100 books like Memoirs Duc De Saint-Simon Volume Three

Born a German princess, married to Louis XIV’s gay younger brother, ‘Liselotte’, as the Duchesse d’Orleans was often known, was an outsider who also, by her rank, was an insider. She put her venom and her frustrations into her letter-writing, denouncing the French court’s morals, policies, and personnel to her German relations. Versailles made her prefer dogs to people: she called Madame de Maintenon, the king’s second wife, ‘the old whore’. Her letters make us feel we are living at Versailles, when it was at the heart of European politics and culture.

In his memoirs Chateaubriand combined private life and public events, the autobiography of a Romantic with the history of the French revolution. A royalist writer, ambassador, and minister, he believed that ‘legitimate, constitutional monarchy’ was the ‘gentlest and surest path to complete freedom’. His memoirs give brilliant descriptions of the Bourbons, of whom he often despaired, including the ‘infernal vision’ of Talleyrand and Fouché entering Louis XVIII’s study, ‘vice leaning on the arm of crime’; and the bedsheets which royalist ladies converted into white Bourbon flags, to salute the entry of the allies into Paris in 1814.  For him the Hundred Days was the  ‘irredeemable crime and capital error’ of Napoleon; marriage, especially Chateaubriand’s own, was ‘the high road to all misfortunes’. Disabused of everyone, he asks: ‘is life anything but a lie?’

Madame de Boigne describes the same period as Chateaubriand, whom she disliked, from a liberal perspective. Both had their style and mind improved by suffering during the Emigration, which also made both, for a time, feel half-English. Boigne married a French officer who had made a fortune in India, but failed to tell her he had brought back an Indian wife. She took his money and returned to live with her parents. 

Born with what she called a ‘taste for royalty and the instinct for court life’, she described salons and quarrels, royalty and revolution, Paris and England, from 1780 to 1840. Her friend Count Pozzo di Borgo, for example, she says, would have descended into hell to find enemies for Napoleon, whom he had hated since their childhood in Corsica. She blamed the long foretold revolutions of 1830 and 1848 on monarchs’ exaggerated sense of their infallibility. A genius… show more.

In this dazzling panorama, using many unpublished sources, Vial brilliantly brings to life the French court as it reinvented and redefined itself after 1789. Because of the feeling of insecurity generated by revolutions, coups, and invasions, Napoleon I and III, the restored Bourbons, and Louis-Philippe tried harder, through public ceremonies, court entertainments, artistic patronage, and good works, to win the popularity which they all knew they needed. In its last, and in some ways most splendid century, the French court had to decide what to retain, what to change, whom to trust and whom to invade. Only after trying many different kinds of monarchy, and suffering the military debacle of 1870-71, did the French finally, and in many cases with extreme distaste, accept a republic.

This is also a book I read long ago, and it made me want to write historical fiction novels. This is an astounding story of a young peasant woman who is swept up into the Parisian society of King Louis XVI.

The author's attention to historical details in the construction of Versailles and the French Revolution is a standard that I have judged most novels by. It's a beautiful multi-generational story of love and loss, and I'll admit to tears when reading this book. I usually avoid sad books. I want love to never end. Having said that, I'm so glad I read it, and I was amazed at how much French history I learned!

This is cultural history with a difference and of a difference. It teaches you a lot about the reputation for fashionable culture that France enjoyed for centuries all over the world and continues to enjoy to this day. How much of all that is already packed into the book’s subtitle! The rest of the book is just as accessible and lively and unwilling ever to take itself too seriously. 

Due to the title, and the fact that the authors of this book edited my 3rd book, this may seem to be a redundant choice on my part. But I can assure the reader that it is not. Although a fine photo of Kiki also graces the cover, she plays a minor, more metaphoric role in the grand scheme of this large-format work, and only a handful of pages are devoted to her.

On the inside of the cover, and the first thick page to its right, one is presented with 96 roughly 1”x 2” black & white thumbnail photographs, not alphabetically arranged, but as it happens, beginning with a photo image of a portrait of Louis XIV in the top left corner and finishing in the bottom right corner of the following page with a photo of James Joyce. All those photos in between should tip off the reader… show more.

Marian Fowler’s lavish non-fiction account tracks the storied diamond from its origins in India, where it was bought by the great French jewel merchant Jean-Baptiste Tavernier, who sold it to Louis XIV. Weighing 110 carats in the rough, the blue was eventually cut into a heart-shaped jewel of 67.13 carats, known to history as the French Blue. In the turbulent early days of the French Revolution, all the crown jewels were moved from the Palace of Versailles to the Garde-Meuble, a treasure house in central Paris. On the night of September 11, 1792, thieves broke in and stole the jewels. Many were recovered, but the French Blue vanished forever. Too famous to be sold as it was, the London jeweler who eventually bought it, cut it down to 44.5 carats—the jewel sold to Henry Philip Hope in 1830. The Hope diamond passed through many hands, leaving behind a trail of… show more.

A beautifully written novel of a young man torn between two worlds.

Wen Alder is schooled from infancy both in the Imperial arts and (secretly) in the arcane tribal ways of his grandmother. Both are paths to magic ability, the former sanctioned, the latter very much illegal.

There are no prophetic heroes here; just the story of an angsty and foolish young man trying to find his way through competing heritages.

London-based Professor Al-Rasheed combines the objectivity of an academic with years of criticism of the House of Saud, and her consequent life in exile. One assumes the title is an allusion to Louis XIV of France who ruled for 72 years. A tougher read than the journalistic flows of the other books listed here, it is nevertheless very solid and perceptive.