Here are 100 books that A Modern Way to Live fans have personally recommended if you like
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Since I was old enough to move my bedroom furniture around I was profoundly aware that my environment was as important to my wellbeing as food, sleep and exercise. It was the invisible hand that shaped my behaviour. I went on to study architecture and my first proper job was as Editor in Chief of ELLE Decoration magazine. As such I’ve seen inside thousands of homes and my passion is based on proof. I know this stuff makes a difference because I’ve healed myself through my home. And today, what I knew intuitively is now backed by science. Better homes mean better health.
Beata’s style is fun, irreverent, upbeat, and joyful. And her book is an invitation to find your own personal style, to unshackle yourself from the tyranny of trends, and to embrace self-expression. As she puts it, “There’s a lot of joy in expressing one's individuality. It is freeing.” I couldn’t agree more and her enthusiasm is palpable as she takes you through what home means for her, how to seek inspiration, making the ordinary extraordinary and why every room should sing.
Swedish-born, London-based interior designer Beata Heuman founded her eponymous studio in 2013 after working for Nicky Haslam for nine years. In a short amount of time her lively interiors and custom furnishings have made her one of today s most in-demand creatives. Heuman s rooms, colourful spaces enlivened by exuberant elements and poetic inspirations, capture her signature quirkiness and Scandinavian attention to detail while staying rooted in practicality. Lauded for international residential and commercial projects, Heuman has also garnered praise for her growing collection of bespoke fabrics, wallpaper, lighting, homewares, and furniture. This beautifully crafted volume presents Heuman s innovative…
Since I was old enough to move my bedroom furniture around I was profoundly aware that my environment was as important to my wellbeing as food, sleep and exercise. It was the invisible hand that shaped my behaviour. I went on to study architecture and my first proper job was as Editor in Chief of ELLE Decoration magazine. As such I’ve seen inside thousands of homes and my passion is based on proof. I know this stuff makes a difference because I’ve healed myself through my home. And today, what I knew intuitively is now backed by science. Better homes mean better health.
Abigail is a genuinely unique voice in the interiors world. Fearless, provocative, opinionated, I love her. Her personal style of maximalist dark drama might not be for everyone but the principles behind her thinking—self-expression, optimism, experimentation—absolutely are. You will not fail to be inspired. She’s also as passionate as I am for the creation of homes that are full of texture, pattern, old and new, layering and mood-making lighting. In short, homes that you’ll never want to leave.
Welcome to the 'more is more' world of decorating, or as it's more commonly know in the business, Maximalism.
A style that embraces the all-out: beautiful colour palettes, luxurious textiles, patterns and embellishment. Maximalism is the epitome of passion, one in which Scandi-style, stripped bare and pared-back interiors have no place. Abigail Ahern guides us through the sea change in the world of interiors as the pendulum swings away from minimalism, over to our increasing desire for self-expression and optimism. Learn how to break the 'rules' of interior design, play fast and loose with different periods in a single room…
Since I was old enough to move my bedroom furniture around I was profoundly aware that my environment was as important to my wellbeing as food, sleep and exercise. It was the invisible hand that shaped my behaviour. I went on to study architecture and my first proper job was as Editor in Chief of ELLE Decoration magazine. As such I’ve seen inside thousands of homes and my passion is based on proof. I know this stuff makes a difference because I’ve healed myself through my home. And today, what I knew intuitively is now backed by science. Better homes mean better health.
This is more of a nuts and bolts book. Its subtitle is 100 ways to transform your space for physical and mental well-being. So, taking Oliver’s background in biophilic design—the art of integrating the forms and feel of nature into designed spaces—as his starting point, he guides you through a series of practical suggestions to help you better align your home with your well-being.
With indoor air pollution at its worst, and many of us spending more time in our own homes, this interior design guide will help you create calm, social, and comfortable spaces.
Let leading sustainability architect, Oliver Heath, give you all the practical solutions you need to transform your space for physical and mental wellbeing.
Inside the pages of this home decor book, you'll discover how to detoxify your home by making small changes. It includes:
- 100 tried and tested, research-based design ideas to support your health and wellbeing in even the smallest of spaces - Stylish, fun, and affordable…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Since I was old enough to move my bedroom furniture around I was profoundly aware that my environment was as important to my wellbeing as food, sleep and exercise. It was the invisible hand that shaped my behaviour. I went on to study architecture and my first proper job was as Editor in Chief of ELLE Decoration magazine. As such I’ve seen inside thousands of homes and my passion is based on proof. I know this stuff makes a difference because I’ve healed myself through my home. And today, what I knew intuitively is now backed by science. Better homes mean better health.
A no-nonsense guide to cutting through the fads to offer practical solutions to home-based problems. A book for those who want to consider more carefully how they live without too much of the woo woo that can sometimes crop up in the well-being space, especially when we use words like mindfulness. Instead it touches on everything from making natural dyes and cruelty-free decorating to clean living, craft, and creativity.
Make your home more mindful and discover a more considered way to decorate with this beautifully presented guide by acclaimed interior stylist, Joanna Thornhill.
We often think of mindfulness in relation to meditation, but our homes and interior design can play a big part in our emotional well-being. The New Mindful Home demystifies the links between body, mind and soul to explain how you can harness the power of mindfulness to help our homes support a more considered lifestyle.
How do we create spaces that can calm and revives us? With the same practical attention to problem-solving as in her…
For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Mario Praz’s Illustrated History of Interior Decoration is a wonderful chatty collection of case studies that explores the history of the subject in a well-informed and erudite manner. Interiors are generally lost to the mists of time, remembered only as the backdrop to other activities in paintings and prints, Praz has searched out the best of these to generously illustrate the book.
This is a reference source for anyone with an interest in period styles of furniture and decoration, this book comprises a complete survey of domestic interiors portrayed in art from the ancient world to the late 19th century. A collection of pictures and watercolours from all over Europe, Russia and America record rooms of all periods and their contents; the furniture, fabrics, carpets, pictures and wall-coverings. This text presents a cultural history of man in relation to his domestic surroundings.
As a child my heroes were designers and I thought designers could design across many disciplines, this was what I understood and aspired to. I'm fortunate to have been a designer, illustrator, and design teacher for many years. Passionate about the process I firmly believe if you can design in one area you can design in another. Understanding your material's potential is the key. As a tutor and author my job is to unwrap a student’s talent, support and encourage that unique view through skills building and advice to help them. I believe good design can solve many of the world’s problems and passing on that message is valuable.
Recommended to me by one of my students this is a witty exploration of the places in our homes, what we call them, kitchen, bedroom, dining room and how they often don’t live up to or exceed their names. A view of the rituals and complexities of the American home and what it houses as it explores memory, aspirations, and the real meaning of home. This book is a trigger to encourage the reader to look at their own spaces and the pattern of how they use those spaces through habit, muscular memory, and cultural norms, all playing a part in how we define our living spaces.
The house is home to many things. Far more than four walls and a roof, it contains our private and public lives, our families, our memories and aspirations, and it reflects our attitudes toward society, culture, the environment, and our neighbours. In a literary tour of the spaces of our homes, this book reflects on how we define such elusive qualities as privacy, security, and comfort. It uncovers the hidden meanings of seemingly simple domestic spaces, in chapters ranging from "The Front Door" to "The Garage" and many others. These writings about the home touch on our culture's fundamental issues:…
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
This book provides a compelling survey of the range of emerging work underpinning the development of the histories, theories, processes, and practices of interior architecture. Its diverse range of contributors and topics outlines a through survey of this new discipline. The book is varied in its scope and content. Start here for a thorough introduction to the fundamental issues surrounding the discipline.
The Interior Architecture Theory Reader presents a global compilation that collectively and specifically defines interior architecture. Diverse views and comparative resources for interior architecture students, educators, scholars, and practitioners are needed to develop a proper canon for this young discipline. As a theoretical survey of interior architecture, the book examines theory, history, and production to embrace a full range of interior identities in architecture, interior design, digital fabrication, and spatial installation. Authored by leading educators, theorists, and practitioners, fifty chapters refine and expand the discourse surrounding interior architecture.
I’ve been obsessed with Paris since the age of five. For most of my life I’ve travelled there regularly and read every book on the subject I could find. After working as a beauty editor, I decided to try to make my passion my day job. That inspired me to write Paris Dreaming: What the City of Light Taught Me About Life, Love & Lipstick, and launch a travel consultancy business, Paris for Dreamers. I work with like-minded lovers of Paris, who constantly yearn for the city’s beguiling beauty and fascinating history, and who are always planning their next trip—or visiting Paris virtually, through the pages of a book!
Paris has long been a city of creation—but also a city of people who have made these creations their own. Perhaps this is why Paris influences the world; it sells so much more than products; it sells a lifestyle. Francophile and Professor Joan DeJean has written numerous books on French culture, but this is a particular favourite of mine. Head-spinningly well-researched, The Age of Comfortlooks at how Paris architects and designers, from the late-seventeenth to late-eighteenth centuries, created the concept of a private life, and all the necessary accompanying interior-design components, from sofas to toilets to baths to desks. It was a century that changed the way Parisians lived, and in turn, changed them as people, before going on to transform the rest of the world. Utterly fascinating.
A critically acclaimed historian of France and French culture identifies the moment in modern history when informality and comfort first became priorities, causing a sudden transformation in the worlds of architecture and interior decoration that would last for centuries.
Today it is difficult to imagine a living room without a sofa. When the first sofas on record were delivered in seventeenth-century France, the result was a radical reinvention of interior space. Symptomatic of a new age of casualness and comfort, the sofa ushered in an era known as the golden age of conversation; as the first piece of furniture designed…
As a practicing architect, and an avid reader—in a variety of subjects and genres, not just architecture—I love finding patterns and connections between seemingly dissimilar phenomena. Patterns conform to principles, and principles are the fountainhead of wisdom that never runs dry. I will be the first to admit that, even after forty years of absorbing these and other kindred principles, I’m still far from consistent in applying them. And, like the others I cite, my own work suffers from that inconsistency. I commiserate with all architects who are similarly struggling to design buildings that exemplify even a few of the principles in these books. And that is why I chose them.
When Susanka’s book first came out in the 90s, I felt like she had hit on something that many architects were being challenged by—the expanding popularity of the McMansion. Now with Tiny Houses bookmarking her work at the other end, and with all the at-home needs and complications that came with the pandemic, I still think she has got the formula right: Build better, not bigger. Her chapters include many principles on how to build smaller eloquent, gem houses, and to get away from the clunky, gaudy costume jewelry architecture ruining the American suburbs.
When I realized Alexander’s Pattern Language had also influenced Susanka’s work, I began to question why it was not on my list. But, I couldn't decide which book it would replace. Maybe it will make it onto the list for a future book, but that’s for another day.
This title offers an inspiration for homeowners and builders from a leading architect. "The Not So Big House" has sold over 500,000 copies since 1998. It features clear guidance that emphasises the use of quality not quantity. This anniversary edition includes 32 extra pages and a new introduction. Now available in paperback, the expanded 10th anniversary edition of Sarah Susanka's "The Not So Big House" is ready to inspire a whole new generation of homeowners and builders. Though a decade has passed, her deceptively simple message remains as powerful as ever: when it comes to our homes, quality should always…
Homes by Byrd examines the story of this father-son team, demonstrating their impact on the design of homes in Southern California and describing the hallmarks of their enduring style.
Byrd homes are archetypes of California living. Many elements of a Byrd Home, such as exposed wood beams, turned posts, rock…
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
On Altering Architecture belongs to a small and unique collection of publications that are involved in distinguishing the discipline of working with existing buildings. In the book, Scott constructs an inspired argument for the understanding of the significance of environmental design disciplines such as Interior design and installation art. The book is divided into twelve chapters, each an essay on reuse and overlapping disciplines.
Each chapter is full of insightful and interesting case studies, expertly analysed and explained. On Altering Architecture is an absorbing and fascinating book that is packed with ideas, witty asides, mischievous digressions, and provocative thoughts. In parts the tone of the book is conversational, in others authoritative, each blends seamlessly into each other providing a compelling read.
Bringing together interior design and architectural theory, this exciting text looks at the common practices of building alteration, reconsidering established ideas and methods, to initiate the creation of a theory of the interior or interventional design.
Fred Scott examines in-depth case studies of interventional design from architectural history across the world - examples discussed are taken from the States, Europe and Japan. Scott expands and builds on the ideas of Viollet-le-Duc, structuralism and other thoughts to layout criteria for an art of intervention and change. The book draws on the philosophy of conservation, preservation and restoration, as well as exploring…