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When I was about 8, I remember taking all the money out of my piggy bank, counting it, and carefully putting it back in again. My sister called me Ms. Moneybags. But I wasn’t worried about accumulating money. I was fascinated by money’s pure potential. I could do anything with it! From that early interest in the potential of money, I grew to be an avid reader of financial books–and that led to a surprise career as a money writer. I still love to think about money’s potential and the best ways to allocate that potential, and I love to bring my readers with me on the fascinating journey.
In Nickel and Dimed, Barbara Ehrenreich took a number of low-paying jobs to understand the challenges facing the working poor. This book opened my eyes to things I’d always taken for granted.
Prior to reading this book, it never occurred to me how expensive it can be to be frugal. Theoretically, making yourself big batches of homemade soup is far cheaper (and healthier) than getting fast food for every meal. But if you don’t have pots or utensils, the initial set-up cost of making your own food is far higher than the cost of a single Value Meal.
This book will challenge your beliefs about what it means to be “good with money” and the meaning of “unskilled” labor.
Beautifully repackaged as part of the Picador Modern Classics Series, this special edition is small enough to fit in your pocket and bold enough to stand out on your bookshelf.
A publishing phenomenon when first published, Barbara Ehrenreich’s Nickel and Dimed is a revelatory undercover investigation into life and survival in low-wage America, an increasingly urgent topic that continues to resonate.
Millions of Americans work full time, year round, for poverty-level wages. In 1998, Barbara Ehrenreich decided to join them. She was inspired in part by the rhetoric surrounding welfare reform, which promised that a job―any job―can be the ticket…
We had money for a while when I was a kid in the Midwest and then, suddenly, we did not. I watched my world of opportunity change dramatically almost overnight, and my mother struggle to redefine herself as not only a mother but now also a breadwinner. It took time for me to understand that the questions I was asking then about gender and access to money weren’t unique to my life, or the lives of Midwestern white women; they got at some grand-scale problems that people had been writing about for a long time about gender and capitalism. Those are the works that helped me formulate my own memoir.
A truly engaging personal history of a paper mill’s impact on a working-class town in Maine. Arsenault tracks rising public health hazards and the decline of the working class through her rural hometown and over the course of her life, reckoning with the meaning and nature of home and abandonment.
In Mill Town "[Kerri] Arsenault pays loving homage to her family's tight-knit Maine town even as she examines the cancers that have stricken so many residents."-The New York Times Book Review
"Mill Town is a powerful, blistering, devastating book. Kerri Arsenault is both a graceful writer and a grieving daughter in search of answers and ultimately, justice. In telling the story of the town where generations of her family have lived and died, she raises important and timely questions." -Dani Shapiro, author of Inheritance
Kerri Arsenault grew up in the rural working class town of Mexico, Maine. For over 100…
We had money for a while when I was a kid in the Midwest and then, suddenly, we did not. I watched my world of opportunity change dramatically almost overnight, and my mother struggle to redefine herself as not only a mother but now also a breadwinner. It took time for me to understand that the questions I was asking then about gender and access to money weren’t unique to my life, or the lives of Midwestern white women; they got at some grand-scale problems that people had been writing about for a long time about gender and capitalism. Those are the works that helped me formulate my own memoir.
A hard-hitting work of theory that hinges heavily on Despentes’ personal experience in the worlds of punk and sex work, the French writer and filmmaker goes further than most in her demands for feminist solidarity. Brilliant, fun, and captivating, King Kong Theory sits alongside Paolo Freire, James C. Scott, and Emma Goldman in my personal pantheon of thinkers.
'I write from the realms of the ugly, for the ugly, the frigid, the unfucked and the unfuckables, all those excluded from the great meat market of female flesh, and for all those guys who don't want to be protectors, for those who would like to be but don't know how, for those who are not ambitious, competitive, or well-endowed. Because this ideal of the seductive white woman constantly being waved under our noses - well, I'm pretty sure it doesn't exist.'
Powerful, provocative and personal, King Kong Theory is a candid account of how the author of Baise-moi came…
We had money for a while when I was a kid in the Midwest and then, suddenly, we did not. I watched my world of opportunity change dramatically almost overnight, and my mother struggle to redefine herself as not only a mother but now also a breadwinner. It took time for me to understand that the questions I was asking then about gender and access to money weren’t unique to my life, or the lives of Midwestern white women; they got at some grand-scale problems that people had been writing about for a long time about gender and capitalism. Those are the works that helped me formulate my own memoir.
When respected journalist Ulrike Meinhof abandoned her middle-class, job-holding lifestyle to join a group of revolutionaries she’d been covering as a reporter, she was talked about as if she’d been kidnapped. But her own writing reveals a far more devastating reckoning with notions of social class, privilege, and the urgent need for cultural change.
No other figure embodies revolutionary politics and radical chic quite like Ulrike Meinhof, who formed, with Andreas Baader and Gudrun Ensslin, the Red Army Faction (RAF), also known as the Baader–Meinhof Gang, notorious for its bombings and kidnappings of the wealthy in the 1970s. But in the years leading up to her leap into the fray, Meinhof was known throughout Europe as a respected journalist, who informed and entertained her loyal readers with monthly magazine columns. What impels someone to abandon middle-class privilege for the sake of revolution? In the 1960s, Meinhof began to see the world in increasingly stark…
When I was a little girl, my parents bought me a children’s edition of Pride and Prejudice. Ever since, I have loved Jane Austen’s works. As I grew older, I really enjoyed learning about her, and researching the history of her times. I hope you will enjoy reading these books as much as I did!
Hundreds (possibly thousands) of biographies of Austen have been written, but Tomalin’s work has long been a favourite of mine.
Her sympathetic portrait of Jane digs deep into her early family life, schooldays, literary influences, and early authorship. Jane’s relationship with her mother; her family’s encouragement of her writings; the fear of poverty after her father’s death; the disastrous (rejected) marriage proposal, and her literary legacy are all detailed with warmth and energy.
The novels of Jane Austen depict a world of civility, reassuring stability and continuity, which generations of readers have supposed was the world she herself inhabited. Claire Tomalin's biography paints a surprisingly different picture of the Austen family and their Hampshire neighbours, and of Jane's progress through a difficult childhood, an unhappy love affair, her experiences as a poor relation and her decision to reject a marriage that would solve all her problems - except that of continuing as a writer. Both the woman and the novels are radically reassessed in this biography.
I’m a traveler. For me, there’s nothing like that moment when your plane lands on foreign soil. I feel free when I’m somewhere I’ve never been, where I don’t speak the language, understand the menu, or know a single person. It is the ultimate sense of release. I’ve done a great deal of solo traveling, which I thoroughly enjoy, and fortunately for me, my family understands (or at least accepts). From the Congo to Xian to Paris, I’ve never seen enough.
A memoir of clever and entertaining essays. The author takes us on a ride into the ups and downs of life, kids, pets, moms, shopping, and she gives us reasons to laugh at it all. This is an uplifting read and worth a spot on your nightstand. You can dip in and out of it when sleep eludes.
The incomparable Lisa Scottoline, along with daughter Francesca, is back with more wild and wonderful wit and wisdom: My Nest Isn't Empty, It Just Has More Closet Space.
Critics and readers loved Lisa Scottoline's first collection of true-life stories, which only encouraged her—now she's back with these all-new, exciting adventures. She's farther down the road now, and the scenery has changed—ex-husbands Thing One and Thing Two are in her rear-view mirror, daughter Francesca has moved into an apartment, and Lisa's finding the silver lining in her empty nest, which has lots more room for her shoes. And some things have…
As a veteran business and finance journalist, I’ve always been amazed at the huge gender gap that still exists in so many parts of the economy and society despite all the strides we’ve ostensibly made. When I became a mother, it became even clearer to me that gender norms are still so entrenched in culture and still have a huge bearing on women’s economic and professional lives. I’ve written about this topic for a whole host of publications, from the BBC to The Washington Post. I have an MBA from Columbia Business School and am an associate Instructor in the Strategic Communications program at Columbia’s School of Professional Studies.
I loved this book because it simultaneously gives us a taste of the fierce spirit of the women’s liberation movement but also demonstrates what was wrong with Friedan’s particular flavor of feminism at the time: namely, that it was centered around white and mostly privileged women.
Reading this book is like being transported back to the 1960s and being a fly on the wall in the homes of women who were done with the patriarchy, who wanted to have careers and earn money, but were also grappling with their own roles in society.
It’s a historical document but also, in some ways, the 1960s equivalent of reality TV. It’s a ferocious cri de coeur that is delightful in its assertiveness.
Landmark, groundbreaking, classic-these adjectives barely do justice to the pioneering vision and lasting impact of The Feminine Mystique. Published in 1963, it gave a pitch-perfect description of "the problem that has no name": the insidious beliefs and institutions that undermined women's confidence in their intellectual capabilities and kept them in the home. Writing in a time when the average woman first married in her teens and 60 percent of women students dropped out of college to marry, Betty Friedan captured the frustrations and thwarted ambitions of a generation and showed women how they could reclaim their lives. Part social chronicle,…
As a child, I gobbled up Grimm’s fairytales, but I always wondered: Why do the princesses get such a terrible deal? This question gnawed at me. So, when I grew up and became an author, I wrote The Princess and the Prick to set the world right. Feminism can be such a terribly serious topic, but sexism is ridiculous! So, let's laugh at it! The books I've recommended are all short and brilliantly funny. They make fantastic gifts and will have everyone laughing at the patriarchy in no time. I hope you enjoy them as much as I do.
Where are all the women in history? Here they are! In her hilarious book, Hannah Jewell sets the world to right by introducing us to 100 incredible women from all over the world and all time periods.
I thought I knew a fair amount about historical women, but turns out I didn’t! I knew hardly any of the women featured in this book, which really tells us all we need to know about the state of the world (and male historians).
I found Hannah’s writing so entertaining it felt more like listening to a really fun, knowledgeable friend than reading biographies. A great gift for anyone who ever wonders: "But-where have all the women gone?"
'...hooting with laughter - what a swashbuckler that Hannah Jewell is' MARINA HYDE
'Because 100 Nasty Women is so easy to read and witty, I didn't expect it to be the life changing, important book that I'm discovering it to be' PHILIPPA PERRY
'A fantastic addition to your feminist library and historical knowledge.' ANN SHEN, author of Bad Girls Throughout History
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100 fascinating and brilliantly written stories about history's bravest, baddest but little known 'nasty' women from across the world.
These are the women who were deemed too nasty for their…
From Lehr’s prize-winning fiction to her viral New York Times Modern Love essay, exploring the challenges facing contemporary women has been Lehr’s life-long passion. A Boob’s Life, her first project since breast cancer treatment, continues this mission, taking all who will join her on a wildly informative, deeply personal, and utterly relatable journey. And that’s exactly the kind of books she likes to read – the ones that make her laugh, nod in recognition, and understand a little more about life. She recommends these five books to everyone who asks.
You’d think the subtitle says it all, but nope. Chocano loved reading bedtime stories to her daughter, but when even Alice and Wonderland proved problematic, she peered through the looking glass to see why. She explores the challenges of raising a female in a world of Disney Princesses, Playboy bunnies, and popular TV shows and movies. She even takes aim at the female manifesto, Eat Pray Love, bless her heart. I met Chocano at a reading of this book when I was nervously submitting A Boob’s Life to publishers. I was thrilled to find overlap with such a kindred spirit. You’ll find Chocana’s byline in major magazines featuring celebrity interviews, but without the snark. Personally, I love the snark - it makes the facts more fun.
We all know who The Girl is. She holds The Hero's hand as he runs through the Pyramids, chasing robots. Or she nags him, or foils him, plays the uptight straight man to his charming loser. She's idealised, degraded, dismissed, objectified and almost always dehumanised. How do we process these insidious portrayals, and how do they shape our sense of who we are and what we can become?
Part memoir, part cultural commentary, part call to arms to women everywhere, You Play The Girl flips the perspective on the past thirty-five years in pop culture - from the progressive 70s,…
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
These essays are the ultimate guide to human intimacy. If you believe, as I do, that the best way to find meaning in life is to establish connections with others, you must read this book.
Rich teaches us that we are all clumsy, needy, fearful communicators, and shows us how what we perceive as failings are actually the secret keys to opening up whole invisible worlds of understanding between each other. She understands the art of gentleness as well as anyone who has ever written.
At issue are the politics of language; the uses of scholarship; and the topics of racism, history, and motherhood among others called forth by Rich as "part of the effort to define a female consciousness which is political, aesthetic, and erotic, and which refuses to be included or contained in the culture of passivity."
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