Fans pick 100 books like The Witch and the Tsar

Rutherford's Russka was the first novel about Russia that I read nearly thirty years ago, and its descriptions and plotting still resonates. Through the lens of four families divided by ethnicity, the book sweeps the reader from Russia's Slavic origins to the Bolshevik Revolution. The chapter in which Tsar Ivan the Terrible plays a major role is especially riveting. What impressed me the most was how the author crafted a story of Russian rule and culture spanning 1,800 years and its impact on the characters. 

The extent of an evil leader’s influence can be measured in terms of whether he or she enters popular folklore. In the case of Ivan the Terrible, the Russian “grozny” in “Ivan Grozny” is actually translated as “awe-inspiring,” though the “terrible” tag has ensured that the czar would be remembered for his paranoia, brutality, and alleged insanity.

In folklore it was different: as Perrie’s book demonstrates, Ivan was a sympathetic figure through the twentieth century, in tales that recounted his triumphs in war or his repenting after an act of cruelty. Perrie attributes the favorable views of Ivan to “popular monarchism,” but he was also a figure whose image could be grafted onto existing folkloric archetypes to powerful effect.

This book was my introduction to Dunnett’s Lymond Chronicles. I picked it up at a library sale and was immediately caught up in its portrayal of Francis Crawford, a Scottish adventurer who ends up at the court of Ivan the Terrible. Based loosely on the diary of Sir Jerome Horsey, it represents an older understanding of how Muscovite Russia operated, but it’s a great adventure told with vivid details and remarkable characters, still my favorite among the six books in this series.

Radvinsky is a celebrated Russian playwright and historian. Raised in the Soviet Union, when information about the last Romanovs was repressed, his unique take on the tsar’s life makes this both a fascinating history and thoughtful meditation on what Nicholas II represents to Russians.

This group of interconnected stories—set mostly in Russia and Chechnya—take place before, during, and after the Cold War. In the opening story, “The Leopard,” Anthony Marra perfectly captures the suffocating terror of life under Stalin. 

The narrator is a disillusioned Soviet censor whose job is editing images of disgraced victims of Stalinist show trials out of official photographs and despoiling many other works of art for propaganda purposes.

Lines between work and life start to blur. The censor finds it increasingly hard to discern fact from fiction.

Things turn deadly when he himself becomes a victim and the truth (as he knows it) becomes irrelevant in the struggle against counter-revolutionaries.

From these troubled origins the Cold War began. The ability to discern truth from falsehood seems in our present times more pressing than ever.

If we are not killer apes, if war is not inevitable, how does it happen? Obviously because people were not up to the challenges of maintaining peace. Margaret MacMillan’s riveting account of the events leading up to the Great War, the First World War, shows in all-too-clear detail how not to go about avoiding war. The German Kaiser, Wilhelm, was petty and boastful and altogether too proud and confident of his totally inadequate abilities. The Tsar of Russia, Nicholas, was cut from the same cloth. But whereas Wilhelm made up his mind quickly and then was unmovable, Nicholas could never make up his mind. Between them, helped by other inadequates in places of high status and power, millions of young men lay dead on the fields of Flanders, in Northern France.

A comprehensive and lengthy study of the three-hundred-year rule of the Romanov dynasty, with particular attention paid to the reign of Russia’s last Tsar, Nicholas II. Lincoln, who was a professor of Russian history at Northern Illinois University, succeeds in bringing to life the sweeping saga of the Romanovs from their beginning in the seventeenth century with the accession to the throne of Michael I to the end with the abdication of Nicholas II in 1917 and onwards to the executions of the imperial family in 1918.

The Romanovs can be treated as both a general reference book for Romanov and imperial Russian history or as a starting point from which to delve further into specific subjects such as a particular reigning Russian monarch or historical event. Lincoln has produced a cogent, solidly researched work that succeeds in making the sometimes impenetrable and complex histories of Russia’s tsars much more… show more.

A skillfully written account and engaging portrait of Grand Duchess Olga Alexandrovna (1882-1960), younger sister of Tsar Nicholas II. Olga Alexandrovna’s life was no less dramatic than that of her brother, Nicholas II. Daughter, granddaughter, and sister to Russian emperors, Olga – a woman devoid of vanity and imbued with a strong faith – lived a life that could never be replicated. Immersed in the splendors of the Russian court, Olga also suffered through the Russian Revolution, and ultimately left Russia for a life of exile in Denmark and Canada. The Last Grand Duchess is Olga’s memoirs as told to Ian Vorres whose deft presentation of her story is to be applauded. Published in 1965, The Last Grand Duchess not only delves into Olga’s life but that of her family and other historical figures and brings a unique insight into the last Romanovs and Tsar Nicholas II in particular.

In… show more.

A very helpful man and a very helpful book when it comes to a comprehensive overview of the Romanov regime and epoch as a whole.

Although it is rather an immense tome and thus perhaps not as accessible for a novice as some of the others I have recommended.

Again, unfortunately, Alexandra is not portrayed particularly sympathetically. 

This is the personal account of the family of Tsar Nicholas II and Tsarina Alexandra as told by their children’s French-language tutor. Gilliard, who spent the years 1905-1918 in the bosom of the imperial family, came to know the family well, and hence had nearly unprecedented access to them. Gilliard succeeds in fleshing out the personalities of the ill-fated family who were devoted to each other, to God, and to Russia. He also highlights in vivid detail the impact of the Tsarevich Alexis’s hemophilia on him, his family, and most especially his distraught mother. Thanks to Gilliard, we come to understand the impact Rasputin had on the Tsarina and her hemophiliac son, whose illness was a closely guarded secret.

The Swiss-born Gilliard notes in his book that he was so “appalled” by the countless “absurdities and falsehoods” written about Nicholas II and his family that he was compelled to “rehabilitate… show more.