Here are 100 books that The Bloodied Ivy fans have personally recommended if you like
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During my twenty-nine nears in the federal government, I maintained a Top Secret clearance while being a CIO, Chief Architect, & Director of various things with the White House, US Congress, Department of Homeland Security, and the Department of Justice, where I served in a senior management role for the National Security Division, the agency responsible for serving as the liaison between the Attorney General and the Intelligence Community. Today, my passion is writing about my White House experiences, in both fiction and non-fiction.
President Nixon had many successes and failures during his life, in his book he shares personal details of his celebrations and anguishes, such extremes for anyone to endure. I had the pleasure of meeting President Nixon on his first solo return to the White House in 1987, for a meeting with President Reagan.
"Eloquent of the man and . . . of the history he made." —The New York Times
In the Arena is the most personal, profound, and revealing memoir ever written by a major political figure. It is Richard Nixon's frankest, most outspoken book—which includes the inside story of his resignation from the Presidency and its aftermath.
President Nixon's previous books have brilliantly chronicled his public career and examined America's strategic role in the world. Now, for the first time, he shares his private thoughts and feelings on his long career, other great leaders at home and abroad, his own family,…
When I was nine years old, I joined a book club. The members were me and my dad. He’d throw detective books into my room when he was done with them, and I’d read them. We’d never discuss them. But that’s why hard-boiled detective fiction is comfort food for me and how I know it so well. I’ve been binging on it most of my life and learning everything the shamus-philosophers had to teach me. Now I write my own, the Ben Ames series, for the joy of paying it forward.
As a kid, I didn’t want to be a princess. I wanted to be Archie Goodwin.
Archie’s the legman to genius detective Nero Wolfe, and he’s the most self-possessed guy I know. “I’m always at home,” he says, “wherever I am.” I grew up wanting to be that go-to person, given the tough jobs because I’m capable, and trusted because I’m decent and fair. I wanted a boss who said things like “I can dodge folly without backing into fear.”
In my real life, I muddle and compromise and results are tough to parse. In this book, and any Nero Wolfe book, it’s a better world. Things don’t work out perfectly, but they do work out brilliantly and Archie knows his work has been, in Wolfe’s highest praise, “Satisfactory.”
Paul Chapin’s college cronies never quite forgave themselves for instigating the tragic prank that left their friend a twisted cripple. Yet with their hazing days at Harvard far behind them, they had every reason to believe that Paul himself had forgiven them—until a class reunion ends in a fatal fall, and the poems, swearing deadly retribution, begin to arrive. Now this league of frightened men is desperate for Nero Wolfe’s help. But are Wolfe’s brilliance and Archie’s tenacity enough to outwit a killer so cunning he can plot and execute in plain sight?
I love to read mysteries, particularly those with recurring characters. As a lawyer with experience in criminal law and teaching college law courses, I particularly appreciate cerebral detectives and legal maneuvers, and active investigators doing legwork for cerebral types. When I write, my recurring characters come first, followed by the case plots that those characters would find interesting. I always have some ideas of where the case is going and what procedures would be followed from my legal experience. Still, my detectives seem to inspire scenes and activities that show off their particular virtues and personalities as the investigations proceed. This seems to be what happens in the detective stories I am recommending.
I love both the Wolfe and Goodwin characters. The obese and brilliant Nero Wolfe reluctantly leaves his New York brownstone to join his leg man, Archie Goodwin, at a Montana dude ranch. They must catch the murderer to exonerate an innocent man. Wolfe, although apparently well out of his element in this rugged environment, succeeds in trapping the culprit.
Wolfe’s bombast and tetchiness are as legendary as his deductive brilliance. Goodwin’s active and intrepid sleuthing, as well as his street, or in this case range, smarts are always exciting.
The mountain couldn’t come to Wolfe, so the great detective came to the mountain—to Lame Horse, Montana, to be exact. Here a city slicker got a country girl pregnant and then took a bullet in the back. Wolfe’s job was to get an innocent man exonerated of the crime and catch a killer in the process. But when he packed his silk pajamas and headed west, he found himself embroiled in a case rife with local cynicism, slipshod police work, and unpleasant political ramifications. In fact, Nero Wolfe was buffaloed until the real killer struck again, underestimating the dandified dude…
All my life, I’ve been fascinated by interest-driven people and the subcultures they discover or form around themselves. Though my writing ranges from mainstream literary work to music criticism to speculative fiction in many different flavors, I’m best known for what one longtime reader referred to as my “oddly personable brand of horror.” Call them people-and-their-ghosts stories. I’ve written six novels and four collections, which have earned me the Shirley Jackson and International Horror Guild Awards, among other honors. I’ve also taught writing at the graduate, university, and secondary level for more than 25 years.
Really, almost anything in the Nero Wolfe/Archie Goodwin series would fit here. A lazy, blustering, brilliant recluse, Nero Wolfe is perpetually badgered, kicking and grumbling, back toward humanity either by his passions—American cuisine, beer, books, orchids—or by Archie, his leg-man/lacky/surrogate son. I picked this specific novel because it involves a murder amid a gathering of world-class chefs; the cooking banter alone is worth the price of admission (which will be cheap; how and why have these books somehow fallen off our collective cultural radar??). None of Nero’s adventures among his fellow human beings make him want to venture out of the fortress he has made for himself inside his Manhattan brownstone. But they’ll make you want to hole up in his company. The man himself thinks he just wants to be left alone with his interests and comforts. But what he creates and relies on to sustain him feels pretty…
As Nero Wolfe prepares to speak at a gathering of the world’s great chefs, one is found indelicately murdered. When the target for killing shifts to himself, the great detective must close this case quickly or his next meal may be his last.
World-class cuisine, charming company . . . The secret ingredient is poison.
Everyone knows that too many cooks spoil the broth, but you'd hardly expect it to lead to murder. But that's exactly what's on the menu at a five-star gathering of the world's greatest chefs. As guest of honor, Wolfe was lured from his brownstone to…
I’ve been a crime-fiction fanatic since devouring my big sister’s Nancy Drew mysteries as a pre-teen in 1960s Long Island. They proved a gateway drug to Sherlock Holmes, Nero Wolfe, and Phillip Marlowe, and eventually, after 25 years as an L.A. trial lawyer (with a client list that included Richard Pryor), to my own debut novel, Hush Money, in 2012. I’ve just published The Chimera Club, my seventh novel and the fourth installment in my award-winning Jack MacTaggart series of legal mysteries, and I’m delighted to share my views on crime fiction, and humor, with like-minded readers. You can learn more about me, and about Jack, by visiting my website.
Back in 2012, I had the honor of being a luncheon speaker at New York’s annual “Black Orchid Weekend” gathering of fans – and I mean fanatics– of Rex Stout’s iconic Nero Wolfe detective novels. I was among my tribe, having cut my teeth on the Wolfe canon as a nerdy teenager to whom Stout’s books were a revelation: compact tales of crime and punishment starring a corpulent, agoraphobic gourmand and orchid fancier whose formidable (and unabashedly Sherlockian) powers of deduction were wielded from behind a desk in his brownstone on West 35th Street with the aid of a two-fisted Boswell named Archie Goodwin.While the yarns themselves are feasts, it’s Archie’s decidedly arch humor that provides the special sauce. Forced to choose, I’ll recommend Some Buried Caesar, Stout’s sixth Wolfe installment (of 33 novels and 39 novellas), originally published in 1939. It finds Wolfe in unfamiliar territory,…
An automobile breakdown strands Nero Wolfe and Archie in the middle of a private pasture—and a family feud over a prize bull. A restaurateur’s plan to buy the stud and barbecue it as a publicity stunt may be in poor taste, but it isn’t a crime . . . until Hickory Caesar Grindon, the soon-to-be-beefsteak bull, is found pawing the remains of a family scion. Wolfe is sure the idea that Caesar is the murderer is, well, pure bull. Now the great detective is on the horns of a dilemma as a veritable stampede of suspects—including a young lady Archie…
Stories of people impacted by the criminal justice system have been key to my understanding of the system and my efforts to reform it. I knew I wanted to be a civil rights lawyer when, in law school, I represented a woman who was raped by a corrections officer in a federal prison in Connecticut. My experiences suing the police and corrections officers as a young lawyer in New York inspired 15+ years researching the realities of civil rights litigation and barriers to achieve justice. I believe that the best way to understand the realities of the criminal justice system is through the experiences of people trying to make their way through it.
Ted Conover, a journalist, wanted to better understand life as a corrections officer.
After Conover’s request to shadow a recruit at the New York State Corrections Officer Academy was denied, he decided to apply to become a corrections officer himself—and was hired.
Conover spent a year working as a corrections officer at Sing Sing, and his insights about the chaos, lack of training, and harsh culture at the institution—and the impact that serving as a corrections officer had on him psychologically and on relationships with his loved ones—were eye-opening.
After he was denied access to report on Sing Sing, one of America's most notorious high security jails, journalist Ted Conover applied to become a prison guard. As a rookie officer, or 'newjack', Conover spent a year in the unpredictable, intimidating and often violent world of America's penal system.
Unarmed and outnumbered, prison officers at one of America's toughest maximum security jails supervise 1,800 inmates, most of whom have been convicted of violent felonies: murder, manslaughter, rape. Prisoners conceal makeshift weapons to settle gang rivalries or old grudges, and officers are often attacked or caught in the crossfire. When violence…
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.
In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’? Whoosh.
I love this stuff but understand it’s an acquired taste!
Paul Auster's signature work, "The New York Trilogy," consists of three interlocking novels: "City of Glass," "Ghosts," and "The Locked Room" - haunting and mysterious tales that move at the breathless pace of a thriller."City of Glass" - As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might hace written"Ghosts"Blue, a student of Brown, has been hired to spy on Black. From a window of a rented house on Orange street, Blue stalks his subject, who is staring out…
I have an unusual personal history. I majored in math in college and aspired to a life as a scientist. However, the civil rights movement and other events of the 1960s and 1970s inspired me to switch and earn a doctorate in sociology. (Which considers itself a science.) My first faculty position, at Yale beginning in 1972, involved a joint appointment in the Sociology Department and the Institution for Social and Policy Studies, which focused on public policy. During the remainder of my career I have worked and published together with economists and sought to do research that uses the perspectives of both fields.
This book by sociologist Newman provides an ideal mix of statistical data with in-depth interviews with a group of low-wage workers, describing how their employment and life conditions changed over time.
We come to know these people, to understand what it is like to be employed in a low-wage job, and how it is possible but not easy for them to move up to better-paying jobs.
Now that the welfare system has been largely dismantled, the fate of America's poor depends on what happens to them in the low-wage labour market. In this timely volume, Katherine S. Newman explores whether the poorest workers and families benefited from the tight labour markets and good economic times of the late 1990s. Following black and Latino workers in Harlem, who began their work lives flipping burgers, she finds more good news than we might have expected coming out of a high-poverty neighbourhood. Many adult workers returned to school and obtained trade certificates, high school diplomas and college degrees. Their…
I came to genderqueer histories searching for a reflection of myself that I couldn’t find in my immediate environment (the rural American South). Early on, I thought I’d found it—historical figures, both real and fictional, who shared my gender identity. But as I’ve continued to research, I’ve realized that the reflections of history are less a mirror image, more a reflection in water—fluid and distorting. Genderqueer people throughout history use different language for their identities, navigate different social and family systems, and express their gender in different ways. In the space created by this difference, I’ve begun to understand my gender as a thing that changes, too, across space and time.
I readThe Women’s House of Detention earlier this year and was introduced in its pages to a world of pre-Stonewall policing of queerness and transness. In our current moment, when state laws increasingly seek to restrict the lives of gender-expansive people, this book offers a window into both the origin of these laws and also, importantly, into the lives of queer and trans people who, in their resistance, created space for me to exist, and to name my own existence, today.
This singular history of a prison, and the queer women and trans people held there, is a window into the policing of queerness and radical politics in the twentieth century.
The Women’s House of Detention, a landmark that ushered in the modern era of women’s imprisonment, is now largely forgotten. But when it stood in New York City’s Greenwich Village, from 1929 to 1974, it was a nexus for the tens of thousands of women, transgender men, and gender-nonconforming people who inhabited its crowded cells. Some of these inmates—Angela Davis, Andrea Dworkin,…
I’m not as old as some of the characters in the books I’ve mentioned, but I’m getting there. With age, one learns to hold grief in one hand and gratitude in the other. The importance of friendship and community can hardly be overstated. I love reading books that represent older characters, especially women, as complex, life-embracing individuals without resorting to condescension. I strove to write such a book with Toby’s Last Resort. I’m not always writing about older characters, but in all my work, I want to dive below the surface, discover meaning in the ordinary, and treat my characters with respect.
Lillian is an 84-years old woman walking around New York City on New Year’s Eve.
She loves the city, made her way there as a young woman in advertising in the 30s, became well-known as a poet of light verse. She alternately reminisces about her life and encounters people you would not expect.
She remembers her life in pieces, the way one does, so the reader puts together the mystery.
I found her to be a delightful and refreshing character. The book is a beautiful lacing of the past with the promise of unexpected things to come.
A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.
“In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…”
She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid…
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