Here are 30 books that Death at the Seaside fans have personally recommended if you like
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The North of England is home. I was born here, I work here and it’s where I will see out my days. It’s a place with its own character, a place largely forged on hard industrial work and one trying to find a new purpose after decades of financial neglect. My home city of Hull captures this in miniature as we’ve shared a journey over the last decade via my novels from 'UK Crap Town of the Year’ to ‘UK City of Culture.’ Tied in with my background in studying Social Policy and Criminology, I’ll continue to map the city and the region’s trials and tribulations.
It’s always strange when another writer tackles the same city you’re mapping, but it’s also a reminder that we see places in fundamentally different ways. I write about Hull as an insider looking out with David taking the opposite approach, arriving in the city as a journalist. In the debut outing for DI Aector McAvoy, it may be his writing background that allows him to look the place in the eye and draw a fantastically vivid city dealing with multiple social issues, but also one in which he finds its heart packed with spirit and hope.
The New York Times hails David Mark's work as "in the honorable tradition of Joseph Wambaugh and Ed McBain." DARK WINTER is the first book in the internationally acclaimed Detective Sergeant Aector McAvoy series.
A series of suspicious deaths have rocked Hull, a port city in England as old and mysterious as its bordering sea. They have captured the attention of Detective Sergeant Aector McAvoy. He notices a pattern missed by his fellow officers, who would rather get a quick arrest than bother themselves with finding the true killer. Torn between his police duties and his aching desire to spend…
The North of England is home. I was born here, I work here and it’s where I will see out my days. It’s a place with its own character, a place largely forged on hard industrial work and one trying to find a new purpose after decades of financial neglect. My home city of Hull captures this in miniature as we’ve shared a journey over the last decade via my novels from 'UK Crap Town of the Year’ to ‘UK City of Culture.’ Tied in with my background in studying Social Policy and Criminology, I’ll continue to map the city and the region’s trials and tribulations.
Published in 1970, it’s a touchstone crime novel for all writers wanting to explore the small towns and cities of the industrial north. Leaving London to return home to Scunthorpe, Jack Carter is a man on a revenge mission and wants to know who murdered his brother. With a keen eye for social attitudes and lives in a one-horse town, the novel transcends the page, and under the title of Get Carter, it gives us one of the great crime films of the 20th century. More than that, the novel’s Humber setting taught me I could also write about my neglected home city of Hull.
The North of England is home. I was born here, I work here and it’s where I will see out my days. It’s a place with its own character, a place largely forged on hard industrial work and one trying to find a new purpose after decades of financial neglect. My home city of Hull captures this in miniature as we’ve shared a journey over the last decade via my novels from 'UK Crap Town of the Year’ to ‘UK City of Culture.’ Tied in with my background in studying Social Policy and Criminology, I’ll continue to map the city and the region’s trials and tribulations.
Set in Manchester, Ray Banks’s gift to us is a razor-sharp contemporary Private Investigator series, a relative rarity within the UK crime writing scene. His surly PI, Cal Innes, may be battered and bruised, but his big heart continues to beat. Finding himself in the centre of a racist uprising in the city, it’s a place that needs a hero and he’s going to be the man who rises to the occasion. Using the classic PI template created by the great US writers, it showed me that I could also adapt the format and apply it to my own writing and PI, Joe Geraghty.
It's Manchester's hottest summer on record and while Callum Innes evicts families on behalf of local slum lord Donald Plummer, the English National Socialists stir up racial tensions to breaking point. A firebomb attack at a Plummer property thrusts Innes into the spotlight as he saves a child from the burning building. But when Plummer enlists his help to track down the arsonists, Innes finds himself dealing with more than the ENS and his rapidly overwhelming codeine addiction. Time's running out and the temperature keeps rising. Manchester needs a hero and Callum Innes is the closest it has.
The North of England is home. I was born here, I work here and it’s where I will see out my days. It’s a place with its own character, a place largely forged on hard industrial work and one trying to find a new purpose after decades of financial neglect. My home city of Hull captures this in miniature as we’ve shared a journey over the last decade via my novels from 'UK Crap Town of the Year’ to ‘UK City of Culture.’ Tied in with my background in studying Social Policy and Criminology, I’ll continue to map the city and the region’s trials and tribulations.
Stretching the geographical boundary a little, Dolan’s police series takes us to Peterborough, another location scared by political and financial neglect. It’s the terrain I tread in the Joe Geraghty series, our cities are not too different. Beyond that, Dolan also makes giving the police series a fresh shot of adrenaline looks easy. Based in the Hate Crimes Units, DI Zigic and DS Ferreira, give voice to those who are marginalised and without voice, a welcome rebalancing and one that questions the power and position of the police.
No witnesses, no fingerprints - only a positive ID of the victim as an immigrant with a long list of enemies.
Detectives Zigic and Ferreira are called in from the Hate Crimes Unit to track the killer, and are met with silence in a Fenland community ruled by slum racketeers, people-trafficking gangs and fear.
Tensions rise. The clock is ticking. But nobody wants to talk.
I am fascinated by all that was happening in the world before WWII. Amidst a silent, looming economic collapse, many social norms were turned on their head, women broke out of their molds, and art, literature, technology, and music all flourished. And a heady mix of cultures blended not altogether seamlessly to influence the Roaring Twenties like no other decade before it. The juxtaposition of this exciting yet challenging tumult lures me into reading books and writing immigrant-forward stories about this period—and as an author with deep roots in the boot—I particularly enjoy doing so through an Italian lens.
I fell in love with Miss Phryne Fisher on TV first, then in all of the books only after binge-watching all the seasons in short order. Her attitude, her clothes, her wit—all of it makes her adventures so fun to read. Besides, what list of Jazz Age mysteries is complete without this bobbed-hair socialite and her gaggle of misfits helping her to solve mysteries? Add in a spa vacation for Phyrne and I was hooked to see how she solved a murder while on holiday in some fabulous resort town. After 7 years, my Phryne drought is over!
'. . . there is no doubt Phryne is back at her best.' The Book Muse
When a mysterious invitation arrives for Miss Phryne Fisher from an unknown Captain Herbert Spencer in Victoria's spa country, Phryne's curiosity is excited.
Phryne accepts Spencer's invitation but from their arrival, she and her loyal maid Dot are thrown into the midst of disturbing Highland gatherings, cases of disappearing women, murder and the mystery of the Temperance Hotel.
Meanwhile, Cec, Bert and Tinker find a young woman floating face down in the harbour. Tinker, with Jane and Ruth, Phryne's resilient adopted daughters, together decide…
All of the books I’ve listed above have flawed characters. Characters that deal with emotional and/or moral dilemmas. The plots: murder, missing children, or runaway husbands are secondary to me. What I look for in a book and what I write about in my Cole and Callahan series, are characters with flaws. People who struggle with truth. Cops or investigators that hide or skew evidence because the truth would cause more harm than good. It’s the moral dilemma I want. The angst we all feel when we are faced with a particularly painful decision. That’s what real life is and that’s what brings a book and a character to life.
Cormoran Strike and his business partner, Robin Ellacott, are searching for a missing writer who has penned a scathing novel, revealing his friend's most tightly held secrets. Any one of them would be happy to take him out. Ellacott and Strike are hired by his wife to find him. They do, brutally murdered. Besides facing a plethora of possible murderers, Strike and Ellacott face that there’s more than a working relationship evolving between them. But with Stike’s recent break-up and Ellacott’s live-in boyfriend, feelings are buried. After they solve their twisted case, I’m on to the next book in the series to see how Cormoran and Robin will move forward together. I love a good mystery and I love a relationship plagued with obstacles. The Silkworm delivers on both.
'Teems with sly humour, witty asides and intelligence ... A pleasure to read' TIMES
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Now a major BBC drama: The Strike series
When novelist Owen Quine goes missing, his wife calls in private detective Cormoran Strike. At first, she just thinks he has gone off by himself for a few days - as he has done before - and she wants Strike to find him and bring him home.
But as Strike investigates, it becomes clear that there is more to Quine's disappearance than his wife realises. The novelist has just completed a manuscript featuring poisonous pen-portraits of almost…
I've been hooked on the magic of storytelling since childhood, always eager to go wherever imagination can take me. I think that early fascination led me to become a costume designer – because costume design is about using clothing to help tell a story. I spent 27 years working on the costume design teams for films like Forrest Gump, Apollo 13, Angels & Demons, and The Curious Case of Benjamin Button. When I decided to take what felt like a logical creative step, to write my own stories, I knew I wanted to write murder mysteries. And I thought the world behind the scenes of a movie would make the perfect setting.
This twisty, hypnotic story by the great Ross Macdonald focuses on the dark side of the Hollywood dream.
Private detective Lew Archer is drawn into the search for a missing woman, Hester Campbell-Wall, who seemed poised on the cusp of success via an oblique connection to Helio-Graff Studios when she vanished after a frantic phone call to her estranged husband.
Against his better judgment Archer agrees to look for Hester, a quest that pits him against the powerful and corrupt studio head, Simon Graff. The book is full of complex characters who are neither all good nor all bad, despite their acts of betrayal, deceit, and even murder.
That’s what makes them so poignant and believable: in various ways, they are all broken by dreams that didn’t come true.
The beautiful, high-diving blonde had Hollywood dreams and stars in her eyes but now she seems to have disappeared without a trace. Hired by her hotheaded husband and her rummy “uncle,” Lew Archer sniffs around Malibu and finds the stink of blackmail, blood-money, and murder on every pricey silk shirt. Beset by dirty cops, a bumptious boxer turned silver screen pretty boy and a Hollywood mogul with a dark past, Archer discovers the secret of a grisly murder that just won't stay hidden.Lew Archer navigates through the watery, violent world of wealth and privilege, in this electrifying story of obsession…
My favorite childhood summertime memory is being allowed to choose a stack of Agatha Christies to take with me to summer camp and on vacation. As I moved on to academia and the “serious” study of literature, I quickly discovered that mysteries are every bit as serious as James Joyce—and are a lot more fun to read. Now that I have turned to writing the stories myself, I enjoy diving into a world of afternoon tea, well-read detectives, and impeccably mixed cocktails, and I love to find readers who want to join me there.
The Three Coffinsis legendary among traditional mystery fans for its “locked room” lecture in Chapter Seventeen, in which the detective, Dr. Gideon Fell announces, “We're in a detective story, and we don't fool the reader by pretending we're not. Let's not invent elaborate excuses to drag in a discussion of detective stories. Let's candidly glory in the noblest pursuits possible to characters in a book." He then goes on to enumerate and classify the possible solutions to an impossible crime. What I love about this chapter is that Carr unapologetically defends escapist stories that depend upon style, wit, and an intelligent puzzle, rather than grimly realistic depictions of everyday life.
Professor Charles Grimaud was explaining to some friends the natural causes behind an ancient superstition about men leaving their coffins when a stranger entered and challenged Grimaud's skepticism. The stranger asserted that he had risen from his own coffin and that four walls meant nothing to him. He added, 'My brother can do more... he wants your life and will call on you!' The brother came during a snowstorm, walked through the locked front door, shot Grimaud and vanished. The tragedy brought Dr Gideon Fell into the bizarre mystery of a killer who left no footprints.
Even though I’m an engineer and accountant by education, I love to write and growing up, I read many historical fiction and murder mysteries. History spanning from the Victorian Era until the mid-twentieth century has always fascinated me, and I’ve studied various events from that period. Therefore, I wrote A Bloody Hot Summer, a crime novel using some historical events as a background. The interwar years were the heyday of crime fiction, and that is why I set my novel during that period. While researching, I get to expand my knowledge regarding history, culture, art, language, and values of those times, which I add to the novel.
In this book, a murder takes place in a manor house just like in my novel, but during Christmas time. There is a connection to a diamond mine in South Africa, and how that played a part in the murder of the patriarch of the family. Detective Hercule Poirot has to delve into the family’s past to connect the dots and determine the motive and the identity of the killer. For those who like murders set during Christmas time, this is a novel for you.
It is Christmas Eve. The Lee family reunion is shattered by a deafening crash of furniture, followed by a high-pitched wailing scream. Upstairs, the tyrannical Simeon Lee lies dead in a pool of blood, his throat slashed.
But when Hercule Poirot, who is staying in the village with a friend for Christmas, offers to assist, he finds an atmosphere not of mourning but of mutual suspicion. It seems everyone had their own reason to hate the old man...
Having taken up the brush myself, I can attest to some sort of mystical, out-of-body experience that sometimes surfaces as an artist creates. Emotions and senses become directly connected to one’s hands, releasing the unconscious, allowing the artist to bring something to life that was buried deep inside. My favorite class in art school was Aesthetics, which explored the philosophy of art – what possessed the artist to paint – and what passions and beliefs were behind some of the art movements, including Surrealism, Dadaism, and Futurism. Books that delve into the craft and passion behind great works of art are my favorite reads.
Peter Lovesey’s detective discovers the power of art in this recent mystery set in Bath, England.
This book in the series is unusual, since most of the story is told through the eyes of a cheap private detective, who views Diamond as a grumpy old man. A body found in an antique sarcophagus and the disappearance of the antique dealer is at the start of the mystery, but the piece of art which was purchased in an antiques roadshow drives the plot.
Greed and ambition, stirred by the provenance of the art, results in several murder attempts which confound Diamond’s and the private detective’s investigation.
Of all the weird characters Detective Superintendent Peter Diamond has met in Bath, this one is the most extreme: a twenty-first-century private eye called Johnny Getz, whose office is over Shear Amazing, a hairdressing salon. Johnny has been hired by Ruby Hubbard, whose father, an antiques shop owner, has gone missing, and Johnny insists on involving 'Pete' in his investigation.
When Diamond, Johnny and Ruby enter the shop, they find a body and a murder investigation is launched. Diamond is forced to house his team in the dilapidated Corn Market building across the street. His problems grow when his boss…
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