Here are 100 books that Twelve Days in May fans have personally recommended if you like
Twelve Days in May.
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I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I loved the premise of this funny, charming romcom, where two babies are born on New Year’s Eve, one minute apart in the same hospital. Minnie is a feisty, lovable heroine, and when she meets Quinn again when they’re both thirty, the dynamic sets the pages on fire.
I loved how the book was sprinkled with star-crossed lovers, fate, and the sense of magic and things being meant to be.
The surrounding cast of characters is also brilliant, and I felt like I knew them all by the end. It’s so heartwarming and romantic, and a book that’s dusted with stardust.
Their lives began together, but their worlds couldn't be more different. After thirty years of missed connections, they're about to meet again...
Minnie Cooper knows two things with certainty: that her New Year's birthday is unlucky, and that it's all because of Quinn Hamilton, a man she's never met. Their mothers gave birth to them at the same hospital just after midnight on New Year's Day, but Quinn was given the cash prize for being the first baby born in London in 1990--and the name Minnie was meant…
I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I found this book so emotional: a book that deals with such difficult subjects and has heartbreak in it but is so uplifting, too.
Scarlet is killed in an accident and has to watch the people she loves deal with the aftermath. I thought Evie’s grief was so real, and I was desperate for her to find happiness again after losing her best friend. I am always drawn to a love story that seems impossible, and this one had me on the edge of my seat as Nate is drawn to Evie, but their happy ever after seems so out of reach.
I cried a lot but finished it full of joy and with a renewed desire to live life to the fullest.
This heart-wrenching read about friendship, love, and loss tells the story of a woman grieving the death of her best friend and learning to embrace a future she never imagined—perfect for fans of Rebecca Serle and Josie Silver.
One moment in time can change everything...
The day Scarlett dies, her hopes and dreams for the future die with her…or so she thinks. Because she’s still here—wherever here is—watching the ripple effect of her death on the lives of those she loved the most. She’d do anything to go back and join the living, especially Evie, her best friend who needs…
I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I felt every single emotion reading this book and felt as if I’d lived all the decades with Jen and Nick, who met as teenagers and soon became friends.
I love Sarra’s writing style, and I was fully invested in Jen and Nick from the very beginning, and found their complicated, messy relationship, which follows the most winding path, completely believable.
There was so much in this book that was unexpected, and by the end, I was a sobbing puddle of feelings. I know Jen and Nick will always stay with me, and I’m already looking forward to reading it again.
'A VERY special book. GORGEOUS, real believable and BEAUTIFUL' - Marian Keyes
London. Nine million people. Two hundred and seventy tube stations. Every day, thousands of chance encounters, first dates, goodbyes and happy ever afters.
And for twenty years it's been where one man and one woman can never get their timing right.
Jennifer and Nick meet as teenagers and over the next two decades, they fall in and out of love with each other. Sometimes they start kissing. Sometimes they're just friends. Sometimes they stop speaking, but they always find their way back to each other.
I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I am a huge fan of an epic love story that spans years, and this book is one of the best I’ve read!
I laughed, cried, and swooned at the battle of wits between Becca and Charlie, and even though the book starts with such sadness, it is full of fun moments, sparkling dialogue, and real heart and emotion.
I loved being taken on such an intense, delicious rollercoaster ride of a romcom, and I want to press this book into everyone’s hands. It’s my favourite kind of will-they-won’t-they, and it’s such a satisfying, beautiful read.
'Some days I feel like I've lived more than one lifetime, so, couldn't we be right for each other this time around?'
Everyone is talking about this book:
'What an absolute page-turner!...keeps you guessing before pulling off THE PERFECT ending!' Anita
'Such a warm, lovely read with two characters you're desperately rooting for' Cesca Major, author of Maybe Next Time
'It's a total belter... I loved the slow burn and just the warmth and funniness of the writing. Was gagging for them to get it together' Kirsty Greenwood, author of Big Sexy Love
I am the son of Irish rural immigrants who at the age of nearly eighty already occupies several vanished worlds myself: London in the 1950s and 60s, the old world of the European peasantry, and a time when the greatest war in human history was still a daily presence. I spent most of my life as an academic historian writing books for an academic audience. Then, to my surprise, at the tender age of seventy, I discovered that I could write prose that had a certain grace and dignity and which seemed to move people as well as inform them. So, I began a second career as what is called a “writer.”
This is French peasant life in its last days, a life rendered from the outside by one who became an insider.
Berger went to live and work among the peasants of the French south in 1962. This world, like that of Spain at much the same time, saw the death of the old peasantry. It is not a work of observation like Norman Lewis’s book but a series of fictional stories. It treats peasants as human beings, on an equal standing with all others in society. They have depth and gravity. Just like us all.
How awful most writing about peasants is. This stands out proudly from that awfulness.
With this haunting first volume of his Into Their Labours trilogy, John Berger begins his chronicle of the eclipse of peasant cultures in the twentieth century. Set in a small village in the French Alps, Pig Earth relates the stories of skeptical, hard-working men and fiercely independent women; of calves born and pigs slaughtered; of summer haymaking and long dark winters f rest; of a message of forgiveness from a dead father to his prodigal son; and of the marvelous Lucie Cabrol, exiled to a hut high in the mountains, but an inexorable part of the lives of men who…
I have been a Francophile for as long as I can remember. Something about France and French literature grabbed me by the heart when I was a young man and continues to do so. I’ve lived in France twice–a year each time–and have written about those experiences in books and essays. It’s 19th-century French literature that especially draws me and has deeply influenced my own writing.
Most people declare Madame Bovary to be their favorite Flaubert novel. I don’t dispute its greatness, but I find this book, published in 1869, twelve years after Madame Bovary, to be the master at his most illuminating and embracing.
Set against the revolution of 1848, the hero, Frédéric Moreau, falls helplessly in love with a married woman. I identify—not with the love of a married woman—with Moreau’s life and times as a young artist living among others like him in Paris. He and his fellow artists live their bohemian lives with ardor and hope, and the passion of youth and creativity flows wonderfully through the book.
'For certain men the stronger their desire, the less likely they are to act.'
With his first glimpse of Madame Arnoux, Frederic Moreau is convinced he has found his romantic destiny, but when he pursues her to Paris the young student is unable to translate his passion into decisive action. He also finds himself distracted by the equally romantic appeal of political action in the turbulent years leading up to the revolution of 1848, and by the attractions of three other women, each of whom seeks to make him her own: a haughty society lady, a capricious courtesan, and an…
I have been a Francophile for as long as I can remember. Something about France and French literature grabbed me by the heart when I was a young man and continues to do so. I’ve lived in France twice–a year each time–and have written about those experiences in books and essays. It’s 19th-century French literature that especially draws me and has deeply influenced my own writing.
I read this book years ago in high school, and my eyes were opened. The hero, Julien Sorel, is—like I was when I read the novel—naïve, confused, trusting, inexperienced, and prone to awkwardness and error. In short, I could relate to someone in circumstances (boarding school!) where I desperately needed someone who was highly imperfect with whom I could identify.
It might have been the first time I read an adult book where I felt I might actually meet the main character one day, walking down the street or even in the hallway.
Traces the ascent and descent of a young, aspirational social climber in a harsh, monarchical country.
Julien Sorel, a handsome and aspirational man, is determined to overcome his lowly provincial upbringing. He soon realises that the only way to succeed is to follow the sophisticated code of hypocrisy that governs society, so he starts to progress by lying and self-interest. His successful job leads him into the centre of glitzy Parisian society, where he triumphs over the proud Mathilde and the kind, married Madame de Rênal. Then, though, Julien commits a shocking, terrible crime—leading to his own demise. In The…
I guess we all have a "calling." Mine has always been to explore the deeper, darker, less palatable aspects of being human. I’m a bit like a space explorer of the human psyche. I’m lucky in the sense that my day job permits me to research, teach, and better understand things like love, death, and loneliness. I’ve been researching and writing about them for many years now. I always treasure books that help me to shed light on these themes. They are like shiny pebbles or jewels that I pick up and keep in my pocket. I hope you enjoy and learn from some of the treasures in my personal collection!
I often feel like fiction "does" loneliness far better than nonfiction. This is because loneliness is so abstract and messy and the way that it is "lived" is often depicted more realistically in fiction.
I loved Michel Houllebecq’s novel because it’s a painfully beautiful portrayal of the ways that loneliness manifests in modern lives. The characters are achingly lonely in so many ways, and you can see yourself refracted in them as a contemporary human being.
Half-brothers Michel and Bruno have a mother in common but little else.
Michel is a molecular biologist, a thinker and idealist, a man with no erotic life to speak of and little in the way of human society.
Bruno, by contrast, is a libertine, though more in theory than in practice, his endless lust is all too rarely reciprocated.
Both are symptomatic members of our atomised society, where religion has given way to shallow 'new age' philosophies and love to meaningless sexual connections.
Atomised tells the stories of the two brothers, but the real subject of the novel is the…
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
Joseph, a Berkeley student and the son of a Jewish mother and a Muslim father, receives a mysterious package from his estranged father. He embarks on a journey to understand a family mystery that can be traced back a thousand years.
I really cared about all of the characters who strive to lead good lives and demonstrate the many ways in which responsibility, forgiveness, love, and kindness shape the way we see and act in the world.
In this “wonderfully rich” (San Francisco Chronicle) novel from the author of the internationally bestselling The Oracle of Stamboul, a young man journeys from California to Cairo to unravel centuries-old family secrets.
“This book is a joy.”—Rabih Alameddine, author of the National Book Award finalist An Unnecessary Woman
WINNER OF: THE AMERICAN LIBRARY ASSOCIATION’S SOPHIE BRODY AWARD • THE NATIONAL JEWISH BOOK AWARD IN FICTION • THE SAMI ROHR PRIZE FOR JEWISH LITERATURE • Named One of the Ten Best Books of the Year by the BBC • Longlisted for the Northern California Independent Booksellers Association Fiction Prize • A…
I have a deep-set interest in and passion for human and civil rights, particularly children’s rights. I see the law, with which I have had a fascination since the age of 14, as the primary vehicle for advancing those rights. My research on the law has always been on my own, and apart from several legally themed high school and university courses, I am a layman in this field. Nonetheless, I have extensively studied law privately for many years, with a particular focus on how it affects relations among people, including those between children and adults. Activism for social change is one of my primary motivators in life, my main purpose and direction, and my reason for being.
I love this classic novel; it is one of my old favorites.
Nowhere in the genre of young adult literature does there seem to be an author more subversive than Paula Danziger; here (and in the companion novel The Cat Ate My Gymsuit), she directly encourages the young reader to question adult authority and suggests that with protests and education about what rights the law gives (and withholds from) young people, it might be possible to effect change and increase their rights.
I also found it great that the novel shows the protagonist’s parents in raw realism–the father as a hypocritical, cheap, unlikable domestic despot, the mother as a shrinking violet who at first tends to excuse the father and conform to his expectations, but eventually starts questioning her stance when she sees her daughters rebel.
Lauren's fed up. She's been dumped by her boyfriend and pushed around by her parents. Everyone seems to be making decisions for her - she's even got to share a bedroom with her annoying little sister. Which is why she decides to take a new class at school: Law for Children and Young People. She's determined to find out her rights, and stand up for them. What she isn't expecting to find is a new boyfriend - especially one who's a whole year younger than her...
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