100 books like Perplexing Plots

Dazed and Confused, Richard Linklater’s plot-light, pot-heavy 1993 film about Texas teens hanging out on the last day of school in 1976, is perhaps my favorite movie ever, so I was already inclined to love this oral history about the film’s creation and legacy. Maerz expertly weaves the voices of almost everyone involved in the project — from breakout star Matthew McConaughey to members of the crew — to create a highly entertaining, super-compelling look at a stoner cinema classic.

If I had to pick the two most basic, and most enthralling, essays for understanding American movies, they would be Warshow’s "The Westerner" and "The Gangster," both included in this book. Warshow, who died tragically young, also gives us the two finest pieces ever written about Chaplin, in which he argues that the flaws and stresses in Chaplin’s film art somehow make it more, not less, impressive. Add Warshow’s properly skeptical account of Soviet cinema—he is appreciative, but also aware of how Communist ideology distorted Soviet film—and you have the very best from a star among the New York intellectuals.

Paul Levitz was a writer, editor, editor in chief, publisher, and president of DC Comics for decades. This oversized coffee table book is a treasure trove of his insights, memories, and analysis. It’s the definitive history of DC, which only he could write. And it’s full of fun colorful images, making it interesting to younger readers as well as a perfect gift to any pop culture or comics lover.

If you are going to think about superheroes, and you really should be you know, then you truly have to know about the absolute godfather of the genre—the spectacular Stan Lee.

The stories behind how Stan Lee came to be and the early origins so many iconic characters are staples of comic book mythology. And what a book Danny Fingeroth has in store for you on this front. Endlessly entertaining, eminently readable. I adored the writing, the stories, and the approach while I devoured this book!

Published almost half a century ago (1974), but still the best introduction to the minstrel show as it emerged in America in the 1840s. Describes the various elements of a minstrel show, how it was originally received, and how it materially evolved in the late 1800s, but stops at the end of the century. A good, readable overview of this highly popular form of entertainment as it was originally performed on stage.

While The Making of Star Trek was a miraculous and uncalled-for contemporaneous title focused on the creation and production of the series overall, David Gerrold’s subsequent release, The Trouble With Tribbles, took one script and broke it down from beginning to end on exactly how the sausage—or rather a television show—was made. Filled with his witty observations combined with a writer’s frustrations of dealing with production limitations, it’s a fascinating insight for aspiring writers and Star Trek fans alike. This book, based on one of the most popular television episodes ever made, was originally published just a few years after production ended so all the stories were still fresh in his head. This one made me want to write for television but warned me why I shouldn’t.

David Gerrold had a lot to say about the experience of writing his first episode of television in The Trouble With Tribbles. But that wasn’t all the insight he had behind the scenes of the Star Trek series. So he wrote another entire book about the show and the fandom that adopted it. Once again filled with wit and wisecracks, this book is another must-have for fans of the Original Series. At the time it came out, it was a book about a show that had only just begun to make its mark on popular culture. So the production and studio “machine” was not yet in control of what could and couldn’t be said about the property. Another raw and fascinating book by someone who was actually in the room where it happened. And one that made my entry into Star Trek fandom more understandable.

This one is part of a small group of books I’m going to keep and one day read to my grandchildren.

I hope printed books will still be around. This board book holds a special place. My kids learned names of colors and shapes with this book.

This is the book I remember sitting my kids on my lap, watching them turn pages with their chubby little hands, while I read to them.

This was the first story theory book I read and it was hugely influential on me, because it is probably the definitive work in terms of a formulaic, structural approach to story.

This book gave me a depth of knowledge of the traditional approach to story theory, but also a clear understanding of how people in the film industry are going about their work today. It is all wrong, in my opinion, but it is also the truth of what is going on.

It is wrong because a story does not begin with structure. A story begins in the mind, and a structure arrives later once the story is present. This book set me on my journey to find an alternative to structure.

This book will keep a writer from chasing his or her own tail. The last thing a novelist wants a reader to do is start skimming. Instead of getting bogged down in muddy story development, learn how to create a clear, engaging arc for both plot and characters. Filled with practical examples gleaned from film and bookshelf, this book can save your story and make it pop.