100 books like All the Daring of the Soldier

When Lauren Cook and I published They Fought Like Demons, we knew that our book, although groundbreaking, was only the tip of the iceberg in the story of women soldiers in the Civil War, and we always hoped that another scholar would pick up the torch and move the story forward.  Shelby Harriel has done just that.  Behind the Rifle is a meticulously researched and ably written account of the distaff soldiers who hailed from Mississippi, or found themselves there.  Citing previously unknown sources along with revealing newly-located photographs, Harriel’s contribution to the history of women soldiers is remarkable.

This book completely debunks every romantic Old South and Lost Cause myth. Relying on a plethora of primary sources, especially letters and diaries, Clinton reveals the real and often heartbreaking lives of white plantation women and black enslaved women. Always an engaging writer, Clinton narrates the deep and troubled subject with empathy and a level hand. 

This pamphlet, although only 24 pages, is one of the best first-hand depictions of Civil War nursing.  Miss Woolsey and her mother travelled to Gettysburg in the aftermath of the battle and immediately launched into the nursing ranks of the U.S. Sanitary Commission.  She published her account shortly after returning home, when her services were no longer needed.

This book provides outstanding biographies of the female luminaries of the Civil War, such as Clara Barton, Harriet Tubman, and Dr. Mary Walker, while also introducing readers to lesser-known women who made an impact during the great sectional conflict.  Beautifully written and full of rare photographs, Women of the Civil War is captivating.

Keneally’s novel, Confederates, stands out among other good Civil War novels. His Twain-like vernacular writing style brings the reader into his characters’ minds remarkably well.

Having lived for 6 years in the South, I find the landscapes familiar and the inflections and attitudes very relatable. Without necessarily identifying with Johnny Reb morally, I slog through icy mud with the threadbare Rebels, survive another day and a half without food, see comrades perish from various causes, and find desolation everywhere. It’s all painfully vivid. I empathize with these Boys in Grey; they are the grunts next to whom we readers march, fight, and starve. While I remain critical - horrified - at the South’s indefensible motives, I’m grateful for my intimate acquaintance with those who fought and died for their homes.

I discovered this book a few years ago while writing my biography of Jackson. The subject is probably the single most dazzling bit of tactical warfare in American history. Its relatively short duration—March through June, 1882—means that Cozzens can go deep, and go deep he does.

When the authors in Distant Flickers formed Telltale, a writers’ collective, we brainstormed ways to reach out to readers and give them insight as to how our life experiences are transformed into art. We decided to put together an anthology as part of our endeavor. In doing so, we researched how other writer collectives reached out to their readership. A number of us are historical fiction writers and/or members of the Womens Fiction Writers Association (WFWA), which is how we came to be acquainted with Paper Lanterns, the collective of historical fiction writers behind this anthology. The stories in Unlocked are works of historical fiction that revolve around the common element of an old wooden chest. The settings are varied and span seven centuries, from 1225 Ireland to 1679 Amsterdam to the American Civil War to Regency London to World War II to the Nineteen Seventies.

David M. Potter’s The Impending Crisis, 1848-1861 (1976; winner of a posthumous Pulitzer Prize for History) remains, after nearly half-a-century, the best narrative on the coming of the Civil War. It brims with perceptive analysis and very usefully instructs readers about history’s vexing complications. Completed after Potter’s death by his colleague at Stanford Don E. Fehrenbacher, the engaging text forcefully reminds readers to keep in mind the contingent nature of politics and to avoid assuming events had to play out as they did. Part of the period’s complexity lay in the fact that although the crisis of 1860-1861 had everything to do with slavery’s powerful influence over American political affairs, the increasingly heated rhetoric of the secession winter did not focus on whether the nation would keep or jettison the institution. Four years of war answered that fundamental question.

It truly is a diary, and it rests in the local county museum in rural Pennsylvania. Being a Pennsylvanian myself, I was fascinated to read this Civil War account of a foot soldier who came back alive and lived to a ripe old age as a local businessman. Bull’s story really does read like a movie script and I plan at some point to do exactly that with it. The story of courage and the logic he uses to get through each day as a soldier, wanting nothing more than to do his duty and to return home.

This is a reprint of the original edition from 1915. Chamberlain, the Maine general and hero of Little Round Top, was also a brigade commander in the last campaigns of the war in the east. Chamberlain tells the story of the end of the American Civil War, through the ceremonial surrender at Appomattox, which Chamberlain supervised and the parade in Washington DC. 

On the last page of his book, Chamberlain quotes the June 28, 1865 general orders of the Army of the Potomac, “ . . . this army, as an organization, ceases to exist.”  A one-time aspiring minister, Chamberlain is writing religiously when he adds “Ceases to exist!  Are you sure about that?” A century and a half later there is still a clear picture of the Army of the Potomac and the whole period remains a clear part of our historical memory. This book is well worth reading.