Fans pick 100 books like Tribute

This book is indeed a “creation of comic genius,” as Nick Hornby blurbed. The movie didn’t do anything for me; I found Renée Zellweger quite blah, and Hugh Grant was playing the British cad as usual. However, the book was so funny I had a hard time putting it down.

Basically, it is about Bridget, a British “Everywoman” who falls into the clutches of her slimy boss, Daniel, while on a quest for the traditional Holy Grail of womanhood—true love. One of the things I most enjoyed about this chick-lit classic was the rather graphic booze-and-smoking sessions, as well as the eccentric minor characters, especially Bridget’s mother. My mother is also a maverick and very much a free spirit, so this really resonated with me.

Yes, (almost) everyone has watched the movie. Sure, Meryl Streep was perfect for the role, but the book gives a whole different meaning to “The Boss from Hell.” The plot is more realistic too, in my opinion, and the world of fashion crueller and more difficult compared to the one described in the movie.

Saying that, there are many hilarious moments, too. Fun, fabulous, and, at times, slightly disturbing...

This is one of my favorite books—probably because I was a stressed-out corporate lawyer who definitely can’t iron.

The Undomestic Goddess is the story of a workaholic lawyer who is trying to become a partner at her law firm—only to get fired for an egregious mistake that she can’t believe she made. In her shock, she agrees to become a housekeeper. The only problem is she has no idea how to do any housework, which leads to some hilarious scenes.

I also loved how she figured out the mystery leading to her dismissal. This book made me feel less alone as a stressed-out workaholic lawyer and also made me consider that maybe being a partner at a law firm was not what I really wanted in life.

Octavia is a self-centered, narcissistic young heiress who thinks she deserves the best of everything. When she meets her friend’s fiancé, Jeremy, she has no compunctions about trying to seduce him. But Jeremy’s best friend, Gareth, has other plans. Brought up in the bad side of town and now a self-made millionaire, he decides to teach Octavia that she can’t play with other people’s lives without suffering the consequences.

This engaging story, full of wit and humor, shows us Octavia’s transformation when she drops from riches to rags, falls in love for the first time in her life, and starts to care about other people than herself. Although the heroine might seem unlikeable at first, the author does a fantastic job in penning her journey, and by the end, most women will identify with Octavia.

If this beautifully illustrated collection of Hollywood tragedies were only kink, only lurid scandal like so many cheap TV potshots, it wouldn’t be the iconic masterpiece it has become. Kenneth Anger’s take on the faded and fallen Hollywood differs because he loves the place and its people with all his heart.

A child starling and renegade director in his own right (Scorpio Rising, Kustom Kar Kommandoes), he oozes child-like wonder and horror on every page. As he puts it in the book’s equally stark sequel, Hollywood Babylon II, the movies “promise immortality, but don’t really deliver.”   

In Tender Comrades, those with experience of the Blacklist tell their stories, prompted expertly by the editors. The book explores the experiences of around forty individuals who were part of the left-wing and liberal community that thrived in Hollywood from the 1930s and 1940s. They involved themselves in political causes and issues, while contributing to some of the key films of that era. The book also captures first-hand accounts of the dynamics of the ‘naming’ process, and how people responded to it – some of them by leaving the country. It is a fascinating story of the impact of these events on private lives and political choices.

Anything to do with Jim Carrey, I’m in. In fact, when teachers would ask me what I wanted to be when I grew up, I’d reply “Be Jim Carrey.” As a longtime fan, I was excited to learn that he would finally be charting his life in an autobiography. As it turns out, the book was mostly wild fiction. What’s so engaging about this book is how he blends real-life occurrences like his body of film work and relationship with Renee Zellweger with completely off-the-wall fantasy like mentor Rodney Dangerfield returning as a Rhino, Kelsey Grammar leading a cult, and Carrey struggling with his career as his entire essence goes virtual. It’s extremely experimental, but the inclusion of celebrities will leave you grinning.     

Like many Irish women, my mother and grandmother were obsessed with movie star Grace Kelly (who became Princess Grace of Monaco in 1956) and passed on that fascination to me.

I have long thought that important public women of Irish America such as Jackie Kennedy and Grace have not been given due consideration in surveys of Irish America, which tend to emphasize public men. Therefore, I love the biography, High Society: The Life of Grace Kelly, because it takes its glamorous subject seriously.

Spoto’s book goes beyond biographers’ usual emphasis on the glitter of Grace’s rise to princess to provide an intimate, respectful, and sympathetic portrait of the woman, the actor, the mother, the wife, and the very able representative of a small principality on the world stage.

Many assume that the Philadelphia-born Kelly was elite, but Spoto lays out that she was the granddaughter of a poor Mayo man… show more.

This novel is a blend of fact and fiction and informed speculation, centered on the relationship between two mammoth film stars of Hollywood’s Golden Age: Loretta Young and Clark Gable. While the deeper truths of their relationship during the filming of Call of the Wild might be disputed, what is certain is that they produced a daughter whose identity was kept secret—even from her father. Loretta is sympathetically portrayed, often from the perspective of an Italian nun (the author’s creation). A whole galaxy of film celebrities passes through the pages of this book, which for fans of 20th century cinema, is a plus. One touching and poignant aspect of the story, for me, is the danger Loretta’s beloved child poses to her reputation and career.

A novel about Marlene Dietrich held a natural attraction for me, as Dietrich was one of Dolores del Río’s close friends in Hollywood. Gortner paints a vivid picture of decadence in pre-War Berlin, where Dietrich finds work in music halls. There, she meets Joseph von Sternberg, who casts her as the lead of The Blue Angel, the film that launches her career. As antisemitism grows in Germany, von Sternberg, who is Jewish, leaves for Hollywood, and Dietrich follows him. Paramount Pictures finds in her the answer to MGM’s sexy Swedish star, Greta Garbo, and casts her in one hit after the other. When Hitler approaches her to make propaganda films for the Nazis, Dietrich courageously rebuffs him, opting instead to become an American citizen and entertain Allied troops.