Here are 100 books that Victorian Pharmacy fans have personally recommended if you like
Victorian Pharmacy.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a physician, medicine is my job. But along the way, I wondered how medicine got to where it is now–like really wondered. I wondered to the point that I was reading the original treatises written by 18th-century physicians. I started publishing research on medical history and giving presentations at medical conferences. I’d like to think this helps me be a better doctor by broadening my perspective on the healthcare industry. But at the very least, I’ve found these books enjoyable and compelling. I hope you enjoy them, too!
I re-read this book anytime I want a greater appreciation for living in the 21st century because it is teeming with downright disgusting medical stories from the 1800s–and it’s fantastic.
Our healthcare system is nowhere near perfect, but the juxtaposition between it and the gory details of pre-anesthetic and pre-antiseptic surgeries makes me so incredibly thankful.
Winner, 2018 PEN/E.O. Wilson Prize for Literary Science Writing Short-listed for the 2018 Wellcome Book Prize A Top 10 Science Book of Fall 2017, Publishers Weekly A Best History Book of 2017, The Guardian
"Warning: She spares no detail!" —Erik Larson, bestselling author of Dead Wake
In The Butchering Art, the historian Lindsey Fitzharris reveals the shocking world of nineteenth-century surgery and shows how it was transformed by advances made in germ theory and antiseptics between 1860 and 1875. She conjures up early operating theaters—no place for the squeamish—and surgeons, who, working before anesthesia, were lauded for their speed and…
I have always been interested in the history of medicine, particularly the ways in which historical methods are portrayed to be inferior to modern medicine. As a historian, I am alternately amused and horrified at the way we go overboard in discarding historical methods of healthcare, ridding ourselves of perfectly useful techniques, drugs, and therapies. The more I learn about older curative methods, the more I’ve become sensitive to the knowledge and technologies that have been lost. At the same time, I am fascinated by new technologies, and find anesthesia particularly captivating as a technique that improved survival and recovery from what had previously been deadly conditions.
The development of anesthesia was met with confusion, dismissal, and even derision. While today we are accustomed to the idea of the patient being asleep, at the time it was seen as similar to operating on a dead body. Without the indications of pain or relief, how was the surgeon to feel what he was doing? And in its earliest days, some forms of anesthesia could be dangerous, the patient dying if the dosage wasn’t correct or they had an adverse reaction. But for the patient, and for surgeons who needed more time for an operation, anesthesia was an unequivocal blessing that took away pain and made life-saving procedures possible.
The introduction of anaesthesia to Victorian Britain marked a defining moment between modern medicine and earlier practices. This book uses new information from John Snow's casebooks and London hospital archives to revise many of the existing historical assumptions about the early history of surgical anaesthesia. By examining complex patterns of innovation, reversals, debate and geographical difference, Stephanie Snow shows how anaesthesia became established as a routine part of British medicine.
I have always been interested in the history of medicine, particularly the ways in which historical methods are portrayed to be inferior to modern medicine. As a historian, I am alternately amused and horrified at the way we go overboard in discarding historical methods of healthcare, ridding ourselves of perfectly useful techniques, drugs, and therapies. The more I learn about older curative methods, the more I’ve become sensitive to the knowledge and technologies that have been lost. At the same time, I am fascinated by new technologies, and find anesthesia particularly captivating as a technique that improved survival and recovery from what had previously been deadly conditions.
Although known for being the “Lady with the Lamp” during the Crimean War, Florence Nightingale was also a statistician and tireless crusader for more hygienic conditions in hospitals both temporary and permanent. This book explains how to nurse a loved one or client at home, and includes advice we should follow today, particularly about ventilation in the sickroom. When she herself became ill later in life, she became a sofa-bound activist, influencing policies via correspondence. Nightingale founded a nursing school at St. Thomas’s Hospital, and the nurse probationers featured in my book attended her school. Mrs. Sarah Wardroper, a character in the novel, was Nightingale’s lieutenant in real life.
Written by the founder of modern nursing, Florence Nightingale, Notes of Nursing was the first book of its kind. It was originally published when the simple rules of health were only beginning to be known. Its topics were of vital importance for the well-being and recovery of patients, when hospitals were riddled with infection.
In this edition, Mark Stinson adds his commentary, writing that this book "portrays the background for understanding the historical evolution from Nightingale’s experiences and sine qa non of her day to today’s utilization of evidence-based medicine in healthcare. The Nightingale legacy is also a call to…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I have always been interested in the history of medicine, particularly the ways in which historical methods are portrayed to be inferior to modern medicine. As a historian, I am alternately amused and horrified at the way we go overboard in discarding historical methods of healthcare, ridding ourselves of perfectly useful techniques, drugs, and therapies. The more I learn about older curative methods, the more I’ve become sensitive to the knowledge and technologies that have been lost. At the same time, I am fascinated by new technologies, and find anesthesia particularly captivating as a technique that improved survival and recovery from what had previously been deadly conditions.
Sanitation was a huge influence on health and medical conditions in Victorian London, and the toilet is a perfect example of how an invention can both solve a problem and cause more. Early toilets were more sanitary, but they flushed waste directly into the Thames, along with a lot of water, which ended up requiring a new sewer system. Flushed with Pride tells the story of the popularizer, if not the inventor, of the modern toilet: Thomas Crapper. The book, originally published in 1969, is a fun biography of the man who became the Royal Plumber and an expert marketer of bathroom fixtures.
The name of Thomas Crapper, the inventor 100 years ago of the flushing lavatory, is commemorated on toilet cisterns throughout Britain. "Flushed With Pride" reveals the story of his remarkable life and his struggle to reform the nation's water closets.
I’m an Emeritus Fellow of Clare College, Cambridge, and I’ve written several popular books as well as featuring in TV/radio programmes such as In Our Time and Start the Week (BBC). I love the challenge of explaining to general audiences why the history of science is such an exciting and important subject – far more difficult than writing an academic paper. I believe that studying the past is crucial for understanding how we’ve reached the present – and the whole point of doing that is to improve the future. My underlying preoccupations involve exploring how and why western science has developed over the last few centuries to become the dominant (and male-dominated) culture throughout the world.
After I decided to include this old favourite of mine, I discovered to my great delight that Bodies Politic is about to be reissued in paperback. Roy Porter was the most prolific, fluent and insightful academic I have ever been privileged to know, and decades ago, his lectures inspired me to recognise how much fun historical research can be. In my own work, I have focused strongly on images – not only in textbooks, but also in journals, art galleries and albums. As Porter expertly discusses, studying caricatures is immensely enjoyable but also invaluable for uncovering concealed controversies, which provide crucial indicators of what people really thought.
In a historical tour de force, Roy Porter takes a critical look at representations of the body in death, disease and health, and at images of the healing arts in Britain from the mid-seventeenth to the twentieth century. Porter's key assumptions are that the human body is the chief signifier and communicator of all manner of meanings religious, moral, political and medical and that pre-scientific medicine was an art which depended heavily on ritual, rhetoric and theatre. Porter argues that great symbolic weight was attached to contrasting conceptions of the healthy and diseased body, and that such ideas were mapped…
I’ve been fascinated by history since I was a fairly sickly child, which means I was gradually drawn towards the history of medicine. Add to that having a hereditary blood clotting condition and you can see why this topic appeals to me! I have a BA and a PhD in History from University College London and have held posts in the universities of Cambridge, Newcastle, Reading, and then at The Open University. I’ve also held visiting professorships in Vienna, Texas, and Minnesota and have published six books as well as editing others. I’m sort of retired but still writing and lecturing.
It was a great idea to make Harvey come to life by imagining what he’d have written in his diary! This is a well-researched book which gets across how much more there was to Harvey than just the circulation of the blood. His family, his work on the development of the embryo, his role as a physician to King Charles I, and his encounters with witches – a great story – as well as a convincing sense of the sort of man he was and of the times in which he lived.
I grew up in a reading and history-loving family. My parents read all the time, and their books of choice combined historical fiction and nonfiction. It’s no wonder I ended up teaching high school history for over three decades. The first books I read were my older brother’s hand-me-down Hardy Boys. Then, I went on to Agatha Christie. Books written in the 1920s and 30s were historical mysteries by the time I read them decades later, so the historical mystery genre is a natural fit. As for the Victorian age, all that gaslight and fog makes it the perfect milieu for murder.
This superb biography is an engrossing account of the mysterious title surgeon and the doctor’s fascinating world. James Miranda Barry joined the British Army in 1813 as a regimental surgeon and served in colonial posts for the next fifty years. But Barry had been born Margaret Bulkley, an anatomical female—a surprise revealed after the doctor’s death.
Was Barry’s masquerade strategic, the doctor’s only route to a medical career? Was Barry a transgender person? I wondered if the “truth” would remain a mystery. Rachel Holmes persuaded me that the probable answer lies in a document “gathering dust” in Edinburgh’s medical school archives, a revelation she saves for the last chapter.
A reissue of Rachel Holmes's landmark biography of Dr James Barry, one of the most enigmatic figures of the Victorian age.
James Barry was one of the nineteenth century's most exceptional doctors, and one of its great unsung heroes. Famed for his brilliant innovations, Dr Barry influenced the birth of modern medical practice in places as far apart as South Africa, Jamaica and Canada. Barry's skills attracted admirers across the globe, but there were also many detractors of the ostentatious dandy, who caused controversy everywhere he went. Yet unbeknownst to all, the military surgeon concealed a lifelong secret at the…
When you write a book, it’s natural to put yourself in it. You’re the avenger, the rookie agent, the hard-drinking detective. But how many of us volunteer to be the corpse? I sit here every day in the cancer unit at a public Thai hospital and smile at folks who won’t be around much longer. I wrote fifteen books in a series about a coroner. I painted the victims colorfully when they were still alive but how much respect did I show them once they were chunks of slowly decaying meat? From now on my treatment of the souls that smile back at me will take on a new life.
I thought I should include a book you have no chance of finding without dredging the second-hand book warehouses in Hay, Wales. (Which is where I found it). Like my protagonist, I had no idea about forensic medicine. But I couldn’t begin my studies in this day and age of CSI and DNA. I had to find a textbook that my Dr. Siri might use to solve cases back in the seventies. This was it, plus hundreds of gruesome photos for your coffee table. Like a true scientist, Dr. Simpson affords the dead not a shred of dignity.
I’m a lecturer in history at the University of Hertfordshire where I teach early modern history of medicine and the body. I have published on reproductive history in the seventeenth and early eighteenth centuries. The history of medicine is endlessly diverse, and there are so many books on early modern medicine, some broad and others more specific, it’s this variety that I find endlessly intriguing. Some conditions from the era, like gout and cancer, are familiar, while others like, greensickness, aren’t recognized any longer. Thinking about these differences and about how people’s bodies ached and suffered helps me to appreciate their relationships, struggles, and triumphs in a whole new dimension.
I am always fascinated by gender history and women’s experiences in the past. Churchill’s book puts women front and center and considers how medical practitioners understood women’s bodies and health and what women experienced as patients. The book covers traditionally feminine conditions – gynecological and obstetrical issues – but also looks at disorders that affected both men and women, including smallpox, and mental health – hysteria and hypochondria. I like the way this book thinks through all aspects of women’s experiences, how their disorders were understood, who they sought treatment from, and how those treatments were adapted to the specifics of the female body (menstruation and lactation).
This investigation contributes to the existing scholarship on women and medicine in early modern Britain by examining the diagnosis and treatment of female patients by male professional medical practitioners from 1590 to 1740. In order to obtain a clearer understanding of female illness and medicine during this period, this study examines ailments that were specific and unique to female patients as well as illnesses and conditions that afflicted both female and male patients. Through a qualitative and quantitative analysis of practitioners' records and patients' writings - such as casebooks, diaries and letters - an emphasis is placed on medical practice.…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
I’m a lecturer in history at the University of Hertfordshire where I teach early modern history of medicine and the body. I have published on reproductive history in the seventeenth and early eighteenth centuries. The history of medicine is endlessly diverse, and there are so many books on early modern medicine, some broad and others more specific, it’s this variety that I find endlessly intriguing. Some conditions from the era, like gout and cancer, are familiar, while others like, greensickness, aren’t recognized any longer. Thinking about these differences and about how people’s bodies ached and suffered helps me to appreciate their relationships, struggles, and triumphs in a whole new dimension.
This is a great example for anyone who is intrigued to read a physician’s case notes. The edition presents the patient observations of John Hall, son-in-law to William Shakespeare from the 1630s. There is a detailed introduction outing Hall’s life, medical practice, and social setting with further information about his library and his manuscript. Patient’s cases are presented throughout the book with helpful footnotes explaining who people were and illustrations bringing locations and faces to life. There is a helpful glossary of medical terms at the end. This is not necessarily a sit-down and read it cover-to-cover book but it provides a fascinating glimpse into one man’s medical practice and the lives of his patients.
This is the first complete edition and English translation of John Hall's Little Book of Cures, a fascinating medical casebook composed in Latin around 1634-5. John Hall (1575-1635) was Shakespeare's son-in-law (Hall married Susanna Shakespeare in 1607), and based his medical practice in Stratford-upon-Avon. Readers have never before had access to a complete English translation of John Hall's casebook, which contains fascinating details about his treatment of patients in and around Stratford.
Until Wells's edition, our knowledge of Hall and his practice has had to rely only on a partial, seventeenth-century edition (produced by James Cooke in 1657 and 1679,…