Fans pick 100 books like Undercurrents of Power

This sci-fi romp by an author more famous for space fiction takes an unusual dive into the ocean’s depths, where pole-to-pole zones of plankton cultivation and whale ranching provide food to feed the earth’s enlarged population. Using a typical trope of maritime fiction, Arthur C. Clarke introduces readers to this future world through a neophyte whale warden whose past as a spaceman colors his experiences and perceptions of his new ocean surroundings. Compared with outer space, Clarke’s ocean is fuller of resources, and also more mysterious, but emerges as a place that promises to foster peace and understanding.

The title Neptune’s Laboratory invokes knowledge of the oceans through science alongside the equally central role imagination has played in the human relationship with the sea. Antony Adler astutely observes how its mirror-like qualities encouraged scientists, politicians, and the public since the early 19th century to use the ocean to spin utopian fantasies and explore dystopian fears. Most importantly, he reminds readers that our propensity to fathom oceans to project the fate of the human species and our planet offers an important key: imagination could chart a course toward a better future.

This fantasy by the prolific and well-known American novelist Theodore Pratt follows the adventures of a bespectacled bookkeeper who becomes a fish, serves the American navy during the Second World War, and swims off to evolve a better species of humanity, free of those qualities that provoked global conflict. Reflecting scientific and popular embrace of the idea that life, including the human species, evolved from the sea, Mr. Limpet combines pointed commentary and humor with the growing cultural fascination of the undersea prompted by submarine warfare. Rare today because of its publication shortly after American entry into the war, the novel inspired the more well-known 1963 film The Incredible Mr. Limpet.

Ann Elias demonstrates how visual media – photography, film, art, and museum displays – re-cast coral reefs in the early 20th century from dangers to navigation into fantastical but familiar and inviting spectacles. Coral Empire reveals photographers, artists, and scientific explorers as they rendered the undersea modern yet colonial. Using technology, indigenous knowledge, and their own visions, they presented the oceans as wild, untouched spaces full of resources that invited exploitation, conquest, and tourism. Desire-fueled uses of the undersea obscured the destructive nature of human activities on coral reefs, now abundantly apparent, while the power of the visual for imagining and knowing the undersea remains.

In these times of Black Lives Matter, emboldened white-supremicists, and with European dominance descendant, Born into Blackness is a revelatory and blunt dose of historical reality. I was not fully aware of the centrality of the slave economy in Europe’s rise to global dominance. Most importantly, I was ignorant of the level of cultural, political, and economic sophistication of the African nations when the Portuguese first explored the west coast of Africa. I had some understanding of the Haitian revolution and its manifestation of the enlightenment ideals, but this book opened my eyes to the historical ripples of the revolution: the Louisiana purchase, ceding much of present-day Southern US from Napoleon’s France; the sale and forced-march of thousands of slaves into the cotton-growing south, fueling an economic take-off that made the US an imperial power.

Jennifer Morgan’s history of childbearing in the Black Atlantic cracked open an entirely new field, exposing how American society has for centuries relied on Black women’s work as mothers. Her attention to the role of reproduction in the perpetuation of racial slavery in the Americas during the sixteenth and seventeenth centuries exposed how European imperialism had, from its inception, relied upon pushing Black women into dual roles as labourers in the fields of new world plantations and also as labouring mothers. Morgan’s analysis of European travel literature highlights how white men’s perceptions of Black women’s bodies was shaped by these dual roles, as for example in the recurring trope that depicted African women as able to suckle infants over their shoulder whilst attending to other sorts of labour. 

I fell in love with this book as a young graduate school student at the University of Iowa. Curled up in my tiny 500-square-foot apartment, I devoured the book, not realizing morning had turned into afternoon and then evening.

At a time in the early 2000s when "serious" scholarship largely included Black people using technology in condescending and pathologizing ways, I read Everett sharply responding with counter-evidence of Black publics' involvement at every turn of media developments.

The book, I remember, made me feel like writing a counter-history that places "us" at the center is not only possible but transformational.

For me, growing up in the Caribbean, books that don’t separate between the “naturalistic” world and so-called “other” worlds, always ring uniquely true. Gorée is a transnational story set in Castries, St. Lucia, New York City, USA, Dakar, Senegal, and London, England. It’s the story of a family whose great losses parallel the loss of Africa's children through the transatlantic slave trade and the difficult, if not impossible, return of those stolen away. The novel’s love and loss stories are all in some way are filtered through the door of no return on Gorée Island in Senegal. The stories are not told in the physical realm only and do not only rely on physical portals. Barry's loves and lovers must return to the past and make the journey in spirit too.

Omenana to Infinity is an anthology of collected works formerly published in Omenana Magazine. The anthology is edited by Mazi Nwonwu and Chinelo Onwualu, like the magazine its stories are culled from. The duo also founded and edited the magazine which is the first African, exclusively speculative fiction magazine. It's important to me because it contains some of the earliest works of speculative short fiction by African writers I would read as an issue of a magazine and did a great lot in platforming speculative fiction writers on the continent. 

As one of the first scholarly attempts to investigate the Black experience on a continental scale (as opposed to in individual European nations), this edited volume presents a good introduction to the multifaceted questions and approaches that emerge when studying this topic. Offering insights from various scholarly disciplines and 20th and 21st-century case studies from individual countries such as France, Germany, Italy, Britain, and the Netherlands, it provides thoughtful essays that explore the meanings of ‘Blackness’ and belonging in Europe, and the roles the local, national, global, and metaphysical play within (imaginary) diasporic discourse and identity. As such, it invites critical thinking about the strengths and limitations of the usability of ‘Black Europe’ as a concept and unit of analysis.