100 books like Alfredo Vea's Narrative Trilogy

We’re also indebted to young minority students for pioneering free-speech rights in our schools. Most of us still associate the struggle for student rights with antiwar activists like Mary Beth Tinker, whose armband protest against the Vietnam War led to the epochal Tinker v. Des Moines Supreme Court decision declaring that teachers and students don’t shed their First Amendment rights at the schoolhouse gate. But before and after Tinker, Black and Chicano students challenged racist curricula, disciplinary policies, and more. Student rights are civil rights, and vice versa. We can’t—and shouldn’t—separate them.

An excellent first-person account of being an LRRP in a unit that acted as the eyes and ears of the 101st Airborne Division. Most of his patrols were in the NVA ruled A Shau Valley. Usually outgunned, outmanned, and unsupported, Chambers and his LRRP team performed hundreds of courageous missions. This is a “boots on the ground” story by a real warrior.

Reading a novel in letters feels like snooping into someone's private thoughts, and that's exactly how I felt as I read Until Tomorrow, Mr. Marsworth. Reenie, age 11, writes letters that highlight the conflict between those who supported the Vietnam War and those who opposed it. Her letters ultimately reveal the situation faced by her family and by Mr. Marsworth. They are funny and heartfelt. History and family drama mix together in Reenie's letters and Mr. Marsworth's occasional response. O'Connor does a fabulous job of presenting controversial history in an engaging way. 

A 1979 National Book Award winner for fiction, O’Brien’s first Vietnam War novel is, for me, his best piece of writing, and O’Brien in our 2014 interview concurred. Yes, it’s a timeless but freshly told war story about one soldier’s struggle to overcome fear and act courageously on the battlefield. The book’s attraction for me, however, is the complex, engaging, lyrical manner in which the story is told—multiple time sequences and narrative strands, realism mixed with magical realism, and the central character’s interplay of memory and imagination in recalling and creating events. The book is also a how-to manual on the art of storytelling. And like all great pieces of literature, a reader’s appreciation of O’Brien’s story and art increases with multiple readings. This is a book that engages readers seeking to know more about the Vietnam War, writers studying narrative craft, and general readers wanting to be entertained and… show more.

When I wrote my first book, I thought long and hard about what land combat would look like to a soldier or marine.

When my brother came back from AF tech school, he gave me the book Fields of Fire by Jim Webb (A platoon commander in Vietnam). Although it is fiction, it reads like it could be memoir, but moving smoothly from the point of view of each of the three main characters.

The characters are written so deeply and deftly that it was possible to identify with any one of them. The storytelling is so deep and immersive, one feels like you are in Vietnam, slapping at insects and feeling the heat and the rain.

The concussion of 155mm artillery and the stench and fear of battle. It is imagery that has stuck with me for 40 years.

Women participated in the Vietnam War, and Duong Thu Huong was among them. In 1965, she joined the Communist Youth Brigade in Hanoi and found herself within months serving in it on the frontlines in South Vietnam.

Like Bao Ninh, she experienced the horrors of the Vietnam War close-up. In her Novel Without a Name, however, Duong Thu Huong tells her story through the eyes of a young male soldier, Quan. We don’t go into battle with him; rather, we follow him behind the lines, on visits home, in meetings with friends and former lovers, and even into his dreams, where he begins to question the war he is fighting.

It’s a journey into disillusionment, convincingly told by someone who knew what she was talking about. 

How do nations process a trauma like Auschwitz, the Vietnam War, 9/11, or Hiroshima and Nagasaki? Linnie Blake argues in The Wounds of Nations that the horror genre provides a medium through which nations can process recent historical traumas “from a distance.” Examining horror films produced in Germany, the US, Japan, and others countries with a vested interest in burying violent history can tell us a great deal about national identity formation in the wake of war, terrorism, and seismic political changes.  

Elaine Shepard wrote Doom Pussy in 1967 and explained in her introduction that only the pilots who flew on missions at night to North Vietnam were entitled to wear the Doom Pussy patch on their left shoulders. On the patch was a cat with an eye patch eating an airplane, and in Vietnamese were the words “Trong miệng của con mèo của định mạng” and literally translated means, “I have flown into the jaws of the cat of death.” Most American fliers just said, “I have seen the Doom Pussy.” This was another one of those amazing stories about a woman that competes with distinction in what was then considered a man’s world, journalism. She flew into combat on a Huey slick with Lieutenant Colonel Chuck Honour. Col. Honour was killed three months after Ms. Shepard flew with him. She has chronicled her exploits and those of the pilots she… show more.

By far the best novel on LRRPs in Vietnam, and perhaps the best fiction to come out of the war. Highly decorated Miller extended his tour three times with F Company 58th Infantry (LRP) and L Company Rangers in order to “out guerrilla the guerilla.” Book awarded the Bernal Diaz Prize for military fiction.

The Vietnam War was a painful conflict filled with contradiction and a hard learning curve for American forces. Faced with a jungle battle like none before, Vietnam desperately attempted to control the ground from the air. The A-6 Intruder was designed for low-level bombing but had no defensive weapons (guns) and the crews that flew them were a rare breed. The film based on this novel butchered the story of Jake Grafton and his struggle to focus between orders and loyalty. After the loss of his bombardier, Jake sees the war with new eyes, blurred by the unexpected passion found with a woman on the Naval Base. His inner conflict runs deep as he debates risking his career for revenge but is unprepared for the vast consequences that follow.