Fans pick 100 books like From Caesar to Augustus (c. 49 BC-AD 14)

I love historical detective novels, and this one, set in AD 70, is a great way to immerse yourself in the Roman world. Lindsey Davis does her research, creating a real, lived-in space that makes the ancient past feel alive and present.

Another big plus is that it’s hilariously entertaining: I’m regularly guffawing out loud while reading it. Best of all? It’s the first book in a fantastic series, and I’ve enjoyed following private instigator Marcus Didius Falco, and then later his daughter, Flavia Alba, over a number of adventures across the city of Rome and the wider Empire.

In my own research, I’m interested in how Roman imperialism is shaped through the concept of peace and this is central to Tom Holland’s latest examination of power in the ancient Mediterranean world.

I found myself sucked into to the cinematic accounts of shocking and poignant events, such as the erection of Vesuvius and the sacking of Jerusalem, yet also really struck by how Holland manages to paint a picture of the vast diversity and difference to be experienced in the Roman world. And I particularly like that he reminds us how different the Romans are from ourselves.

What I really enjoy about this book is the engaging and lively way in which Emma Dench examines, across a broad chronological (third century BC to third century AD) and geographical scope, the various different ways in which local peoples, groups, identities, and cultures experienced and responded to Roman power.

I particularly appreciate how the emphasis is not on accepting a sense of loyalty to Rome but rather the importance of the political currency of Roman symbols of power within a complex and wide-ranging negotiation of identity in the Mediterranean world. Perhaps one of my favourite things about the book is the diverse range of places, peoples, and evidence explored.

I find myself struggling with the impulse to see the great empires as superhumans or so different from me that I could never understand how they live as they do.

This book reminded me that my fears and selfish desires aren’t so different from those of the Romans. I see signs of their impact in my everyday life, and I constantly wonder what life was like for Romans who never would have thought that people like me would be studying them centuries later. This book takes me into the mindset of people living in constant threat of annihilation and how it may impact my view of humanity. 

Duncan walks the reader through the generations leading up to the fall of the Republic, examining the political, economic, and social conditions that led to civil war and, eventually, the transition to Empire. While Duncan provides biographies of key figures like the Gracchi brothers, he also sets them in the context of their world: its constraints, its faith, its competing pressures. The Storm Before the Storm opens a window into an under-examined period of history, one which has echoes in modern-day politics.

Mystery writer Steven Saylor’s recreations of late Republican Rome are the best out there. The Venus Throw finds Saylor’s detective, Gordianus the Finder, investigating the death of an Egyptian ambassador visiting the city. Through Gordianus’ search we meet a range of Romans known from historical sources including a noble woman, a love poet, and a eunuch priest of the eastern goddess Cybele. Saylor captures the variety of the city’s inhabitants and its places. You step into elegant houses, a dive bar with sour wine, and public baths where the floor is “heated to just the right temperature by the hot-water pipes underneath.” The Venus Throw is not the first entry in the Gordianus series but you can start with it, as I did, and then read all the others. One of these books’ many strengths is attention to the lives of slaves.

Just like the Falco mysteries showed me that you could have fun with your historical detectives, this book showed me that there’s more drama in Ancient Roman history than in any daytime soap opera, and this novelisation of Marius and Sulla packs a lot more of an emotional punch than any textbook ever could. 

I don’t know enough about Marius and Sulla to say how much poetic license the author took, but this really does read as a seamless and in-depth exploration of the bloody power struggles between two very different but equally ambitious men in the time of the Roman Republic.   

The whole series is fantastic!

Imperium, Lustrum, and Dictator chart the disintegration of Rome’s republic and the inexorable rise, then sudden fall, of Julius Caesar. Told from the vantage point of Cicero, the most persuasive speaker of the age, it’s thrilling from the outset, an epic political thriller that seems to foreshadow the beginning of the modern world. The events are so incredible, so momentous, you have to keep reminding yourself they’re true.

I’ve used this text a number of times teaching courses on the Republic and it is a terrific overview that will expand on many areas. Short, informative, packed with anecdotes and examples and surveying the whole of the Republic. For those interested in a more academic survey, while still very approachable, text on the period of the Republic, Gwynn’s work offers just the right balance of depth and briskness. 

The fact that this trilogy was turned into a stage show is a measure of its fantastic popularity! On the face of it, a set of novels about the machinations of late Republican politics might not hold broad appeal, but it is the genius of Robert Harris to bring the crime and corruption-riddled streets of 1st century BC Rome bursting to life.

Apparently, he spent several years immersing himself in contemporary literature before putting pen to paper, and it really shows. I admired how his research paints vivid background colour without ever stepping upon the toes of the brilliantly drawn characters. I loved his Cicero (and Caesar and Pompey and Antony) and, despite some tough competition, cannot think of any historical figures so authentically portrayed in any other Roman historical fiction.

And yet, for me, it's Cicero's humble secretary, Tiro, who steals the show. I think it was a masterstroke… show more.