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I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
Few stood against many as the fate of Taiwan hung in the balance. This is a gripping account of the 1660s clash between Ming loyalist Koxinga and besieged Dutch colonists at Fort Zeelandia. Written by a historian with a flair for narrative, Taiwan’s most exciting historical episode is recounted in fascinating detail, with twists and turns, and wide zooms out for comparisons of European and Chinese technological prowess. It’s an accessible book yet so richly informative and dramatic that it rewards multiple readings.
During the seventeenth century, Holland created the world's most dynamic colonial empire, outcompeting the British and capturing Spanish and Portuguese colonies. Yet, in the Sino-Dutch War - Europe's first war with China - the Dutch met their match in a colorful Chinese warlord named Koxinga. Part samurai, part pirate, he led his generals to victory over the Dutch and captured one of their largest and richest colonies - Taiwan. How did he do it? Examining the strengths and weaknesses of European and Chinese military techniques during the period, Lost Colony provides a balanced new perspective on long-held assumptions about Western…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
How did Taiwan become the country it is today, how did it become the Republic of China? Hsiao-ting Lin, a leading Taiwanese historian and an archivist at Stanford’s Hoover Institute, convincingly argues that the Nationalist state in Taiwan under Chiang Kai-shek came about in large part from happenstance. The book draws on both English- and Chinese-language archival materials, including newly released official files and personal papers to explain what happened to Taiwan in the crucial years following World War II; it also examines what didn’t happen but might have, such as the island being placed under temporary American trusteeship. Accidental State is unbiased and nuanced history, and packed with fun but intelligent counterfactual nuggets.
The existence of two Chinese states-one controlling mainland China, the other controlling the island of Taiwan-is often understood as a seemingly inevitable outcome of the Chinese civil war. Defeated by Mao Zedong, Chiang Kai-shek's Nationalists fled to Taiwan to establish a rival state, thereby creating the "Two Chinas" dilemma that vexes international diplomacy to this day. Accidental State challenges this conventional narrative to offer a new perspective on the founding of modern Taiwan.
Hsiao-ting Lin marshals extensive research in recently declassified archives to show that the creation of a Taiwanese state in the early 1950s owed more to serendipity than…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
Despite the title, this is a history of the food of Taiwan, not just Taipei. The “ponlai” in the subtitle refers to a strain of rice developed in Taiwan during the Japanese colonial period, stickier and quicker maturing than the indica rice cultivated previously; and this specificity gives a good indication of the admirable depth the book goes into. There’s great breadth too, the authors covering almost everything you might be curious about, whether aboriginal crops or traditional banquet culture, religious food offerings, food folklore and prohibitions, the evolution of basic ingredients, and the origin stories of iconic dishes.
There is a compelling story behind Taiwan's recent emergence as a food destination of international significance. A Culinary History of Taipei is the first comprehensive English-language examination of what Taiwan's people eat and why they eat those foods, as well as the role and perception of particular foods.
Distinctive culinary traditions have not merely survived the travails of recent centuries, but grown more complex and enticing. Taipei is a city where people still buy fresh produce almost every morning of the year; where weddings are celebrated with streetside bando banquets; and where baristas craft cups of world-class coffee. Wherever there…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
Taiwan’s national sport helped forge a national identity and provided succor when the country was becoming increasingly isolated on the international stage. Between the years that saw the PRC take the China seat at the United Nations and Washington switch diplomatic recognition from Taipei to Beijing, Taiwan’s Little Leaguers enjoyed one of the greatest sporting runs of all time; from 1971 to 1981 they went unbeaten at the annual LLB championship in Williamsport. A whole generation of Taiwanese grew up rooting for these schoolboy teams, and among them was author Junwei Yu. He describes the history of baseball in Taiwan with passion and expertise, yet is not afraid to douse nostalgia with a cold bucket of scandal. An enjoyable read, even for non-baseball fans such as myself.
Despite the political instability characterizing twentieth-century Taiwan, the value of baseball in the lives of Taiwanese has been a constant since the game was introduced in 1895. The game first gained popularity on the island under the Japanese occupation, and that popularity continued after World War II despite the withdrawal of the Japanese and an official lack of support from the new state power, the Chinese Nationalist Party. The remarkable success of Taiwanese Little League teams in the 1970s and 1980s cemented Taiwan's relationship with the game. Taiwanese native Junwei Yu's Playing in Isolation presents a comprehensive account of that…
I grew up in Taiwan and have always been fascinated by cinema. I received my Ph.D. in 1998 in the UK in communications studies and shifted my research priority from media to Taiwan cinema in 2005 when I became Head of Chinese Studies at the University of Nottingham Ningbo, China. I had fun working on several projects, screening Taiwanese films, discussing Taiwan cinema and society with filmmakers and audiences, and publishing widely in Chinese and in English. I have travelled, lived, and worked in different cities and countries since 2005 and have continued to find it rewarding to study what I have been passionate about since childhood.
I have always enjoyed reading works by Emilie Yueh-yu Yeh and Darrell William Davis as I find their perspectives on the subject I love–Taiwan cinema–refreshing and intelligent.
In their new volume, Yeh and Davis team up with co-editor Wenchi Lin and provide a meticulous examination of 32 individual Taiwanese films between 1963 and 2017. I like the fact that this book offers a wide spectrum of Taiwanese cinematic output in addition to updating the existing literature.
I am particularly inspired by a question that runs through the entire volume: What does national cinema mean to Taiwan at different times under different social, political, and cultural contexts?
Curating Taiwan Cinema: 32 New Takes covers thirty-two films from Taiwan, addressing a flowering of new talent, moving from art film to genre pictures, and nonfiction. Beyond the conventional framework of privileging "New and Post-New Cinema," or prominence of auteurs or single films, this volume is a comprehensive, judicious take on Taiwan cinema that fills gaps in the literature, offers a renewed historiography, and introduces new creative force and voices of Taiwan's moving image culture to produce a leading and accessible work on Taiwan film and culture.
Film-by-film is conceived as the main carrier of moving picture imagery for a…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey,You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
A delightful travelogue based on a brief trip Rutter made in the spring of 1921, from Kaohsiung up the west coast to Taipei. At that time, Taiwan was a Japanese colony and largely closed to tourists, and Through Formosa a rare glimpse. Rutter was an English colonial administrator and rubber planter in Borneo, so as well as typical travel descriptions of transport, accommodation, and sights, we also get informed opinions on matters such as how the Japanese colonial government was developing agriculture and trying to assimilate the aborigines.
Forgotten Books publishes hundreds of thousands of rare and classic books.
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey,You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
An enjoyable read and a practical guide for those looking to explore Taiwan’s aboriginal cultures and the vestiges of Dutch rule on Taiwan in the seventeenth century. It’s a beautifully illustrated book containing hundreds of photographs and useful travel information. The focus is on getting off the beaten path, and the book details fascinating places not covered by other guidebooks, which is a testament to the two authors’ expert knowledge.
Menno Goedhart was the Representative of The Netherlands for eight years. He traveled, together with tour guide Cheryl Robbins, to parts of Taiwan that most tourists do not see and met and befriended many indigenous people. This book contains a selection of fascinating places, with explanations on how to get there, where to stay, and what to eat. In the 17th century, Taiwan was occupied by Dutch East India Company forces. From their base in the southern city of Tainan, they explored the island, leaving behind many stories, some of which are also included in this book.
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
Hard to beat for the quality of writing, this is a thoughtful coming-of-age story about faith, loneliness, and love, and also beautifully captures the early post-martial law years when Taiwan was newly rich and free for the very first time. It’s 1989 and recent college graduate Vincent arrives in small-town Taiwan to serve as a missionary. He’s approached with an offer to make some easy money; he just needs to go to Xinjiang in China’s far northwest and marry a woman and then bring his wife back to Taiwan. Vincent initially turns down the offer, but circumstances will see him change his mind.
When Vincent Saunders -- fresh out of college in the States -- arrives in Taiwan as a Christian volunteer and English teacher, he meets a wealthy Taiwanese businessman who wishes to marry a young woman living in China near Heaven Lake but is thwarted by political conflict. Mr. Gwa wonders: In exchange for money, will Vincent travel to China, take part in a counterfeit marriage, and bring the woman back to Taiwan for Gwa to marry legitimately? Believing that marriage is a sacrament, Vincent says no. Soon, though, everything Vincent understands about himself and his vocation in Taiwan changes. A…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
Readers looking for something different will enjoy this. There’s no history lesson here, no cultural tourism of night markets, martial arts, and temples, no Western protagonists finding their feet and getting a girl. Bu San Bu Si is a gritty journey into the underground music scene in Taipei. In electric prose, the novel follows the triumphs and more often the travails of Xiao Hei, the bass guitarist in a four-man band called Resistant Strain, “a bunch of nobodies in a scene full of more nobodies.” The talented young man’s work ethic doesn’t match his ambitions for street cred, fame, and fortune. When gangster connections offer a shortcut, things spin out of control.
Bu San Bu Si—"not three not four." To the Taiwanese people, it's an idiom used to describe the punks, lowlifes, and losers of society—the ones who don't fit in, and never will. It's what they would call someone like Xiao Hei. Talented and self-destructive, young and reckless, Xiao Hei is the guitar player for Taipei punk band Resistant Strain. He and his band mates don't just play punk. In the vein of the music's more nihilistic Western progenitors, they take it as a lifestyle. Live Fast. Die Young. Get Drunk. Stay Broke. And yet, at the back of their minds,…
I grew up in Taiwan and have always been fascinated by cinema. I received my Ph.D. in 1998 in the UK in communications studies and shifted my research priority from media to Taiwan cinema in 2005 when I became Head of Chinese Studies at the University of Nottingham Ningbo, China. I had fun working on several projects, screening Taiwanese films, discussing Taiwan cinema and society with filmmakers and audiences, and publishing widely in Chinese and in English. I have travelled, lived, and worked in different cities and countries since 2005 and have continued to find it rewarding to study what I have been passionate about since childhood.
This is one of the first English books I read about Taiwan New Cinema (TNC), arguably the most significant film movement in Taiwan to date.
When the TNC occurred in the 1980s, I was a student and Taiwan was going through the early stage of regime transition and democratization. It was an exciting but also uncertain time. I found films of TNC compelling but often opaque in meaning.
Reading this book in the early 21st century suddenly unlocked a lot of mysteries about the TNC as a film movement and the brilliance of these works for me. It motivated me to start researching Taiwan cinema as a subject more seriously.
This is the first English-language anthology on the Taiwan New Cinema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. The volume gatehrs a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s.
Taiwan and its internationally renowned cinema are " on the edge" in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures.…
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