Here are 100 books that Paul Nash fans have personally recommended if you like
Paul Nash.
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I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
This book covers the drama and upheaval of the years leading up to the war to end all wars, and how five young British artist’s lives were changed utterly by their experiences, with all the energy of a great historical novel. All artists hope to find a powerful subject to drive their work, but this generation had to somehow express the madness and horror they found in those fields of Europe. A later generation would learn from these expressionists, futurists and vorticists and conjure international careers out of those lessons, but this very English group, during this century defining decade, did the heavy lifting.
Dora Carrington, Mark Gertler, Paul Nash, Christopher Nevinson, and Stanley Spencer were five of the most important British artists of the twentieth century. From diverse backgrounds, they met at The Slade in London between 1908 and 1910, in what was later described as the school’s ";last crisis of brilliance."; Between 1910 and 1918 they loved, talked, and fought; they admired, conspired, and sometimes disparaged each others’ artistic creations. They created new movements; they frequented the most stylish cafés and restaurants and founded a nightclub; they slept with their models and with prostitutes; and their love affairs descended into obsession, murder,…
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
Key paintings from Nash’s restless career, each with an accompanying essay offering insight into the real places and events that Nash samples and folds into his psychological landscapes. We are constantly aware of the mind behind the brush, using the places he loves to explore his inner anxieties and his desire for solace.
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
More than any other book, this volume of letters between friends, and the unguarded insight they allow, gave me a sense of the man, his rhythms of speech, his manner of expression and his character. Career details and everyday mundanities mix with deeper concerns and the kind of excavation of ideas only really close and respectful friends can express.
This book bears witness to the staying power of Pre-Raphaelitism & illuminates the ambivalent, relatively uncritical response in England to the modern movement.
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
A thoroughly researched visual study of two brothers, close and highly imaginative playmates as children, but then gradually divergent adults as they came to terms with their war experiences. John had a tougher war, yet seems to have been able to leave the horror behind as he embarked on a brighter, more decorative illustrative style. Paul would be haunted his entire life by shadows of death and depression, but would become one of this country's most important and powerful artists.
When brothers John and Paul Nash held their first exhibition in 1913 at the Dorien Leigh Gallery in South Kensington, London they were regarded as equally talented and equally ambitious, even though it had been Paul who had studied at the Slade School of Art amongst an extraordinary cohort of young British artists, and John was regarded as an untutored youngster with a flair for capturing the essence of the English landscape. As war broke their fortunes diverted: Paul achieved instant recognition as an Official War Artist, while John withstood the terrors of the trenches as an infantryman. In 1918…
I retired from Drexel University in 2015 after thirty-six years as a professor of German and European History of the 19th and 20th Centuries. My sub-specialty in the History of Technology carried over into publications that over the years focused increasingly on the Prussian/German Army (The Politics of Technological Change in Prussia [1993] and The Kaiser’s Army [2001]) and naval conflict (Clash of the Capital Ships [2021]).
Paschall brings to this book his insightful experience of army organizations and war as an infantry officer and veteran of the Vietnam conflagration. Readers can follow in detail the allied offensives of 1917, Germany’s last gasp effort to win on the Western Front in 1918 after Russia’s collapse in the east, and the retreat and breakdown of the once impressive German army in the waning months of the war.
January 1917. On the Western Front the armies of Imperial Germany, Great Britain, and France were locked in grim stalemate. Repeated attempts by both sides to achieve breakthrough in the face of machine-gun fire, barbed wire, long-range artillery, and poison gas had brought only enormous casualties. The Defeat of Imperial Germany focuses on the innovative plans created by generals on both sides in their struggles to dislodge the entrenched enemy and to restore maneuver and victory on the Western Front. In a series of vivid analyses of successive offensives, Paschall examines the problems of command and what happened when the…
Tim Cook is the Great War historian at the Canadian War Museum. Since 2002, he has curated the permanent First World War gallery of the CWM, which has been visited by an estimated 8 million people, and he has created many temporary, traveling, and digital exhibitions. He is also the author or editor of 13 books of Canadian military history. For his contributions to the study of Canadian history, he is a member of the Royal Society of Canada and the Order of Canada. He has selected five books that cover the scope of the war, from its origins to the legacy.
This brilliant book pulls together many strands of the war, as presented through the lens of attrition. In his sweeping narrative, Philpott focuses on the land war – how it was fought and why, and how it evolved over 4 years – but War of Attrition also examines the politics and diplomacy of war, and the war at sea, in the air, and at home. Pound for pound, the best book yet written on the war-fighting years.
A Wall Street Journal Best Non-Fiction Book of 2014!The Great War of 1914-1918 was the first mass conflict to fully mobilize the resources of industrial powers against one another, resulting in a brutal, bloody, protracted war of attrition between the world's great economies. Now, one hundred years after the first guns of August rang out on the Western front, historian William Philpott reexamines the causes and lingering effects of the first truly modern war. Drawing on the experience of front line soldiers, munitions workers, politicians, and diplomats, War of Attrition explains for the first time why and how this new…
My passion for historical fiction writing stems from a lifelong interest in history and a love for creating stories that have rich characters, with deep and meaningful personalities. My interest in history led me to study the subject at university, which has worked hand-in-hand with the pleasure I get from writing. Researching stories is another aspect that I enjoy, and it has seen me travel to destinations all over the world, where I have made some wonderful friendships.
Friedr and Wim is a novel that I can highly recommend and one of those gems you find outside of the mainstream.
The story moves from the trenches of World War One to a Germany in the 1920s that is in turmoil: politically, economically, and socially. The author gives the reader a different perspective to the one we might be used to in relation to the time period, by following the lives of two young German men as they move through arguably the most traumatic period in world history.
The author creates a story that is historically accurate, but rich in emotion and drama, while at the same time raising many questions for the reader.
For those long years on the Western Front, they had known only war. They carried it with them even now, as they marched home with holes in their boots, broken, defeated. The only thing keeping Friedrich upright, placing one foot in front of the other, was his best friend's presence by his side. While Wilhelm still cared for him, still needed him, he could never forget the promise they had made: together, or not at all. Friedrich had never wanted to be a soldier. He had questioned it every time he raised his Mauser on the front line. Now, he…
Reading my great uncle’s war letters home to Kansas City and seeing his artwork—he was a magazine illustrator in civilian life and then editor of the 27th Empire Division’s magazine, Gas Attack—I knew, as a writer, I had to put his story down on paper. What his National Guard regiment did, the 107th, simply blew me away. From writing about what the 107th endured in the Great War, I was carried away to tackle the all-black 369th Regiment, famously known as Harlem’s Hell Fighters. I then had to tell the story of New York City’s most famous regiment, the Fighting 69th. My trilogy of New York’s National Guard in the war is now done.
The late historian, Thomas Fleming, was a friend. It was an article he wrote for American Heritage magazine in 1968, “Two Argonnes,” about his father, a lieutenant in the 78th Division, that inspired me to write my first World War I book centered on my great uncle as the main character.
Thomas authored 19 books, The Illusion of Victory, is his last book, and he paints a different picture of America’s role in the war, showing how President Wilson and our country were “duped” by Great Britain and France to enter the war, thinking the war was almost won. He not only writes about the Western Front but goes into detail about the home front. After reading his book, you’ll get a different perspective on World War I.
In 2020, to honor one of our most imminent historians, Military History Quarterly magazine inaugurated the annual Thomas Fleming Award for…
In this sweeping historical canvas, Thomas Fleming undertakes nothing less than a drastic revision of our experience in World War I. He reveals how the British and French duped Wilson into thinking the war was as good as won, and there would be no need to send an army overseas. He describes a harried president making speech after speech proclaiming America's ideals while supporting espionage and sedition acts that sent critics to federal prisons. And he gives a harrowing account of how the Allies did their utmost to turn the American Expeditionary Force into cannon fodder on the Western Front.Thoroughly…
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
My choice here
could have been Douglas Newton’s superb Hell-Bent
about Australia’s entry into the conflict, or various other fine books by
renowned historians, but I can’t go past this one by an expert on Australia in
WWI.
Peter
Pedersen’s PhD on Monash as a commander became a fine book; his authoritative survey
of the AIF during the war entitled The
Anzacs: Gallipoli to the Western Front is another work of high quality; and
he has also produced several studies of notable AIF battles. But my
recommendation is a different publication — his extraordinary Western Front
guidebook. Stay with me while I explain why.
Anzacs on the Western Front is lavishly illustrated
with maps and photographs, and informed by his comprehensive detailed
familiarity with what Australians did. It’s crucial for anyone visiting France
and Belgium with the aim of pursuing particular engagements great or small,
both to plan your…
A newly updated, lavishly illustrated account of the ANZACs involvement in the Western Front—complete with walking and driving tours of 28 battlefields.
With rare photographs and documents from the Australian War Memorial archive and extensive travel information, this is the most comprehensive guide to the battlefields of the Western Front on the market. Every chapter covers not just the battles, but the often larger-than-life personalities who took part in them. Following a chronological order from 1916 through 1918, the book leads readers through every major engagement the Australian and New Zealanders fought in and includes tactical considerations and extracts from…
Nick Lloyd is Professor of Modern Warfare at King's College London, based at the Defence Academy UK in Shrivenham, Wiltshire. He is the author of five books, including Passchendaele: A New History, which was a Sunday Times bestseller, and most recently, The Western Front: A History of the First World War. He lives with his family in Cheltenham.
Published almost sixty years ago, this compelling study of four senior commanders who served (mostly) on the Western Front remains as fresh as when it was first written. Barnett’s prose is exquisite, bringing us directly into the world of Helmuth von Moltke, John Jellicoe, Philippé Pétain, and Erich Ludendorff, telling us how they coped (or not) with the enormous stresses and strains they encountered as ‘supreme commanders’. It is a stunning portrait of men (and their command systems) at war.
Interprets the major events of World War I through an analysis of the actions and characters of four supreme commanders, Ludendorff, Petain, Jellicoe, and Moltke
