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I readTinker Tailor Soldier Spyfor the first time many years ago, while traveling aboard a Canadian National Railway train from Montreal to British Columbia. Something about the contrast between the majestic Canadian Rockies and the dark alleys of John Le Carré’s Berlin brought the Cold War fully to life and set me on the path to writing a novel of my own set during that time. (Living through some of those tense years of superpower stand-offs didn’t hurt.) Tinker Tailor Soldier Spyis told in third-person, but many Cold War novels written in the first person do a masterful job of evoking that troubled era.
John Banville is a famously prolific author, but his 1997 novel, The Untouchable, is unique in that it’s based on a real-life figure.
Anthony Blunt—who would later be exposed as one of the notorious Cambridge spies—rose to become an art expert to the Queen, even as he funneled purloined secrets to the highest reaches of the Kremlin.
In The Untouchable, we follow Blunt’s fictional counterpart, Victor Maskell, from his poor Irish upbringing and conversion to Marxism at Cambridge, to his efforts on behalf of the Soviet Union well into the Cold War.
Victor’s first-person account—a miracle of authorly ventriloquism for a character bordering on the sociopathic—is rendered in Banville’s silky prose, a pure delight to read. For me, The Untouchable is a novel for the ages.
'The Untouchable is an engrossing, exquisitely written and almost bewilderingly smart book . . . It's the fullest book I've read in a very long time, utterly accomplished, thoroughly readable, written by a novelist of vast talent' Richard Ford
Victor Maskell has been betrayed. After the announcement in the Commons and the hasty revelation of his double life of wartime espionage, his disgrace is public, his knighthood revoked, his position as curator of the Queen's pictures terminated. There are questions to be answered. For whom has he been sacrificed? To what has he sacrificed his life?
I readTinker Tailor Soldier Spyfor the first time many years ago, while traveling aboard a Canadian National Railway train from Montreal to British Columbia. Something about the contrast between the majestic Canadian Rockies and the dark alleys of John Le Carré’s Berlin brought the Cold War fully to life and set me on the path to writing a novel of my own set during that time. (Living through some of those tense years of superpower stand-offs didn’t hurt.) Tinker Tailor Soldier Spyis told in third-person, but many Cold War novels written in the first person do a masterful job of evoking that troubled era.
The sins and tragedies of the Cold War are resurrected in Le Carré’s late-career novel, A Legacy of Spies.
After retiring from MI6, Peter Guillam is summoned back to London by his former bosses, intent on clearing up a botched spy operation first described in The Spy Who Came in From the Cold.
A Legacy of Spies shows that a story revolving around bureaucratic turf wars and incriminating paper trails can be just as suspenseful as any of James Bond’s implausible high-tech adventures.
George Smiley, among the 20th century’s most compelling fictional characters, makes a guest appearance, drawing us back into the Cold War’s darkest days, when men and women served as pawns in a geopolitical power game—and often paid the price for their role in these international dramas.
The undisputed master returns with his first Smiley novel in more than twenty-five years--a #1 New York Times bestseller and ideal holiday gift.
Peter Guillam, staunch colleague and disciple of George Smiley of the British Secret Service, otherwise known as the Circus, is living out his old age on the family farmstead on the south coast of Brittany when a letter from his old Service summons him to London. The reason? His Cold War past has come back to claim him. Intelligence operations that were once the toast of secret London, and involved such characters…
I’ve been into spy stories for many years. I love the intrigue, the deception, the secrecy of that world. Of course, real spying may involve lots of periods of doing nothing, possibly followed by manic, dangerous action. All while dealing with the anxiety of hiding the fact that you might be a traitor to your country or simply not the person the world thinks you are. It’s a fascinating world, and that fascination is what draws me in.
I love this book because it captures the essence of cold war espionage when the wall was still up in Berlin. It’s a tale of a time in recent history that no longer exists. It’s written with humour, the characters are well represented, and it’s believable in an English, often eccentric way.
'Masterly ... dazzlingly intelligent and subtle' Sunday Times
'Deighton's best novel to date - sharp, witty and sour, like Raymond Chandler adapted to British gloom and the multiple betrayals of the spy' Observer
Embattled agent Bernard Samson is used to being passed over for promotion as his younger, more ambitious colleagues - including his own wife Fiona - rise up the ranks of MI6. When a valued agent in East Berlin warns the British of a mole at the heart of the Service, Samson must return to the field and the city he loves to uncover the traitor's identity. This…
I readTinker Tailor Soldier Spyfor the first time many years ago, while traveling aboard a Canadian National Railway train from Montreal to British Columbia. Something about the contrast between the majestic Canadian Rockies and the dark alleys of John Le Carré’s Berlin brought the Cold War fully to life and set me on the path to writing a novel of my own set during that time. (Living through some of those tense years of superpower stand-offs didn’t hurt.) Tinker Tailor Soldier Spyis told in third-person, but many Cold War novels written in the first person do a masterful job of evoking that troubled era.
This group of interconnected stories—set mostly in Russia and Chechnya—take place before, during, and after the Cold War. In the opening story, “The Leopard,” Anthony Marra perfectly captures the suffocating terror of life under Stalin.
The narrator is a disillusioned Soviet censor whose job is editing images of disgraced victims of Stalinist show trials out of official photographs and despoiling many other works of art for propaganda purposes.
Lines between work and life start to blur. The censor finds it increasingly hard to discern fact from fiction.
Things turn deadly when he himself becomes a victim and the truth (as he knows it) becomes irrelevant in the struggle against counter-revolutionaries.
From these troubled origins the Cold War began. The ability to discern truth from falsehood seems in our present times more pressing than ever.
*** A Granta Best of Young American Novelists 2017 ***
The Tsar of Love and Techno begins in 1930s Leningrad, where a failed portrait artist employed by Soviet censors must erase political dissenters from official images and artworks. One day, he receives an antique painting of a dacha inside a box of images due to be altered. The mystery behind this painting threads together the stories that follow, which take us through a century and introduce a cast of characters including a Siberian beauty queen, a young soldier in the battlefields of Chechnya, the Head of the Grozny Tourist Bureau,…
Seth Rosenfeld is an independent investigative journalist and author of the New York Times best-seller Subversives: The FBI’s War on Student Radicals, and Reagan’s Rise to Power. As a staff reporter for The San Francisco Examiner and San Francisco Chronicle, he specialized in using public records and won national honors including the George Polk Award. Subversives, based on thousands of pages of FBI records released to him as a result of several Freedom of Information Act lawsuits, won the PEN Center USA’s Literary Award for Research Nonfiction Prize, the Society of Professional Journalists’ Sunshine Award, and other honors.
Inspired by the true story of Melita Norwood, who was exposed in 1999 as the KGB’s longest-running British spy, Red Joan is an enthralling novel that vividly reconstructs her life and explores with great authorial compassion her conflicting emotions and unsettling ambiguities as she is drawn deeper and deeper into atomic espionage by a college lover at the dawn of the Cold War.
'If you loved William Boyd's Restless, you'll enjoy this' Viv Groskop, Red
Cambridge University in 1937 is awash with ideas and idealists - to unworldly Joan it is dazzling.
After a chance meeting with Russian-born Sonya and Leo, Joan is swept up in the glamour and energy of the duo, and finds herself growing closer and closer to them both.
But allegiance is a slippery thing. Out of university and working in a government ministry with access to top-secret information, Joan finds her loyalty tested as she is faced with the most difficult question of all: what price would you…
I may be only 27, but I’ve spent years researching the Cold War. Mostly because it’s very personal to me…my grandfather was a scientist at a top-secret hydrogen bomb plant in the 1960s. I began researching to understand his work and how it affected my family. I didn’t expect to become so consumed by the sixties. The more I learned about the nuclear arms race and the protests that were led, largely, by women, the more I felt convinced that there was a storyhere. I’m passionate about the often untold stories of resistance—resilience—endurance. Especially women’s stories. I hope you enjoy these books as much as I do!
As someone who writes about the Cold War, I loved this thrilling novel of espionage and secrecy. The Secrets We Kept follows women in the CIA who helped smuggle the novel Dr. Zhivago out of the Soviet Union. Not only is a story of resilient female spies (who make me want to don trench coats and sunglasses), but it’s a love story—and it sheds light on an under-represented dark spot in American history known as the “lavender scare.” Haven’t heard of that? Well, this book may be perfect for you.
NEW YORK TIMES BESTSELLER • A thrilling tale of secretaries turned spies, of love and duty, and of sacrifice—inspired by the true story of the CIA plot to infiltrate the hearts and minds of Soviet Russia, not with propaganda, but with the greatest love story of the twentieth century: Doctor Zhivago • A HELLO SUNSHINE x REESE WITHERSPOON BOOK CLUB PICK
At the height of the Cold War, Irina, a young Russian-American secretary, is plucked from the CIA typing pool and given the assignment of a lifetime. Her mission: to help smuggle Doctor Zhivago into the USSR, where it is…
Clare Mulley is the award-winning author of three books re-examining the history of the First and Second World War through the lives of remarkable women. The Woman Who Saved the Children, about child rights pioneer Eglantyne Jebb, won the Daily Mail Biographers' Club Prize, and is now under option. Polish-born Second World War special agent Krystyna Skarbek, aka Christine Granville, is the subject ofThe Spy Who Loved, a book which led to Clare being decorated with Poland’s national honour, the Bene Merito. Clare's third book, The Women Who Flew for Hitler, long-listed for the Historical Writers Association prize, tells the extraordinary story of Nazi Germany’s only two female test pilots, whose choices and actions put them on opposite sides of history. Clare reviews for the Telegraph, Spectator and History Today. A popular public speaker, she has given a TEDx talk at Stormont, and recent TV includes news appearances for the BBC, Sky and Channel 5 as well as various Second World War history series.
A few years ago I spoke at the London History Festival alongside Nadine Akkerman, and we realised how much the female spies of 17c Britain and the Second World War had in common, not only conveniently overlooked in their own day, but also disregarded subsequently. This brilliant study explores the gendered dimension of early modern spycraft.
It would be easy for the modern reader to conclude that women had no place in the world of early modern espionage, with a few seventeenth-century women spies identified and then relegated to the footnotes of history. If even the espionage carried out by Susan Hyde, sister of Edward Hyde, Earl of Clarendon, during the turbulent decades of civil strife in Britain can escape the historiographer's gaze, then how many more like her lurk in the archives?
Nadine Akkerman's search for an answer to this question has led to the writing of Invisible Agents, the very first study to analyse…
Green tracers in the sky over Baghdad. My first political memory is the start of the Gulf War in 1991. I remember writing angry essays criticizing the US decision to invade Iraq in 2003 for my high-school assignments. I have always been interested in US foreign policy and in how presidents make decisions. During my PhD, as I was working on a chapter on the origins of the Cuban Missile Crisis, I discovered the extent and–frankly–the madness of some of the plots the CIA and the White House concocted against Fidel Castro. More recently, the US government’s use of assassination and “targeted killings” have become the focus of my research.
As I researched the 1990s hunt for Osama Bin Laden for my book, I became aware that most of the team in the CIA virtual station tasked with tracking down the terrorist leader was composed of women. And yet, most histories of the CIA are histories of (white) men.
In this book, I could find a lot more detail on the women hunting Bin Laden, as well as on many others. Mundy provides a potted history of women in the CIA, from its origins to the present day. In the book, I admired Mundy’s ability to contact and fully connect with current and former CIA operatives. The stories are told in an almost unfiltered manner from the perspectives of those who lived through them.
In this manner, each aspect is made somewhat more real, from the fight for better roles, pay, and recognition to the central role in intelligence collection,…
A “rip-roaring” (Steve Coll), “staggeringly well-researched” (The New York Times) history of three generations at the CIA, “electric with revelations” (Booklist) about the women who fought to become operatives, transformed spycraft, and tracked down Osama bin Laden, from the bestselling author of Code Girls
A NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • A FOREIGN POLICY AND SMITHSONIAN BEST BOOK OF THE YEAR
In development as a series from Lionsgate Television, executive produced by Scott Delman (Station Eleven)
Created in the aftermath of World War II, the Central Intelligence Agency relied on women even as it attempted to channel their…
As a child I found the history and biography books in our school library, and was enthralled. When I got older and discovered historical archives, the tension between public history in books and the secret or forgotten histories tucked away was irresistible. Writing books has taken me to five continents on journeys into everything from medicinal black markets to the traces of a wartime commercial spy network. For my latest book, digging through classified OSS files showed me what amazing stories still lie waiting for us.
McIntosh takes a fresh approach to espionage, putting aside the trench coats and Mata Haris for the real "Code-room Mata Hari" and other little-known heroines of the war. A veteran of CIA and OSS operations herself, McIntosh knows what she's writing about, and draws from more than 100 interviews with other women operatives. She portrays several dozen here, including the China escapades of Julia McWilliams (known today as Julia Child). It also features the Musac project, with broadcasts targeted at Wehrmacht troops with fake German news and music sung by agent Marlene Dietrichn designed to infiltrate their sympathies.
The daring missions and cloak-and-dagger skullduggery of America's World War II intelligence agency, the Office of Strategic Services (OSS), are well documented and have become the stuff of legend. Yet the contributions of the four thousand women who made up one-fifth of the OSS staff have gone largely unheralded. Here for the first time are their fascinating stories, told by one of their own.
A seasoned journalist and veteran of sensitive OSS and CIA operations, Elizabeth McIntosh draws on her own experiences and in-depth interviews with more than one hundred OSS women to uncover some of the most tantalizing stories…
As an American novelist and Anglophile who enjoys writing about British history, I never planned to venture into world war fiction, but once a story led me there I was hooked. I love doing deep-dive research and learning about real men and women of the past who faced high stakes: life and death situations and having to make impossible decisions, both on the battlefield and in the hidden world of espionage. Their courage and resourcefulness inspire me, and I realize that even when we’re at our most vulnerable, we can still rise to become our best and bravest when it counts.
I’d always imagined the femme fatale, Mata Hari, as thefemale spy of WWI, but in this well-researched book by Tammy Proctor, I was fascinated to learn there were quite a few women agents in the Great War. Proper ladies, in long dress skirts or nurses’ uniforms, each playing her part in a dangerous game of subterfuge against the enemy to help the Allies win. They knew the risks, yet were willing to sacrifice their lives for what they saw as the greater good; and it was these women who inspired me to create the heroine in my book, Evelyn Marche. Her bravery and daring in the novel are a tribute to them.
When the Germans invaded her small Belgian village in 1914, Marthe Cnockaert's home was burned and her family separated. After getting a job at a German hospital, and winning the Iron Cross for her service to the Reich, she was approached by a neighbor and invited to become an intelligence agent for the British. Not without trepidation, Cnockaert embarked on a career as a spy, providing information and engaging in sabotage before her capture and imprisonment in 1916. After the war, she was paid and decorated by a grateful British government for her service.
Cnockaert's is only one of the…
