Here are 100 books that The Little Shop of Found Things fans have personally recommended if you like
The Little Shop of Found Things.
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During a time of turmoil in my life, I discovered the soul-calming world of the cozy when I happened upon the Thrush Green series by Miss Read (Doris Saint). A former fan of thrillers, my time spent in these rural British villages was a revelation. Who knew how peaceful the mundane could be when seasoned with a pinch of humor and common sense? I expanded my reading to include cozy mysteries like the ones I’ve recommended. Having reached the age of many of the ladies in these books, I appreciate even more their determination to continue to make a difference by using their unique experiences and skills.
Years ago, I discovered Miss Seeton in a well-worn paperback at a used book sale and I absolutely fell in love with this charming retired art teacher with the uncanny knack of drawing the truth from the most devious situations with her charcoal pencils and art pad.
In Witch Miss Seeton, this seemingly naïve little old lady steps into the world of modern witch’s covens to solve a mystery too convoluted for Scotland Yard. I love the humor, the depth of character, and the whimsy that fill the book. Miss Seeton’s regular yoga routine, which keeps her agile in her golden years, inspired my own exercise regimen.
Although out-of-print for many years, the books have been recently released in digital and audio formats, making this thoroughly entertaining series available to a new generation of readers.
A sudden interest in the occult swept through the English village of Plummergen.
Ouija boards were replacing the best china in many a cozy cottage. It might be quite the thing for maiden ladies and persnickity aunts, but it wasn't Miss Seeton's cup of tea... until Scotland Yard requested she go undercover to investigate sinister shenanigans in the Kentish countryside.
A flim-flam was afoot in the local witches' coven - and magic could be a prelude to murder most foul.
Serene amidst every kind of skullduggery, retired art teacher Miss Seeton steps in where Scotland Yard stumbles. Armed with nothing…
I can't be the only one to see men with power manipulate their status to hold back others. This isn’t just a Hollywood thing. A Sunday supplement piece by a young gay actor about his troubled life with a leading director struck a chord. Fate led me to him, and he connected me with others who shared off-the-record stories of exploitation and ambition. I wanted to tell these tales but not launch yet another bad news book into an already battered world. I aimed to create something accessible and engaging, darkly funny while shining a light on Hollywood's underbelly.
I’ve spoken to people who really couldn’t get into this book, and I consider them somewhat deranged. It’s a rollicking good read, and maybe it helped that I enjoyed the author reading the story, which added to my enjoyment. I’ll go out on a limb and suggest very few authors make great audiobook performers. Mortimer absolutely does, getting the voice of the squirrel spot on.
There’s a strange and convoluted plot set in the not-terribly-underworld of London. A brilliant neighbor part for Kathy Burke should Mortimer ever be fielding Netflix offers. It’s a book you’ll read in days, not weeks. Fast-paced and has me on edge for part two–out in August.
*WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION 2023*
THE SUNDAY TIMES BESTSELLER
'Funny, clever and sweet'- Sunday Times
'The much loved comic proves adept at noirish fiction in a debut whose surrealist humour sets it apart' - Observer
My name is Gary. I'm a thirty-year-old legal assistant with a firm of solicitors in London. To describe me as anonymous would be unfair but to notice me other than in passing would be a rarity. I did make a good connection with a girl, but that blew up in my face and smacked my arse with a fish…
I’m passionate about this because I write romantasy too, and so do many other wonderful authors. Sarah J. Maas is a legend in the Romantasy genre, and she’s prolific, so there’s a lot to read with her various series. But, if you’ve finished with her books and are looking for more, there are plenty of authors out there doing amazing, spine-tingling, dare I say loin-tingling work, and we should celebrate them. Besides, no matter how prolific Ms. Maas is, readers will always finish books faster than even she can write them.
I loved the main character, the beautifully named Saffron Everleigh. She’s a woman in 1923 London, trying to make her way in academia at a time when women weren’t usually allowed in the doors.
Her scientific interests and studies in botany come in handy when she attends a dinner party for the school, and a professor’s wife drops to the floor, poisoned by an unknown substance. Working with the equally passionate, ahem, Alexander Ashton, a fellow researcher, Saffron must investigate the murder or wind up next on the murderer's list. There are two more books in this series, so we are lucky to spend more time with our plucky heroine.
The Lost Apothecary meets Dead Dead Girls in this fast-paced, STEMinist adventure.
Debut author Kate Khavari deftly entwines a pulse-pounding mystery with the struggles of a woman in a male-dominated field in 1923 London.
Newly minted research assistant Saffron Everleigh is determined to blaze a new trail at the University College London, but with her colleagues’ beliefs about women’s academic inabilities and not so subtle hints that her deceased father’s reputation paved her way into the botany department, she feels stymied at every turn.
When she attends a dinner party for the school, she expects to engage in conversations about…
I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I felt every single emotion reading this book and felt as if I’d lived all the decades with Jen and Nick, who met as teenagers and soon became friends.
I love Sarra’s writing style, and I was fully invested in Jen and Nick from the very beginning, and found their complicated, messy relationship, which follows the most winding path, completely believable.
There was so much in this book that was unexpected, and by the end, I was a sobbing puddle of feelings. I know Jen and Nick will always stay with me, and I’m already looking forward to reading it again.
'A VERY special book. GORGEOUS, real believable and BEAUTIFUL' - Marian Keyes
London. Nine million people. Two hundred and seventy tube stations. Every day, thousands of chance encounters, first dates, goodbyes and happy ever afters.
And for twenty years it's been where one man and one woman can never get their timing right.
Jennifer and Nick meet as teenagers and over the next two decades, they fall in and out of love with each other. Sometimes they start kissing. Sometimes they're just friends. Sometimes they stop speaking, but they always find their way back to each other.
As a reader, I’ve always been attracted to novels that are character-driven, filling my shelves with books about people who seize the day and fight for what they want, who are interesting, relatable, and flawed but who don’t let those flaws define them. As a writer, I like to put my own flawed characters in situations that force them to face who they are and either come to terms with it or overturn themselves and their lives entirely, and all the novels I’ve listed have a hint of this, too. I hope you enjoy them!
I love books that tackle less common characters and taboo subjects. In this case, it’s the usually overlooked ‘woman of a certain age’ and menopause. In this case, Eliza has ‘had enough’ and wants to rediscover what life has to offer—something a lot of us can relate to! It’s laugh-out-loud funny, full of drama and wisdom, and people of every age and gender should read it.
'Made me laugh and flinch in equal measure' Sophie Kinsella
Eliza is angry. Very angry, and very, very hot.
Late for work and dodging traffic, she's still reeling from the latest row with husband Paddy. Twenty-something years ago, their eyes met over the class divide in oh-so-cool Britpop London, but while Paddy now seems content filling his downtime with canal boats and cricket, Eliza craves the freedom and excitement of her youth. Fifty sounds dangerously close to pensionable: her woke children want to cancel her, a male motorist has just called her a 'mad old bat' and to cap it…
I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.
To me, this slim novel is perfect, and perfectly constructed.
The narrator spends it obsessing over a single question–why did my sister marry an older, wealthy, boring man?–and doesn’t figure out the answer till the end. And in retrospect, it’s obvious. Meanwhile she also mulls over the options for young women circa the early 1960s in an England that’s transforming dramatically: Do I marry? Stay single? Let my life drift?
My parents bought the Penguin paperback when we lived in London in the late 1960s for a year, when the city was really swinging. I began reading it at 10 and was transfixed by the glimpse it offered into adulthood, and I have re-read the same paperback many times since.
Two sisters: beautiful, sophisticated Louise and attractive, witty and intelligent Sarah who has always felt left behind. Then Louise marries the wealthy but unappealing novelist Stephen Halifax, and Sarah, recently graduated from Oxford, is thrown back into family affairs. As Louise enters a high-profile world of glamour, parties and gossip columns, Sarah, drifting in London with her degree and new-found freedom, is only allowed glimpses into this new alien life. However, as the cracks begin to show in Louise's marriage and rumours of infidelity spread, Sarah discovers that, beneath her cool exterior, her sister is not quite the person she…
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
This is one of my favorite books of all time! Kadish adeptly intertwines the story of Ester in 1660s London with that of two modern academics, the soon-to-retire Helen and the grad student Aaron. As they research a treasure trove of papers they have received, they slowly learn of Ester’s astonishing story.
Academic success is not all that is at stake in the lives of Helen and Aaron, and we carefully follow their trials, too. Kadish wrote an article for the Paris Review in 2018 called “Writing the Lives of Forgotten Women,” which I often think of when creating my own characters.
WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."-Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a…
Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
I recommend this book because, to me, it is unique–I’ve never read a book like it. It’s an interesting plot, end-of-the-world stuff, with some very unlikeable, low-life characters. It’s set in a very dark version of London that I know and love, in a pub environment similar to the one that I grew up in.
There is murder on the cards throughout the story, but the author still manages to squeeze in some humor. It’s just a different style of writing that I think people should give a try.
London Fields is Amis's murder story for the end of the millennium—"a comic murder mystery, an apocalyptic satire, a scatological meditation on love and death" (The New York Times).
The murderee is Nicola Six, a "black hole" of sex and self-loathing intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts. Or is the killer the rich, honorable, and dimly romantic Guy Clinch?
Here, Amis is "by turns lyrical and obscene, colloquial and rhapsodic." —Michiko Kakutani
I came to writing crime late after reading a P.D. James novel on my honeymoon. Previously a travel and ghostwriter, I became fascinated by the challenge of creating a whodunnit plot that fools the reader while simultaneously playing fair by giving them plenty of juicy clues. Agatha Christie said you should get to the end of your book and then choose the least likely person as the murderer. Quite often, I don’t know who the killer is myself until the end. If I’m kept guessing, hopefully my readers are too. I love the fact that whodunnits are a way of writing about all sorts of worlds within a compelling structure.
This was the book that turned me on to crime fiction, a genre I had always previously spurned. Why should anyone want to read about crime, I’d thought. Isn’t there enough of it in real life anyway?
Then, on my honeymoon in St Lucia, I was staying with my new wife in a magical villa full of books I’d never read. I picked this one up because it was about a publishing house, which reminded me of several I knew as an author. Right from the off, I was drawn in by James’s superb characters and wonderful descriptions. Then the plot kicked in, and I was hooked. When I’d finished it, I moved on to another of her books and was soon reading crime voraciously.
The Peverell Press, a two-hundred-year-old publishing firm housed in a dramatic mock-Venetian palace on the Thames, is certainly ripe for change. But the proposals of its ruthlessly ambitious new managing director, Gerard Etienne, have made him dangerous enemies - a discarded mistress, a neglected and humiliated author, and rebellious colleagues and staff. When Gerard's body is discovered bizarrely desecrated, there is no shortage of suspects and Adam Dalgliesh and his team are confronted with a puzzle of extraordinary complexity and a murderer who is prepared to strike…
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
In the early 1990s Soho, Robinson is a charming, possibly Satanic character who leads film editor Christo into a world of sleazy bars, drink, drugs, and general depravity.
It is the last gasp of Soho that died with the old century—the mysterious, legendary neighbourhood that London somehow revolved around. Petit makes it gleam darkly.
