Here are 100 books that The Horror Movie Night Cookbook fans have personally recommended if you like
The Horror Movie Night Cookbook.
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I am a writer based in Brooklyn, NY. My books include The Unofficial Hocus Pocus Cookbook, XOXO: A Cocktail Book, and consulting for Are You My Wine? Clearly, I am very interested in drinking, eating, and pop culture. When we started talking about a follow-up project for The Unofficial Hocus Pocus Cookbook, my mind first went to my daughter Beatrice. I was excited for the day when she could watch the movie with me and share a part of my own life as a kid. I knew that many other millennial parents probably felt the same way, and so I knew I wanted to do a book that would enhance that experience.
The Good Place is one of my favorite TV shows of all time.
You might not think of it as a food-based show, but there are some excellent gags, storylines, and hilarious one-liner jokes based around food. The humanity of frozen yogurt, Stupid Nick’s Wing Dump, hot ocean milk, jalapeno poppers…the list goes on.
The authors of this cookbook are clearly huge fans of the show and do a wonderful job of paying tribute to the clever writing of the series.
With its high concept, exceptional writing, eye-popping set design, stellar cast, meaningful explorations of what it means to be a good person, and clam chowder fountains, The Good Place has captured the hearts and minds of critics and viewers alike. For the first time ever, fans can indulge their cravings for The Good Place with delicious, comforting, original recipes like Macaroni and Socra-cheese, I Think Therefore I Clam (Chowder), Arendt You Glad I Didn t Say Banana (Split), I Kant Believe It s Not Buttermilk Pancakes, and more. Each recipe title references a philosopher or philosophical concept from the show…
I am a writer based in Brooklyn, NY. My books include The Unofficial Hocus Pocus Cookbook, XOXO: A Cocktail Book, and consulting for Are You My Wine? Clearly, I am very interested in drinking, eating, and pop culture. When we started talking about a follow-up project for The Unofficial Hocus Pocus Cookbook, my mind first went to my daughter Beatrice. I was excited for the day when she could watch the movie with me and share a part of my own life as a kid. I knew that many other millennial parents probably felt the same way, and so I knew I wanted to do a book that would enhance that experience.
The Disney Parks have so many great snacks, meals, and drinks; too many to sample in just one trip. This cookbook is so fun because it helps you to bring the park experience home with you, trying out all the many snacks you didn’t have time for and making the ones you love over and over again!
I especially love the caramel corn recipe because one of my favorite spots is the caramel shop in the Germany section of Epcot!
Experience the magic of the Disney Parks right in your kitchen with these 100, easy and delicious recipes inspired by Walt Disney World!
Stroll right down the middle of Main Street USA, journey from Adventureland to Infinity and Beyond at Pixar Pier, and explore every avenue in between to taste the flavors of the Disney Parks...all without leaving your kitchen.
With The Unofficial Disney Parks Cookbook you can bring the magic of Disneyland and Walt Disney World snacks and treats right to your home. Recreate favorites like the classic Dole Whip and Mickey Pretzels to new favorites like blue milk…
I am a writer based in Brooklyn, NY. My books include The Unofficial Hocus Pocus Cookbook, XOXO: A Cocktail Book, and consulting for Are You My Wine? Clearly, I am very interested in drinking, eating, and pop culture. When we started talking about a follow-up project for The Unofficial Hocus Pocus Cookbook, my mind first went to my daughter Beatrice. I was excited for the day when she could watch the movie with me and share a part of my own life as a kid. I knew that many other millennial parents probably felt the same way, and so I knew I wanted to do a book that would enhance that experience.
Food might not be the first thing you think of when you think about the Harry Potter series, and it really doesn’t star that much in the films. But if you read the books, every school year starts out with a detailed description of the start of term feast, and throughout the year, every holiday and celebration is marked by another feast chock-full of pumpkin juice, treacle tart, puddings, bouillabaisse, and more.
This cookbook shows you how to make all of the wizarding world’s favorite dishes, and it is perfect if you love the books or films. It is a great way to relive and celebrate your favorite moments of these incredible stories.
Make every day a spell-tacular celebration with the cookbook mugglenet.com calls "beautiful, well-laid out, and easy to read" andfeatures "a large variety of recipes – something for every event".
What better way to celebrate than by whipping up a magically delicious meal in your kitchen? From sumptuous fall and winter feasts to delectable desserts and tea-time treats, this book has all of your holidays and special occasions covered, with an extra magical twist. Celebrate in true wizard style with recipes like:
I am a writer based in Brooklyn, NY. My books include The Unofficial Hocus Pocus Cookbook, XOXO: A Cocktail Book, and consulting for Are You My Wine? Clearly, I am very interested in drinking, eating, and pop culture. When we started talking about a follow-up project for The Unofficial Hocus Pocus Cookbook, my mind first went to my daughter Beatrice. I was excited for the day when she could watch the movie with me and share a part of my own life as a kid. I knew that many other millennial parents probably felt the same way, and so I knew I wanted to do a book that would enhance that experience.
I absolutely love Christmas movies, whether they’re old classics or so-bad-they’re-good made-for-TV films!
This cookbook plays to both my love of Christmas films and my love of yummy Christmas treats like hot chocolate, cookies, hearty soups, and more, all with ties to specific movies and scenes. The author gives really helpful tips for each recipe and a little trivia box about each movie that is featured.
Bring the merry festivities from the screen right to your own table with The Christmas Movie Cookbook with more than 65 scrumptious recipes inspired by scenes from your favorite Christmas films.
Do you ever yearn for roast turkey while watching National Lampoon's Christmas Vacation? Or, for the more cynical, do you wish you could taste the roast beast from How the Grinch Stole Christmas? Well, top up your mug of eggnog and don your coziest ugly sweater: 'tis the season to recreate the dishes from all of your favorite holiday movies with the help of The Christmas Movie Cookbook.
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
This book opened my eyes to how a scholar of religion could engage with horror films. I sat in my hotel room and started reading it the day I purchased it because I couldn’t wait until I got back home to start it.
Douglas Cowan deftly demonstrates how horror films engage in conversation with religion and he does this in non-technical language. In a culture where religion, or at least organized religion, is in decline, it still has incredible power in pop culture.
Many religious people avoid horror like they would a real monster. Sacred Terror, apart from suggesting a title for my book, shows horror and religion both benefit from the discussion. Cowan has written other good books on the subject as well.
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Wiggins looks at how the Bible as a physical, tangible book plays an important role in horror movies – it doesn’t even need to be read to have power and be a crucial part of the plot. The book takes a deep dive into what the Bible means as a cultural symbol, even beyond our relationship to the words contained in its pages.
What makes you afraid? It may be more than what you think. Horror films have been exploiting our fears almost from the moment movies were invented. Lurking unseen in the corner of horror, however, is something unexpected: the Bible. Sit back while the curtain parts and watch as the Good Book appears in both supporting and starring roles in the most unlikely of cinema genres. Starting with Psycho and running up through the 2010s, horror films, monster movies and thrillers will flash across the screen with Scripture plainly in view. Holy Writ is not always what it seems. The Bible…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
This is a volume that defies genre, in part a supernatural memoir, encyclopedia of horror films, and a treatise on the existence of other dimensions. I love a book that doesn’t conform to the rules and tropes of a single genre, where you basically know that what you are getting will adhere to what is or is not allowed, on the basis of the categories assigned to it by the publisher. Cronin testifies to her personal experience of ghosts, and what the nature of reality must be to support such entities. I follow her in looking to mix horror and the uncanny into supposedly banal and quotidian reality, the supernatural just another facet of life, and not a sensationalist realm that requires a world of its own.
Blue Light of the Screen is about what it means to be afraid - about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts.As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose…
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
Brandon Grafius is a prolific author in this area and I found this book to be a very good interaction between someone who is a Christian minister and a horror movie fan.
While this isn’t Grafius’ first book on the subject, it is his first to attempt to explain “why”—why would a normal, upstanding citizen watch horror? It helps debunk the idea that only social outcasts or disgruntled individuals watch horror. (Surveys indicate well over half of people in the United States admit to liking horror films.)
This coming out of the horror closet is a personal and very readable account.
Horror can be a valuable conversation partner for the spiritual questions that animate so many of us.
Whether through a movie, television show, novel, or even myth, horror as a genre has always spoken to our deepest human fears and anxieties: fear of death, of the unknown, of knowing too much. Whether you're looking at classic narratives like Frankenstein, which shows us the consequences of stretching knowledge farther than it's safe to go, or contemporary films like Get Out, which explores racism and white guilt, horror provides a window into our culture and what makes us human. The same can…
I'm a Senior Lecturer in Film and Television with a particular passion for the horror genre – the first film books I ever read were about Horror. I'm also a confirmed Italophile. I became fascinated by Mario Bava – and later, Italian horror more broadly – before I saw his films from accounts and images of them in books and magazines. The films weren’t easy to see before video, DVD/blu-ray or streaming, and so I was on a mission over time to track them all down. This is how cult reputations often develop – from obscurity to re-evaluation – and that was one of the things I wanted to address in my book.
This is possibly the film book I flick through more than any other, usually to check a review.
Again, it covers the Horror genre broadly (year by year) but introduced me to a lot more European entries that I had never heard of, as well as horror films from Japan and other countries. I disagree with many of the critical opinions in the book but that doesn’t make them any less interesting.
This is the best single volume book on the horror film, the definitive reference work devoted to the subject. It contains entries on every movie even remotely connected to the genre, whether it is a 19-century silent, a grade "Z" schlocker, or an "art" film by the likes of Fritz Lang or Ingmar Bergman. Each entry contains a full list of credits and a descriptive review. Hardy writes about horror movies with such enthusiasm and intelligence that you feel you're getting the low down on the genre from a sincere and learned friend.
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
This book has been central to my research on women in Science Fiction although I am not a Horror fan.
Given how often women are thrown through gendered-based violence in different genres, Clover’s study brings many useful points for not only Horror itself, but also thrillers, action films, and Fantasy.
It investigates different facets of women’s representation and their fight against sexualized trials. My favorite chapters are those on the body in the slasher film, the discussion on women’s stories versus men’s stories, and the revenge narrative.
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented--notably the slasher movie's "final girls"--as they endure fear and degradation before rising to save themselves. The lesson was not lost on the…
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