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Growing up, I could never “get” the secrets of math or science. If I could, I would have been an archaeologist. But I was always interested in “origins;” where do our modern ideas come from? My passion for reading led me to begin to uncover “origins” (or, the element of “looking for clues” in a “murder mystery”). Uncovering “ancient origins” entails thoroughly exploring ancient society. I continue to daily keep up with the research and new interpretations in the study of these fascinating worlds.
I first encountered Lane Fox when I was working on my dissertation in graduate school. Working on “Gentiles” in the New Testament, I had to thoroughly understand the historical background. This book became my “pagan Bible,” in effect. The first half fully details ancient concepts and rituals, and the second emphasizes which elements were absorbed by the rise of Christianity and which were rejected and why.
Explores the character of early Christianity, with details on religious life, secular daily life, and the condition of paganism at the time of its defeat
I’ve loved history ever since I was a kid when I first had the realisation that it was made up of stories. Ancient Rome has always fascinated me, not the battles or the emperors or the big picture stuff, but the daily lives of the ordinary people. You only need to read some of the rude graffiti from Pompeii to realise that people have never really changed where it counts! I studied English and History at university, neither of them as thoroughly as I could have, but at least now when people ask me what I’d ever use an Arts degree for, I can point to my book.
Just like the Falco mysteries showed me that you could have fun with your historical detectives, this book showed me that there’s more drama in Ancient Roman history than in any daytime soap opera, and this novelisation of Marius and Sulla packs a lot more of an emotional punch than any textbook ever could.
I don’t know enough about Marius and Sulla to say how much poetic license the author took, but this really does read as a seamless and in-depth exploration of the bloody power struggles between two very different but equally ambitious men in the time of the Roman Republic.
With extraordinary narrative power, New York Times bestselling author Colleen McCullough sweeps the reader into a whirlpool of pageantry and passion, bringing to vivid life the most glorious epoch in human history.
When the world cowered before the legions of Rome, two extraordinary men dreamed of personal glory: the military genius and wealthy rural "upstart" Marius, and Sulla, penniless and debauched but of aristocratic birth. Men of exceptional vision, courage, cunning, and ruthless ambition, separately they faced the insurmountable opposition of powerful, vindictive foes. Yet allied they could answer the treachery of rivals, lovers, enemy generals, and senatorial vipers with…
Ever since I stumbled through the “Early Roman Empire” paper in Finals using I, Claudius by Robert Graves, I have held a deep admiration of those authors who can portray the complex world of Rome with such authority. I went on to teach the Greeks and Romans for 25 years, so I have grown to love these characters—Caesar is a philandering schemer, Augustus has ice for blood, Livia is a skilled practitioner of poisons… How can one resist such entertaining people who operate in a system where the upper classes must compete through bribery, intrigue and occasional revolutions?
This is the first book in Saylor’s “Roma sub rosa” series, and introduces one of the nicest heroes in historical mystery! Gordianus the Finder is the Roman equivalent of our private detective and he works for a young politician and orator, Cicero. Based on a real lawsuit from 80 BCE, Saylor makes great use of the actual speech made, and conveys the skill and showmanship of the lawyer at a time when a good speech was seen as entertainment for the masses. Into this original material though he weaves a hideous and complex murder plot. Riveting stuff!
I am a huge fan of Cicero, and it was really interesting—if a little hard at times!—to see him portrayed with all his flaws and weaknesses.
In the unseasonable heat of a spring morning in 80 B.C., Gordianus the Finder is summoned to the house of Cicero, a young advocate staking his reputation on a case involving the savage murder of the wealthy, sybaritic Sextus Roscius. Charged with the murder is Sextus's son, greed being the apparent motive. The punishment, rooted deep in Roman tradition, is horrific beyond imagining.
The case becomes a political nightmare when Gordianus's investigation takes him through the city's raucous, pungent streets and deep into rural Umbria. Now, one man's fate may threaten the very leaders of Rome itself.
Growing up, I could never “get” the secrets of math or science. If I could, I would have been an archaeologist. But I was always interested in “origins;” where do our modern ideas come from? My passion for reading led me to begin to uncover “origins” (or, the element of “looking for clues” in a “murder mystery”). Uncovering “ancient origins” entails thoroughly exploring ancient society. I continue to daily keep up with the research and new interpretations in the study of these fascinating worlds.
Mary Beard is a professor of Classics at Cambridge University who also does popular documentaries on ancient Rome for the BBC (available on YouTube). This volume reaches back to the founding of Rome and the traditions of how Romulus and the first king of Rome, Numa, created Roman religion. It highlights the origins of the major Roman religious festivals.
This book offers a radical new survey of more than a thousand years of religious life at Rome. It sets religion in its full cultural context, between the primitive hamlet of the eighth century BC and the cosmopolitan, multicultural society of the first centuries of the Christian era. The narrative account is structured around a series of broad themes: how to interpret the Romans' own theories of their religious system and its origins; the relationship of religion and the changing politics of Rome; the religious importance of the layout and monuments of the city itself; changing ideas of religious identity…
I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
This short book inspired me to become a historian of Persian-Greek relations, and my own first book sought to build on its foundations. It contains a series of lectures by a great scholar of ancient history and languages, reflecting on the partnership between two ancient powers that were less foreign to one another in cultural and political terms than often supposed. Rather than focusing on Xerxes’ invasion and Thermopylae, it explores the worldviews, communication methods, and diplomatic practices of Spartan elites and Persian officials over the century that followed, brilliantly tracing how the Spartans and Persians crafted their Peloponnesian War alliance and overcame a number of disputes to complete the peace of 386, which provided autonomy for Greeks outside Asia while consolidating Persian rule over Greeks in Asia Minor.
I’m an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21—and could never drop any of them. My scientist-father always said, “Follow the problem, not the discipline,” and I began to see how these fields could help answer each other’s questions. Words can survive for millennia—with information about what archaeologists don’t find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Women’s Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.
This book is a rich source of information about how certain attire, especially the “string skirt” and its variants, has traditionally been drafted in Europe to promote women’s health and fertility, a tradition that we can trace back, through evidence, for some 20,000 years. Wonderfully illustrated, the data here range from Greece and Turkey in the south, through Central Europe to Latvia and Norway in the far north, as well as occasionally deep into Eurasia. And of course, such apparel was particularly donned for dancing on occasions where the wearer would be seen by all. (Being a show-off runs deep in humanity!)
Shortlisted for the Katharine Briggs Folklore Award 2000.Relationships between dress and the body have existed in European and Anatolian folk cultures well into the twentieth century. Traditional cultures have long held the belief that certain articles of dress could protect the body from harm by warding off the 'evil eye,' bring fertility to new brides, or assure human control of supernatural powers. Ritual fringes, archaic motifs, and colors such as black and red were believed to have powerful, magical effects. This absorbing and interdisciplinary book examines dress in a broad range of folk cultures - from Turkey, Greece, and Slovakia…
History has always fascinated me because it offered ways through which I could begin to make sense of the present. History is about how and why things change over time, above all about the causal dynamics underlying how societies, economies, and cultures work and transform. The history of Byzantium is a perfect example, offering many challenges of understanding and interpretation of its own, yet at the same time opening up a whole world of medieval societies and cultures around it, helping to illuminate not just the history of the immediate regions concerned – the eastern Mediterranean and Balkans – but of the world beyond.
This is a wonderful illustration of how to do integrated, holistic history that takes into account every aspect of the way a society works and evolves. Combining archaeology with landscape history, social, political, and economic history, Izdebski’s book is also a handbook on how to do environmental history, with detailed and informative methodological considerations on the problems that come with it. It is quite technical in places, but really sets out very clearly how historians who want to incorporate palaeoscientific data into their discussion should be doing it.
A Rural Economy in Transition deals with one of the most important periods in the history of Europe and the Middle East - the transition from Antiquity to the Middle Ages. In his monograph, Adam Izdebski focuses on the economic history of Anatolia between the fifth and ninth centuries AD, a period which has traditionally posed great challenges to the historian. Because there are very few written sources from which a detailed economic and rural history of the period might be constructed, A. Izdebski has made extensive use of archaeological material in his study; however, he has also been able…
As a student fifty years ago I struggled with architecture. I have spent my whole career as an architect and teacher trying to understand how it works. All my books are intended to convey that understanding to others as clearly as I can. I believe that architecture is a universal language of place-making, simply and directly expressed in the traditional architectures of different cultures around the world, and lifted into the realms of poetry by some gifted individuals. For many years I taught at the Welsh School of Architecture in Cardiff, Wales. I am currently Professor Emeritus at The University of Dundee in Scotland.
Illustrated with many of the sketches made by Le Corbusier during his legendary 1911 ‘Journey to the East,’ when he travelled from northern Europe down to the Middle East, Kortan’s book examines the lessons possibly the greatest architect and urban designer of the twentieth century learnt from the traditional Ottoman architecture of Istanbul and Anatolia, including its poetic relationship between inhabitation and spatial organisation. This book is in Turkish, English, and French.
All these books have reinforced my understanding of architecture as a universal language of place-making shared by all cultures around the globe, and as the richest and endlessly fascinating expression of our relationship with the world in which we find ourselves…
John Julius Norwich’s A Short History of Byzantium ignited my passion for the Byzantines in the early 2000s. I knew little about them before reading that book; now I rarely read any other topic. I have always loved historical fiction and was dismayed to find so few books about the Byzantines. Once I read about the remarkable life of Anna Dalassena I realized I had found a character to write about and remedy that shortage. I am presently working on my fifth book and third novel, which will be about Anna’s son, Emperor Alexios I Comnenus. I also have a book of short stories and a brief Byzantine history.
Gordon Doherty is a prolific writer of ancient and medieval historical fiction, including this first in a three-book series, Strategos. Strategos was a title for a general in the Byzantine military. This first novel in the series starts the life of Apion, a boy living in Byzantine eastern Anatolia in 1046 as the Seljuk Turks begin their incursions into the empire’s borders. His life is shattered when a Seljuk raid kills the rest of his family, and the boy is taken in by a nearby Seljuk farmer. Apion lives with that farmer and falls in love with his daughter, Maria. A twist of fate leads him away from his home and into the military where he begins his rise in the ranks. The next two books lead our hero inevitably to the betrayals on the battlefield at Manzikert.
When the falcon has flown, the mountain lion will charge from the east, and all Byzantium will quake. Only one man can save the empire . . . the Haga!
1046 AD. The Byzantine Empire teeters on full-blown war with the Seljuk Sultanate. In the borderlands of Eastern Anatolia, a land riven with bloodshed and doubt, young Apion's life is shattered in one swift and brutal Seljuk night raid. Only the benevolence of Mansur, a Seljuk farmer, offers him a second chance of happiness.
Yet a hunger for revenge burns in Apion's soul, and he is drawn down a dark…
As Damion Hunter, I have written six novels set in the first and second centuries of the Roman Empire, for which I have done extensive research. My picks are all books that I have found most useful and accessible for the writer who wants to ground her fiction in accurate detail and for the reader who just wants to know the little stuff, which is always more interesting than the big stuff.
A wonderful account of the sometimes counterintuitive world of Roman medicine. They could treat cataracts, for instance, but couldn’t recognize appendicitis because they weren’t allowed to conduct autopsies. The chapters on Roman army medicine are excellent. There is also an excellent chapter on women’s diseases, birth and contraception.
Topics include the effects of disease and medicine on people at different levels of Roman society, the role of the physician in the Roman army, contraception, drugs, surgery, and magic. Jackson (curator, Department of Pre-historic and Romano-British antiquities, British Museum) adds evidence from excavations, sculptures, reliefs, vases, and wall-paintings to the testimony of ancient medical authors. Fascinating and chilling. Annotation copyright Book News, Inc. Portland, Or.
