96 books like The Irish

It may seem strange to include a selection here that does not mention Ireland once, but the Norman incursion that began in 1167 is fundamental to understanding the country's ensuing history. The first Normans in Ireland were vagabonds, for the most part, a restless, grasping underclass of the French-speaking wave of freebooters that subdued England beginning in 1066 with William the Conqueror. Denied an outlet for their limitless ambition, these often renegade adventurers, many of whom were younger sons or rebellious underlings of the ruling Norman caste, unleashed chaos in Celtic kingdoms they invaded, both militarily and socially, often in escapades of unimaginable daring. Douglas does an excellent job introducing and explaining the unique character of these intrepid soldiers and administrators, as they tramped through much of the known European world, and then on to Jerusalem for the Crusades.

This is another classic within the historiography of the period which along with S.R. Gardiner’s work is still considered one of the solid early professional histories of the period.  Although some historians may consider it a little dated, it is a concise and detailed analysis of the Wars of the Three Kingdoms.  Wedgewood’s style of writing is accessible and lively. This 3 book series is still considered as some of the best books ever written on the period (be sure to check out The King's War and Trial of Charles as well).  

When this book was released in 1962, it landed like a bomb, becoming an immediate, worldwide best seller. Woodham-Smith did not "invent" the famine as a topic -- every historian of the period was well aware of this tragedy, and its implications for the future of Ireland (mass emigration, smoldering indignation in the Irish diaspora, seeds for future rebellion) -- but many readers were unaware of the governmental machinations in London that so contributed to this humanitarian disaster. Some of Woodham-Smith's conclusions, and judgments, have been questioned by succeeding historians, but her narrative here is compelling, well researched, beautifully written, and germane to the troubles which afflicted the island well into the twentieth century and beyond.

Some might question my choice of a work of fiction here, but I have always been a great admirer of this fine writer's work. Catholics best displays the transitional period from the economically dreary 1930s-1950s, to the often-painful thrust of Ireland into the modernity of a European Union and growing national prosperity. The plot vehicle Moore uses is the story of a crisis of faith as monks living in virtual medieval isolation on an island off Co. Kerry (and indulging in the now forbidden Latin mass) are dragged into conformity by a Vatican plenipotentiary who is determined to break them. In the process, he destroys the foundations of their entire spiritual lives, shatters their traditions, and shows little remorse in doing so. I don't know if Moore, who died in 1999, meant his book to be a metaphor of the New Ireland, but it succeeds in showing a country turning… show more.

I first encountered this book as a series of lectures in Oxford in 1978 and was riveted.

Lyons faced head-on the themes of cultural and sectarian antagonism in Ireland from the death of the constitutionalist nationalist leader Parnell in 1891 to independent Ireland’s decision to remain neutral in World War II, using sources that were as much literary as political, and at the end projecting the divisions in Irish society forward to the then-current violence in the North. The tone was notably acerbic, even verging towards despair, but also employing bitter humour.

A great historian, he died prematurely a few years later when just embarking on his projected but unwritten biography of Yeats. He had written many books, but this is the one that left the loudest echoes–notably in nailing the psychological gulf of understanding between Ireland and Britain that became so apparent in the early twentieth century.

David has lost his wife far too early. A man in mourning, he relives their twenty years together and sees that the ground beneath them had shifted and he had simply not noticed, or was it more that he had chosen not to. The writing here is spectacular and the theme of love and loss so very moving. Set between Ireland and Spain, McMahon captures the sublime and mundane nature of long-term love with exceptional skill. Another reason I like this book is that in my debut novel, my main character Maurice Hannigan, while very different from David, was also a widower, and naturally, the issue of loss figured heavily so I feel a bond to this book that is very special.

In 1899, the Irish novelist, Hannah Lynch wrote her memoir Autobiography of a Child. She caused controversy in Ireland and abroad by attempting to represent her childhood up to the age of twelve narrated through the child’s voice, a strategy I adopted but from the ageing child’s point of view where the language and thought process become more complex as I grow older. Her use of adult reflection upon the child’s unstable memory demonstrates an original understanding of the child’s point of view and its representation. Hannah uncovered the inescapable cycle of harsh treatment by her parents within a large family and the physical abuse by nuns at school. Her book reinforces the unreliability of memory for autobiography and helped me to accept that total veracity is not possible.

Let’s be clear: the title is ironic. This is a love story, told mostly in retrospect. Well, it’s not love exactly. It’s sex. Or a kind of twisted idea of romance. It’s attraction anyway, not quite obsessive, but close.  And it’s mysterious. Who are these people? How do they connect to each other? How do they know each other? Do they even like each other? Why/why not?

The answers, if readers can identify them, are not reassuring. And yet... I loved this book, read it twice, straight off. It’s partly the descriptions of the physical world – natural and constructed – always partial, never conclusive, that are so attractive to read. 

And it’s a very young book. Exhilarating. 

This is an unusual, ambitious, and relevant book, focusing on the Christian values contained within Irish political thought over a period of approximately three hundred years (from the late eighteenth century to approximately the year 2000). Many Irish politicians and patriots included a Christian element in their visions of and for an independent or a self-governed Ireland. Beginning with Wolfe Tone and the United Irishmen of the 1790s, this Christian element is traced through Emmet, O’Connell, the Young Irelanders, the Fenians, the Home Rulers, and the leaders of the 1916 rising. The book goes on to trace the Christian vision through the periods of the Irish Revolution, independent Ireland, and the northern troubles of the late twentieth century. Engrossing and insightful, this excellent book provides much food for thought!

Set over three generations of the one family, this is the story of their fight for survival. What I love here is not just the prose, because there is no one finer than O’Callaghan, but also because it touches on the depopulation of Ireland’s small islands during the famine and the small island to which he refers has a very significant family connection for me. Partly based on O’Callaghan’s own family, Life Sentences tells an epic story of working-class life in Ireland from famine right through to modern-day. It is an unforgettable tale of love, abandonment, and reconciliation.