52 books like Swimmy

I love fish—to look at and read about—not to eat! Fish are unlike other pets. You can’t hold them, or pet them, and you certainly can’t “play” with them the way you can other pets. But for some reason, just looking at them makes me laugh. And because fish don’t say much besides “glug” (although some kinds sing and grunt) we need to imagine what they are thinking and feeling which makes for funny and surprising stories. And, yes, I have pet goldfish: an orange one, Norman, and a black fantail named Knot. 

I love fish—to look at and read about—not to eat! Fish are unlike other pets. You can’t hold them, or pet them, and you certainly can’t “play” with them the way you can other pets. But for some reason, just looking at them makes me laugh. And because fish don’t say much besides “glug” (although some kinds sing and grunt) we need to imagine what they are thinking and feeling which makes for funny and surprising stories. And, yes, I have pet goldfish: an orange one, Norman, and a black fantail named Knot. 

I love fish—to look at and read about—not to eat! Fish are unlike other pets. You can’t hold them, or pet them, and you certainly can’t “play” with them the way you can other pets. But for some reason, just looking at them makes me laugh. And because fish don’t say much besides “glug” (although some kinds sing and grunt) we need to imagine what they are thinking and feeling which makes for funny and surprising stories. And, yes, I have pet goldfish: an orange one, Norman, and a black fantail named Knot. 

I love fish—to look at and read about—not to eat! Fish are unlike other pets. You can’t hold them, or pet them, and you certainly can’t “play” with them the way you can other pets. But for some reason, just looking at them makes me laugh. And because fish don’t say much besides “glug” (although some kinds sing and grunt) we need to imagine what they are thinking and feeling which makes for funny and surprising stories. And, yes, I have pet goldfish: an orange one, Norman, and a black fantail named Knot. 

I’ve found kids to be interested in difficult topics - like stealing, racism, inequality, environmental catastrophe to name a few! But I don’t want to lecture or frighten them about their future. I believe picture books can tell a story about things going awry but coming right again through a good idea, or act of kindness or a magic wand or the intervention of fate. When the story unfolds in the comfort and security of a carer’s lap or a safe classroom and there are accompanying pictures of absorbing detail that communicate the artist’s emotion and humor I think you provide universal foundation blocks for a good life.

I ‘fell’ into being at sea by chance, through my father’s insistence I join him on a Scottish fishing boat for a week. I discovered I adored exploring unknown islands and lonely beaches, discovering wildlife and resilient small communities. In the 1990’s a female working amongst fishermen and commercial shipping was unknown, it was a wholly male, chauvinistic world. Using these skills I found a job being paid to explore – a dream job, pioneering but frequently lonely and dangerous. It resulted in my expanding the range and world of small expedition ships into areas with no infrastructure, unexplored and uncharted, lonely, empty coasts from the Arctic to Singapore. 

I'm a passionate scientist, conservationist, and published author. I'm the President of the nonprofit Ocean Conservation Society and I hold a Ph.D. in Biology and a Post-Doc from UCLA. My research on dolphins off California represents one of the longest studies worldwide. I'm the co-author of Beautiful Minds: The Parallel Lives of Great Apes and Dolphins and author of Dolphin Confidential: Confessions of a Field Biologist. As a photo-journalist, I've written for many national and international media, including National Geographic; I currently write essays for Medium and other publications. I live in Los Angeles with my husband. When I’m not writing, I can be found with dolphins out on the ocean, traveling, or walking my mutt.

Children feel all their emotions, but I learned to suppress many emotions to avoid criticism. The youngest, I learned to not trust my intuition. I was taught that the mind was the path to success. In my chosen medical profession, physicians use intellect to heal bodies. The interconnection of thoughts, emotions, energy as well as interconnections between people and the environment are ignored. This separation from all of me was sapping me of the joy of living a full life. During my self healing integration journey: I uncovered limiting beliefs, reconnected with my heart, and dove deep into the source of my pleasure. Bringing this awareness to light should be healing.

Since first stepping off a train at Nice I've felt an affinity with southern France, but it was a chance encounter with the local shepherd who, speaking a version of the Provençal language, alerted me to the proud past of this region and its individual identity. (I've written about this time in my book Wild Asparagus, Wild Strawberries.) A serendipitous opportunity to study ancien Provençal led me down a meandering path to a PhD that eventually became The Original Mediterranean Cuisine, and on to a career researching and teaching culinary history. My next book looks at the roots of Provençal cuisine in the eighteenth century. 

Growing up in Iran, I never thought I would one day become an author in a language other than my mother tongue, and live clear across the world from my birthplace. An eclectic assortment of literature, representing core human themes of thinking, love, laughter, and science are subjects that help me bond with my fellow humans. Books have constantly reassured me of our similarities and encouraged me to make connections. The magical threads of our shared humanity are tools which help us thrive in our global village. They remind us we are more similar to one another than we may think.