100 books like The Girl on the Via Flaminia

I encountered this book backward. As a teenager growing up at the end of the US war in Vietnam, I read the Mad magazine spoof of the movie version long before I saw the movie itself, and then I read the novel. I focused on the antiwar theme and the concern of the bomber crew to get home without getting shot down.

The novel was based on Heller’s wartime experience, but I hardly realized it was about bombing Italy until I discovered the papers one of his crewmates had donated to Cornell University. I learned how many of the episodes were based on real incidents, including the only time the novel focuses on Italian civilians—when the crew objects to destroying an Italian Alpine village of no military significance. 

I was surprised to learn that John Hersey won a Pulitzer Prize in 1945 for a novel—in fact, his first. I had always thought of him as mainly a journalist for The New Yorker. One of my students recommended this. He was the grandson of the model for the main character, an Italian-American US Army major. My student was proud of his “nonnu,” the Allied military governor of a Sicilian village, for his efforts to help the starving villagers.

What they wanted more than food, though, was to replace the church bell that Mussolini had requisitioned to melt down and make into weapons. Spoiler alert: in the novel (and in real life), he succeeds—despite opposition from a superior officer, a thinly disguised General George S. Patton.

Like the Catch-22 character, Yossarian, Burns spent part of his time as a soldier censoring prisoner-of-war letters. His own prose was considered transgressive for its time. What struck me was not only his subject matter—who else wrote in 1944 about drunken, gay American GIs hanging out in seedy dives in occupied Naples?—but also his tone.

He pulled no punches in depicting the fraught relations and power differentials between occupiers and occupied, not to mention the resentment of the ordinary soldiers toward their superiors. Still, he captured the resilience of the Neapolitans with evocative depictions of street life, and I especially liked his ear for everyday speech—across a range of social classes among both the Americans and the Italians.

As a historian of the Allied bombing of Italy, I read a lot of depressing accounts of the suffering of Italian civilians. It was a relief to discover that fellow historian Erik Linklater, author of the official British history of the Italian campaign, had published a comic novel based on his wartime experiences.

Its hero is Private Angelo, the reluctant soldier who issues forth such gems as: “It has taken us a long time to lose the war, but thank heaven we have lost it at last, and there is no use in denying it.”  Linklater doesn’t hide the war’s devastating toll or sugarcoat the occupation itself. “We are very grateful to you for coming to liberate us,” he has Angelo tell the Americans, “but I hope you will not find it necessary to liberate us out of existence.”

I lived in Rome for one summer, and am in love with the Eternal City. This book transported me not only to Rome but back to the wartime era, and I was gripped. I loved the poetic descriptions of the city and the surrounding countryside, and the characters were strong and believable. At the core of the novel is an agonising choice a young Jewish mother has to make, and the pain of that moment has stayed with me ever since. This novel is not only a joy to read but taught me more about what Italians went through during the Second World War. 

This is my first Lisa Scottoline book.

She’s known for her crime fiction, but this is her first foray into historical fiction and I fell in love with the book. It doesn’t necessarily have to do with art theft but it’s one of the best WW II books I’ve ever read.

I fell in love with her characters and didn’t want the book to end. She has a new book coming out (March 2023) called Loyalty about the rise of the Mafia in Sicily, which is also fascinating and unforgettable.

The Day of Battle was Volume Two of Rick Atkinson’s acclaimed Liberation Trilogy. While all three volumes of this series are well worth reading, Atkinson was at his best in the second volume which deals with the much-neglected campaigns of Sicily and Italy. The doyen of British military history and a veteran of the Italian campaign, the late Sir Michael Howard wrote that The Day of Battle was ‘one of the truly outstanding records of the Second World War’. I think it is too.

One of my favorite Italian figures of the twentieth century is the writer, painter, and anti-fascist Carlo Levi.

This collection of his essays, evoking the complexities of Rome and its people, sums up what it means to come to terms with the Eternal City:

“Here, everything has already existed: and existence has not vanished into memory, rather it has remained present... The virtues are not the moral and ideological values (which the passage of too long a time has gradually flattened out), but simpler and more visible values: health, physical strength, knowing how to eat and drink, knowing how to speak with a certain humor and brevity, knowing how to command respect, sincerity, friendship.”

May all roads lead to this understanding of the world. 

Pasolini’s films, Mamma Roma and Accattone, were among the reasons I decided to move to Rome in the first place.

Their blend of poetry and wretchedness chimed with my own vision of life at that time and I seized the chance to improve my knowledge of the city, of Italian and of Roman dialect, by reading his first novel Ragazzi di Vita, as soon as I arrived in the city.

Ragazzi di vita are hustlers, doomed from birth by circumstances outside their control, and I was drawn to the novel’s dark non-conformist romanticism, its refusal to compromise and the sheer texture of the language, which I only partly understood. It’s like Kerouac, but for real.

I just recently read this wonderful debut novel, and I’ve been thinking about it ever since! Courage, My Love tells the story of two women living in Nazi-occupied Rome who become involved in the Italian resistance and its effort to rid their country of fascism. This is a beautiful, heart-wrenching, timely novel of ordinary people living in extraordinary times, and the courage they have in standing up to evil.