Here are 100 books that Just a Train Ride Away fans have personally recommended if you like
Just a Train Ride Away.
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I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
As a child, I loved—and still love—reading the stories of Sherlock Holmes, Agatha Christie, and the Hardy Boys.
But my favorite was Feluda, a series of mystery stories or novellas created by ace filmmaker Satyajit Ray.
Ray’s Feluda stories revolve around a fictional detective called Feluda, who travels across India’s vibrant landscapes, from the caves of Ajanta Ellora in the west, to Jaipur in the north, to Chennai in the south, to many more, and outside India too.
Ray’s detective stories are well rooted in Indian culture, very clean, and virtually without any “Adult” content, and only a bit of violence but make for interesting and gripping reading despite it.
Written originally in Bengali language, it is translated very well. It is eminently suitable for readers of all age groups.
This omnibus edition features the ever-popular adventures of Satyajit Ray's enduring creation, the professional sleuth Pradosh C. Mitter (Feluda). In his escapades, Feluda is accompanied by his cousin Topshe and the bumbling crime writer Lalmohan Ganguly (Jatayu). From Jaisalmer to Simla, from the Ellora Caves to Varanasi, the trio traverse fascinating locales to unravel one devious crime after another.
I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
Nature and wildlife are something I always enjoyed, and loved from my school days.
Flute in the Forest is a truly memorable story, mesmerizing and beautiful, rooted in the landscape of South India’s forests.
It focuses on Atiya Sardare, a daughter of a forest officer, and her treks into the forest. It is on these treks she hears the sound of a flute playing, and resolves to learn to play it.
Atiya’s flute playing calms a rogue elephant in the forest, Rangappa. I recommend it to anyone who loves a moving story.
'Thirteen-year-old Atiya will win the hearts of young readers. Although physically handicapped; her adventurous spirit takes her on lonely rambles into the wildlife sanctuary. She knows the ways of the jungle and its creatures great and small. A charming story; full of incident and good feeling. Atiya's flute has a special magic of its own.'-Ruskin Bond
Atiya Sardare lives with her dad, a forest officer. An only child, afflicted by polio, she finds solace and peace in the jungle, exploring it on short, secret, often dangerous treks. On one occasion she hears the haunting notes of a flute. It gives…
I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
Who among us as, as kids and not so kids, has not dreamt of running away from home? We all have, let’s be frank.
But in Zai Whitaker’sAndamans Boy, Arif actually does it. Arif is sick and tired of the oppressive and shabby treatment by his aunt and uncle. He is also tired of life in a major city like Mumbai.
One night, he decides to run away, far far away to the deep south city of Chennai, from where he catches a boat to Andaman Islands. These islands are full of a large tribal population, and he quickly discovers nature of tribal society.
Full of frolic and fun, it also asks the fundamental question: what is development and how do we define the word “civilized”?
I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
Ranjit Lal’s writing is always quirky, fun-loving but contains a touch of mystery. InThat Summer in Kalagarh,all these qualities are visible.
The main character is always teased as ‘elephant’ by her cousins. Ironically, on a holiday in the jungles of Uttarakhand in north India they encounter many real and not so real elephants!
What is the legend of the dead elephant, also called Gitanjali? Why does Gitanjali hear sounds nobody else can, deep inside the jungle?
A spine-tingling adventure, laced with dollops of keen observations and descriptions.
I am a Canadian writer, teacher, and mother with Norwegian and Scottish ancestry. Since my twenties, I have been fascinated by ancestral memory, what Martha Graham (a late great dance pioneer) called ‘blood memory.’ Having spent many years in dance and therapy, diving into my own unique somatic symptoms, I started to realize that my mother’s (and grandmother’s) traumas were entwined and entangled with my own and that my body was holding on to all of it. What a relief to discover the research of transgenerational epigenetics! This curiosity fueled the narrative of my debut novel, Becoming Leidah, allowing me to explore Norse and Celtic mythology, as a way to speak about very personal truths.
There are only a few novels that I like to re-read, and this is one of them. Layered with descriptions of jarring political and sexual violence occurring amidst separatist tensions in 1937 in India, this narrative allows for the usually silenced (girls and women) to speak, through the voice of Roop. The complicated relationship between Roop and Satya (both wives of a rich landowner) is only one layer in this richly woven novel. Ancestral trauma, truth, silence, atonement, sacrifice, love, and memory, themes that continue to ripple and resonate for me.
What the Body Remembers takes place in Rawalpindi, in the Indian state of the Punjab, in 1937 amid the mourning and mounting tension that precedes partition. Satya (whose name means Truth) has failed to give her well-born respected husband, Sardarji, a child. Sardarji, without hesitation or consultation, has found himself a youthful second wife, Roop (meaning body or form), a village girl whose mother died in childbirth, and whose father is deep in debt to him. Satya and Roop's enforced female partnership - by turns warring, sisterly, tender, rivalrous - forms a bitter axis around which the tragedy of this…
I am SEBI registered equity analyst, bestselling author & public speaker. I have started investing in the Indian stock market at the age of 18 and have a history of identifying several multi-bagger stocks like Chemcrux Enterprises, Lancer Container, Sirca Paints, Caplin Point Lab, Can Fin Homes, Mayur Uniquoters, etc. My portfolio consistently outperformed the index by a significant margin. For more details visit my website.
If you are interested in the history of the Indian stock market, then this book is a must-read for you. Written in an easy-to-understand language, the book will take you on an exciting journey from the early days of the Bombay Stock Exchange, narrating all major episodes and players with learnings that can help you to navigate in the Indian Stock Market.
I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.” When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.
In Kolkata, India, a college professor agrees to transcribe a stranger’s collection of notebooks, old parchments, and scribbles on human skins.
Through his translations, the reader learns about a race of werewolf-like creatures that eat humans and absorb their memories and souls in the process. One such creature, Fenrir, fathers a child by a human woman out of a desire to create life instead of destroying it.
This book contains a lot of violence but through the eyes of the shapeshifters, the reader gets a sharp look at gender fluidity and relationships between sexes. What I remember most from the book is Fenrir’s point of view being both unnerving and thought-provoking. He’s devoured the knowledge of many humans yet he can’t differentiate between love and hate.
The cold day never ends. With nothing but time on his hands, Jake was on a simple drive to visit his brother until he was attacked by a strange convict. Now, he doubts his sanity at every turn as he finds himself decades off course and caged in, with an ancient American evil.
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Kolkata, or Calcutta as the city was known back then, in 1995 and fell in love with its spirit, culture, architecture, politics, and decrepitude. I have been back regularly reporting on the city’s cultural life for media like CNN and Nikkei Asia. In 2019, I was selected as artist-in-residence for the Indo-European Art Residency by the Goethe Institute and spent 10 weeks writing a crime fiction set in the Bengali capital. Kolkata is, hands down, my favorite city in the world – despite its poverty, systemic injustice, and political cruelty, there is an energy in the place that is hard to beat.
Another nonfiction similar in scope and outlook to Kushanava Choudhury’s The Epic City, this title dispenses with the personal narrative and offers a highly structured rundown of the main attractions/points of history/social and cultural issues, etc of the Bengali capital. Not quite a guidebook, Calcutta offers short texts on particular aspects of life in the city, then and now. Well written, the book suffers from the same issue as all other recent books on Kolkata – the British get away with way too much and the post-independence period is seen through the eyes of Calcutta’s privileged elite. That said, this title does well at dissecting cultural currents, and the section on artistic Kolkata is especially rewarding. A great, practical introduction for the first-time visitor.
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Kolkata, or Calcutta as the city was known back then, in 1995 and fell in love with its spirit, culture, architecture, politics, and decrepitude. I have been back regularly reporting on the city’s cultural life for media like CNN and Nikkei Asia. In 2019, I was selected as artist-in-residence for the Indo-European Art Residency by the Goethe Institute and spent 10 weeks writing a crime fiction set in the Bengali capital. Kolkata is, hands down, my favorite city in the world – despite its poverty, systemic injustice, and political cruelty, there is an energy in the place that is hard to beat.
The Middleman was first published in 1973. The book recounts the story of Somnath, a young poet who is unemployed despite being middle-class and well-qualified. Frustrated by a fruitless search for a job and expected to become something by his family, Somnath becomes a middleman, a corrupt businessman, and a pimp. His dreams as well as his morality are crushed by the harsh rules of survival in Kolkata. Grim, relentless, and uncompromising, The Middleman discusses India’s too-much-of-everything and in some ways remains as pertinent to life in Indian metros today as it was then.
Unable to find a job despite his qualifications, Somnath decides to go into the order - supply business as a middleman. His ambition drives him to prostitute an innocent girl for a contract that will secure the future of Somnath Enterprises. As Somnath grows from an idealistic young man into a corrupt businessman, the novel becomes a terrifying portrait of the price the city extracts from its youth. Sankar's The Middleman is the moving story of a man torn between who he is and what he wants to be. Stark and disquieting, the novel deftly exposes the decaying values and…
About thirty years ago, I spent three months on an Indo-American Fellowship in Varanasi taking notes on daily life in this holy city where my novel Sister India is set. That winter felt like a separate life within my life, a bonus. Because all there was so new to me, and it was unmediated by cars, television, or computers, I felt while I was there so much more in touch with the physical world, what in any given moment I could see, hear, smell…. It was the way I had felt as a child, knowing close-up particular trees and shrubs, the pattern of cracks in a sidewalk.
Days and Nights in Calcutta is a fascinating dual view of the same time and place by a husband and wife, both highly esteemed writers. The couple has returned to her family home in the famously complex and crowded Indian city and this is the account-in-two-voices of their year there. His feels full of wonder and surprise; it has a sunlit quality. Hers feels full of intensity and concern; it is tightly wrought. The book shows me not just India, a place I love to see and feel, but the importance of everyone’s story and view.
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