100 books like The Station

This book is a gem for lovers of Greece and of superlative English prose.

For me the book is far and away the best evocation of a wild and remote part of Greece that I got to know and treasure when tramping through its olive fields in search of ancient inscriptions. Leigh Fermor was incapable of writing a dull sentence.

His imagination allied with what he observed himself in his wanderings combine to bring out all the strangeness of Mani’s history of brigands and vendettas, of villages bristling with defensive towers and of fishermen descended—perhaps—from Byzantine emperors.   

The Colossus of Maroussi is a book all wanderers and visitors of Greece should dip into at least once.

It’s a travelogue that drips with humour from the brilliant Henry Miller. It is a collection of fantastic prose inspired by the islands and mainland that Miller visited in the early 20th Century. It offers great wit and wisdom as well as cultural insights that still feel incredibly relevant to Greece today, despite the book being published in the 1940s.

When I think of great travel literature, this book is a classic. It speaks on the Greek people - their strength, stoicism, and humour - and chronicles a time in Greece before mass tourism descended and changed the islands forever.

I came across this book while researching my guide to Northern Greece. Kapka Kassabova is a Bulgarian writer now living in the Scottish Highlands, who returned to the land she knew as a child: the once heavily militarized border between Greece, Bulgaria, and Turkey. Her account of the places and people she meets in this forgotten corner of the world are uncanny, full of wonder, tragedy and horror, comedy and beauty, in a place where even in the 21st-century magic and the supernatural still live on.  

In 1947, archaeologist Kevin Andrews went to the Peloponnese on a Fulbright fellowship to study the Crusader castles and found a country in the midst of a civil war. He was one of the few foreigners there at the time, which his book vividly brings to life.. after a first rather idyllic description of stomping on grapes with friends on Paros he enters another world. Yet he was so moved by the humanity of the villagers in a period of great poverty, suspicion, and turmoil that he made Greece his home, and wrote numerous other books about Greece, but this is his best… about a period I hope is never repeated.  

This book assembles a massive collection of ancient African Christian art that has never come together at this level before.

This collection of essays narrates an art exhibit that was housed in 2024 at the Metropolitan Museum of Art in New York City. The thing I love about this book is that readers can continue to see these images in one collection for generations that follow the exhibition.

I also really love how this book not only narrates the history of early Christianity in Africa but is littered with beautiful images that help us to see and feel the way the ancients did when they entered sacred spaces. 

The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.

In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.

Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.  

Herodotus is a joy to read. In his Enquiries into the heroic struggle of Greece against the mighty Persian Empire, he wanted to preserve the memory of wondrous deeds. And he does it brilliantly. Along the way we discover how to catch a crocodile in Egypt, visit the walls of Babylon, and travel with the fearsome, gender-fluid, Scythian warriors. As the massed Persian armies with their arrogant and manipulative commanders bear down on the divided state of Greece, we are taken to battlefield of Marathon, witness the tenacious heroism of the 300 Spartans, and fight on the sea at the great Greek victory at Salamis. This epic conflict between the forces and ideals of East and West is rendered beautifully in Tom Holland’s fluent translation, which nimbly walks the line between accuracy and accessibility.

For anyone wanting to find out not just what happened in the Graeco-Persian Wars (490–479 BC) but how their participants viewed the world, Herodotus’ Histories are a treasure trove. Writing a generation after the event, Herodotus travelled widely, interviewing as many people as he could from veterans to Egyptian priests. But readers must be wary: Herodotus wasn’t writing history as we understand it. Instead, he blended fact, anecdote, and moralizing to demonstrate why in his view the Greek way of life (especially Athenian democracy) was superior to Persian totalitarianism, and why Persian hubris merited divine punishment. While the Landmark edition’s translation of Herodotus’ seductive prose may not be the best (Tom Holland’s, for example, is better), the number and clarity of its maps make it invaluable.

The volume (the publication of a Cambridge lecture series) addresses one of the key themes of modern culture: the nature of identity. The question ‘what is a Greek?’ is not as straightforward as it seems, given that the Greek world was very diverse, and the book explores this by examining Greek culture as a series of polarities: Greek vs barbarian; free vs slave, citizen vs non-citizen; male vs female and gods vs humans. It traces how these polarities illuminate how the Greeks thought about themselves, and how we think about them.

Although aimed squarely at a student readership, it is an approachable introduction to the nature of Greek culture and reflection on questions of identity, difference, and belonging which are at the forefront of contemporary political and cultural debate.

If one wanted to understand the study of the galaxy, they might start with Galileo. Something similar could be said about starting with the historian Herodotus to understand ancient peoples (and the study of them). Was he serious about his craft? Yes. Was he a product of his time? Yes. Should you take everything he writes as fact? Absolutely not. So why read Herodotus? Because he was the first person (as far as I know) to study the Scythians for the purpose of scholarship. Moreover, his work contains many of the stories that scholars since his time have tried to prove, disprove, or reinterpret. In short, if you want to join a conversation, it can be helpful to know how it began.