Here are 100 books that Land of the Firebird fans have personally recommended if you like
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Julia P. Gelardi has obtained a Master’s degree in History and spent many years immersed in the world of European royal history. The author of numerous articles and seven books on European royalty, three of which have been published by St. Martin’s Press, Julia has done extensive research in various archives, including the Royal Archives at Windsor Castle. She continues to search the world for elusive books on royalty to add to her library and is always on the lookout for new topics to write about and share with her readers.
An indispensable work to anyone interested in the Romanovs, and especially in the life and reign of Tsar Nicholas II. Here, in their own words from diaries and letters are the thoughts and inner-most feelings of Tsar Nicholas II and his wife, Tsarina Alexandra, as well as numerous royal relatives – though the main focus is on Nicholas and Alexandra. Through these written words, the imperial couple and their families are revealed; they’re given a voice and come alive across more than six hundred pages of text. Interspersed as well are a variety of primary sources such as memoirs, documents, diplomatic letters, and the like. But it is the letters and diaries which take center stage and deliver an emotional read.
Russian historians Maylunas and Mironenko (he was Director of the State Archive of the Russian Federation) have done an admirable job of culling through an enormous amount of material…
In the darkest days of the Stalinist era of the Soviet Union, when all talk of the Romanovs was punishable at the very least by banishment to Serbia, a group of archivists were exempt. They sorted and filed the thousands of letters and photographs of the last Tsar of Russia, Nicholas II, his wife, Alexandra (a granddaughter of Queen Victoria), and their five children. In all, some 13,000 letters have survived. Those between 1889 and 1914 have never before been published. They run the gamut from matters of state to intimate expressions of love and longing. In addition there are…
I developed a fascination for Imperial Russia in childhood when I learned that my great-grandmother was born in St Petersburg, an almost exact contemporary of Nicholas II. I have studied the Romanovs and Imperial Russia for over 40 years and lectured in England (including the Victoria & Albert Museum), America, Denmark, The Netherlands, and Russia. My many books include To Free the Romanovs and Queen Victoria and the Romanovs.
This is an updated version of William Clarke’s Lost Fortune of the Tsars with additional information added since first publication. It gives a detailed, comprehensive account of the immense wealth of the Imperial family before the revolution and what happened to the money, jewels, palaces, and other riches in the chaos that followed. Faced with bank confidentiality and reluctance to talk, it reads like a detective story as the author investigates bank accounts, vaults, and jewels spirited away. The result is a fascinating account of what belonged to the Tsar’s family and what belonged to the state.
When World War I broke out in 1914 Russia's Romanov dynasty was among the world's richest families. Yet ever since the Bolsheviks executed Tsar Nicholas II, his wife Alexandra and their children at Ekaterinburg, the mystery of what happened to their wealth has remained unsolved. This book is an account of the authors' answers to the Tsar's lost fortune.
I developed a fascination for Imperial Russia in childhood when I learned that my great-grandmother was born in St Petersburg, an almost exact contemporary of Nicholas II. I have studied the Romanovs and Imperial Russia for over 40 years and lectured in England (including the Victoria & Albert Museum), America, Denmark, The Netherlands, and Russia. My many books include To Free the Romanovs and Queen Victoria and the Romanovs.
This is a comprehensive account of what happened to Nicholas, Alexandra, and their family from the fall of the monarchy to their last days in Ekaterinburg. It covers fully all the details of their confinement, their brutal murder, the discovery of the Romanov grave outside Ekaterinburg in 1989, and the controversy over the bones, using many previously unpublished Russian archival documents. If you think you know what happened, then read this because there are some surprising revelations.
The collapse of the Soviet Union in 1991 revealed, among many other things, a hidden wealth of archival documents relating to the imprisonment and eventual murder of Tsar Nicholas II, his wife Alexandra, and their children. Emanating from sources both within and close to the Imperial Family as well as from their captors and executioners, these often-controversial materials have enabled a new and comprehensive examination of one the pivotal events of the twentieth century and the many controversies that surround it.
Based on a careful analysis of more than 500 of these previously…
I can’t explain the fascination with Rasputin, but one hears the name so frequently via the Boney M pop song, so I took that as the inspiration - and the title - of my book. I saw a book about him in Waterstones one day and had to pick it up, even though it was so big it might’ve doubled as a doorstop. But from then I was hooked; I read everything I could, watched more, and researched until I actually went to Russia. And then I research some more!
An undoubted classic and one of the first books - if not the first - to treat the subject of Nicholas and Alexandra and their son Alexei’s hemophilia with a little sympathy.
Massie had a hemophiliac son but his regard for Rasputin as Alexei’s healer still leaves something to be desired.
A superbly crafted and humane portrait of the last days - and last rulers - of the Russian Empire.
Complementing his Pulitzer prize-winning Peter the Great, in this commanding book Robert K. Massie sweeps readers back to the extraordinary world of imperial Russia to tell the story of the decline and fall of the ruling Romanov family: Tsar Nicholas II's political naivete; his wife Alexandra's obsession with the corrupt mystic Rasputin; and their son Alexis's battle with haemophilia.
Against a lavish backdrop of luxury and intrigue, Massie unfolds a family tragedy played out on the brutal stage of early twentieth-century…
Steven G. Marks is a historian who has written extensively on Russian economic and cultural history, the global impact of Russian ideas, and the history of capitalism. He received his PhD from Harvard University and has spent more than 30 years teaching Russian and world history at Clemson University in South Carolina.
Fully abstract art was a Russian invention, but until this remarkable book by Aaron Cohen came out, there was no treatment of the subject that explained the historical context in which it emerged in the work of Kandinsky, Malevich, Tatlin, and others. Other art historians have traced the aesthetic process that led, seemingly ineluctably, toward abstraction, but Cohen shows us how closely linked it was to the despair felt during the First World War. In this short but accessible work that makes extensive use of previously untouched Russian sources, he brings to life the debates over the issue among Russian artists and critics and details the response of the art market to the turmoil of the period and the birth of avant-garde movements that revolutionized art worldwide.
As World War I shaped and molded European culture to an unprecedented degree, it also had a profound influence on the politics and aesthetics of early-twentieth-century Russian culture. In this provocative and fascinating work, Aaron J. Cohen shows how World War I changed Russian culture and especially Russian art. A wartime public culture destabilized conventional patterns in cultural politics and aesthetics and fostered a new artistic world by integrating the iconoclastic avant-garde into the art establishment and mass culture. This new wartime culture helped give birth to nonobjective abstraction (including Kazimir Malevich's famous Black Square), which revolutionized modern aesthetics. Of…
I have chosen the five books below as the most original and thought-provoking ones on Russian history and culture, books that I return to again and again when thinking about the questions they raise. They are not books that I always agree with, but to me that makes them all the more valuable!
Red Square, Black Square is a unique, fragmented “postmodern” critique of Russian avant-garde and revolutionary ideas that bleeds into a deconstruction of Soviet ersatz culture that took its cue from them.
It combines horror and comedy, seriousness and self-satire, and itself partakes of the style and language (as well as the punning wit) of the avant-garde. I found it challenging and fun to read and full of surprises.
This book builds a new vision of the development of Russian revolutionary culture, bringing together fiction, criticism, utopian projects, manifestos, performance and film theory, religious philosophy, and the imaginary space of communism centered around the Mummy of Lenin.
Revolution and modernization are two main issues of the book. The author argues that in Modernism the work of art was conceived as a miniature of the world to come; thus, art was meant to make projects, not master-pieces. He analyzes the genre of the manifesto as a special rhetorical device of modernist discourse and shows how projects of biological and social…
The Romanov saga has intrigued me since I was an undergraduate student in history many moons ago. Three hundred years of Romanov rule were filled with exotic beauty, violence, and tragedy. I went on to teach Russian history at university and was able to share some of the stories of the tsars and tsarinas with my students. Having authored books and articles in my academic field, my teaching career has ended. Now it is historical fiction that has captured my imagination and spurred me to pen my own novels set in 19th-century Africa and Afghanistan, as well as Russia during the reign of Ivan the Terrible.
Empress Catherine the Great immediately comes to mind when referring to women who ruled Russia. In Tsarina, however, author Alpsten focuses on Catherine Alexeyevna, the wife of Peter the Great, who rose to power in the early 18th century. Born into devastating poverty, Catherine is a woman who holds her cards close and plays them judiciously. She seduces Peter, revels in the riches and debauchery of the Russian court, and emerges not only as his wife, but a linchpin to Russia's future when Peter dies. This is an extraordinary tale of a powerful and intelligent woman often ignored in history.
"Makes Game of Thrones look like a nursery rhyme." —Daisy Goodwin, New York Times bestselling author of The Fortune Hunter
“[Alpsten] recounts this remarkable woman’s colourful life and times." —Count Nikolai Tolstoy, historian and author
Before there was Catherine the Great, there was Catherine Alexeyevna: the first woman to rule Russia in her own right. Ellen Alpsten's rich, sweeping debut novel is the story of her rise to power.
St. Petersburg, 1725. Peter the Great lies dying in his magnificent Winter Palace. The weakness and treachery of his only son has driven his father to an appalling act of cruelty…
I have been studying Russia and its history for over 30 years and find that it continues to intrigue me. Having previously focused my attention on religion and its imperial dimensions (including The Tsar’s Foreign Faiths, with Oxford University Press in 2014), I have more recently sought to understand the importance of Russia’s nineteenth century and I am now exploring the history of Russia’s territory with a view to writing a history of the longest border in the world. I teach at the University of Nevada in Las Vegas.
This is a remarkable book that defies categorization. Establishing a concept of property that existed between private property and the property of the state, Pravilova imaginatively unites a seemingly unrelated collection of topics: forests, rivers, icons, copyright, archaeological treasures, and much more besides. She offers a profoundly new way of thinking about property and about Russians’ attitudes towards ownership. Deeply rooted in the particularities of Russia, the book also raises issues of universal significance.
"Property rights" and "Russia" do not usually belong in the same sentence. Rather, our general image of the nation is of insecurity of private ownership and defenselessness in the face of the state. Many scholars have attributed Russia's long-term development problems to a failure to advance property rights for the modern age and blamed Russian intellectuals for their indifference to the issues of ownership. A Public Empire refutes this widely shared conventional wisdom and analyzes the emergence of Russian property regimes from the time of Catherine the Great through World War I and the revolutions of 1917. Most importantly, A…
You can experience Russia by exploring the churches and palaces of St Petersburg and Moscow. There’s nothing wrong with that, but it’s not my approach. For me, it has always made more sense to look at the largest country on earth from its edges, the distant mountains, steppes, forests, and waters that surround it. For three decades, I have travelled across this space, studied its languages, written books and articles about it. And I have tried to look through the lens of the diverse peoples and cultures that have been part of Russian history, for better or worse. The rise and fall of the Russian Empire are unthinkable without them.
The Volga is key to understanding Russian history.
The river helped the empire to spread and rule, it carried dangers and diseases, protected and divided people. As a frequent site of battle, it also helped to shape collective memory. Janet Hartley’s history of the Volga captures these dimensions beautifully.
Containing a wealth of detail and written in elegant and accessible language, her book delivers new insights on a broad range of topics, from religious policy and piracy to the Volga in poetry and painting.
It is a great introduction to Russian empire-building, while, at the same time, offers even historians of Russia new insights in almost every chapter.
Take a long river cruise – down the Danube or Mississippi – and enjoy.
A rich and fascinating exploration of the Volga River and its vital place in Russian history-named a Best Book of 2021 by the Financial Times
"A memorable journey into the heart of Russian social, political, and cultural history."-Jennifer Eremeeva, Moscow Times
"'Without the Volga, there would be no Russia.' The final words of Janet Hartley's book sound sweeping. But its 400 pages make the case powerfully."-The Economist
The longest river in Europe, the Volga stretches more than three and a half thousand km from the heart of Russia to the Caspian Sea, separating west from east. The river has played…
I have chosen the five books below as the most original and thought-provoking ones on Russian history and culture, books that I return to again and again when thinking about the questions they raise. They are not books that I always agree with, but to me that makes them all the more valuable!
Gogol is one of the weirdest and most fascinating of Russian writers, whose eccentric comic masterpieces continue to entertain and puzzle us. His identity as a Ukrainian who became a Russian classic and the way this is or isn’t reflected in his works has long been debated.
Nikolai Gogol: Performing Hybrid Identity makes sense of these two contending national components of Gogol’s writing and career. Ilchuk demonstrates the remarkable ways his “hybrid” national identity played out: in his often bizarre language, an uncanny Russian pervaded by Ukrainianisms (made more or less evident in successive, ideologically-motivated editings); in his works’ narrative structure, plot, and theme; and in the author’s odd behavior in society as a colonial “other.”
The book helped me understand the ins and outs of post-colonial theory, which the author presents in a clear and effective way. It also unexpectedly illuminated for me aspects of Russian imperial identity that…
One of the great writers of the nineteenth century, Nikolai Gogol was born and raised in Ukraine before he was lionized and canonized in Russia. The ambiguities within his subversive, ironic works are matched by those that surround the debate over his national identity. This book presents a completely new assessment of the problem: rather than adopting the predominant "either/or" perspective - wherein Gogol is seen as either Ukrainian or Russian - it shows how his cultural identity was a product of negotiation with imperial and national cultural codes and values. By examining Gogol's ambivalent self-fashioning, language performance, and textual…
