Fans pick 100 books like Invitation to an Inquest

This 2021 book, the latest in the Rosenberg oeuvre, not only recounts the history of what happened to the Rosenbergs but chronicles past historical accounts. One of the most important legacies of this literature is to remind us how all events are historically grounded. The Schneirs wrote that the Rosenberg trial “was a product of its times, displaying in microcosm many of the prevalent sociopolitical assumptions and preoccupations of the day.” The same could be said of the books by the Schneirs, the Meeropols, and Doctorow, which viewed the Rosenbergs through the sympathetic prism of American progressivism of the 1960s and 1970s.

Sebba also explores the enduring mystery of the “single-minded” Ethel Rosenberg, a “tragic figure” who herself committed no espionage but orphaned her sons rather than naming names or implicating her husband.

This book was written in 1975 by the two Rosenberg children left orphaned after their parents were executed. Relying on Schneir as well as their own research, they also powerfully argued that their parents were innocent. Even though later disclosures would contradict this conclusion, the book is a moving and fascinating document that tells the previously secret story of whatever happened to the two Rosenberg boys—aged 10 and 6 at the time of their parents' death—whose parents had seemingly sacrificed their lives for a political cause. It turns out that the boys had quietly been adopted by a politically progressive New York family, the Meeropols, and then successfully pursued academic careers, gottten married, and had children of their own.

In 1953, a working-class Jewish couple from Brooklyn was executed for allegedly selling nuclear secrets to the Soviet Union. Their two young children were orphaned. E. L. Doctorow’s novel about the Rosenbergs is an excruciating examination of these events from the fictionalized perspective of one of those children. Daniel’s point of view—naïve, angry, traumatized—brilliantly illustrates the absurdity and cruelty of American culture when it turns against those who, for reasons of class, race, or religion, have never been fully included in it. I’ve read it a dozen times and still find myself sobbing at the realization of how all the country’s history, all its dreams and delusions about itself and its destiny, were stacked up against this poor pair of nobodies. Their real crime lay in demanding that the United States live up to its ideals, something it has never been able to do.

I grew up believing that the US Government framed and then executed Julius and Ethel Rosenberg in 1953 to whip up anti-Communist hysteria. I was wrong. First of all, Julius was guilty; secondly, it was not the government that framed Ethel, but her own brother, David Greenglass. He did it to save his own skin, for he had passed documents to his brother-in-law (although they proved worthless to the Russians). Also, he wanted to save his wife, who had typed a few things for Julius. Sixty years later he came clean to Sam Roberts. This book is a revelation, an examination of the mind of a sociopath. Like Kim Philby, David Greenglass had no heart, nor pity, nor regrets. 

I love a good spy story, and there are lots of them in this book—all focused on the cabal of spies in British-occupied New York that delivered intelligence to Washington. Here are Hercules Mulligan, the tailor; James Rivington, the printer; the ill-fated Nathan Hale; and a bounty of others.

But my favorite is John Champe, a sergeant-major from Virginia who is recruited for a mission to capture Benedict Arnold and deliver him to the Continental Army for trial (and the inevitable gallows). Rose reveals the intrigue and deception of Revolutionary New York, into which Arnold fled after his treason, and the characters who carried it out.

Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets. 

To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).

Understanding New York Jews is key to understanding American Jews. There is no city like New York City and there are no Jews like New York Jews. In the middle of the 20th century, they made up around 30% of the total city population. This three-volume award-winning set uncovers aspects of the city’s history that even aficionados don’t know. Each volume can be purchased separately but together they paint an absorbing panorama across four centuries. I like to teach the volumes. They are fresh each time I read them, with lively prose and compelling vignettes. Reading them is like walking the streets of Gotham with a great guide.

We read several popular novels that explore competitive school environments. One of the best in this sub-genre is Small Admissions, by Amy Poeppel, which provides a fictional glimpse into the cut-throat world of Manhattan prep school admissions and ultra-competitive parents. Poeppel crafts a fun, wicked read with sharp dialogue. We could easily imagine what would happen when the children in Small Admissions apply to college…their parents would fit in well with the characters in our book.

If you read one biography/memoir of a Gilded Age criminal, make it this one. It tells the story (often in his own words) of the celebrated pickpocket George Appo, an odd little half-Chinese, half-Irish, one-eyed fellow who could make $800 in a few days when most working men made less than that in a year. Appo would rivet New Yorkers when he testified about his second career as a “green goods” con man, working to swindle gullible out-of-towners who came to buy purported counterfeit money at a discount, only to discover that there was nothing but sawdust inside the packages they carried away. Appo refused to name names, though, as he was a self-described “good fellow.”  

It takes courage to name your book that. Especially in the 90s before self-publishing became a thing. Which did not stop its renegade author from selling xeroxed copies of it in the streets.

Its titular protagonist, who is jobless and homeless after his girlfriend kicks him out, is based on the author himself. He struggles with feelings of inadequacy and a sense of purposelessness. He works odd jobs, writes an occasional poem, meets eccentric strangers, engages in substance abuse, and gets into sticky situations on account of his bad decisions.

While I don’t know about you, I can strongly relate to the character. The book's dark humor is also enough to make it one of my favorites.