Here are 48 books that Splinters fans have personally recommended if you like
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I’m fascinated by men, the way they think and behave, the problems they have in their relationships. The very first gay romance I wrote was a cowboy story – Cowboys Down – and who doesn’t love cowboys? They’re enigmatic, strong, rugged, ultra-masculine. But what if they were also gay? I think it’s that challenge, to show another side of a role that has so predominantly been drawn in one particular way in western books and films. I think gay men must have to work even harder to be accepted as a cowboy than in many other industries and exploring that is enthralling.
I’m pretty sure this was the first story about gay guys that I ever read. I had a book of Annie Proulx’s short stories I’d been meaning to read and stumbled across this particular one by accident. I only saw the film a long time later and that bowled me over too. The story is beautifully written, though find it so sad to read (and watch). Individuals struggling to come to terms with the way they feel is the essence of so many romances and this opened the door to all those that followed. She’s a brilliant writer.
The inspiration behind 'Life of Pi' director Ang Lee's 'Brokeback Mountain' is one of the short stories to be found in this haunting collection of Wyoming tales.
'Brokeback Mountain' is set in the beautiful, wild landscape of Wyoming where cowboys live as they have done for generations. Hard, lonely lives in unforgiving country. Jack Twist and Ennis del Mar are two ranch hands, glad to have found each other's company where none had been expected. But companionship becomes something else on Brokeback Mountain, something not looked for - an intimacy neither can forget.
I’m fascinated by men, the way they think and behave, the problems they have in their relationships. The very first gay romance I wrote was a cowboy story – Cowboys Down – and who doesn’t love cowboys? They’re enigmatic, strong, rugged, ultra-masculine. But what if they were also gay? I think it’s that challenge, to show another side of a role that has so predominantly been drawn in one particular way in western books and films. I think gay men must have to work even harder to be accepted as a cowboy than in many other industries and exploring that is enthralling.
This is the story of a cowboy whose family throws him out because he’s gay, and the relationship he strikes up with the rancher he goes to work for. There is a lot of hot sex in this, it was certainly the most extreme I’d read at the time. But it’s handled sensitively. The emotions of the two men are all over the place at first and the author does a great job of taking the reader on their journey of discovery and made this reader believe their happy ever after.
Love will grow through the cracks you leave open. Ranch hand Roe Davis absolutely never mixes business with pleasure-until he runs into his boss, Travis Loving, at the only gay bar within two hundred miles. Getting involved with the ranch owner is a bad idea, but Roe's and Travis's bedroom kinks line up against one another like a pair of custom-cut rails. As long as they're both clear this is sex on the side, no relationship, no interfering with the job, they could make it work. Shut out by his family years ago, Roe survived by steadfastly refusing to settle…
I’m fascinated by men, the way they think and behave, the problems they have in their relationships. The very first gay romance I wrote was a cowboy story – Cowboys Down – and who doesn’t love cowboys? They’re enigmatic, strong, rugged, ultra-masculine. But what if they were also gay? I think it’s that challenge, to show another side of a role that has so predominantly been drawn in one particular way in western books and films. I think gay men must have to work even harder to be accepted as a cowboy than in many other industries and exploring that is enthralling.
This is the first in the Clean Slate Ranch series. An opposite attract story set at a dude ranch. The lives of Mack – the ranch owner, and Wes – the tourist who’s an actor and doesn’t trust cowboys collide, and it takes a while for the two to sort themselves out. I like opposites attract stories and these two couldn’t be more opposite. A.M. Arthur has written a lot of cowboy tales and they all have a brilliant sense of place as well as intriguing characters. I’ve not read one I’ve not liked.
Welcome to Clean Slate Ranch: Home of tight jeans, cowboy boots, and rough trails. For some men, it’s a fantasy come true.
“[A] passionate, trope-heavy romance…scintillating romantic tension and steamy sex scenes.” —Publishers Weekly on Hard Ride
Mack Garrett loves the rolling hills surrounding his Northern California dude ranch. Leading vacationers on horse trails with his two best friends is enough—romance is definitely not in the cards. When a sexy tourist shows up at Clean Slate, he’s as far from Mack’s type as can be. So why is the handsome city slicker so far under his skin in less than…
I’m fascinated by men, the way they think and behave, the problems they have in their relationships. The very first gay romance I wrote was a cowboy story – Cowboys Down – and who doesn’t love cowboys? They’re enigmatic, strong, rugged, ultra-masculine. But what if they were also gay? I think it’s that challenge, to show another side of a role that has so predominantly been drawn in one particular way in western books and films. I think gay men must have to work even harder to be accepted as a cowboy than in many other industries and exploring that is enthralling.
Jasper is the blacksmith at a small guest ranch. Ellis is the ex-con who is so traumatised by his experience in prison that he can hardly speak. The moment I knew that I was instantly hooked. It’s a slow burn, comfort-hurt story where the blacksmith works his own particular magic to mend the broken Ellis. Lots of heart-wrenching feels and a touching tale of how someone can fall and be helped to rise again. It’s lovely. Hits all the right buttons for me.
“If anybody ever needed him, Ellis did. Ellis was broken. Jasper liked to fix things.”
Jasper has the perfect life. He’s a blacksmith at a small guest ranch in Wyoming. The last thing he needs is to have that perfect life interrupted by a shifty-eyed ex-con, but the ranch needs the tax benefits the ex-con program will bring.
Traumatized by his time in prison, Ellis can barely speak. He’s about to be offered parole. He knows he will hate working on the guest ranch, but what other option does he have?
I grew up in Tulsa, Oklahoma and have always been fascinated by the Wild West. Native Americans, cowboys, rodeos, settlers, farmers, and the great National Parks of the West. I’ve been fortunate to see Yellowstone, the Grand Tetons, Glacier National Park, and many western national monuments. My first elementary school was Sequoyah, named for the great Cherokee who created the Cherokee alphabet. While researching early library methods of transportation, I came across books being delivered by stagecoach in the west. That eventually led me to discover the amazing life of Jackson Sundown. I hope these books on cowboys, buckaroos, and rodeos enchant you and your little ones like they have me.
Phoebe Clapsaddle was a southern belle who lived on a ranch. This fiction book involves the Tumbleweed Gang who made an acquaintance with Phoebe after they visited her town. Appalled by their lack of manners and impolite speech, Phoebe decides they need her southern charm and culture. Phoebe teaches them lessons in riding, roping, and good manners. There are more Tumbleweed Gang adventures in other books, too. I know the author personally. Phoebe Clapsaddle’s name is in her family tree. Though she didn’t know if Phoebe was a southern belle cowgirl, the author loved her name so much, she wanted to write a book about her as a main character.
Long ago in south Texas lived a Southwestern belle named Phoebe Clappsaddle. When the good-for-nothing Tumbleweed Gang blew into town, it was time for Phoebe to teach them a lesson in riding, roping, and good manners.
Because I have lived on an Indian reservation for more than three decades, own and train horses, have competed in horse shows and competitions, have worked with one of my sons on a cattle ranch, and I’ve been happily married for almost forty years, writing contemporary Western romance became the perfect fit. I love reading clean romance stories with strong female characters. My degree in Abnormal Psychology from Eastern Washington University has proved useful in my development of characters and their fears, the lies they believe, and how to overcome their struggles.
These authors had me on the edge of my seat in A Fiery Match. What’s better than a Texas love story set on a ranch with exciting characters and danger? Not much. I admired Janie Olson’s feistiness and drive she obtained from her time in the Army. The way the authors polished Fire Chief Mack Griffitt's rough edges was organic and fun. Though the book is filled with tension, the matchmaking busybodies toss in a helping of humor, which made for a super balance of suspense and comedy I thoroughly enjoyed.
She left as the ugly duckling and returned a beautiful swan—only she doesn’t know it.
The day Janie Olsen arrives back home, it’s to find major upheaval amidst a prairie fire on her family ranch. When she takes charge, thanks to her years in the Army, she does more than just ruffle the feathers of the town’s fire chief—she sparks an unsuspecting match.
Fire Chief Mack Griffitt is used to calling the shots. But when an upstart, feisty woman shows up out of nowhere and tries taking charge of his fire scene, he’s forced to put his large boot down.…
Growing up, I dreamed of being Margaret Mead. When I realized that Margaret already had that job, I turned my anthropologist’s eye for the defining details of language, dress, and customs to fiction. I love to tell the untold tales--especially about women--who are thrust into difficult, sometimes impossible, circumstances and triumph with the help of humor, friends, perseverance, and their own inspiring ingenuity. I have been able to do this well enough that, in 2021, was honored with the Paul Re Peace Award for Cultural Advocacy for promoting empathy through my work. I’m a bestselling novelist and essayist living in Austin, Texas with my husband, son, and terminally cute Corgi.
Louise S. O'Connor, a fifth-generation descendant of an early settler of Texas has always loved the stories of the "old timers,” the cowboys and hands who worked the ranch where she grew up. O’Connor spent seventeen years collecting oral histories about ranch life on the Coastal Bend and compiled those stories into Cryin' for Daylight. Though published in 1989, the language of O’Connor’s isolated, rural, mostly elderly subjects rings with 19th Century authenticity.
I treasure O’Connor’s labor of love for its emphasis on the tragically neglected black cowboys. One such cowboy supplied the title by swearing, “We loved to work cattle so much, we’d just be sittin’ around cryin’ for daylight to come.”
Cryin for Daylight contains the memories of people deeply involved in a ranching culture transformed by technology, urbanization, mechanization, and other economic and political interventions of modern life. These are real people speaking: men and women, bosses and workers, black and white, Catholic and Protestant, cooks and helicopter pilots... diverse individuals tied together by the land and their labor on it.
I grew up in Tulsa, Oklahoma and have always been fascinated by the Wild West. Native Americans, cowboys, rodeos, settlers, farmers, and the great National Parks of the West. I’ve been fortunate to see Yellowstone, the Grand Tetons, Glacier National Park, and many western national monuments. My first elementary school was Sequoyah, named for the great Cherokee who created the Cherokee alphabet. While researching early library methods of transportation, I came across books being delivered by stagecoach in the west. That eventually led me to discover the amazing life of Jackson Sundown. I hope these books on cowboys, buckaroos, and rodeos enchant you and your little ones like they have me.
Just looking at the colorful illustrations in this book make me want to look at it again and again. When Bo, the armadillo, mistakes a red cowboy boot for an armadillo friend, chaos happens. With his poor eyesight, Bo follows that ‘red armadillo’ to the Curly H ranch for some rodeo time shenanigans. He gets bucked off a horse, eats a fiery jalapeno pepper, is kicked up on the dance floor. After he discovers his red friend is not an armadillo, he heads back with his ma, knowing he can find more fun at the Curly H, whenever he gets bored!
When Bo spots what he thinks is a "rip-roarin', rootin'-tootin', shiny red armadillo," he knows what he has to do. Follow that armadillo! Bo leaves his mother and three brothers behind and takes off for a two-stepping, bronco-bucking adventure. Jan Brett turns her considerable talents toward the Texas countryside in this amusing story of an armadillo on his own.
I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.
This book is written basically as a western road movie. The two main protagonists, former Texas Rangers, decide, on little more than a whim, to assemble a cattle herd and drive it north from the Rio Grande to Montana, with the author providing some wonderful descriptions of the topography and hardships they encounter.
What makes it a classic for me is how the central characters explore their own mettle from the dichotomy of Woodrow, who is moralistic but happily rustles Mexican cattle and won’t acknowledge his son because the young man’s mother was a prostitute.
Gus has a more enlightened outlook towards another prostitute, and his humor allows the young girl to embark on a passage to discover her place in the West. The story is as stunning as the landscapes.
Larry McMurtry's Pulitzer Prize winning novel is a powerful, triumphant portrayal of the American West as it really was. From Texas to Montana, it follows cowboys on a grueling cattle drive through the wilderness.
It begins in the office of The Hat Creek Cattle Company of the Rio Grande. It ends as a journey into the heart of every adventurer who ever lived . . .
More than a love story, more than an adventure, Lonesome Dove is an epic: a monumental novel which embraces the spirit of the last defiant wilderness of America.
As a writer, I’ve been deeply influenced by Southern literature—especially the work of William Faulkner and Flannery O’Connor. Even though I’m not from the South myself, I am drawn to Southern writers’ immodesty. I believe much of contemporary literature is too timid. It is about the mundane, the everyday. It does not elevate; instead, it diminishes. Much of the literature of the South is biblical in its sensibilities. It is unafraid to deal with the big universal issues with language that is equally big and universal. It does not pander to modesty or postmodern selfconsciousness. It is audacious. It’s the kind of writing that made me want to write.
Franklin’s book is one of the key inspirations for my book, The Reapers Are the Angels. Combining a frontier western sensibility with Faulkner’s wicked gothic brutality, Franklin tells an engrossing tale of a young prostitute who finds herself mired in a world of outlaws, perverts, dandies, and murderers. Frantically running back and forth between high comedy and guttered grotesquerie, this story feels like it’s just barely clinging to its own rails—and that sense of dangerous tipping is what feels so thrilling about it. What Franklin inherits from Faulkner is a wide-eyed beguilement with degeneracy—or what Conrad would call a “fascination of the abomination.”
It's 1911 and the townsfolk of Old Texas, Alabama, have had enough. Every Saturday night for a year, E. O. Smonk has been destroying property, killing livestock, seducing women, cheating and beating men, all from behind the twin barrels of his Winchester 45-70 caliber over-and-under rifle. Syphilitic, consumptive, gouty, and goitered—an expert with explosives and knives—Smonk hates horses, goats, and the Irish, and it's high time he was stopped. But capturing old Smonk won't be easy—and putting him on trial could have shocking and disastrous consequences, considering the terrible secret the citizens of Old Texas are hiding.
