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How Kentucky Became Southern.
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When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Ever since John Filson wrote the first history of the state in 1784, the Kentucky frontier has captured the public’s imagination. Aron goes beyond heroic accounts and stories of triumph to understand how egalitarian aims and the sense that the West could become a “good poor man’s country” failed to pan out for so many. The west did not become the land of opportunity for Native Americans or slaves, nor did it provide a fresh start for many poor white men and women. Two iconic figures, Boone and Clay, serve as familiar bookends, neatly framing Aron’s story and tying their worlds to the one we recognize today.
Eighteenth-century Kentucky was a place where Indian and European cultures collided-and, surprisingly, coincided. But this mixed world did not last, and it eventually gave way to nineteenth-century commercial and industrial development. How the West Was Lost tracks the overlapping conquest, colonization, and consolidation of the trans-Appalachian frontier. Not a story of paradise lost, this is a book about possibilities lost. It focuses on the common ground between Indians and backcountry settlers which was not found, the frontier customs that were not perpetuated, the lands that were not distributed equally, the slaves who were not emancipated, the agrarian democracy that was…
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Following in the footsteps of scholars, such as Kristen Hoganson, who have put a new gender spin on well-chronicled events, Sachs takes a familiar story—the story of America’s first frontier—and tells it in a fresh and compelling way by emphasizing how manliness and mastery shaped public policy and household relationships. Life in the west was risky and chaotic. Settlers coped by celebrating domestic order and by demanding the right for men to rule their own households. This patriarchal ideal, however, often led to violence, both outside the home and within. The individuals Sachs spotlights like, widow and powerful businesswomen Annie Christian, and outcast criminal and murderer Bartholomew Fenton, provide a totally new perspective on frontier life.
On America's western frontier, myths of prosperity concealed the brutal conditions endured by women, slaves, orphans, and the poor. As poverty and unrest took root in eighteenth-century Kentucky, western lawmakers championed ideas about whiteness, manhood, and patriarchal authority to help stabilize a politically fractious frontier. Honor Sachs combines rigorous scholarship with an engaging narrative to examine how conditions in Kentucky facilitated the expansion of rights for white men in ways that would become a model for citizenship in the country as a whole. Endorsed by many prominent western historians, this groundbreaking work is a major contribution to frontier scholarship.
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Jim Klotter, Kentucky’s preeminent historian, takes an obscure nineteenth-century Kentucky Superior Court Judge, Richard Reid, and uses his life and death to understand the tragic ways southern honor forced men to prove themselves. John Jay Cornelison attacked Reid at his law Mount Sterling law office in 1884, setting off an unexpected series of events. Reid’s story reveals the conflicts between old, traditional southern ways, and the new urban, industrial order, and Klotter tells it masterfully. The book is filled with suspense and sharp analysis, but it is also a quick read.
When attorney John Jay Cornelison severely beat Kentucky Superior Court judge Richard Reid in public on April 16, 1884, for allegedly injuring his< honor, the event became front-page news. Would Reid react as a Christian gentleman, a man of the law, and let the legal system take its course, or would he follow the manly dictates of the code of honor and challenge his assailant?
James C. Klotter crafts a detective story, using historical, medical, legal, and psychological clues to piece together answers to the tragedy that followed.
""This book is a gem. . . . Klotter's astute organisation and…
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Uneven Ground is a book about Appalachia, but it is also a story of American economic development and a cautionary tale about the failures of capitalism. Eastern Kentucky lies in the heart of central Appalachia, an area rich in resources but home to some of the nation’s poorest people. Eller knows more about the region’s challenges than anyone and he provides a compelling indictment of development narratives that emphasize industrialization and false promises of “progress.” His book offers hope that out-of-the-box thinking and a new definition of “the good life” can lead to healthy and more equitable communities in the mountains.
Appalachia has played a complex and often contradictory role in the unfolding of American history. Created by urban journalists in the years following the Civil War, the idea of Appalachia provided a counterpoint to emerging definitions of progress. Early-twentieth-century critics of modernity saw the region as a remnant of frontier life, a reflection of simpler times that should be preserved and protected. However, supporters of development and of the growth of material production, consumption, and technology decried what they perceived as the isolation and backwardness of the place and sought to "uplift" the mountain people through education and industrialization. Ronald…
An old photograph shows a little blonde girl trying to climb a fence separating her from a pasture full of broodmares near Louisville, Kentucky. That was me, and I have never lost my fascination with these creatures of beauty, courage, and magic. Combine that with an equal passion for books, research, and writing, and you have the path leading to four books and hundreds of magazine articles on Thoroughbred horses over the last twenty years, with a fifth book due out next spring. The five books I’ve recommended are just a few of those that have provided touchstones and inspiration for my journey as a writer.
If you love Kentucky Derby history, you can’t go wrong with any of Jim Bolus’s magical collections of Derby stories, but this is the book that kicked everything off.
I didn’t know when I first read it that Bolus had been a sports reporter with the Louisville Courier-Journal—the hometown newspaper for the Derby—for many years, but I was enchanted by his combination of a journalist’s keen eye for the nuts and bolts of a story and a storyteller’s sense of wonder and enjoyment in his tale.
Many years after my first encounter with Run for the Roses, I find its combination of facts and warm charm as great a pleasure to read as ever; this is one of those books that has become an old friend.
First edition bound in white & green cloth with red lettering. Color & B&W illustrations, 4to size, 209 pp. Just about Fine in dj. Book is fine but for someone inking the publisher's address underneath the name on the title page. Otherwise clean, tight & unmarked in a nice dust jacket.
I'm a journalist, fiction writer, and screenwriter, as well as the author of ten books, the most recent of which isCreative Types and Other Stories, which will be published later this year. Along with Neil Cross, I developed for televisionThe Mosquito Coast, based on Paul Theroux’s novel, which is now showing on Apple TV. Currently, I live with my family in Los Angeles.
Sullivan is probably best known today for his instant-classic essay collection Pulphead, but I actually prefer his first book, Blood Horses, a memoir he wrote in the aftermath of losing his beloved sportswriter father, whose special focus was horse racing and the Kentucky Derby. Sullivan, who cares nothing about horses and horse racing, tries to get closer to his lost father by covering the grand race and learning everything about the sport, and horses, that he can. This puts Sullivan on the grounds of the Kentucky Derby on the morning of September 11, 2001, while standing next to the Saudi owner of a celebrated racing horse. What happens when the Saudi’s phone starts ringing is too good to spoil here. An extraordinary memoir.
One evening late in his life, veteran sportswriter Mike Sullivan was asked by his son what he remembered best from his three decades in the press box. The answer came as a surprise. 'I was at Secretariat's Derby, in '73. That was ... just beauty, you know?'
John Jeremiah Sullivan didn't know, not really, but he spent two years finding out, journeying from prehistoric caves to the Kentucky Derby. The result is Blood Horses, a wise, humorous and often beautiful memoir exploring the relationship between man and horse and the relationship between a sportswriter's son and his late father.
Before I could walk, horses were my passion and every thought. At five, Blackie came into my life a black Shetland stud and from there, I've never stopped enjoying a life with horses. Having been born in the 1970's I witnessed some of the horse racing greats from the television, and ever since the Thoroughbred racehorse has been my favorite breed. I've been involved in a variety of ways with the rehabilitation and transition of the thoroughbred from the track to new careers. My most beloved OTTB, Blue Blue Sea, overcame so much, and naturally, I had to memorialize his amazing life as a book.
Jimmy “Wink” Winkfield was an accomplished athlete of his day though his memory today has faded. Crystal Hubbard's powerful narrative and Robert McGuire's gorgeous drawings transport readers to another time and place and shine a light on the last African American jockey to win the Kentucky Derby. I love how the story unfolds and shows a loving child growing into a determined young man overcoming every obstacle the world sets in front of him. The tale is timeless and the historical context provides an important learning point to open a dialogue between the old and young.
Born into an African American sharecropping family in 1880s Kentucky, Jimmy Winkfield grew up loving horses. The large, powerful animals inspired little Jimmy to think big. Looking beyond his family s farm, he longed for a life riding on action-packed racetracks around the world. Like his hero, the great Isaac Murphy, Jimmy Wink Winkfield would stop at nothing to make it as a jockey. Though his path to success was wrought with obstacles both on the track and off, Wink faced each challenge with passion and a steadfast spirit. Along the way he carved out a lasting legacy as one…
Before I could walk, horses were my passion and every thought. At five, Blackie came into my life a black Shetland stud and from there, I've never stopped enjoying a life with horses. Having been born in the 1970's I witnessed some of the horse racing greats from the television, and ever since the Thoroughbred racehorse has been my favorite breed. I've been involved in a variety of ways with the rehabilitation and transition of the thoroughbred from the track to new careers. My most beloved OTTB, Blue Blue Sea, overcame so much, and naturally, I had to memorialize his amazing life as a book.
While learning letters youngsters can also learn about the most exciting two minutes in sports. Jaime Corum's illustrations are deeply moving and the action springs to life through them and the poetry that Helen Wilbur's words provide. Although a young reader wouldn't be able to read the book to themselves, that is actually a benefit. I love how the book demands that an adult sit down, slow time, and enjoy it with the youngster they are reading to. There is no more beautiful ride than that.
The Kentucky Derby is the oldest continuous sporting event in the United States. But don't call it just a horse race. This annual May event, known as "the most exciting two minutes in sports," is steeped in tradition and pageantry far beyond what happens on the track. Following the alphabet, D is for Derby: A Kentucky Derby Alphabet uses poetry and expository text to explain this world-famous event. Topics include famous jockeys, legendary horses, fabled Bluegrass farms and owners, as well as offering a behind-the scenes view of thoroughbred breeding and racing. Readers young and old, along with horse enthusiasts…
Growing up, I was one of “those” horse-crazy girls who devoured every Black Stallion and Marguerite Henry book that I could get my hands on. At sixteen I began working at Atlantic City Racecourse in the summer and after I graduated college with a B.S. in Animal Science, I became a trainer of Thoroughbred racehorses. For thirteen wonderful years, I raced horses in New Jersey, Delaware, and Pennsylvania. Due to my insider’s knowledge of the horse racing industry, I based my book selections on accuracy as well as story.
One look at Ruffian and you knew she was a star. Those long legs, that fire in her eye. And when she ran, it was nothing short of magic. Jane Schwartz captures the heart and soul of the brilliant filly from her wobbly first steps to her devastating last breath. And yes, this book will make you cry.
"A colorful story...Ruffian was nothing if not a heartbreaker. Her story, dramatically recounted by Jane Scwartz, epitomizes both the adrenaline-pumping glory and gut-wrenching ruthlessness inherent in the sport of horse racing." THE WASHINGTON POST BOOK WORLD Here is the story f the exceptional filly, a horse so dominating, she was likened to legend. Beginning with her earliest days in Kentucky, the book follows Ruffian at every stage of her career and through the agony of her final hours--venturing behind the scenes of the racing world, and exploring the politics and personalities that came together to shape this exroardiinary filly's life.
I grew up in a small town myself and have always loved books that create characters from the setting. I want to feel immersed and captivated by the place, as well as the people and stories within the pages. The setting of an eerie small town is one of my favorites, because of the feeling that anything magical or mysterious could happen there. My book Starling takes place in a strange small town where odd things are everyday occurrences. There are many books that use small towns as setting for a speculative story, but these are some of my favorites!
This book is small town Americana at its best—and at its strangest, and most magical. It reflects on the bittersweet moments after high school in a rural Kentucky town. When our main character starts seeing strange things that aren’t really there (or are they?) and she meets a mysterious boy, her entire future may change forever. It’s like a surrealist Friday Night Lights, full of heart and destiny and the paths not taken.
Natalie's last summer in her small Kentucky hometown is off to a magical start...until she starts seeing the "wrong things." They're just momentary glimpses at first - her front door is red instead of its usual green, there's a pre- school where the garden store should be. But then her whole town disappears for hours, fading away into rolling hills and grazing buffalo, and Nat knows something isn't right. That's when she gets a visit from the kind but mysterious apparition she calls "Grandmother," who tells her: "You have three months to save him." The next night, under the stadium…
