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Two of my three novels have young women protagonists. I find young adulthood a fascinating time in women’s lives and I enjoy creating a character and putting her in a historical setting. The Second World War offers fertile ground for storytelling, and I grew up south of London after the war. My father’s unpublished memoir, in which he describes an event that he experienced in the war, inspired me to write about it, but I told the story through the eyes of the protagonist, Kate.
I loved the three-part format of this book divided by time periods. The first part, set in 1935, describes an event that took place on a hot summer day in the grounds of the family’s country house garden. It’s seen from the different perspectives of thirteen-year-old Briony and her older sister Cecelia. The story evolves from there in parts two and three in unpredictable and devastating ways.
I appreciated the book’s in-depth exploration of the power of a lie and the devastating consequences of that lie. This psychological study of adult Briony’s guilt and subsequent atonement eloquently depicts how war makes demands of even the most privileged citizens.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
Two of my three novels have young women protagonists. I find young adulthood a fascinating time in women’s lives and I enjoy creating a character and putting her in a historical setting. The Second World War offers fertile ground for storytelling, and I grew up south of London after the war. My father’s unpublished memoir, in which he describes an event that he experienced in the war, inspired me to write about it, but I told the story through the eyes of the protagonist, Kate.
I loved this book because Grace, the young woman in the story, was able to find meaning even in the face of war. She discovered the power of storytelling and used it to raise morale when bombs were falling on London. I found the book easy to read, and I felt sympathy for Grace and other ordinary people whose lives were upended by the war.
“An irresistible tale which showcases the transformative power of literacy, reminding us of the hope and sanctuary our neighborhood bookstores offer during the perilous trials of war and unrest.”
—KIM MICHELE RICHARDSON, author of The Book Woman of Troublesome Creek
August 1939: London prepares for war as Hitler’s forces sweep across Europe. Grace Bennett has always dreamed of moving to the city, but the bunkers and drawn curtains that she finds on her arrival are not what she expected. And she certainly never imagined she’d wind up working at Primrose Hill, a dusty old bookshop…
Two of my three novels have young women protagonists. I find young adulthood a fascinating time in women’s lives and I enjoy creating a character and putting her in a historical setting. The Second World War offers fertile ground for storytelling, and I grew up south of London after the war. My father’s unpublished memoir, in which he describes an event that he experienced in the war, inspired me to write about it, but I told the story through the eyes of the protagonist, Kate.
This well-written book taught me a great deal about WW2. I especially appreciated learning more about Mary Churchill, Winston’s youngest daughter, who was seventeen at the start of the war. The author obtained access to her diaries, and he quotes from them often, so I got a feel for the life of a young woman in society during wartime. Mary had a conscience and good insights and became a main character in this historical book.
#1 NEW YORK TIMES BESTSELLER • The author of The Devil in the White City and Dead Wake delivers an intimate chronicle of Winston Churchill and London during the Blitz—an inspiring portrait of courage and leadership in a time of unprecedented crisis
“One of [Erik Larson’s] best books yet . . . perfectly timed for the moment.”—Time • “A bravura performance by one of America’s greatest storytellers.”—NPR
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Vogue • NPR • The Washington Post • Chicago Tribune • The Globe &…
Two of my three novels have young women protagonists. I find young adulthood a fascinating time in women’s lives and I enjoy creating a character and putting her in a historical setting. The Second World War offers fertile ground for storytelling, and I grew up south of London after the war. My father’s unpublished memoir, in which he describes an event that he experienced in the war, inspired me to write about it, but I told the story through the eyes of the protagonist, Kate.
I liked this story with two women protagonists because of its drama. The book had me mesmerized from beginning to end. One reason may be that I listened to the audiobook with the actress Rosamund Pike as narrator. She knew how to portray all the accents, from the (male) aristocrat Lucas Romer to the young woman spy Eva Delectorskaya.
I liked the dual timeline, with Eva’s adult daughter learning about her mother’s shocking hidden past as it is slowly revealed. I like books about mother/daughter relationships, and this is one of the better ones in that regard. But what kept me interested above all was the slow unfolding of the information and Eva’s haunted life.
'Eva Delectorskaya,' I said mystified. ' Who's that?' 'Me,' she said. 'I am Eva Delectorskaya.' What happens to your life when everything you thought you knew about your mother turns out to be an elaborate lie? During the long, hot summer of 1976, Ruth Gilmartin discovers that her very English mother Sally is really Eva Delectorskaya, a Russian emigre and one-time spy. In 1939 Eva is a beautiful twenty-eight year old living in Paris. As war breaks out, she is recruited for the British Secret Service by Lucas Romer, a mysterious, patrician Englishman. Under his tutelage she learns to become…
I’ve always loved peculiar heroes and heroines. Characters with strange gifts and an equal number of challenges. It started with Sherlock Holmes, whose mind fascinated me. As a child, I gravitated to the unnatural protagonist, Tarzan, in the Edgar Rice Burroughs novels and Bilbo Baggins in The Lord of the Rings trilogy. I was never a big fan of Superman, I preferred people who adapted quickly to new surroundings and could think on their feet. Once I began my writing career, I kept those protagonists in my mind. Four novels in, I do my best to capture their spirit and determination to overcome whatever lands in front of them.
I loved this book because it’s about misfits. In this case, misfits who are spies. Spies who have screwed up and disgraced themselves and their masters at the British Secret Service. They’re led by the disheveled and malodorous Jackson Lamb, who is so smart he disdains everyone around him.
He and the Slow Horses get all the bad assignments, but I loved how each of them possessed special skills and a desire to redeem themselves. I think Mick Herron is the master of humorous spy fiction!
'To have been lucky enough to play Smiley in one's career; and now go and play Jackson Lamb in Mick Herron's novels - the heir, in a way, to le Carre - is a terrific thing' Gary Oldman
Slough House is the outpost where disgraced spies are banished to see out the rest of their derailed careers. Known as the 'slow horses' these misfits have committed crimes of drugs and drunkenness, lechery and failure, politics and betrayal while on duty.
In this drab and mildewed office these highly trained spies don't run…
I’m a lifelong science fiction fan, and that genre has proved to be a potent gateway to others: espionage thrillers, fantasy horror, category romance, and more. “Spy-fi” in particular has always fascinated me, since it often deals with the intersection (sometimes collision) of new technologies with age-old human needs and wants. And spies operate in the margins and gray areas of society, basically committing crimes while still claiming to be in the service of a greater good. Sometimes HOW and WHY we do things is just as important as WHAT we’re doing.
So, yeah, I saved the big gun for last. I read a lot of Le Carré in high school before I was ready to understand the full texture of his stories, but the vibes have stuck with me to this day.
Magnus Pym both embodies and subverts many tropes from the spy fiction genre, and experiencing this book as a teenager helped me start to make sense of the very personal real-world tensions between “who I am” and “who I appear to be” and “who I want to be.”
I still wrestle with those questions, but my reasons for doing or not doing things haven’t changed all that much. As a wise woman once said: “That’s how we’re going to win. Not fighting what we hate. Saving what we love.”
"The best English novel since the war." -- Philip Roth
Over the course of his seemingly irreproachable life, Magnus Pym has been all things to all people: a devoted family man, a trusted colleague, a loyal friend-and the perfect spy. But in the wake of his estranged father's death, Magnus vanishes, and the British Secret Service is up in arms. Is it grief, or is the reason for his disappearance more sinister? And who is the mysterious man with the sad moustache who also seems to be looking for Magnus?
We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Even though it’s more of a YA book, I struggled with this as a teenager, so I picked it back up a few years ago with no great expectations. We were staying in a static home in Cornwall and the weather was vile, morning and night. Perhaps I would have motored through any book given these circumstances. Or perhaps it’s just a magical novel.
I’m going with the latter because it has since become my number-one comfort read. Comradeship, adventure, tension and drama, authentic historical detail, lyrical descriptions of Iron Age Britain… it has it all and more. As it happens, I have only just finished the sequel – The Silver Branch – and this book is a worthy challenger, too!
The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954.
Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond…
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
Macneal is a go-to for me when it comes to grim reads set in the Victorian era. I found her writing so superb and her grasp of Victorian London and the Pre-Raphaelite Brotherhood so enthralling, it was hard for me to believe The Doll Factory was her debut.
The book is about art and collecting, but the obsession of the book’s villain is what makes this beating heart of a story thrum.
Writing narrative nonfiction books is, for me, quite an adventure. My quest is to discover remarkable stories of deep significance and find answers to long-lingering questions, such as why a spy was never caught. For my six books, I have travelled worldwide to interview key players, dig through archives, and see first-hand the stories’ settings. With master’s degrees in journalism (Columbia University) and library science (University of Michigan), I use the research skills of both professions. Designing the best story structure is my passion because that’s the bridge writers must construct to artfully deliver true stories to readers. And I am inspired by reading excellent books.
I have read this novel twice and will undoubtedly read it again. It’s captivating because of the suspenseful plot and the perfect story structure, which is my favorite part of writing books.
The reality of the WWII challenges that the main players must face is gripping. It’s a reminder of how courage springs forth when fear is so overwhelming that there is no other choice but to be brave and do things you never believed you could do.
That is true for the Nazi spy who usually killed anyone who got in his way and for the woman who risked her life to, indeed, get in his way. Why he became a spy and why she tried to stop him are superbly revealed.
The worldwide phenomenon from the bestselling author of The Pillars of the Earth, World Without End, A Column of Fire, and The Evening and the Morning
His code name was "The Needle." He was a German aristocrat of extraordinary intelligence-a master spy with a legacy of violence in his blood, and the object of the most desperate manhunt in history. . . .
But his fate lay in the hands of a young and vulnerable English woman, whose loyalty, if swayed, would assure his freedom-and win the war for the Nazis. . . .
I moved around non-stop as a kid, attending a dozen schools by age
eleven. As a result, once I stayed put long enough to make real
friends, I stuck to them like glitter glue. As a reader and writer, I
can’t get enough stories about female friendships, whether rock-solid or
fraying. My latest novel involves
childhood friends whose loyalty is stretched like a pair of latex gloves
yanked off at a crime scene. The book grew out of a meme I saw on
Facebook, captioned: “Real friends help you hide the bodies”. My first
thought was: who would I help? Straight off, I thought of my oldest
friends.
If you haven’t discovered Joshilyn Jackson, you’re in for a treat. Her Domestic Suspense novels are so sharp, cleverly plotted, and darkly funny.
It’s not old friends but new ones that wreak havoc in Never Have I Ever, as a glamorous “bad girl” newcomer joins the local book club—with ulterior motives.
This is a tale of the secrets people hope will stay hidden, manipulation, and below-the-surface danger, told with wry insights about human nature and crackling humor.
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