Here are 100 books that For All the Tea in China fans have personally recommended if you like
For All the Tea in China.
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Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
This first volume—with the other three—is, I think, the best book ever written about the British in India and their leaving of it. The whole story is rooted in a rape that happens to a young Englishwoman, whose lover is accused of the crime. I first read this when it came out in 1980, before the amazingly good TV series. There are so many unforgettable characters in it—the women, trying to survive with husbands and fathers away in the army, the missionaries and nuns, as well as the men. Scott does not in any way idealize the British—rather the opposite—and it is a feast of detail of the time and moving human stories. I have re-read it and will no doubt do so again.
This first volume opens in 1942 as the British fear both Japanese invasion and Indian demands for self-rule. Daphne Manners, daughter of the province governor, is running at night through the Mayapore gardens, away from her Indian lover, who will soon be arrested for her alleged rape.
I’ve lived in small towns and capital cities and gone to school on four continents, so I love books in which the location is practically a character in the story. When moving, I struggle to put down roots and feel legitimate in my new home. Writing about old homes helps. While living in New England, I wrote my Jana Bibi trilogy, set in India. Now in New York state, I’m setting a new novel in my native New Hampshire. I’ve been a Jill of all Trades: teaching, software, editing, fact-checking, social science research, and, most happily, fiction-writing. I’m also an amateur musician and an avid foreign language buff.
I love Rumer Godden’s novels, but I’m even fonder of her memoirs, especially this one. Writing with her sister, Jon, she describes life in Naryangang (then in British India, now in Bangla Desh) during and shortly after World War 1. The large household, the bazaar, the diversity of people, the bright sun and the monsoon rains, the wealth and the poverty, the danger of rabid dogs, the holidays in hill stations…I grew up in India forty years after Jon and Rumer Godden, but in many ways, their experiences bring back my own childhood.
Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
"India will sing like a bird out of its cage when she is free," says one of the characters in this wonderfully engaging book. Times of transition interest me and this book is set during the early part of Indian Independence, when everyone was trying to find a new identity and way of living, especially Victoria, one of the three main characters who is Eurasian, or as we would now say, mixed race. She is torn between the two sides of her heritage. Some of the language is shocking in our times but it is a fascinating story of people caught up in a country’s re-birth. It is also a tender love story. It’s a great way to get a feel of that period of upheaval.
Bhowani Junction is set in the wake of the partition of India, as the British prepare to withdraw from the newly independent country. Evoking the tensions and conflicts that accompanied the birth of modern India, the characters struggle to find their place in the new India that is emerging. In the last hectic days of the British Raj, Victoria has to choose between marrying a British Army officer or a Sikh, Ranjit, as she struggles to find her place in the new, independent India.
One of John Masters' seven novels which followed several generations of the Savage family serving in…
Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
M.M Kaye was best known for her blockbuster The Far Pavilions. This beautifully written book, however, is a first volume of memoir—another record of a European child in India. Having travelled there a lot myself and had a family relative close to me in age grew up in the tea gardens there, I have long wondered what that experience was like, quite apart from the politics of whether we should have been there or not. Kaye’s childhood eye describes her upbringing in Shimla in the Himalayan foothills as well as Delhi, before her inevitable banishment to cold England. The book has a sunlit feel to it and it full of vivid detail and fond memories of this childhood caught between two worlds.
The Sun in the Morning is the first volume of autobiography by the beloved British author M. M. Kaye. It traces the author's early life in India and later adolescence in England. As The Guardian wrote, "No romance in the novels of M.M. Kaye... could equal her love for India."
" … [Kaye's] kaleidoscopic story of a long-lost innocence just before and after World War I helps to explain Kaye's idealization of the British Raj and her love for Kipling's verse." - Publishers Weekly
I’ve spent more than a decade exploring the historic roots of Asia’s modern political problems – and discovering the accidents and mistakes that got us where we are today. I spent 22 years with BBC News, including a year in Vietnam and another in Myanmar. I’ve written four books on East and Southeast Asia and I’m an Associate Fellow with the Asia-Pacific Programme at the London-based thinktank, Chatham House. I love breaking down old stereotypes and showing readers that the past is much more interesting than a series of clichés about ‘us’ and ‘them’. Perhaps through that, we can recognise that our future depends on collaboration and cooperation.
This is a jewel of a book. It takes a strange coincidence and weaves it into a wonderful tale of world history. It explores the lives of three Scotsmen, all called George Smith but not related, who traded in Asia during the eighteenth century, a crucial time for the development of the East India Company and ties between East and West. It really opens a window into the lives of these pioneers and brings this neglected history alive. In particular, it complicates the usual story of the East India Company by showing how it was a force for stability in trade with China and it was the ‘free traders’ taking inspiration from people like the economist Adam Smith back in London, who upset the relations and created the conditions for the nineteenth-century Opium War.
An illuminating account of global commerce in the eighteenth-century Indian Ocean world as seen through the lives of three Scottish traders
This book delves into the lives of three Scottish private traders-George Smith of Bombay, George Smith of Canton, and George Smith of Madras-and uses them as lenses through which to explore the inner workings of Britain's imperial expansion and global network of trade, revealing how an unstable credit system and a financial crisis ultimately led to greater British intervention in India and China.
I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.
A classic work of global political economy written just before the genre became fashionable. I constantly return to this book to think about the role of China in producing, shaping, and being altered by global capitalism in the nineteenth century. Gardella does not romanticize the Chinese economy as an alternative to Atlantic world slaved-based capitalism, but rather he considers how Chinese practices could be deeply exploitative. At the same time, he shows how the Chinese worked with and against the colonizing forces of Euro-American imperialism right up until the 1930s. I also love Gardella's amazing footnotes!
Few commodities are as synonymous with any civilization as tea with China. This book analyzes the multifaceted influence of tea production and the tea trade upon Fujian, a premier tea-growing region, illuminating the economic, social, fiscal, and environmental ramifications of China's involvement with a dynamic world economy. Today, as contemporary China increasingly opens up to foreign trade, the historical experience documented here takes on a renewed importance.
I chose the dramatic backdrop of the Tiananmen massacre because after my first trip to China in the 1980’s I became a host family for mainland students studying at UCLA where I was Medical Director of Student Health. During those weeks in 1989 many students communicated with friends and family back in China using our fax machine. From their perspective, the conflict was a generational struggle between the very old leaders, many of whom marched with Mao and who were desperate to hang onto power (and therefore for my plot would want to get their hands on an elixir to double their lifespan), and the younger generation anxious for reforms.
I am delighted to recommend this book. Not only is it a fascinating true story, but it is also a page-turner. The story starts in 1937 when Joseph Needham, an English biochemist, falls in love with a Chinese student. He travels to China with her, where he begins a lifelong quest to document the scientific contributions of ancient China.
In sumptuous and illuminating detail, Simon Winchester, the bestselling author of The Professor and the Madman ("Elegant and scrupulous"—New York Times Book Review) and Krakatoa ("A mesmerizing page-turner"—Time) brings to life the extraordinary story of Joseph Needham, the brilliant Cambridge scientist who unlocked the most closely held secrets of China, long the world's most technologically advanced country.
No cloistered don, this tall, married Englishman was a freethinking intellectual, who practiced nudism and was devoted to a quirky brand of folk dancing. In 1937, while working as a biochemist at Cambridge University, he instantly fell in love with a visiting Chinese…
I grew up in Los Angeles, the mecca of global consumer culture. I became a historian to escape from what I saw as this shallow, surface culture but through my work, I have returned to the mall. My work uses history to show how consumer desires are not natural. Instead, I ask why people consume particular things in particular places, and I show how they attribute meaning to the things they buy. I am not a specialist on China but while researching and writing on tea's global political economy and consumer culture I became fascinated by how China contributed to the making of global tastes, desires, and material culture. These books illuminate the history and cultural life of tea, opium, porcelain, and other things within and beyond China.
Much of the Western world but especially eighteenth and nineteenth-century Britain obsessively purchased, collected, displayed, and thought about Chinese things. A brilliant literary critic, Elizabeth Chang traces this obsession through a wide variety of British texts from Sir William Chambers, Dissertation on Oriental Gardening (1772) to Isabella Bird's, Chinese Pictures (1904). Chang takes us on an intimate journey into a pleasurable yet imperialistic and often racist material culture that still shapes the way the West looks at and consumes Chinese products.
This book traces the intimate connections between Britain and China throughout the nineteenth century and argues for China's central impact on the British visual imagination. Chang brings together an unusual group of primary sources to investigate how nineteenth-century Britons looked at and represented Chinese people, places, and things, and how, in the process, ethnographic, geographic, and aesthetic representations of China shaped British writers' and artists' vision of their own lives and experiences. For many Britons, China was much more than a geographical location; it was also a way of seeing and being seen that could be either embraced as creative…
I grew up attending a little Baptist church where we would host traveling missionaries. I remember one young woman in particular, Jane Vandenberg, who would open her bag to show us mementos from her life in Africa. As I listened to her stories, I admired how brave she was. I wanted to be like that! I served for 16 years as an English professor at Moody Bible Institute where I would share well-written and inspirational books with my students. And, as a Christian woman and mom, I think we need more role models for ourselves and for our daughters. Sharing the powerful biographies of Christian women is one way to make that happen!
As a young girl, I loved missionary stories about women like Gladys Aylward who left their comfortable homes and traveled to remote countries to tell people about Jesus.
In 1930, Gladys traveled across Siberia by train to a remote town in northwest China. There, as an independent missionary, she shared God’s love and stood up against time-honored traditions that were harming young girls. This book is full of adventure, and doesn’t shrink from stomach-wrenching details.
I’ll never forget the vivid descriptions of foot-binding, and how Gladys fearlessly confronted and corrected this painful procedure, no doubt impacting lives forever.
Rejected by mission agencies, Englishwoman earns the money to send herself to China. There she opens an inn for mule drivers, serves as "foot inspector," and advises the local Mandarin. But when the Japanese invade, she discovers her true destiny---leading 100 orphans across the mountains to safety.
I’m a British writer with a passion for the stories of history, both real and imagined. I have always been fascinated by tales and relics of the past, old ruins, ancient buildings, mythology, and the uncanny power of the natural world. All these things connect us to the ghosts of the past. So, I write historical fantasy novels based in the England I explored growing up, but brushed with the shadow of the supernatural, magic, witchcraft, and seductive illusion. I also write straight historical fiction under the name Samantha Grosser.
I devoured this book from beginning to end, and the rest of my life was no more than an irritating distraction until I could return to it again. It really does have everything I have ever wanted in a novel. It’s profound, thought-provoking, addictive, moving, heartbreaking, political, and a damn good story.
It explores so many themes that are dear to my heart: the power of language for good and for evil, the exploitation of colonialism and empire, dark academia, politics, and the joys and heartbreak of friendship, all wrapped in an utterly compelling world of magical realism.
Honestly, I’m slightly obsessed with how good it is, and I’m heartbroken I can’t ever read it for the first time again.
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