Here are 100 books that Where the Dead Pause, and the Japanese Say Goodbye fans have personally recommended if you like
Where the Dead Pause, and the Japanese Say Goodbye.
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From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
Shigeru Mizuki is the late, great god of alternative manga (or gekiga). Suffused with personal experience and reflections, his work by turns playfully and powerfully explores pre-war childhood, near-death war-time experiences, politics, and – most importantly – the world of Japanese yōkai monsters. Nononba tells the story of his childhood education by his grandmother into the world of supernatural Japan, leading the way to his great yōkai series GeGeGe Kitaro. A memoir of love and loss, childhood innocence and imagination, Nononba was, in turn, a great education for me. Funny, strange, tender, and wise. And in places it freaks you out too!
The first English translation of Mizuki's best-loved work
NonNonBa is the definitive work by acclaimed Gekiga-ka Shigeru Mizuki, a poetic memoir detailing his interest in yokai (spirit monsters). Mizuki's childhood experiences with yokai influenced the course of his life and oeuvre; he is now known as the forefather of yokai manga. His spring 2011 book, Onward Towards Our Noble Deaths, was featured on PRI's The World, where Marco Werman scored a coveted interview with one of the most famous visual artists working in Japan today.
Within the pages of NonNonBa, Mizuki explores the legacy left him by his childhood explorations…
From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
This collection of Katsumata’s manga for legendary gekiga magazine Garo and others is a powerful graphic bridge between the politics and reality of this world, and the creatures and legends of the other. Katsumata takes us from the transitory and dangerous lives of nuclear workers at Fukushima Daiichi (decades before the 2011 disaster) to the tough and haunted lands of Tohoku (North East Japan) in the early twentieth century. Lonely kappa monsters, tanuki, and fox spirits feature as sympathetic lead characters, shapeshifting and conjuring a version of Fukushima and Tohoku that dazzled and inspired me.
A collection of manga examining Japan's fascination with nuclear power and its dangers and possibilities. FUKUSHIMA DEVIL FISH: ANTI-NUCLEAR MANGA, the fifth volume in the Breakdown Press manga line, collects Katsumata Susumu's nuclear energy related work from the '80s and '90s, produced in the wake of investigative news reports about unreported accidents and dangerous working conditions at Japan's nuclear power plants. Two outstanding works in the collection, "Deep Sea Fish" (1984) and "Devil Fish" (1989), are poetic stories treating the daily trials of maintenance and janitorial workers at Japan's nuclear plants. Due to poor pay, hazardous working conditions, and migrant…
From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
On my very first night in Japan, some twenty years ago, my friend told me a local ghost story as we ascended a deserted, dark back street of Tokyo. It featured no-face ghosts (nopperabo) and, memorably, the chills merged with my jet lag to bring me face-to-almost face with the world of Japanese spirits in my first hours in the country. A couple of days later my friend gifted me a copy of Hearn’s Kwaidan and it remains a treasured book to this day. Hearn’s retellings of classic Japanese ghost stories are as valued to this day in Japan as in the West. He’s a great writer. More importantly, Hearn was a sensitive, thoughtful, and wonderful chronicler of other cultures, particularly supernatural Japan. His life and work continue to be an inspiration to me.
This collection of Japanese supernatural stories is a classic work in the field of Japanese horror.
Known primarily as an early interpreter of Japanese culture and customs, the famous writer Lafcadio Hearn also wrote ghost stories-"delicate, transparent, ghostly sketches"-about his adopted land. Many of the stories found in Kwaidan, "stories and studies of strange things," are based on Japanese tales told long ago to him by his wife; others possibly have a Chinese origin. All have been re-colored and reshaped by Hearn's inimitable hand.
Some critics attribute Hearn's fascination with eerie tales to his partial blindness. Whatever its roots, he…
From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
Away from the 2011 disaster itself, Fumio Obata’s Just So Happens is a wonderful graphic novel again exploring that borderland between konoyo (this world) and anoyo (that world). And it just happens to be another story that bridges Japan and the West, this time Japan and the UK. Central character Yumiko travels back to Japan for a family funeral, and is immersed in a world of ritual, Shinto temples, Noh theatre – at once both familiar and strange to her. Word and image combine beautifully to draw on themes that have obsessed me for years.
Yumiko was born in Japan but has made a life in London, losing herself in its cosmopolitan bustle. She has a gallery show of her art, a good job, and a good guy she plans to marry. The culture she grew up in seems very far away-until her brother phones with the news that their father has died. Yumiko returns to Tokyo and finds herself immersed in the rituals of death while also plunged into the rituals of life-fish bars, bullet trains, pagodas-as she confronts the question of where her future really lies. Just So Happens deals both gently and…
I write novels that enthrall, enrich, and enliven you. I've been student of Buddhism for more than thirty years and spend long periods of time with the most generous Tibetan Buddhist nuns in their monasteries in the remote Himalayas, relishing the solitude and contemplative life. Their tales of resilience are an enormous inspiration to me. The biographies of Western Buddhist women I’ve selected are everything I look for in ‘great writing’. The stories are engaging and entertaining, but also make us pause and reflect to appreciate the astonishing opportunities of the privileged times we live in, and challenge us once again to be and do better—every moment of this precious life.
This is a diary of an English woman who moved to Japan in the 1950s to study Zen at one of the most prestigious temples at the time and become the first female to be sanctioned by the Soto School of Japan to teach in the West. The diary takes us through her years of arduous training in Japan, through the challenges that beset her, and gives a truly moving account of her brilliant mindset throughout her grueling ordeal to become a Zen priest.
This book, first published as two volumes in 1977 and 1978, was published purely for the purpose of showing how Buddhist training was done by the Reverend Jiyu-Kennett in the Far East. The material for the book was taken from diaries covering eight years spent by the author in Far Eastern temples, and describe her religious training and her growth of a Zen priest into a teacher, running her own temple.
These books attempt to describe the indescribable, pointing to the unknowable, only the living of which makes living living. What they have in common is that they invite us to practice along with the author, not giving any answers, but inviting us to look. I fell in love with Awareness Practice in my youth and through the decades that love has only deepened. I continue to love this journey of exploration and I hope the books that I have written contribute to that same experience for others. There is nothing more magical than having a direct experience of encountering who we really are, beyond ego’s dualistic world of opposites.
As I began my search to make some kind of sense of my life, I started with philosophy and moved to religion. When I came across this book, I intuitively sensed that the author knew what I wanted to know. I had no idea what he was talking about but my heart sang with every page. This was my first experience of being taken to the “place” from which the author wrote. Reading it was like sitting at the feet of the Master, aware of a lack of comprehension while witnessing a living example of what the heart intuitively knows.
From one of the most influential books ever written on Zen Buddhism: A fascinating study of this ancient discipline.
One of the leading twentieth-century works on Zen,D.T. Suzuki's Zen and Japanese Culture is an invaluable source for those wishing to understand Zen concepts in the context of Japanese life and art.
What is Zen offers a general introduction to the concepts and philosophy of Zen, including Mr. Suzuki's observations of its effects on Japanese art culture, and his explorations of Zen and the study of Confucianism.
In simple, often poetic language, enhanced by anecdotes and poetry, D.T. Suzuki describes what…
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
Iyer’s prose is beautiful, and he’s best known for his travel writing. In this book, he stays put, living in Japan and immersing himself in Zen and the pleasures of traditional life in Kyoto. He also meets his wife, and the combination of cultural study and personal memoir makes for an absolutely lovely read.
When Pico Iyer decided to go to Kyoto and live in a monastery, he did so to learn about Zen Buddhism from the inside, to get to know Kyoto, one of the loveliest old cities in the world, and to find out something about Japanese culture today -- not the world of businessmen and production lines, but the traditional world of changing seasons and the silence of temples, of the images woven through literature, of the lunar Japan that still lives on behind the rising sun of geopolitical power.
I’m an American Jewish girl who was born knowing that I had been Japanese in my previous lifetime. After graduating with a degree in Japanese studies from Princeton University, I moved to Japan at 21 and became a well-known translator. One day the Geisha Mineko Iwasaki, the inspiration behind Arthur Golden’s Memoirs of a Geisha, asked me to co-author the story of her life. Published in 2002, Geisha, a Life became a bestseller. Writing Geisha awakened memories of my past life as a courtesan in fourteenth-century Kyoto. I began a deep study of reincarnation, which has led me to study the intersection of Buddhism and Psychoanalysis. Please look out for my forthcoming book, Reincarnation Karma.
Zen and Japanese Culture, the twentieth century's leading work on Zen Buddhism, completely changed my life when I read it at sixteen. This classic text, a profoundly simple introduction to Japanese art and philosophy, held the key to my young compulsion toward the transcendent aesthetic perfection of Japan and began to prepare me for understanding the world of the Geisha. It awakened the need within me to move to Japan to study Zen Buddhism in an authentic Zen Temple. Which I did.
Zen and Japanese Culture is a classic that has influenced generations of readers and played a major role in shaping conceptions of Zen's influence on Japanese traditional arts. In simple and poetic language, Daisetz Suzuki describes Zen and its historical evolution. He connects Zen to the philosophy of the samurai, and subtly portrays the relationship between Zen and swordsmanship, haiku, tea ceremonies, and the Japanese love of nature. Suzuki uses anecdotes, poetry, and illustrations of silk screens, calligraphy, and architecture. The book features an introduction by Richard Jaffe that acquaints readers with Suzuki's life and career and analyzes the book's…
My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.
My first somewhat clear understanding of what Zen is, and perhaps isn’t, came from the reading of this book.
I have seen in my own life when I’m doing photography or playing golf that I can enter a state of Zen. Nothing else exists while I’m depressing the shutter or hitting that little white ball. The concept of mindfulness is something that is much easier to read about than put into practice, but reading this book has helped me take strides toward living in the present.
A classic work on Eastern philosophy, and a charming, deeply illuminating story of one man’s experience with Zen.
Eugen Herrigel, a German professor of Philosophy in Tokyo, took up the study of archery as a step toward an understanding of Zen Buddhism. This book is the account of the six years he spent as a student of one of Japan’s great kyudo (archery) masters, and of how he gradually overcame his initial inhibitions and began to feel his way toward new truths and ways of seeing.
I am a black belt martial artist and top ten bestselling children’s author with a life goal of ‘getting kids reading’. As an author, I practise what I term ‘method writing’. For my Young Samurai series, I trained in samurai swordsmanship, karate, ninjutsu, and earned my black belt in Zen Kyu Shin Taijutsu. This ensures my books are not only authentic but have the impact of a flying front kick. Hopefully, my stories will knock you out!
A classic of the ages and essential reading for any martial artist, The Book of Five Rings is a guide to self-discipline and learning. But you have to read between the lines, listen to the silences, and practice the way of the warrior yourself in order to get the most from it. The legendary swordmaster Miyamoto Musashi is the blueprint for Jack’s sensei and guardian Masamoto in my Young Samurai book.
The complete and official edition of the original Japanese text. Translated by Prof. Nabiki Imagawa and Prof. James Ashcroft in 2019 to fix all the previous mistakes present in the old public editions. This is the recommended edition for university specialists and experts in Japanese history who want the full uncensored version of The Book of 5 Rings as the samurai Miyamoto Musashi wrote it in 1645.
