100 books like Scottish Soldiers in France in the Reign of the Sun King

This is cultural history with a difference and of a difference. It teaches you a lot about the reputation for fashionable culture that France enjoyed for centuries all over the world and continues to enjoy to this day. How much of all that is already packed into the book’s subtitle! The rest of the book is just as accessible and lively and unwilling ever to take itself too seriously. 

This is also a book I read long ago, and it made me want to write historical fiction novels. This is an astounding story of a young peasant woman who is swept up into the Parisian society of King Louis XVI.

The author's attention to historical details in the construction of Versailles and the French Revolution is a standard that I have judged most novels by. It's a beautiful multi-generational story of love and loss, and I'll admit to tears when reading this book. I usually avoid sad books. I want love to never end. Having said that, I'm so glad I read it, and I was amazed at how much French history I learned!

Saint-Simon was another passionate outsider. He compensated for his lack of position and favour under Louis XIV by putting his fantasies of omniscience and his psychological perception into his memoirs. One of the great stylists of the French language, he leads readers into a universe where class, personality, and ambition are more important than public issues. He blamed French defeats on Louis XIV’s pride and ignorance. He called Versailles ’the saddest and most unrewarding place in the world’ and the King’s Revocation of the Edict of Nantes, heightening persecution of Protestants, ‘a general abomination born of flattery and cruelty’. At the same time, he praised the King’s ‘incomparable grace and majesty’. ‘Never was a man so naturally polite.’

Due to the title, and the fact that the authors of this book edited my 3rd book, this may seem to be a redundant choice on my part. But I can assure the reader that it is not. Although a fine photo of Kiki also graces the cover, she plays a minor, more metaphoric role in the grand scheme of this large-format work, and only a handful of pages are devoted to her.

On the inside of the cover, and the first thick page to its right, one is presented with 96 roughly 1”x 2” black & white thumbnail photographs, not alphabetically arranged, but as it happens, beginning with a photo image of a portrait of Louis XIV in the top left corner and finishing in the bottom right corner of the following page with a photo of James Joyce. All those photos in between should tip off the reader… show more.

Born a German princess, married to Louis XIV’s gay younger brother, ‘Liselotte’, as the Duchesse d’Orleans was often known, was an outsider who also, by her rank, was an insider. She put her venom and her frustrations into her letter-writing, denouncing the French court’s morals, policies, and personnel to her German relations. Versailles made her prefer dogs to people: she called Madame de Maintenon, the king’s second wife, ‘the old whore’. Her letters make us feel we are living at Versailles, when it was at the heart of European politics and culture.

I loved this book because it focuses so closely on young King Louis XIV before he built Versailles (mid-17th century). I also loved that it takes place at the sumptuous palace of Fontainebleau. Louis is devoted to his wife, Queen Maria Theresa, but he can’t help himself when it comes to his mistresses. Even his brother Philippe’s young wife, Henriette, is a temptation.

While the story is told from multiple points of view, we are most often inside Louis’ head as he struggles to govern his kingdom, meet his sexual needs, and solve the mystery of who is leaving the lurid pamphlets in places the King is most likely to find them. For me, it was romance, temptation, and mystery all in one—the perfect combination.  

Madame de Boigne describes the same period as Chateaubriand, whom she disliked, from a liberal perspective. Both had their style and mind improved by suffering during the Emigration, which also made both, for a time, feel half-English. Boigne married a French officer who had made a fortune in India, but failed to tell her he had brought back an Indian wife. She took his money and returned to live with her parents. 

Born with what she called a ‘taste for royalty and the instinct for court life’, she described salons and quarrels, royalty and revolution, Paris and England, from 1780 to 1840. Her friend Count Pozzo di Borgo, for example, she says, would have descended into hell to find enemies for Napoleon, whom he had hated since their childhood in Corsica. She blamed the long foretold revolutions of 1830 and 1848 on monarchs’ exaggerated sense of their infallibility. A genius… show more.

Ludington’s book is exciting because it disproves pervasive ideas about wine consumption. One of the big assumptions in the history of commodities is that middle-class people want to imitate elites, and that taste trickles down the social ladder.

Ludington shows that the opposite was true 250 years ago in England and Scotland: aristocrats started changing their wine-buying habits to appear more sympathetic to the middling sort. This trickle-up is an eighteenth-century equivalent of affluent hipsters drinking Pabst Blue Ribbon or fashionistas buying $400 jeans.

I’m the type of reader who finishes each sentence thinking yeah, but how do we know that?, so I find Ludington’s generous footnotes and detailed cellar inventories to be deeply satisfying. This is not an easy read, but it’s a thoroughly enriching one.   

I have always wondered whether John Law, the creator of the ill-fated Mississippi System that brought the financial system of France to its knees in 1720, a genius who understood money better than anyone before him, or a deluded fantasist who had learnt just enough to create a monetary weapon of mass destruction?

In his careful and well-researched account, Antoin Murphy leans towards the first interpretation, but he offers enough information to allow the reader to form their own conclusions.

This biography is a must-read for anyone who is interested in art, history, and strong, powerful women. It was the first book I read about the great 19th-century sculptress, Camille Claudel. “As recently as twenty years ago, in France, Camille Claudel was known only to a handful of admirers. The brief moments of applause she had enjoyed during her lifetime had never led to important commissions, and the sales of her pieces remained few and far…Camille Claudel displayed many characteristics that contribute to the weaving of myths: she was beautiful, talented, witty, and fiercely independent. She was connected to some of the most visible artists and writers of the era; she even had a romance with Auguste Rodin, the greatest sculptor of the nineteenth century. But hidden among the magnificent gifts nature had bestowed upon her was the seed of an illness that eventually brought her to a mental asylum.”… show more.