Here are 46 books that Inside Passage fans have personally recommended if you like
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As an avid trail-runner and mountain-biker who’s done a ton of outdoorsy things, from sailboat racing on the Chesapeake Bay to rockclimbing to backpacking in the Pacific Northwest, I’m convinced that nothing gets you closer to someone’s experience than a well-told first-person account. The best personal narratives make you feel the cold, glow with the exhilaration, and burn with ambition to go, to do, to see for yourself — and can even make you look at the world, and yourself, in a new way. These books, different as they are, have all done those things for me.
Building your own sailboat from scratch, then sailing it from California down to Baja, camping, and surfing along the way: how can that not be a cool story? Christian Beamish manages the perfect blend of introspection and backstory with descriptions of sea, sky, land, and the people he meets along the way.
Christian Beamish, a former editor at The Surfer's Journal, envisioned a low-tech, self-reliant exploration for surf along the coast of North America, using primarily clothes and instruments available to his ancestors, and the 18-foot boat he would build by hand in his garage. How the vision met reality and how the two came to shape each other places The Voyage of the Cormorant in the great American tradition of tales of life at sea, and what it has to teach us.
As an avid trail-runner and mountain-biker who’s done a ton of outdoorsy things, from sailboat racing on the Chesapeake Bay to rockclimbing to backpacking in the Pacific Northwest, I’m convinced that nothing gets you closer to someone’s experience than a well-told first-person account. The best personal narratives make you feel the cold, glow with the exhilaration, and burn with ambition to go, to do, to see for yourself — and can even make you look at the world, and yourself, in a new way. These books, different as they are, have all done those things for me.
Nobody, not even Ed Abbey, describes the red-rock deserts and rivers of the Southwest as well as Ellen Meloy did. Raven’s Exile describes raft trips through Desolation Canyon of the Green River in eastern Utah with Meloy’s husband, a BLM river ranger. Meloy’s poetic, humorous, profound, keen-eyed voice makes me want to get on that river.
More than a century after John Wesley Powell launched his boat on the Green River, Ellen Meloy spent eight years of seasonal floats through Utah's Desolation Canyon with her husband, a federal river manager. She came to know the history and natural history of this place well enough to call it home, and has recorded her observations in a book that is as wide-ranging as the river and as wild as the wilderness through which it runs.
As an avid trail-runner and mountain-biker who’s done a ton of outdoorsy things, from sailboat racing on the Chesapeake Bay to rockclimbing to backpacking in the Pacific Northwest, I’m convinced that nothing gets you closer to someone’s experience than a well-told first-person account. The best personal narratives make you feel the cold, glow with the exhilaration, and burn with ambition to go, to do, to see for yourself — and can even make you look at the world, and yourself, in a new way. These books, different as they are, have all done those things for me.
I really love a lot of the writing between the two world wars — there’s something clear-eyed but lacking in guile, almost willfully large-spirited and generous. The two Muries alternate chapters, Mardie describing everyday life in the beautiful but rapidly-changing Jackson Hole of the 1930s and 40s, while Olaus writes about and illustrates his work as a famous wildlife biologist. I regularly re-read this book when I want to feel good about people and the world.
For over thirty-seven years, Margaret and Olaus Murie made their home in the mountainous wilderness of the Tetons, where Olaus Murie conducted his famous studies of the American elk, the wapiti. Through these years their home was almost a nature-conservation shrine to thousands of Americans interested in the out-of-doors, in animals, in nature in general. Wapiti Wilderness, begun by Mrs. Murie as a sequel to her Two in the Far North, which told of the Muries' life and expeditions in Alaska, became a book written by both the Muries.
In alternate chapters, Olaus tells of his work as a field…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
As an avid trail-runner and mountain-biker who’s done a ton of outdoorsy things, from sailboat racing on the Chesapeake Bay to rockclimbing to backpacking in the Pacific Northwest, I’m convinced that nothing gets you closer to someone’s experience than a well-told first-person account. The best personal narratives make you feel the cold, glow with the exhilaration, and burn with ambition to go, to do, to see for yourself — and can even make you look at the world, and yourself, in a new way. These books, different as they are, have all done those things for me.
The oldest of my choices, published in 1920, this classic account of an epic 2,000-mile dogsled journey in northern Alaska, written by an Episcopal missionary, still makes lists of the best books about the 49th state. A masterpiece of adventure and ethnography, with lyrical descriptions of nature, A Winter Circuit is the work of a man not only deeply and widely read about polar exploration and the history of the Far North, but also keenly aware of the social forces bearing down on Alaska’s Native peoples, and eager to support and defend their time-honed way of life.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
Much of what Deb knows about writing, nature, and life she learned in Alaska, where she also mastered the art of hauling water and cooking ptarmigan. She loves characters who tug at the heart and stories that grab you from the opening line and never let go. Deb is the co-founder of Alaska’s 49 Writers, and she has been invited to join the faculty at several writers’ conferences. After 36 years in Alaska, she now lives on Oregon’s north coast, where you’ll find her strolling the beaches and forests with her husband and boxer dog.
One of my delights upon moving to the Oregon coast was learning that the venerable yet approachable biologist and writer Robert Michael Pyle lives right across the Columbia River. Eclectic, insightful, and never stuffy or overwrought, he’s on equally firm footing delving into the mysteries of butterflies and Sasquatches. No wonder he’s the subject of the recent feature film The Dark Divide. None of his books disappoint, but this recent essay collection is especially remarkable for its depth and breadth.
Nature Matrix is a gathering of some of Robert Michael Pyle’s most significant, original, and timely expressions of a life immersed in the natural world, in all its splendor, power, and peril
Nature Matrix: New and Selected Essays contains sixteen pieces that encompass the philosophy, ethic, and aesthetic of Robert Michael Pyle. The essays range from Pyle’s experience as a young national park ranger in the Sierra Nevada to the streets of Manhattan; from the suburban jungle to the tangles of the written word; and from the phenomenon of Bigfoot to that of the Big Year—a personal exercise in extreme…
I am captivated and never cease to be astonished by the seemingly endless variety of ways in which coevolution shapes the millions of species on earth into intricate and ever-changing webs of life. The reasons for my fascination are simple. Most species require other species to survive or reproduce, which means that the evolution of biodiversity is as much about evolution of the links among species as it is about evolution of the species themselves. I find immense joy in following the connections among species within the web of life, trying to understand how coevolution has shaped, and relentlessly reshapes, each link. There are always surprises along the way.
It is almost impossible to choose just one of Bernd Heinrich’s many eye-opening books on the natural world. These beautifully written essays on “the inconnectedness of all of life” explore how species solve the problems of surviving and reproducing in a world packed with millions of other species. These stories, gleaned from his detailed observations and experiments in nature, relate how species depend on, defend, and manipulate each other. The battles and manipulations among species he describes are the raw material for relentless coevolution. Heinrich infuses his observations in the Maine woods with wonderfully original insights, grounded in a clear-thinking understanding of current ecological, evolutionary, and behavioral science.
In essays that span several decades, Heinrich finds himself at home in his beloved camp in Maine, where he plays host to annoying visitors from Europe (the cluster flies) and more helpful guests from Asia (ladybugs); and as far away as Botswana, where he unravels the far-reaching ecological consequences of elephants' bruising treatment of mopane trees. Heinrich turns to his great love, the extraordinary behaviors of ravens, some of them close companions for years. Finally, he asks "Where does a biologist find hope?" while delivering an answer that informs and inspires.
Marianne Bohr and her husband, about to turn sixty, are restless for adventure. They decide on an extended, desolate trek across the French island of Corsica — the GR20, Europe’s toughest long-distance footpath — to challenge what it means to grow old. Part travelogue, part buddy story, part memoir, The…
I love being outdoors and I’ve been fortunate to spend much of life under the open sky, both professionally and personally. Learning about the landscapes I’ve visited on my outdoor adventures or helped protect through my professional conservation and writing work is both fulfilling and inspiring. Skilled writers deepen my understanding of the diverse, intricate, and complicated natural world. Whether I’m reading to better understand the policies and histories that have shaped our public lands or about the adventurers who inspire me to get out there, I always find immense value and enjoyment when reading about the landscapes we share.
Aldo Leopold was a Forest Service ranger stationed in New Mexico’s Gila National Forest when he first began advocating for a new approach to managing national forests. Leopold’s visionary thinking and diligent advocacy resulted in the first-ever Wilderness Area in the U.S.—the Gila Wilderness Area, established in 1922—more than 40 years before the Wilderness Act was passed by Congress in 1964. A Sand County Almanac is Leopold’s best-known work and follows his efforts to restore a patch of cut-over farmland in Wisconsin while also articulating his vision of a land ethic where humans and nature are intertwined and care for people cannot be separated from care for the land. His beautiful writing resonated strongly with me when I first read A Sand County Almanac more than two decades ago, and his vision remains as important now as ever.
Aldo Leopold's A Sand County Almanac has enthralled generations of nature lovers and conservationists and is indeed revered by everyone seriously interested in protecting the natural world. Hailed for prose that is "full of beauty and vigor and bite" (The New York Times), it is perhaps the finest example of nature writing since Thoreau's Walden. Now this classic work is available in a completely redesigned and lavishly illustrated gift edition, featuring over one hundred beautiful full-color pictures by Michael Sewell, one of the country's leading nature photographers. Sewell, whose work has graced the pages of Audubon and Sierra magazines, walked…
I’m a Scientist in Residence at Lux Capital, a venture capital firm that invests in startups at the frontiers of science and technology. I have a PhD in computational biology and focused my academic research on the nature of complex systems, but I soon became fascinated by the ways in which science grows and changes over time (itself a type of complex system!): what it is that scientists do, where scientific knowledge comes from, and even how the facts in our textbooks become out-of-date. As a result of this fascination, I ended up writing two books about scientific and technological change.
I remember reading this book probably about twenty years ago, and it has a great deal of insight into how to understand the scientific process, both in how it is carried out as well as how scientists can get better at discovery. Written primarily in the form of a dialogue between a set of archetypical characters and informed by a huge amount of work into the history and sociology of science, it takes the reader through how to understand creativity in science.
Root-Bernstein (natural science and physiology, Michigan State) attempts to understand how scientists invent through an imaginary reconstruction of the arguments, reflections, and games of six fictional characters. The index is of names only. TheRoot-Bernstein (natural science and physiology, Michigan State) attempts to understand how scientists invent through an imaginary reconstruction of the arguments, reflections, and games of six fictional characters. The index is of names only. The bibliography is extensive but would be more useful to general readers if it were classified or annotated. Annotation copyright Book News, Inc. Portland, Or. bibliography is extensive but would be more useful to…
I was born in Brussels, Belgium, but my parents followed their dream to live a pioneering life close to nature, settling in the Galapagos Islands when I was just two years old. The raw yet gentle nature of these islands, combined with my parents’ artistic eyes and naturalist interests, plus contact with visiting scientists, taught me everything I needed to know to become the islands’ only resident nature photographer and writer at an early age. Although my travels have taken me to the remotest corners of all seven continents, with publications about many of them, Galapagos draws me back like an irresistible magnet. These islands made me who I am; they are my spiritual home.
Almost one hundred years ago an extraordinary naturalist explored Galapagos for a few short weeks. The big surprise for me was that both his candid writing style and his boundless enthusiasm made me feel as though I was seamlessly transported into a Galapagos of yesteryear, when hardly anybody lived here. His exceptional eye for detailed observation may have surpassed even Darwin’s. His ability to convey his constant sense of wonder and discovery makes this book as fresh today as ever, except that some of the scenes he so vividly described are no more — succumbed to modern human activity in Galapagos — like being intimidated during his pioneering dives not by the masses of sharks, but by the toothy giant groupers that shadowed him at close range.
"Galápagos is a glorious book. It is high romance, exact science, fascinating history, wild adventure."—Nation The Galápagos Islands are famed for their remarkable wildlife, including land and marine iguanas, land tortoises, four-eyed fish, and flightless cormorants and albatross. In 1835, Charles Darwin observed variations among the islands' species that inspired him to formulate the theory of natural selection. Eighty-eight years later, in 1923, a scientific expedition sponsored by the New York Zoological Society followed in Darwin's wake. Led by renowned biologist and explorer William Beebe, the scientists visited the the islands to study and obtain specimens of indigenous plants and…
At the age of forty-nine, Laurie Woodford rents out her house, packs her belongings into two suitcases, and leaves her life in upstate New York to relocate to Seoul, South Korea. What begins as an opportunity to teach college English in Asia evolves into a nomadic adventure.
Journalistic interviewer Jacqueline Raposo has created hundreds of stories discussing the human condition for magazines, websites, podcasts, and her book, The Me Without—a personal growth memoir exploring the science and spirit of habit change. Chronically ill and disabled, she’s never uncovered a new app, product, or study as directly beneficial to emotional health as time spent observing the natural world.
“For us it is a farm with a different kind of harvest,” Teale describes of how his aging Trail Woods farm yields observations, memories, and adventures. Teale has been called a “20th-century Thoreau” for his work as a naturalist, writer, and nature photographer. But in chapters titled A Hammock in the Woods, Stone Fences, The Man in the Brushpile, and more, his expression of love for living things transcends scientific observation; he shares his relationships with stones, plants, and animals so that we recognize they are made not only of earth, but of spirit, too.
In A Naturalist Buys an Old Farm, Edwin Way Teale gives us not only his most personal writing but some of his finest. Considered by many to be his greatest book, it is as relevant today as when it was first published.
