Here are 100 books that We Saw Spain Die fans have personally recommended if you like
We Saw Spain Die.
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I first set foot in Madrid in 1962, when the deep scars of a three-year siege were still very much in evidence. Over the years I have observed it evolve into the most vibrant and fascinating city in Europe. I lived in Madrid for a total of twenty years and after moving to London, I found myself missing it very badly, so much so that I decided to put my enthusiasm to pen and tell the world what a spectacular place it is. The result was three books: Madrid: The History, Madrid: A Literary Companion for Travellers, and the latest, Madrid: Midnight City, co-authored with Helen Crisp, a long-time visitor who shares my enthusiasm for this city perched atop the Castilian plateau.
Jason Webster journeys across Spain to explore the lasting effects of the Spanish Civil War. The result of his travels is this book of fascinating and vividly retold true stories from the war. The more the author unveils of the passions that set one countryman against another, the more he is led to wonder: could the dark, primitive currents that ripped the country apart in the 1930s still be stirring under the sophisticated, worldly surface of today's Spain? With this moving and succinct account, Webster definitively establishes his credential as one of the most gifted and knowledgeable Anglophone writers who have interpreted Spain to the world.
After twelve years in Spain, Jason Webster had developed a deep love for his adopted homeland; his life there seemed complete. But when he and his Spanish wife moved into an idyllic old farmhouse in the mountains north of Valencia, by chance he found an unmarked mass grave from the Spanish Civil War on his doorstep.Spurred to investigate the history of the Civil War, a topic many of his Spanish friends still seemed to treat as taboo, he began to uncover a darker side to the country. Witness to a brutal fist-fight sponsored by remnants of Franco's Falangists, arrested and…
I first set foot in Madrid in 1962, when the deep scars of a three-year siege were still very much in evidence. Over the years I have observed it evolve into the most vibrant and fascinating city in Europe. I lived in Madrid for a total of twenty years and after moving to London, I found myself missing it very badly, so much so that I decided to put my enthusiasm to pen and tell the world what a spectacular place it is. The result was three books: Madrid: The History, Madrid: A Literary Companion for Travellers, and the latest, Madrid: Midnight City, co-authored with Helen Crisp, a long-time visitor who shares my enthusiasm for this city perched atop the Castilian plateau.
The Spanish Civil War is customarily written off as a military action involving insurgent army units allied with the Falange and other reactionary forces, waging war against a legitimately-elected Socialist-led government, albeit one infested with Communist conspirators. James Matthews takes the reader into another realm, often overlooked in the literally thousands of works published on this conflict.
The book brings together the writings of thirteen outstanding historians and specialists, who examine broad-ranging and hitherto little-explored issues such as the Francoist doctrine of ‘martial masculinity’ and ‘turning boys into men’, the role of social work during the war, political economies and monetary policies, desertion and shirking military duties and Republican spies in the Nationalist rearguard.
Spain's principal and most devastating war during the 20th century was, unusually for most of Europe, an internal conflict. During the Spanish Civil War of 1936 to 1939 two competing armies - the insurgent and counterrevolutionary Nationalist Army and the Republican Popular Army - engaged in a conflict to impose their version of Spanish identity and the right to shape the country's future. In its aftermath, Francoist Spain remained on a war footing for the duration of the Second World War.
In spite of the unabated flood of books on the Spanish Civil War and its consequences, historians of Spain…
Christopher Othen is the author of Franco’s International Brigades: Adventurers, Fascists, and Christian Crusaders in the Spanish Civil War (Hurst, 2013) and four other books on subjects such as French gangsters in Nazi Paris, mercenaries in post-colonial Africa, and political opposition to Islam in Europe and America. He lives in Eastern Europe and his day jobs have included journalist, legal representative for asylum seekers, and English language teacher. In off-the-clock adventures, he has interviewed retired mercenaries about forgotten wars and got drunk with an ex-mujahidin who knew Osama Bin Laden.
In 1936 an attempt by a coalition of reactionary army officers to overthrow the Spanish government outraged left-wingers around the world. By the start of the next year the International Brigades had been formed under the watchful eye of the Soviet Union to help the beleaguered Republic. At least 35,000 men from countries as diverse as Britain, China, Sweden, and Cuba fought and died on Spanish battlefields for a lost cause. Giles Tremlett’s expansive narrative history brings them vividly to life, with both their heroism and flaws, and shows why their struggle is still remembered today.
'Magnificent. Narrative history at its vivid and compelling best' Fergal Keane
The first major history of the International Brigades: a tale of blood, ideals and tragedy in the fight against fascism.
The Spanish Civil War was the first armed battle in the fight against fascism, and a rallying cry for a generation. Over 35,000 volunteers from sixty-one countries around the world came to defend democracy against the troops of Franco, Hitler and Mussolini.
Ill-equipped and disorderly, yet fuelled by a shared sense of purpose and potential glory, disparate groups of idealistic young men and women banded together to form a…
I first set foot in Madrid in 1962, when the deep scars of a three-year siege were still very much in evidence. Over the years I have observed it evolve into the most vibrant and fascinating city in Europe. I lived in Madrid for a total of twenty years and after moving to London, I found myself missing it very badly, so much so that I decided to put my enthusiasm to pen and tell the world what a spectacular place it is. The result was three books: Madrid: The History, Madrid: A Literary Companion for Travellers, and the latest, Madrid: Midnight City, co-authored with Helen Crisp, a long-time visitor who shares my enthusiasm for this city perched atop the Castilian plateau.
The Spanish Civil War ended more than eighty years ago, hence one might assume the people of Spain would have long since buried the ideological discord and personal animosities that tore the country apart in three years of savage fighting. Not so, as the author points out. He looks at the character of the war’s most notorious protagonist, Francisco Franco, described as a ‘‘general of standard ability but given to flights of fancy’. Certainly one of the costliest of these castles in the air was his determination to make short work of his siege of Madrid, which against all the odds, held out heroically to the end.
Hutton identifies the battle of Teruel, fought during the worst Spanish winter in twenty years, as the tipping point of the war. This is one of the four fronts he analyses in detail and with deep perception.
Spain in Arms is a new military history of the Spanish Civil War. It examines how the Spanish Civil War conflict developed on the battlefield through the prism of eight campaigns between 1937-1939 and shows how many accounts of military operations during this conflict are based upon half-truths and propaganda.
The book is based upon nearly 60 years of extensive research into the Spanish Civil War, augmented by information from specialised German, Italian and Russian works. The Italian campaign against the Basques on the Northern Front in 1937 was one of the most spectacular Nationalist successes of the Civil War,…
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Inspired by his experiences as a reporter during the Spanish Civil War, Ernest Hemingway's For Whom the Bell Tolls tells the story of Robert Jordan, an American volunteer in the International Brigades fighting to defend the Spanish Republic against Franco. After being ordered to work with guerrilla fighters to destroy a bridge, Jordan finds himself falling in love with a young Spanish woman and clashing with the guerrilla leader over the risks of their mission.
One of the great novels of the twentieth century, For Whom the Bell Tolls was first published in 1940. It powerfully explores the brutality of…
James McGrath Morris is the author of The Ambulance Drivers: Hemingway, Dos Passos, and a Friendship Made and Lost in War, which the Economist said was “as readable as a novel.” His previous work, Eye on the Struggle: Ethel Payne, The First Lady of the Black Press was a New York Times bestseller. His next book is Tony Hillerman: A Life.
If there was a soap opera in the midst of the Spanish Civil War, it would have been filmed at Madrid’s Hotel Florida where famous foreign supporters of the Republican cause stayed. For a brief time, as it became clear Franco would prevail, armed amateur mercenaries, writers, filmmakers, and journalists, drank and did all they could for the lost cause. The tale of three love affairs, including that of Hemingway and Martha Gellhorn, animate this book whose entertaining style masks some insightful passages. Certainly, a book that’s hard to put down.
Madrid, 1936. In a city blasted by civil war, six people meet and find their lives changed forever. Ernest Hemingway, his career stalled, his marriage sour, hopes this war will give him fresh material and new romance; Martha Gellhorn, an ambitious novice journalist hungry for love and experience, thinks she will find both with Hemingway in Spain. Robert Capa and Gerda Taro, idealistic young photographers based in Paris, are inventing modern photojournalism as they capture history in the making. And Arturo Barea, Madrid's foreign press chief, and Ilsa Kulcsar, his Austrian deputy, are struggling to balance truth-telling with loyalty to…
The author of more than a dozen books and hundreds of magazine and newspaper pieces, I taught writing for many years as a lecturer at the University of Massachusetts at Amherst. My passion for learning to write is lifelong, beginning in a musical childhood that led me from notes to words. A voracious reader, I set my ambition early-on to create stories that worked like the music I love, articulated most fully in recent books that take off from the many years I spent traveling with the iconic jazz musician Wynton Marsalis, with whom I also collaborated on Jazz in the Bittersweet Blues of Life. My focus in both learning and doing is the intersection of memory and experience in a process that is ongoing in the intertwining of life and work.
Officially a book about bullfighting, with so many digressions that they become the book, the finest such sections delve deeply into the art and practice of writing, most extraordinarily in the thrilling, moving final pages. It is also in this great book that for the first time in print Hemingway articulates his principle that you can leave something out of what you are writing if you know you are leaving it out.
Ernest Hemingway's classic portrait of the pageantry of bullfighting.
'I was trying to learn to write, commencing with the simplest things, and one of the simplest things of all and the most fundamental is violent death'
This is Hemingway's classic portrait of the pageantry of bullfighting. Here are the sights, the sounds, the excitement, and above all, the knowledge, that fuelled Hemingway's passion for Spain and the bullfight. This remarkable book contains some of his finest writing, inspired by the intense life, as well as the inevitable death, of those hot, violent afternoons.
I am a painter and a writer from Myanmar. The former profession is what I chose when I was 15 and began at 21, featured in a group exhibition of modern art and the only woman among several men. Since then I have exhibited in several group shows and have had seven solos.
In the early 2000s by chance - and financial need - I became the Contributing Editor for the Myanmar Times weekly and a travel magazine until they closed down. Since then I have written around 20 books on food, culture, and travels and it kept me so busy that my art was put on hoId, but I hope to resume one day soon.
This book is, in my opinion, the best travelouge ever. She has been my hero since I read her For Richer or Poorer and saw what she said about my fellow countrymen: ''They were stronger in their defencelessness than the various khaki-clad people who overrun them'. She got straight to the core of the matter. And how true about being overrun: happening, again, right now, early 2021.
Her Travels with Myself and Another is my favorite among her works. It is full of powerful insight and absolutely great writing whatever she was describing, be it meeting Chiang Kai-shek (she was not impressed) or Zhou Enlai (she was) or people in the street
Out of a lifetime of travelling, Martha Gellhorn has selected her "best horror journeys". She bumps through rain-sodden, war-torn China to meet Chiang Kai-Shek, floats listlessly in search of u-boats in the wartime Caribbean and visits a dissident writer in the Soviet Union against her better judgement. Written with the eye of a novelist and an ironic black humour, what makes these tales irresistible are Gellhorn's explosive and often surprising reactions. Indignant, but never righteous and not always right, through the crucible of hell on earth emerges a woman who makes you laugh with her at life, while thanking God…
I am a French writer of Spanish origin. My two grandfathers shared history with Spain’s darkest hours. My maternal grandfather was born in Barcelona and he was a teenager at the time of the war; just like Salvayre’s parents, he had to flee Spain as the bombs were hitting his city. My paternal grandfather, who was in his twenties at the time of the civil war, decided to fight for the “International Brigades” to defend Spain’s freedom. It is to honour their memory and one of the millions of men and women who suffered from those almost four decades of dictatorship that I wrote Blood Song, a historical thriller, the third installment in the Roy and Castell series.
The Sleeping Voice is the most poignant novel about women in the Spanish civil war you will get to read. Those voices are the ones of the women who fought throughout the dictatorship not to be forgotten as the silent soldiers they were. Those voices tell us that the real heroes are very often anonymous. You won’t be able to part with Hortensia, Elvira and Tomasa, the heroines: I can guarantee that they will all stay with you. I actually chose a quote from that book to open Blood Song: it isabout a mother wondering how the sea looks like as her boys are laying in it.
Dulce Chacon's book has had an immense success in Spain, no doubt because the novelist speaks with a just and powerful voice, and because she has allowed women - the most anonymous, the most suppressed, the most silenced - to speak out" Le Monde
It is 1939. In the Ventas prison in Madrid a group of women have been incarcerated. Their crime is to have supported or fought on the Republican side in Spain's cruel and devastating Civil War. Chief among them are Hortensia, who fought with the militia and is pregnant by her husband Felipe - a man still…
I'm a writer and journalist. I grew up in London’s Jewish community, and lived in Israel and Jerusalem for most of my life. I'm fascinated by the Mid-East region, its history, religions, music, cultures, and colors, and by Jewish history. As a result of my experiences as a soldier in the Second Lebanon War of 2006, and the Second Intifada of 2000-4, my focus on conflict became central to my work. After the 2006 war, I became a conflict reporter, and I've covered war and insurgency in Syria, Turkey, Iraq, Ukraine, Lebanon, and Israel/West Bank/Gaza for a variety of publications. I also like to focus on the ways war and conflict impact human lives.
In this book, Javier Cercas, a Spanish journalist and novelist, sets off on a journey to discover the truth about his great-uncle, Manuel Mena, who was killed aged 19 at the Battle of the Ebro, during the Spanish Civil war. Cercas is a man of the center-left, but his relative was killed while fighting on the side of General Franco’s nationalist, anti-Communist and anti-democratic insurgency. This book is about the way that conflict and its memory remains present in families over subsequent generations, shaping subsequent lives in myriad ways, sometimes unseen. It is of particular value I think because of the way in which Cercas manages to examine his opposition to the cause with which his great-uncle served, and his deep sense of linkage to his relative, without ever compromising either.
Lord of All the Dead is a courageous journey into Javier Cercas' family history and that of a country collapsing from a fratricidal war. The author revisits Ibahernando, his parents' village in southern Spain, to research the life of Manuel Mena. This ancestor, dearly loved by Cercas' mother, died in combat at the age of nineteen during the battle of the Ebro, the bloodiest episode in Spain's history.
Who was Manuel Mena? A fascist hero whose memory is an embarrassment to the author, or a young idealist who happened to fight on the wrong side? And how should we judge…
