100 books like Mr. B

In the fall of 2016, Deborah Hay came to the Montclair State University campus, where I was professor of theatre & dance, to stage her new work, "Figure a Sea," performed by the Cullberg Ballet of Sweden and featuring the music composition of Laurie Anderson. During her time in residence at the university, I talked with Deborah at the Kasser Theatre about her life and work. Hay was one of the founders of the postmodern Judson Dance Theatre in NYC in the early 1960s and she has pursued an iconoclastic, independent, headstrong, and mystical path ever since, which is why I loved chatting with her so much. Her appeal as a teacher in the studio with our students was equally shape-shifting and mind-bending. And this book creates the same ambiance in the reader’s head – it is a synthesis of memoir and physicalized ‘auto-body-ography,’ to subvert the term!… show more.

I came across Early Memoirs when I set off to explore the fiery end of Catherine’s Russia and quickly realized I found a brilliant first-hand account of the dramatic transformation of Russian art and culture in early 20th century. Bronislava (Bronia) Nijinska, a talented dancer and choreographer herself, was the younger sister of Vaslav Nijinsky—the God of Dance—one of the best dancers of all times. In these memoirs she describes their childhood spent with dancer parents touring provincial Russian theatres, their education at the prestigious Imperial Ballet School in St Petersburg, and their years in the Ballets Russes, the ground-breaking Russian dance company which took Paris by storm in 1906.

Both clear-eyed and passionate about art Nijinska not only offers personal, intimate portraits of Vaslav Nijinsky, Sergey Diaghilev, Igor Stravinsky, Tamara Karsavina, Anna Pavlova, but documents the transformation of Russian ballet from its imperial glory to the breathtaking and… show more.

Polina is about a would-be ballerina and a teacher and the methods he employs to get the best from his students. Polina ages from child to young adult through its pages, and as her comprehension of the world about her and the people in it changes, so too does the reader’s impressions of her. Like any good character piece, much depends on the performance of the players, and therefore Vivès and his ability to convey subtleties of emotional reactions. He always leaves enough room for the reader’s own interpretations, and so hooks you into the nuances of Polina’s feelings. Vivès can draw anything, but this beautiful, delicately balanced story depends as much on what he leaves out as what he puts in. A small masterpiece.

In 1946, Sir Robert Paul Cohan CBE (26 March 1925 – 13 January 2021) became one of the first male dancers to join Martha Graham’s company – and stayed for twenty-three years. He went on to become the first Artistic Director of the Contemporary Dance Trust in London and Artistic Advisor to the Batsheva Dance Company in Israel. I had the greatly entertaining privilege of interviewing Sir Robert in the Graham studio at their Westbeth home in NYC, where he regaled me with warm and acerbic vignette memories of “Martha,” her rigorous demeanor, her abrupt critiques, her searching analyses of his movement, her extreme demands as a partner – and her dire yet lyrical sensuality. The book is built around interviews skillfully and subtly conducted by Paul Jackson, principal lecturer in Choreography and Dance at the University of Winchester, UK.

This book! I received this gorgeous black and white photobook as a gift when I was an aspiring dancer myself in the 1970s.

I was obsessed with the story of a young girl cast as Marie in the New York City Ballet’s Nutcracker. The story is told primarily through Krementz’s photos of a young dancer’s life in New York City: ballet classes, auditions, rehearsals, backstage moments, and performances.

This book is one of the most magical and special books of my childhood – which appealed to me as a dancer back then but later heavily influenced my work as a photographer as an adult.

The Fancy Nancy books are hugely popular, and this is a great addition to the series. Nancy loves to dress up and dance, and in this story she sets out to show her favorite ballet moves to her father, with touchingly humorous results. Young readers will enjoy following along as Nancy demonstrates her best plies, pirouettes, and jetes, and will probably be inspired to start their own ballet lessons!

An entertaining way to learn basic ballet positions, and a special treat for devoted little ballet students and their families.

Ballet has come under much scrutiny in the last decade: from the perpetuation of racial stereotypes to the abuse of power by directors to the promotion of damaging physical behaviors.

This non-fiction book by a former student at the School of American Ballet balances the problematic elements of ballet with the author’s love affair with it. Filled with both history and her own personal story, I found this book to be not only educational but also deeply moving.

It will resonate with not only dancers but anyone who has abandoned a childhood passion.

I found that this sometimes funny but always emotional and moving account of Ms. Kirkland's life as a ballerina in New York City to be a real triumph. She brings to the pages an honesty that is rarely seen, even in autobiographies. From the illegal drug scene that nearly killed her to the everyday trials of an immensely talented dancer caught between two worlds, this is the stuff that nightmares are made of.

This book is reminiscent of Jean Toomer’s Cane. It blurs the lines between poetry, history, and the blues. Shakespeare’s Dark Lady sonnets are at the heart of a book that is both breathtaking and spellbinding. But more than that, this book is a reclamation of the Black female body. Over the centuries the Black female body has been defined by everyone but the Black female. Williams redefines notions of beauty, dignity, and self-worth in a world that is antithetical to the Black female body. This book is a salvo across the bough of social, racial, and political history that has dehumanized Black life throughout the centuries. Not only does Williams, a Nashville native, reclaim all that has been distorted about the Black female body, she celebrates it as well.

As a celebrity in her own time, Pavlova was groundbreaking. I enjoyed reading this book and learning more about the life of an extraordinary pioneer. She lived at a time when changes in the world were many, as the film of her performing the Dying Swan certainly proves. She toured the world in order to share her art with others and has name recognition that has lasted to this very day. If you're curious about her incredible life, don't miss this lovely book.