I’ve spent the past thirty years leading the movement to integrate the humanities, and especially literary study, with evolutionary psychology and cognitive neuroscience. I got my PhD in comparative literature right about the time the academic literary world was being convulsed by the poststructuralist revolution (Derrida, Foucault, et co). I felt a profound antipathy to the sterile paradoxes and attenuated abstractions of that theory. I wanted a theory that could get close to the power literature had over my own imagination. The evolutionary human sciences have provided me with a basis for building a theory that answers my own need to make sense of literature.
I wrote
Reading Human Nature: Literary Darwinism in Theory and Practice
This is the first book I always recommend to people wanting to see what literary Darwinism is about. Gottschall has a gift for charming readers, reaching out and speaking to them personally. The book is loaded with condensed research, but all that information is presented in a readily accessible, conversational style. The book is also loaded with fascinating anecdotes—stories. Gottschall makes a compelling case that the human mind naturally craves stories.
Humans live in landscapes of make-believe. We spin fantasies. We devour novels, films, and plays. Even sporting events and criminal trials unfold as narratives. Yet the world of story has long remained an undiscovered and unmapped country. It’s easy to say that humans are “wired” for story, but why?
In this delightful and original book, Jonathan Gottschall offers the first unified theory of storytelling. He argues that stories help us navigate life’s complex social problems—just as flight simulators prepare pilots for difficult situations. Storytelling has evolved, like other behaviors, to ensure our survival.
Jonsson argues that humans are suspended between a need to see reality and an urge to mythologize. Darwin’s theory is impersonal and mechanical, but authors in the later 19th and early 20th centuries still found ways to turn evolution into morally charged dramas. Jonsson convincingly demonstrates that those same myth-making impulses shape our imaginative experience today. The literary criticism in this book is superb, and Jonsson’s own rhetoric has classic power.
Darwinian evolution is an imaginative problem that has been passed down to us unsolved. It is our most powerful explanation of humanity's place in nature, but it is also more cognitively demanding and less emotionally satisfying than any myth. From the publication of the Origin of Species in 1859, evolution has pushed our capacity for storytelling into overdrive, sparking fairy tales, adventure stories, political allegories, utopias, dystopias, social realist novels, and existential meditations. Though this influence on literature has been widely studied, it has not been explained psychologically. This book argues for the adaptive function of storytelling, integrates traditional humanist…
If you love horror, or are even mildly interested in it, you will find this book a real treat. Clasen is one of the world’s leading scholars of horror. Like Gottschall, he has the knack for engaging, personable writing, with witty turns that will make you laugh, even while the hair is standing up on the back of your neck at the horror scenarios he relishes describing. Clasen is absolutely convincing about the ways in which horror taps into our inherited ancestral fears and disgusts.
From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captive us so? What is the drive to be frightened, and why is it so perennially popular? Why Horror Seduces addresses these questions through evolutionary social sciences.
Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the…
Saunders is an unusually acute and subtle literary critic. She is deeply immersed in the great works of American literature, and she brings those works vividly to life. She penetrates deep into the evolved motives that regulate even the most seemingly idiosyncratic works. She demonstrates that literature is profoundly shaped by our evolved human motives and emotions.
This collection of essays examines selected works in the American literary tradition from an evolutionary perspective. Using an interdisciplinary framework to pose new questions about long admired, much discussed texts, the collection as a whole provides an introduction to Darwinian literary critical methodology. Individual essays feature a variety of figures-Benjamin Franklin to Billy Collins-targeting fitness-related issues ranging from sexual strategies and parental investment to cheating and deception. Attention is paid to the physical and social environments in which fictional characters are placed, including the influence of cultural-historical conditions on resource acquisition, status-building, competition, and reciprocity. The discussion throughout the volume…
Boyd combines research on human evolution with cognitive psychology. He offers crisp and lucid summaries of the relevant research. His writing is like that of the best popular science. His marshaling of ideas from evolutionary and cognitive psychology offers an alternative to critical theories that have lost touch with science, and with much of reality.
A century and a half after the publication of Origin of Species, evolutionary thinking has expanded beyond the field of biology to include virtually all human-related subjects-anthropology, archeology, psychology, economics, religion, morality, politics, culture, and art. Now a distinguished scholar offers the first comprehensive account of the evolutionary origins of art and storytelling. Brian Boyd explains why we tell stories, how our minds are shaped to understand them, and what difference an evolutionary understanding of human nature makes to stories we love.
Art is a specifically human adaptation, Boyd argues. It offers tangible advantages for human survival, and it derives…
By integrating the evolutionary human sciences with literary theory, I provide a more complete understanding of human nature than the evolutionary human sciences have provided, and grounds literary theory in an established scientific paradigm. This book includes theoretical essays, commentaries on cultural history, examples of empirical literary analysis, and examples of Darwinian literary criticism: close readings ofHamlet, Wuthering Heights, and The Picture of Dorian Gray.
I’ve adored reading a good snarky first-person story since I first read Bloodlist, so long as the snark doesn’t go too far and become total unlikeable jerk… It can be a fine line!I hope I stay on the right side of it, but having read it enough and written in it for years with my Blood Rights Series, I feel qualified to say I’m a…snark connoisseur. (If you ask my family, this is how my own internal/life narrator speaks! My mother says that my character Dakota is me if I “said everything aloud that I think in my head.” She’s probably right, and I’m okay with that.)
Bad Blood is paranormal suspense in First Person Snark, so if you like sarcastic, strong female characters set in a world where the preternatural is run amok (i.e., legal citizens in the United States), then this book and series are for you.
Follow Sadie Stanton–"poster girl for the preternatural"–as she deals with all sorts of messes and sets up her business while being a vampire in a new day...or night, really.
I’m Sadie Stanton, and I don’t know why everyone makes such a big deal out of me. I’m just like everyone else—I’m trying to start a business, not spending much time on my social life, and dealing with an obnoxious roommate...
Oh, and being a vampire. There’s that. But it’s okay, because we’re all legal now.
But believe me, that doesn’t make life easy. In fact, it might be harder now than ever before, but I did it to myself… And now vampires are attacking people seemingly at random and not even trying to feed. Everyone…
