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I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.
This book is a gem for lovers of Greece and of superlative English prose.
For me the book is far and away the best evocation of a wild and remote part of Greece that I got to know and treasure when tramping through its olive fields in search of ancient inscriptions. Leigh Fermor was incapable of writing a dull sentence.
His imagination allied with what he observed himself in his wanderings combine to bring out all the strangeness of Mani’s history of brigands and vendettas, of villages bristling with defensive towers and of fishermen descended—perhaps—from Byzantine emperors.
This is Patrick Leigh Fermor's spellbinding part-travelogue, part inspired evocation of a part of Greece's past. Joining him in the Mani, one of Europe's wildest and most isolated regions, cut off from the rest of Greece by the towering Taygettus mountain range and hemmed in by the Aegean and Ionian seas, we discover a rocky central prong of the Peleponnese at the southernmost point in Europe.
Bad communications only heightening the remoteness, this Greece - south of ancient Sparta - is one that maintains perhaps a stronger relationship with the ancient past than with the present. Myth becomes history, and…
I’m a food and travel journalist, raised by a Greek father and a British mother. I’ve always been obsessed with the fostering of my Greek culture, heritage, and identity and have been particularly interested in the duality of my two identities, since moving to England from Greece as a young girl. During my teenage years in grey and drizzly England, the food we ate as a family transported me to my grandmothers’ white-washed alleyway, dotted with geraniums and bursting with the colours and flavours of Greece. Since then I’ve become obsessed with what food and time-perfected recipes can tell us about our heritage.
The Colossus of Maroussi is a book all wanderers and visitors of Greece should dip into at least once.
It’s a travelogue that drips with humour from the brilliant Henry Miller. It is a collection of fantastic prose inspired by the islands and mainland that Miller visited in the early 20th Century. It offers great wit and wisdom as well as cultural insights that still feel incredibly relevant to Greece today, despite the book being published in the 1940s.
When I think of great travel literature, this book is a classic. It speaks on the Greek people - their strength, stoicism, and humour - and chronicles a time in Greece before mass tourism descended and changed the islands forever.
Like the ancient colossus that stood over the harbor of Rhodes, Henry Miller's The Colossus of Maroussi stands as a seminal classic in travel literature. It has preceded the footsteps of prominent travel writers such as Pico Iyer and Rolf Potts. The book Miller would later cite as his favorite began with a young woman's seductive description of Greece. Miller headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of sheep nearly tramples the two as they lie naked on a beach; the Greek poet Katsmbalis, the "colossus" of Miller's book, stirs every rooster within…
I fell in love with Greece 50 years ago, when I had the good fortune of spending a summer on my father’s native island of Ikaria. I bagged my first writing job four years later when I wrote a guide to all the Greek islands. As a travel writer I tend to fall in love with all the places I write about! But Greece is where I feel most at home, and it has inspired some truly memorable travel books. I hope you like some of my all-time favorites.
I came across this book while researching my guide to Northern Greece. Kapka Kassabova is a Bulgarian writer now living in the Scottish Highlands, who returned to the land she knew as a child: the once heavily militarized border between Greece, Bulgaria, and Turkey. Her account of the places and people she meets in this forgotten corner of the world are uncanny, full of wonder, tragedy and horror, comedy and beauty, in a place where even in the 21st-century magic and the supernatural still live on.
“Remarkable: a book about borders that makes the reader feel sumptuously free.” —Peter Pomerantsev
In this extraordinary work of narrative reportage, Kapka Kassabova returns to Bulgaria, from where she emigrated as a girl twenty-five years previously, to explore the border it shares with Turkey and Greece. When she was a child, the border zone was rumored to be an easier crossing point into the West than the Berlin Wall, and it swarmed with soldiers and spies. On holidays in the “Red Riviera” on the Black Sea, she remembers playing on the beach only miles from a bristling electrified fence whose…
I fell in love with Greece 50 years ago, when I had the good fortune of spending a summer on my father’s native island of Ikaria. I bagged my first writing job four years later when I wrote a guide to all the Greek islands. As a travel writer I tend to fall in love with all the places I write about! But Greece is where I feel most at home, and it has inspired some truly memorable travel books. I hope you like some of my all-time favorites.
In 1947, archaeologist Kevin Andrews went to the Peloponnese on a Fulbright fellowship to study the Crusader castles and found a country in the midst of a civil war. He was one of the few foreigners there at the time, which his book vividly brings to life.. after a first rather idyllic description of stomping on grapes with friends on Paros he enters another world. Yet he was so moved by the humanity of the villagers in a period of great poverty, suspicion, and turmoil that he made Greece his home, and wrote numerous other books about Greece, but this is his best… about a period I hope is never repeated.
"One of the great and lasting books about Greece."—Patrick Leigh Fermor
"An intense and compelling account of an educated, sensitive archaeologist wandering the back country during the civil war. Half a century on, still one of the best books on Greece as it was before 'development.'"—The Rough Guide to the Greek Islands
"He also is in love with the country…but he sees the other side of that dazzling medal or moon…If you want some truth about Greece, here it is."—Louis MacNeice, The Observer
"One of the best and most honest books about the modern Greeks."—E. R. Dodds
I have had a love for the early Church in Africa since I took a trip to Egypt when I was in seminary. Since then, I’ve had a chance to visit all of the countries on the continent with ancient churches. It is my greatest joy to share what I learn with my students and any anyone else who will listen. I research and teach in the area of early African Christianity at Fuller Theological Seminary and the Meachum School of Haymanot. I have published two monographs on this topic and hold a doctoral degree in languages and literatures of Northeastern Africa during Late Antiquity and the Middle Ages.
This book assembles a massive collection of ancient African Christian art that has never come together at this level before.
This collection of essays narrates an art exhibit that was housed in 2024 at the Metropolitan Museum of Art in New York City. The thing I love about this book is that readers can continue to see these images in one collection for generations that follow the exhibition.
I also really love how this book not only narrates the history of early Christianity in Africa but is littered with beautiful images that help us to see and feel the way the ancients did when they entered sacred spaces.
The first exploration of the artistic and cultural intersections of the African continent and the Byzantine world
Medieval art history has long emphasized the glories of the Byzantine Empire, but less known are the profound artistic contributions of Nubia, Egypt, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had an indelible impact on the medieval Mediterranean world. Bringing together more than 170 masterworks in a range of media and techniques-from mosaic, sculpture, pottery, and metalwork to luxury objects, panel paintings, and religious manuscripts-Africa and Byzantium recounts Africa's centrality in transcontinental networks of trade and cultural exchange. With…
I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, includingAriadne’s Thread: A Guide to International Stories Found in Classical LiteratureandClassical Mythology: A Guide to the Mythical World of the Greeks and Romans.My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.
The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.
In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.
Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.
This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre G. Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy…
I was introduced to the fascinating world of the Ancient Greeks by an inspirational teacher at my Primary School when I was about 10 years old—he read us tales of gods and monsters and heroes and heroism, and I was entranced. My grandpa bought me a copy of The Iliad. I read it with my torch under the bedclothes and embarked on a magical journey that has seen me spend the greater part of my life travelling in the world of the Ancient Greeks, both physically and intellectually. Those characters, both real and mythical, have become my friends, enemies, warnings, and role-models ever since.
Herodotus is a joy to read. In his Enquiries into the heroic struggle of Greece against the mighty Persian Empire, he wanted to preserve the memory of wondrous deeds. And he does it brilliantly. Along the way we discover how to catch a crocodile in Egypt, visit the walls of Babylon, and travel with the fearsome, gender-fluid, Scythian warriors. As the massed Persian armies with their arrogant and manipulative commanders bear down on the divided state of Greece, we are taken to battlefield of Marathon, witness the tenacious heroism of the 300 Spartans, and fight on the sea at the great Greek victory at Salamis. This epic conflict between the forces and ideals of East and West is rendered beautifully in Tom Holland’s fluent translation, which nimbly walks the line between accuracy and accessibility.
One of Western history's greatest books springs to life in Tom Holland's vibrant new translation
Herodotus of Halicarnassus-who was hailed by Cicero as "the father of history"-wrote his histories around 440 BC. It is the earliest surviving work of nonfiction and a thrilling narrative account of (among other things) the war between the Persian Empire and the Greek city-states in the fifth century BC.
With a wealth of information about ancient geography, ethnography, zoology, comparative anthropology, and much else, The Histories is also filled with bizarre and fanciful stories, which award-winning historian Tom Holland vividly captures in this major new…
There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I first encountered Herodotus—the “Father of History”—when studying Ancient Greek for the UK A-level exams. I read the Greek text laboriously, with help from Aubrey de Selincourt’s translation. My teacher and fellow students could hardly believe that I didn’t find Book Two, which covers the customs of the Egyptians, boring. They were also surprised that I wasn’t contemptuous of Herodotus’s willingness to record what he was told without judgment.
The myth Herodotus created—of a Western world devoted to the rule of law and the freedom of individuals under that law, in opposition to a “despotic” East—has echoed down the years. It has also been accompanied by a skeptical, even cynical, approach to any claims of miracles or almost divine insight. However, what I learned from Herodotus was that the Greeks were conscious of other, older, and sometimes more impressive “barbarian” cultures all around them. I thought…
'The first example of non-fiction, the text that underlies the entire discipline of history ... it is above all a treasure trove' Tom Holland
One of the masterpieces of classical literature, The Histories describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colourful digressions - a description of the natural wonders of Egypt; tales of lake-dwellers, dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, The Histories…
Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
For anyone wanting to find out not just what happened in the Graeco-Persian Wars (490–479 BC) but how their participants viewed the world, Herodotus’ Histories are a treasure trove. Writing a generation after the event, Herodotus travelled widely, interviewing as many people as he could from veterans to Egyptian priests. But readers must be wary: Herodotus wasn’t writing history as we understand it. Instead, he blended fact, anecdote, and moralizing to demonstrate why in his view the Greek way of life (especially Athenian democracy) was superior to Persian totalitarianism, and why Persian hubris merited divine punishment. While the Landmark edition’s translation of Herodotus’ seductive prose may not be the best (Tom Holland’s, for example, is better), the number and clarity of its maps make it invaluable.
In the 5th century BC an adventurous Ionian Greek, Herodotus of Halicarnassus, journeyed extensively through the lands of the eastern Mediterranean, from Egypt to Asia Minor, collecting tales of the upheavals that had afflicted the region in the earlier part of the century. The fruits of his wanderings were The Histories, in which he used his narrative gifts not only to chronicle the rise of the Achaemenid Persian Empire and its war with the Greek city-states, but also to recount his experiences with the varied peoples and cultures he had encountered during his journey. Herodotus earned the nickname 'the father…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Paul Cartledge is one of the best Greek historians alive today. Though profoundly knowledgeable about Greece and its history, he writes in a way that non-specialists can follow and appreciate.
I particularly like this book because, through a series of antitheses (Greek/barbarian, free/enslaved, male/female, myth/history), Cartledge gives the reader a splendid picture of the intellectual background against which Herodotus was writing his history.
I also like that, by comparing several contemporary authors with Herodotus, Cartledge can show (explicitly or implicitly) what is distinctive about Herodotus and his worldview.
This book provides an original and challenging answer to the question: 'Who were the Classical Greeks?' Paul Cartledge - 'one of the most theoretically alert, widely read and prolific of contemporary ancient historians' (TLS) - here examines the Greeks and their achievements in terms of their own self-image, mainly as it was presented by the supposedly objective historians: Herodotus, Thucydides, and Xenophon.
Many of our modern concepts as we understand them were invented by the Greeks: for example, democracy, theatre, philosophy, and history. Yet despite being our cultural ancestors in many ways, their legacy remains rooted in myth and the…
