Here are 100 books that Scottish Soldiers in France in the Reign of the Sun King fans have personally recommended if you like
Scottish Soldiers in France in the Reign of the Sun King.
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I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is cultural history with a difference and of a difference. It teaches you a lot about the reputation for fashionable culture that France enjoyed for centuries all over the world and continues to enjoy to this day. How much of all that is already packed into the book’s subtitle! The rest of the book is just as accessible and lively and unwilling ever to take itself too seriously.
What makes fashionistas willing to pay a small fortune for a particular designer accessory? Why does a special occasion only become really special when a champagne cork pops? Why are diamonds the status symbol gemstone, instantly signifying wealth, power, and even emotional commitment? Writing with great elan, one of the foremost authorities on seventeenth-century French culture provides the answer to these and other fascinating questions in her account of how, at one glittering moment in history, the French under Louis XIV set the standards of sophistication, style, and glamour that still rule our lives today. Joan DeJean takes us back…
I love reading novels that take me to another time, place, or adventure (an antithesis to my 30-year career as a professor teaching physiology & pathophysiology to medical and nursing students). I read for entertainment and variety. As an author, I write books I'd like to read! Drawn to history, I've written five historical romances—a woman of courage, intellect, and compassion at the heart of each. I've authored two contemporary espionage thrillers with a woman as the protagonist. I enjoy stepping out of the bounds of empiricism in my novels, blending genres, and stretching the imagination.
This is also a book I read long ago, and it made me want to write historical fiction novels. This is an astounding story of a young peasant woman who is swept up into the Parisian society of King Louis XVI.
The author's attention to historical details in the construction of Versailles and the French Revolution is a standard that I have judged most novels by. It's a beautiful multi-generational story of love and loss, and I'll admit to tears when reading this book. I usually avoid sad books. I want love to never end. Having said that, I'm so glad I read it, and I was amazed at how much French history I learned!
An epic generational tale of loves lost, promises kept, dreams broken, and monarchies shattered, To Dance with Kings is a story of passion and privilege, humble beginnings and limitless ambition.
On a May morning in 1664, in the small village of Versailles, as hundreds of young aristocrats are coming to pay court to King Louis XIV, a peasant fan-maker gives birth to her first and only child, Marguerite. Determined to give her daughter a better life than the one she herself has lived, the young mother vows to break the newborn’s bonds of poverty and ensure that she fulfills her…
The French court has fascinated me since boyhood visits to Blois and Versailles. The appeal of its unusually dramatic history is heightened by the prominence of women, by the number and brilliance of courtiers’ letters and memoirs, and by its stupendous cultural patronage: Even after writing seven books on the French court, from Louis XIV to Louis XVIII, I remain enthralled by Versailles, Fontainebleau, and Paris where, as the new science of court studies expands, there is always more to see and learn. The power and popularity of the French presidency today confirm the importance of the French monarchy, to which it owes so much, including its physical setting, the Elysée Palace.
Saint-Simon was another passionate outsider. He compensated for his lack of position and favour under Louis XIV by putting his fantasies of omniscience and his psychological perception into his memoirs. One of the great stylists of the French language, he leads readers into a universe where class, personality, and ambition are more important than public issues. He blamed French defeats on Louis XIV’s pride and ignorance. He called Versailles ’the saddest and most unrewarding place in the world’ and the King’s Revocation of the Edict of Nantes, heightening persecution of Protestants, ‘a general abomination born of flattery and cruelty’. At the same time, he praised the King’s ‘incomparable grace and majesty’. ‘Never was a man so naturally polite.’
This is the third volume in Lucy Norton's three-volume abridgement and translation of the the memoirs of the Duc de Saint-Simon, first published in the 1960s. The court of Louis XIV, the Sun King, at Versailles was unequalled for splendour in Europe's history, a hotbed of intrigues and jealousy, passion both political and personal, as well as artistic and literary excellence - this is its memorial. This, like the previous volumes, is peppered throughout with character sketches which bring the period to life. The third volume starts with the funeral of Louis XIV, the ensuing violent quarrels of the Duc…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
Due to the title, and the fact that the authors of this book edited my 3rd book, this may seem to be a redundant choice on my part. But I can assure the reader that it is not. Although a fine photo of Kiki also graces the cover, she plays a minor, more metaphoric role in the grand scheme of this large-format work, and only a handful of pages are devoted to her.
On the inside of the cover, and the first thick page to its right, one is presented with 96 roughly 1”x 2” black & white thumbnail photographs, not alphabetically arranged, but as it happens, beginning with a photo image of a portrait of Louis XIV in the top left corner and finishing in the bottom right corner of the following page with a photo of James Joyce. All those photos in between should tip off the reader…
Recreates life in the tumultuous world of 1900-1930 Montparnasse. This book presents photographs of legendary figures, among them the model Kiki, Modigliani, Picasso, Satie, Matisse, Leger, Gertrude Stein, James Joyce and Miro. Gossip and anecdotes aim to bring this world alive.
The French court has fascinated me since boyhood visits to Blois and Versailles. The appeal of its unusually dramatic history is heightened by the prominence of women, by the number and brilliance of courtiers’ letters and memoirs, and by its stupendous cultural patronage: Even after writing seven books on the French court, from Louis XIV to Louis XVIII, I remain enthralled by Versailles, Fontainebleau, and Paris where, as the new science of court studies expands, there is always more to see and learn. The power and popularity of the French presidency today confirm the importance of the French monarchy, to which it owes so much, including its physical setting, the Elysée Palace.
Madame de Boigne describes the same period as Chateaubriand, whom she disliked, from a liberal perspective. Both had their style and mind improved by suffering during the Emigration, which also made both, for a time, feel half-English. Boigne married a French officer who had made a fortune in India, but failed to tell her he had brought back an Indian wife. She took his money and returned to live with her parents.
Born with what she called a ‘taste for royalty and the instinct for court life’, she described salons and quarrels, royalty and revolution, Paris and England, from 1780 to 1840. Her friend Count Pozzo di Borgo, for example, she says, would have descended into hell to find enemies for Napoleon, whom he had hated since their childhood in Corsica. She blamed the long foretold revolutions of 1830 and 1848 on monarchs’ exaggerated sense of their infallibility. A genius…
The personal writings of a 18th-19th century French Noble woman taken from her personal writings. Her papers (published in several volumes) throw many side-lights upon a long period extending from the reign of Louis XIV to the Revolution of 1848, and this rather by means of the special details which are narrated than by any generalizations from a wider outlook. This period was in every respect one of the most troubled and extraordinary in French history, and is fertile in events and changes, important though not always fortunate. Mme. De Boigne held an important social position and for nearly sixty…
The French court has fascinated me since boyhood visits to Blois and Versailles. The appeal of its unusually dramatic history is heightened by the prominence of women, by the number and brilliance of courtiers’ letters and memoirs, and by its stupendous cultural patronage: Even after writing seven books on the French court, from Louis XIV to Louis XVIII, I remain enthralled by Versailles, Fontainebleau, and Paris where, as the new science of court studies expands, there is always more to see and learn. The power and popularity of the French presidency today confirm the importance of the French monarchy, to which it owes so much, including its physical setting, the Elysée Palace.
Born a German princess, married to Louis XIV’s gay younger brother, ‘Liselotte’, as the Duchesse d’Orleans was often known, was an outsider who also, by her rank, was an insider. She put her venom and her frustrations into her letter-writing, denouncing the French court’s morals, policies, and personnel to her German relations. Versailles made her prefer dogs to people: she called Madame de Maintenon, the king’s second wife, ‘the old whore’. Her letters make us feel we are living at Versailles, when it was at the heart of European politics and culture.
Married in 1672, at 19, to Louis XIV's bisexual brother, the Duke of Orleans, Liselotte began her voluminous and fascinating correspondence from the Court of Versailles which she continued until her death 50 years later, making her the greatest chronicler of her day. Feared for her sharp tongue and her bluntness, Liselotte refused to be drawn into the viscious life at the Sun King's Court, of which she was outspokenly critical and her letters, collected here in this volume, describe the bawdy, spontaneous and idiosyncratic personages and life of Louis XIV's corrupt court.
There’s something clinical and yet human about big financial crises, especially those that involve some kind of trickery or fraud. I’ve always been fascinated by this dark side of the world of money, and have been fortunate enough in my career to have had ring-side seats at a few such events in rich and poor countries. Fraud is not at the heart of the “social contrivance of money” but the monetary system is built on an edifice of trust that can all too easily be abused by scammers. From these episodes, we can learn a lot about people, credit, and society’s ways of protecting itself.
I have always wondered whether John Law, the creator of the ill-fated Mississippi System that brought the financial system of France to its knees in 1720, a genius who understood money better than anyone before him, or a deluded fantasist who had learnt just enough to create a monetary weapon of mass destruction?
In his careful and well-researched account, Antoin Murphy leans towards the first interpretation, but he offers enough information to allow the reader to form their own conclusions.
John Law (1671-1729) left a remarkable legacy of economic concepts from a time when economic conceptualization was very much at an embryonic stage. Yet he is best known-and generally dismissed-today as a rake, duellist, and gambler. This intellectual biography offers a new approach to Law, one that shows him to have been a significant economic theorist with a vision that he attempted to implement as policy in early-eighteenth-century Europe.
Law's style, marked by a clarity and use of modern terminology, stands out starkly against the turgid prose of many of his contemporaries. His vision of a monetary and financial system…
I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.
I read this book many years ago, but I went back to it as my first port of call when I began to research my own book on Mary. It’s a fantastically readable, detailed, and sympathetic portrait of Mary. And the sympathetic bit was important to me. It’s almost impossible not to take sides when reading or writing about Mary, and she did make some disastrous decisions, but I keep coming back to how young she was, and that’s well illustrated here.
“A book that will leave few readers unmoved.”–San Francisco Chronicle
She was the quintessential queen: statuesque, regal, dazzlingly beautiful. Her royal birth gave her claim to the thrones of two nations; her marriage to the young French dauphin promised to place a third glorious crown on her noble head.
Instead, Mary Stuart became the victim of her own impulsive heart, scandalizing her world with a foolish passion that would lead to abduction, rape and even murder. Betrayed by those she most trusted, she would be lured into a deadly game of power, only to lose to her envious and unforgiving…
I have been interested in the study of the early modern French colonial empire since my undergraduate years in Paris. As a Dane studying history in the French capital, I was struck by the strong presence of both Caribbean and African cultures in my local neighborhood, but I also noted the fraught colonial legacies that continued to condition the lives of many of its inhabitants. My book is an effort to grapple with a particularly transformative moment in the history of France’s imperial past and to reflect on the ways in which it conditioned later periods. The five books I recommended here brought home to me important aspects of this history in ways that insist on the reciprocal influences among France and its former colonies.
Cul de Sac is an enticing micro-historical study of the economic trajectory of the old-regime French plantation complex in Saint-Domingue. Through deft mining of the archives of a noble family from Brittany and their correspondence with the overseer of their sugar plantation in the Cul-de-Sac plain, Cheney argues in this book that growing tensions between nascent capitalism and old-regime political and social structures pushed the model of the plantation complex in Saint-Domingue toward a dead-end even prior to the French and Haitian Revolutions.
In the eighteenth century, the Cul de Sac plain in Saint-Domingue, now Haiti, was a vast open-air workhouse of sugar plantations. This microhistory of one plantation owned by the Ferron de la Ferronnayses, a family of Breton nobles, draws on remarkable archival finds to show that despite the wealth such plantations produced, they operated in a context of social, political, and environmental fragility that left them weak and crisis prone.
Focusing on correspondence between the Ferronnayses and their plantation managers, Cul de Sac proposes that the Caribbean plantation system, with its reliance on factory-like production processes and highly integrated markets,…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is an intimate, first-person account of 1920’s Paris, and the life of one of the most central characters of the period—the model, singer, and artist, Kiki of Montparnasse as she was known by all. Born in Burgundy in 1901, christened Alice Prin, and raised by her grandmother in abject poverty, at age twelve she was shipped off to Paris to live with the mother she had never known.
The young Alice’s fierce survival instincts immediately translated into a precocious thirst for experience. At fourteen she had her “first contact with art” when she began posing nude for a sculptor. Thereafter, she assumed the name and embraced life as the irrepressible Kiki. Lover of Man Ray, beloved friend of Soutine, Jean Cocteau, and many other artists of the period, she became the toast of Montparnasse, one of the century’s first truly independent women. Man Ray, Foujita, Kisling, and others immortalized…
Featuring an introduction by Ernest Hemingway and published for the first time in America, the unexpurgated memoirs of a model who reigned over Montparnasse in the twenties created a sensation when they first appeared in France in 1929.
