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My passion for the topic of relations between Jews and Romans goes back to my introduction to the subject in an undergraduate seminar at University College London taught by the late, great Oxford historian Sir Fergus Millar. Taking the seminar with Millar and reading Josephus’ detailed account of the great revolt of Jews against Romans in 66 CE fascinated me: how and why would a small group of Jews take on the ancient world’s only superpower? This is a question that I've been thinking about for almost 50 years and have now written up my answers to in my bookFor the Freedom of Zion: The Great Revolt of Jews Against Romans, 66-74 CE.
Flavius Josephus was a first-century CE Jewish-Roman priest and general and the author of several works about the history of the Jews and Rome, including one about the Jewish Revolt of 66-74 CE. Famously—or infamously—Josephus fought on the side of the Jewish rebels at the beginning of the war, but then changed over to the Romans after his failed defense of the Jewish fortress of Iotapata. In her biography of Josephus, Tessa Rajak provides an accessible, balanced, and brilliant portrait of Josephus and his world. Rajak’s biography helped me to understand how and why the writings of Josephus, Jewish patriot and traitor, are essential to understanding the causes, course, and outcome of the greatest revolt in Roman imperial history.
Josephus, author of the "Jewish War" and the "Jewish Antiquities", belongs equally to Jewish and to Greco-Roman history. A well-to-do priest and Pharisee at Jerusalem, he was a contemporary and chronicler of the great changes which took place in the Roman Empire in the first century AD and a controversial general in the great Jewish revolt of 66-73 against Rome. Tessa Rajak, an ancient historian versed in both Greek and Hebrew, assesses the varied source material to produce a sociological account of the Jewish revolt which casts fresh light on Josephus' attitudes, placing his achievement in the context of both…
My passion for the topic of relations between Jews and Romans goes back to my introduction to the subject in an undergraduate seminar at University College London taught by the late, great Oxford historian Sir Fergus Millar. Taking the seminar with Millar and reading Josephus’ detailed account of the great revolt of Jews against Romans in 66 CE fascinated me: how and why would a small group of Jews take on the ancient world’s only superpower? This is a question that I've been thinking about for almost 50 years and have now written up my answers to in my bookFor the Freedom of Zion: The Great Revolt of Jews Against Romans, 66-74 CE.
In 74 CE, 960 Jews on top of the rock fortress of Masada reportedly took their own lives rather than surrender to a Roman army. Their defiant self-sacrifice became a modern, nationalist rallying cry in Israel: “Masada shall not fall again.” Jodi Magness, who directed excavations of the Roman siege-works at Masada and is one of the preeminent archeologists of the ancient world, has written a superb book about Masada, describing its physical setting and development, the history of the site’s excavation, the story of the Roman siege, and the creation of Masada’s hotly contested modern myth. What happened in Masada in 74 CE continues to fascinate, inspire and trouble us: this book explains why.
A new account of the famous site and story of the last stand of a group of Jewish rebels who held out against the Roman Empire
Two thousand years ago, 967 Jewish men, women, and children-the last holdouts of the revolt against Rome following the fall of Jerusalem and the destruction of the Second Temple-reportedly took their own lives rather than surrender to the Roman army. This dramatic event, which took place on top of Masada, a barren and windswept mountain overlooking the Dead Sea, spawned a powerful story of Jewish resistance that came to symbolize the embattled modern State…
My passion for the topic of relations between Jews and Romans goes back to my introduction to the subject in an undergraduate seminar at University College London taught by the late, great Oxford historian Sir Fergus Millar. Taking the seminar with Millar and reading Josephus’ detailed account of the great revolt of Jews against Romans in 66 CE fascinated me: how and why would a small group of Jews take on the ancient world’s only superpower? This is a question that I've been thinking about for almost 50 years and have now written up my answers to in my bookFor the Freedom of Zion: The Great Revolt of Jews Against Romans, 66-74 CE.
Based upon a stellar doctoral dissertation written at Princeton University Jonathan Price’s monograph about the first four years of the war of Jews against Romans is a treasure trove of information and insights about Jewish history, the various factions within Jewish society, and the tragic destruction of the Jewish Temple and a large part of Jerusalem in 70 C.E. Sharp intelligence, learning, engagement, and balanced judgment can be found on every page of this impressive and readable book.
This internal history of the Jewish rebellion traces factionalism among the Jews from the decades before the war's outbreak through the constantly shifting and dangerous alliances that reigned in Jerusalem from 66 to 70 C.E.; rivalries and divisions are revealed even in the structure of the Jewish army and in the patterns of famine and desertion during the siege. Classical, rabbinic, archaeological and numismatic evidence are brought to bear on a new interpretation of Josephus' Bellum Judaicum.
My passion for the topic of relations between Jews and Romans goes back to my introduction to the subject in an undergraduate seminar at University College London taught by the late, great Oxford historian Sir Fergus Millar. Taking the seminar with Millar and reading Josephus’ detailed account of the great revolt of Jews against Romans in 66 CE fascinated me: how and why would a small group of Jews take on the ancient world’s only superpower? This is a question that I've been thinking about for almost 50 years and have now written up my answers to in my bookFor the Freedom of Zion: The Great Revolt of Jews Against Romans, 66-74 CE.
This is a work on a grand scale about Rome and Jerusalem and relations between Romans and Jews written by a scholar of both Jewish and Roman history. It goes into great depth about the cultural, political, and religious beliefs and practices of Romans and Jews and uses the evidence for them to explain how and why these two ancient civilizations repeatedly came into tragic conflict. This book is probably the best and most informative guide to the antecedents of the great revolt of Jews against Romans.
A magisterial history of the titanic struggle between the Roman and Jewish worlds that led to the destruction of Jerusalem.
Martin Goodman—equally renowned in Jewish and in Roman studies—examines this conflict, its causes, and its consequences with unprecedented authority and thoroughness. He delineates the incompatibility between the cultural, political, and religious beliefs and practices of the two peoples and explains how Rome's interests were served by a policy of brutality against the Jews. At the same time, Christians began to distance themselves from their origins, becoming increasingly hostile toward Jews as Christian influence spread within the empire. This is the…
I made my first visit to Pompeii at age seven. That day, I told my parents that I had been there before. It was all very familiar. And that sense of déjà vu has never left me. I feel it whenever I go back to Pompeii, Herculaneum, and the Roman Forum. I don’t believe in reincarnation, but... As an adult, I’ve returned many times to those places and visited others featured in my books: the Etruscan necropolis at Caere, which was already 1,000 years old at the time of my novels; Athens; and the ancient ports of Piraeus in Greece and Itanos in Crete. I earned a Ph.D. at Northwestern University, taught for many years, and enjoyed a million marvelous experiences, but my lifelong love of ancient Rome is the direct result of that long-ago visit to Pompeii with my parents.
The empire-shaking Great Revolt looms over my second and third novels, and Faulkner’s book illuminated it for me in a way that nothing else did. He unravels the interwoven historical, social, religious, ethnic, cultural, and political conflicts that led to the disastrous Jewish rebellion against Rome. His work is controversial in some quarters because it goes against the grain of Christian thinking about this time and place. Personally, I found it revealing and eloquent. To me, this a must-read for anyone trying to understand the “why” behind the cataclysm that befell the Jewish people between 66 and 73 AD and still impacts our world today.
Ancient Palestine was a ferment of social and ideological conflict. Full-scale insurrectionary revolt exploded in AD 66 and took on a revolutionary character as moderate upper-class leaders were pushed aside and replaced by popular radicals. The war that followed was bitterly fought, and culminated in the five-month siege of Jerusalem in the summer of AD 70. which ended with the fall and destruction of the city amid appalling atrocities. Mopping-up operations concluded with the spectacular siege of Masada in AD 73. First published in 2002. Dt Neil Faulkner's acclaimed Apocalypse is a gripping account of a series of events that…
My passion for Greek literature began as a child when I was captivated by Greek myths and epic tales. As a student, I became fascinated with tragic revenge plots involving women, especially mothers who kill their children, and since then, I have published extensively on gender and violence in ancient Greek literature and life. I speak modern Greek and love thinking about these topics in traditional Greek folk poetry and literature as well, especially works like Alexandros Papadiamantis’ The Murderess and Pantelis Prevelakis’ The Sun of Death.
The focus of this book is on the power women could wield through public lamentation of the dead, with particular attention to their abilities to demand vengeance through their songs. Holst-Warhaft makes use of modern Greek laments to put forward an argument about the dangers of women’s voices instigating violence and to suggest this is why the ancient Athenians wanted to restrict women’s lamentation.
I find particularly fascinating the preserved laments of women from Mani where they claim to have taken revenge themselves, such as the nineteenth-century lament of Kalopothos Sakkakos in which his sister Paraski says she poisoned his killers (her husband, father-in-law, and brother-in-law) in revenge.
The intersections between motifs in these folk songs and ancient tragedies are enlightening.
In Dangerous Voices Holst-Warhaft investigates the power and meaning of the ancient lament, especially women's mourning of the dead, and sets out to discover why legislation was introduced to curb these laments in antiquity. An investigation of laments ranging from New Guinea to Greece suggests that this essentially female art form gave women considerable power over the rituals of death. The threat they posed to the Greek state caused them to be appropriated by male writers including the tragedians. Holst-Warhaft argues that the loss of the traditional lament in Greece and other countries not only deprives women of their traditional…
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.
Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer.Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)
Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.
I am a rabbi, educator, scholar and author who has led congregations, organizations and taught in rabbinical seminaries. As a result, I have always straddled the world of the practitioner and the academician. These books have informed my personal religious practice and outlook, as well as my academic approach to Judaism.
Eugene Borowitz was the leading liberal Jewish theologian of the 20th and early 21st century. Although this book may be challenging for those disinclined to read dense theology, it is presented in a more popular way and contains a theology that has informed the lives of many Jews, including myself.
I am a school and public librarian as well as a writer. I also serve as a member of the Children’s Book Committee of the Bank Street College of Education. We review hundreds of books each year for consideration of a place on our list –The Best Children’s Books of the Year. I've chosen to recommend some lighthearted picture books with Jewish characters or themes because a number of my own books fit into this category. Mitzi’s Mitzvah, Little Red Ruthie, and Dance the Hora, Isadora! are three of my Jewish themed books. Each of these titles has been selected by PJ Library, an organization that sends a book each month to children.
This book reflects the author’s own experience as a child during the heyday of Yiddish theater. It’s an exciting story that will engage kids with a slice of history as they imagine themselves taking to the stage and enjoying the thrill of the limelight. So many Jewish-themed books focus on the holidays, so it’s refreshing to have others that just reflect Jewish life in the past or the present.
Rifka's parents are actors in the Yiddish Theater in New York, but one day Rifka finds herself center stage in a special role! A slice of immigrant life on New York's Second Avenue, this is a unique book about a vanished time and a place – the Yiddish theater in the early 20th century―made real through the telling of the true life story of the 96-year-old author as a little girl.
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Too often “Black-Jewish relations” focuses on Jewish engagement in the Black civil rights struggle, a largely one-sided political narrative. This book broadens that horizon in two ways. First, it focuses on the Black experience and encounter with the other, rather than the Jewish one. Second, it explores the religious dimension that political discussions often ignore – that the Black experience with Jews and Judaism is as much rooted in religion as in politics.
Black Zion explores the myriad ways in which African American religions have encountered Jewish traditions, beliefs, and spaces. The collection's unifying argument is that religion is the missing piece of the cultural jigsaw puzzle, that much of the recent turmoil in black-Jewish relations would be better understood, if not alleviated, if the religious roots of those relations were illuminated. Toward that end, the contributors look a number of provocative topics, including the concept of the Chosen People, the typological identification of blacks with Jews, the actual identification of blacks as Jews, the sacredness of space and symbols, the importance of…
