time in any language, here is an atlas that covers all of East Central Europe, from the early fifth century through 1992. The atlas encompasses the countries of Poland, the Czech Republic, Slovakia, Hungary, Romania, Slovenia, Croatia, Bosnia-Herzegovina, Yugoslavia, Macedonia, Albania, Bulgaria, and Greece. Also included are the eastern part of Germany (historic Mecklenburg, Brandenburg, Prussia, Saxony, and Lusatia), Bavaria, Austria, northeastern Italy (historic Venetia), the lands of historic Poland-Lithuania (present-day Lithuania, Belarus, and Ukraine up to the Dnieper River), Moldova, and western Turkey.
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