Here are 100 books that Hotel Florida fans have personally recommended if you like
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I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Inspired by his experiences as a reporter during the Spanish Civil War, Ernest Hemingway's For Whom the Bell Tolls tells the story of Robert Jordan, an American volunteer in the International Brigades fighting to defend the Spanish Republic against Franco. After being ordered to work with guerrilla fighters to destroy a bridge, Jordan finds himself falling in love with a young Spanish woman and clashing with the guerrilla leader over the risks of their mission.
One of the great novels of the twentieth century, For Whom the Bell Tolls was first published in 1940. It powerfully explores the brutality of…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
It took me a while to get to this part of Orwell’s oeuvre, but once I did, I was engrossed. The crispness of the writing and the precision of his observations are unmatched. Admittedly, due to Orwell’s own political persuasions, you should not base your views of the Spanish Civil War on this book alone, but as a piece of honest journalistic writing with a clear point of view, it deserves its status as a classic.
Homage to Catalonia remains one of the most famous accounts of the Spanish Civil War. With characteristic scrutiny, Orwell questions the actions and motives of all sides whilst retaining his firm beliefs in human courage and the need for radical social change.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Helen Graham, a leading historian on the Spanish Civil War.
James McGrath Morris is the author of The Ambulance Drivers: Hemingway, Dos Passos, and a Friendship Made and Lost in War, which the Economist said was “as readable as a novel.” His previous work, Eye on the Struggle: Ethel Payne, The First Lady of the Black Press was a New York Times bestseller. His next book is Tony Hillerman: A Life.
First published in 1961, and reissued many times since, The Spanish Civil Warremains the single best account of the Spanish Civil War. Thomas was a historian who had served in the British government and whose political allegiances shifted from the Labour to the Conservative party. His seminal work was quickly adopted by the left in Europe and the United States as the go-to work on a legendary clash between the right and left. Despite a few errors and the publication of new accounts, Thomas’s book deserves to be the first on any list like this one. It was banned in Spain until after Franco’s death. Travelers would smuggle copies across the border.
“Mr. Thomas has understood [the Spanish Civil War] incredibly well and has written it superbly. A full, vivid and deeply serious treatment of a great subject.”—Vincent Sheean, The New York Times Book Review
A masterpiece of the historian’s art, Hugh Thomas’sThe Spanish Civil War remains the best, most engrossing narrative of one of the most emblematic and misunderstood wars of the twentieth century. Revised and updated with significant new material, including new revelations about atrocities perpetrated against civilians by both sides in this epic conflict, this “definitive work on the subject” (Richard Bernstein, The New York Times) has been given…
James McGrath Morris is the author of The Ambulance Drivers: Hemingway, Dos Passos, and a Friendship Made and Lost in War, which the Economist said was “as readable as a novel.” His previous work, Eye on the Struggle: Ethel Payne, The First Lady of the Black Press was a New York Times bestseller. His next book is Tony Hillerman: A Life.
Both Hemingway and Orwell show up in this compelling, well-written, and sweeping account of the war. Hochschild is a brilliant writer who was aspired to take up this topic by Orwell’s Homage to Catalonia. Like he did in King Leopold’s Gold, Hochschild focuses his attention on a limited number of people making it easier to follow the story. The co-founder of Mother Jones, he brings to the book a lively magazine-style of narration. If Thomas’s work is too much, this is the one history worth reading.
A NEW YORK TIMES BESTSELLER. A sweeping history of the Spanish Civil War, told through a dozen characters, including Hemingway and George Orwell: A tale of idealism, heartbreaking suffering, and a noble cause that failed.
For three crucial years in the 1930s, the Spanish Civil War dominated headlines in America and around the world, as volunteers flooded to Spain to help its democratic government fight off a fascist uprising led by Francisco Franco and aided by Hitler and Mussolini.
Today we're accustomed to remembering the war through Hemingway’s For Whom the Bell Tolls and Robert Capa’s photographs. But Adam Hochschild…
I am a painter and a writer from Myanmar. The former profession is what I chose when I was 15 and began at 21, featured in a group exhibition of modern art and the only woman among several men. Since then I have exhibited in several group shows and have had seven solos.
In the early 2000s by chance - and financial need - I became the Contributing Editor for the Myanmar Times weekly and a travel magazine until they closed down. Since then I have written around 20 books on food, culture, and travels and it kept me so busy that my art was put on hoId, but I hope to resume one day soon.
This book is, in my opinion, the best travelouge ever. She has been my hero since I read her For Richer or Poorer and saw what she said about my fellow countrymen: ''They were stronger in their defencelessness than the various khaki-clad people who overrun them'. She got straight to the core of the matter. And how true about being overrun: happening, again, right now, early 2021.
Her Travels with Myself and Another is my favorite among her works. It is full of powerful insight and absolutely great writing whatever she was describing, be it meeting Chiang Kai-shek (she was not impressed) or Zhou Enlai (she was) or people in the street
Out of a lifetime of travelling, Martha Gellhorn has selected her "best horror journeys". She bumps through rain-sodden, war-torn China to meet Chiang Kai-Shek, floats listlessly in search of u-boats in the wartime Caribbean and visits a dissident writer in the Soviet Union against her better judgement. Written with the eye of a novelist and an ironic black humour, what makes these tales irresistible are Gellhorn's explosive and often surprising reactions. Indignant, but never righteous and not always right, through the crucible of hell on earth emerges a woman who makes you laugh with her at life, while thanking God…
I first set foot in Madrid in 1962, when the deep scars of a three-year siege were still very much in evidence. Over the years I have observed it evolve into the most vibrant and fascinating city in Europe. I lived in Madrid for a total of twenty years and after moving to London, I found myself missing it very badly, so much so that I decided to put my enthusiasm to pen and tell the world what a spectacular place it is. The result was three books: Madrid: The History, Madrid: A Literary Companion for Travellers, and the latest, Madrid: Midnight City, co-authored with Helen Crisp, a long-time visitor who shares my enthusiasm for this city perched atop the Castilian plateau.
Paul Preston needs no introduction to readers of contemporary Spanish history. He embodies the term ‘Hispanist’ and has been writing about the country for decades, with a focus on the Spanish Civil War. Preston tells the gripping tale of those who fought to tell the story, often at risk to their own lives, namely the foreign correspondents who, in reporting the war, made every effort to reveal the truth. Preston catches this column-inch internationalism with brilliance in his survey of such notables as Ernest Hemingway and Henry Buckley. The book is absorbing, frequently moving, and sprinkled with humour. It fills a crucial gap in the historiography of the Spanish Civil War.
The war in Spain and those who wrote at first hand of its horrors.
From 1936 to 1939 the eyes of the world were fixed on the devastating Spanish conflict that drew both professional war correspondents and great writers. Ernest Hemingway, John Dos Passos, Josephine Herbst, Martha Gellhorn, W. H. Auden, Stephen Spender, Kim Philby, George Orwell, Arthur Koestler, Cyril Connolly, Andre Malraux, Antoine de Saint Exupery and others wrote eloquently about the horrors they saw at first hand.
Together with many great and now largely forgotten journalists, they put their lives on the line, discarding professionally dispassionate approaches and…
I am fascinated by time, how a few brief moments can change or define a life, and how, when faced with danger, a first reaction can make you a hero or a coward. In trying cases, I saw how a slight hesitation or a quick glance away could make a witness under cross-examination seem a liar. The instant of truth, when everything about someone’s character becomes clear–the common theme of the five novels–is what my book is all about. The captain, Vincent Marlowe, had to make a decision about the price he had to pay for the deaths he had caused.
I had always thought it unfair how the bull in a bullfight was worn down until he was ready to be killed, how the bull had no chance. And then I read Hemingway’s book and learned that fairness had nothing to do with it.
Death is, and was meant to be, a certainty for the bull; danger and the possibility of death are a certainty for the man. How the danger of death is approached made a bullfight, and not just a bullfight, great.
The bravery and the “calm indifference” make the bullfighter worthy of respect. I discovered this book is not really about bullfighting at all; it is about courage and what it means to live and die well.
Ernest Hemingway's classic portrait of the pageantry of bullfighting.
'I was trying to learn to write, commencing with the simplest things, and one of the simplest things of all and the most fundamental is violent death'
This is Hemingway's classic portrait of the pageantry of bullfighting. Here are the sights, the sounds, the excitement, and above all, the knowledge, that fuelled Hemingway's passion for Spain and the bullfight. This remarkable book contains some of his finest writing, inspired by the intense life, as well as the inevitable death, of those hot, violent afternoons.
A lifetime of an obsession with Spain since a childhood spent on Miro’s farm in Montroig del Camp and just a short walk away from where Gaudi was born I have cooked, researched, battled, and fallen in love with this extraordinary country. Almost 40 years ago I bought a farmhouse in Arevalillo de Cega in the central mountains in Spain from where I have crisscrossed the country in the footsteps of Goya, the culinary genius Ferran Adria and in search of information for my biography on Gaudi – the God of Catalan architecture. Spain is an open book with a million pages, endlessly fascinating, contrary, unique, and 100% absorbing. I fell in deep.
As the Guardian correspondent in Madrid, Giles Tremlett’s book is a no-holds-barred deep investigation into the Spanish psyche and recent history and its uncomfortable relationship to the trauma of the Spanish Civil War. It is brave, provocative, deeply-researched but above all immensely readable.
Spaniards are reputed to be amongst Europe's most forthright people. So why have they kept silent about the terrors of their Civil War and the rule of General Franco? This apparent 'pact of forgetting' inspired writer Giles Tremlett to embark on a journey around Spain and its history. He found the ghosts of Spain everywhere, almost always arguing. Who caused the Civil War? Why do Basque terrorists kill? Why do Catalans hate Madrid? Did the Islamist bombers who killed 190 people in 2004 dream of a return to Spain's Moorish past? Tremlett's curiosity led him down some strange and colourful…
I first set foot in Madrid in 1962, when the deep scars of a three-year siege were still very much in evidence. Over the years I have observed it evolve into the most vibrant and fascinating city in Europe. I lived in Madrid for a total of twenty years and after moving to London, I found myself missing it very badly, so much so that I decided to put my enthusiasm to pen and tell the world what a spectacular place it is. The result was three books: Madrid: The History, Madrid: A Literary Companion for Travellers, and the latest, Madrid: Midnight City, co-authored with Helen Crisp, a long-time visitor who shares my enthusiasm for this city perched atop the Castilian plateau.
The Spanish Civil War is customarily written off as a military action involving insurgent army units allied with the Falange and other reactionary forces, waging war against a legitimately-elected Socialist-led government, albeit one infested with Communist conspirators. James Matthews takes the reader into another realm, often overlooked in the literally thousands of works published on this conflict.
The book brings together the writings of thirteen outstanding historians and specialists, who examine broad-ranging and hitherto little-explored issues such as the Francoist doctrine of ‘martial masculinity’ and ‘turning boys into men’, the role of social work during the war, political economies and monetary policies, desertion and shirking military duties and Republican spies in the Nationalist rearguard.
Spain's principal and most devastating war during the 20th century was, unusually for most of Europe, an internal conflict. During the Spanish Civil War of 1936 to 1939 two competing armies - the insurgent and counterrevolutionary Nationalist Army and the Republican Popular Army - engaged in a conflict to impose their version of Spanish identity and the right to shape the country's future. In its aftermath, Francoist Spain remained on a war footing for the duration of the Second World War.
In spite of the unabated flood of books on the Spanish Civil War and its consequences, historians of Spain…
I am a French writer of Spanish origin. My two grandfathers shared history with Spain’s darkest hours. My maternal grandfather was born in Barcelona and he was a teenager at the time of the war; just like Salvayre’s parents, he had to flee Spain as the bombs were hitting his city. My paternal grandfather, who was in his twenties at the time of the civil war, decided to fight for the “International Brigades” to defend Spain’s freedom. It is to honour their memory and one of the millions of men and women who suffered from those almost four decades of dictatorship that I wrote Blood Song, a historical thriller, the third installment in the Roy and Castell series.
The former French psychiatrist Lydie Salvayre won the prestigious Goncourt Prize for that brilliant novel about the Spanish civil war. Salvayre’s parents, who were Republicans, had to flee Franco’s regime, and we feel that her writing is sewn with emotion and memories. The two voices we hear echo perfectly that troubling period of Spanish history: the one of Salvayre’s own mother recounting her experiencing the civil war and the one of the French writer Georges Bernanos. A novel not to be missed.
Aged fifteen, as Franco's forces begin their murderous purges and cities across Spain rise up against the old order, Montse has never heard the word fascista before. In any case, the villagers say facha (the ch is a real Spanish ch, by the way, with a real spit).
Montse lives in a small village, high in the hills, where few people can read or write and fewer still ever leave. If everything goes according to her mother's plan, Montse will never leave either. She will become a good, humble maid for the local landowners, muchisimas gracias, with every Sunday off…
